History

Toon Tuesday: The Beatles were going to be ” … a flash in the pan”?! Or said Walt Disney

Animation legend Floyd Norman now concludes his four-part series on “The Jungle Book.” This time around, Floyd talks about working with Sterling Holloway on the character of Kaa. Plus Walt’s interesting asessment of the boys from Liverpool

Published

18 years ago

September 25, 2006

Floyd Norman

A meeting with Walt Disney always guaranteed one thing. After it was over there would be little doubt if you had succeeded or failed. Lucky for me, my teammate was one of Disney’s best. Vance Gerry pitched the Kaa sequence in his own casual manner. There was none of the showmanship and pizzazz that some story guys exhibit. Vance simply walked us through the sequence letting the drawings speak for themselves. Vance knew that Walt hated being bamboozled. If the story wasn’t working, he would know it soon enough. Our office was pretty crowded that day. You’ll note I said, our office and not conference room. In those days, the meetings were held in the story man’s office. No need to drag storyboards down hallways to a meeting room. I still wonder why this sensible system was abandoned?

Mentor and friend, Vance Gerry. He was an awesome Disney storyman.

The Old Maestro was not known for handing out compliments. I remember songwriter, Richard M. Sherman speaking of an incident where he and his brother played a new song for Walt some years ago. Disney listened for a bit, and then said, “That’ll work.” The Shermans’ were delighted. That simple statement was a pretty good indication they had “hit one out of the park.”

At the conclusion of Vance’s pitch, Walt turned to our director, Woolie Reitherman and said, “We could use a song here. I’ll get the Sherman brothers to write something for you guys.” And with that, the boss excused himself, and moved on to other matters. Woolie, Larry Clemmons, Don Griffith, Frank Thomas and “the boys” shuffled out of the room delighted that the meeting had gone so well. Vance Gerry had a slight smile on his face. That was pretty much all the emotion my laid back partner was going to show.

Many years ago, my mom took me to see Walt Disney’s “Dumbo” at the Fox Theater in Santa Barbara. Sterling Holloway voiced the stork that delivered little Dumbo to his mom, and it’s a voice I’ll never forget. Over the years I would hear that same voice in numerous Disney features. Holloway, in his own way was a Disney legend. So, you can imagine how I felt that day in Recording Stage A as I watched and listened to Sterling Holloway record the song, “Trust in Me.” The quirky actor sat on a tall stool in a pool of light. There was a music stand in front, and a boom microphone looming above in the large recording stage.

The quirky Sterling Holloway.
Without a doubt my favorite Disney voice actor.

George Bruns scored the music for “The Jungle Book.” Disney, like most film studios of the day kept creative people on staff, and George had become part of the Disney family. He also played in Ward Kimball‘s jazz band, The Firehouse Five plus Two, and I was lucky enough to jam with these talented musicians one Saturday afternoon. I was playing a borrowed saxophone that had seen better days. Whenever the battered horn squawked, Kimball would yell at me. “Play whole notes, just play whole notes!” Today, it was back to business, and Bruns lifted his baton, and the music began. Holloway weaved on his stool as he sang. He was quite a sight with his red hair and wide eyes. Sterling Holloway suddenly became Kaa the Snake, and I watched him intently, eager to incorporate much of his mannerisms into my boards. Yet, time has a way of moving on, and I did not see the talented actor again until the early nineties when he returned to the Disney studio to be honored as a Disney legend. Sterling Holloway passed away in the early nineties. His distinctive voice replaced by Jim Cummings in “The Tigger Movie,” a Winnie the Pooh feature directed by Jun Falkenstein. I did story on that film as well, and I’ll always regret not getting to work with Sterling Holloway one last time.

While we’re on the subject of music, did you know we were going to do a Beatles number in “The Jungle Book?” That’s right, the song, “We’re Your Friends” initially had a rock beat not unlike a popular singing group recently imported from the U.K. As the popularity of this longhaired group continued to soar, we thought, why not incorporate this pop style into our film? However, Walt Disney was no fan of the fab four. He saw them as a flash in the pan, and said they would be forgotten in a few years. Walt suggested we stick with something that would never go out of style, such as a barbershop quartet. I confess I didn’t totally agree with Walt on this one, but I did get to take home a handful of Beatles albums that the studio had paid for. As for the singing group, I think Walt Disney might have been surprised. Rather than being forgotten, the Beatles went on to achieve some degree of popularity for a few more years.

Sure they look depressed.
They must have heard Walt say the Beatles had no future.

Finally, there remained the little matter of getting Mowgli back to the Man Village. That was the all-important scene that wraps up the film. And, here we have another instance where the answer is right in front of your face, but you fail to see it. We had gone around and around trying to find a reason that would motivate Mowgli to leave the jungle, but nothing seemed to resonate. “It’s simple,” said the Old Maestro. “He sees the little girl and follows her.” “But, Walt,” we sputtered. “He’s a little kid. He wouldn’t have any interest in girls at that age.” “Do it,” said Disney. “It’ll work!” If you’ve seen “The Jungle Book,” I think you’ll agree with Walt Disney, that it does work.

By the way, the cute little girl at the films’ end is the work of Directing Animator Ollie Johnston. It’s just plain adorable. Is there any doubt the man is a genius? My favorite line in the movie is when the trio sees the little girl. Baloo warns Mowgli to “Stay away from those things. They ain’t nothing but trouble.”

I guess I could go on and on with more stories. Frank Thomas animated most of that sequence that Vance and I boarded, and boy does he make us look good. On another note, one of the actors doing a vulture’s voice in the movie was Digby Wolfe, a producer I would later work for as a writer on television shows, “Laugh-In” and “Turn On.” Although we didn’t think that much of “The Jungle Book” at the time, Vance and I continue to be amazed at how much this film is loved by Disney fans. Many young artists tell me this movie inspired them to seek a career in animation.

Finally, there’s the little matter of screen credits. Did you notice that Disney story legend Bill Peet doesn’t have a credit on “The Jungle Book” even though he labored on the film for over a year? As a matter of fact, not one story artist (with the exception of Vance Gerry) has a credit on the film. Unlike today, screen credits were not automatic, and one often waited for years to finally see their name on the screen. Many artists never received a Disney screen credit. My first credit was garnered for “The Hunchback of Notre Dame” in 1996 even though I had started at Disney decades earlier. No matter. I was given the opportunity to work with Walt Disney on his final film. That alone is all the reward this animation old timer will ever need.

I’m often asked the question, what’s your favorite animated film? For a lot of reasons it always comes back to “The Jungle Book.” Back in the fifties and sixties, cartoon making was fun. Unlike today, where animated features represent an investment of millions of dollars, we were unimportant, and consequently we were left alone. And being left alone is what allows creators to do their best work. Even a hands-on boss like Walt Disney understood that. When something failed to work, he simply said, “fix it,” and left us alone to solve the problem. If only today’s producers had the wisdom of Walt Disney, and were smart enough to trust their talent.

Baloo’s “death” at the end of the movie.
You didn’t really believe he was dead, did you?

When I watch “The Jungle Book” today, it’s difficult to believe I was ever part of this animation classic. It was so long ago, yet somehow it still feels like yesterday. Most of the “Old Boys” have since passed on, and a new generation of animation artists is hard at work building their own legacy. As these new kids labor over their drawing boards and computer screens at such studios as Disney, DreamWorks, Blue Sky and Pixar, I can only hope they’re having lots of fun.

We sure the hell did.

Did you enjoy the final installment of Floyd’s four-part series about the production of “The Jungle Book”? … Speaking of multi-part stories, Mr. Norman has three (count ’em — three!) great collections of his cartoons currently on the market. All of which take an affectionate look at his career in animation.

These include Floyd’s original collection of cartoons and stories — “Faster! Cheaper! The Flip Side of the Art of Animation” (which is available for sale over at John Cawley’s cataroo.com) as well as two follow-ups to that book, “Son of Faster, Cheaper” & “How the Grinch Stole Disney.” Which you can purchase by heading over to Afrokids.com.

History

The Evolution and History of Mickey’s ToonTown

Published

11 months ago

February 7, 2024

Jim Hill

Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all. Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?

There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.

The Beginning: Mickey’s Birthdayland

The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.

In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.

Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.

From Concept to Reality: The Birth of Toontown

In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.

Building Challenges: Innovative Solutions

The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.

And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.

Key Attractions: Bringing Animation to Life

Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.

Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.

Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.

Executive Decisions: Shaping ToonTown’s Unique Attractions

The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.

In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.

These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.

Global Influence: Toontown’s Worldwide Appeal

The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.

Evolution and Reimagining: Toontown Today

As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.

Dive Deeper into ToonTown’s Story

Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!

History

Unpacking the History of the Pixar Place Hotel

Published

11 months ago

January 30, 2024

Jim Hill

Pixar Place Hotel, the newly unveiled 15-story tower at the Disneyland Resort, has been making waves in the Disney community. With its unique Pixar-themed design, it promises to be a favorite among visitors.

However, before we delve into this exciting addition to the Disneyland Resort, let’s take a look at the fascinating history of this remarkable hotel.

The Emergence of the Disneyland Hotel

To truly appreciate the story of the Pixar Place Hotel, we must turn back the clock to the early days of Disneyland. While Walt Disney had the visionary ideas and funding to create the iconic theme park, he faced a challenge when it came to providing accommodations for the park’s visitors. This is where his friend Jack Wrather enters the picture.

Jack Wrather, a fellow pioneer in the television industry, stepped in to assist Walt Disney in realizing his dream. Thanks to the success of the “Lassie” TV show produced by Wrather’s company, he had the financial means to build a hotel right across from Disneyland.

The result was the Disneyland Hotel, which opened its doors in October 1955. Interestingly, the early incarnation of this hotel had more of a motel feel than a hotel, with two-story buildings reminiscent of the roadside motels popular during the 1950s. The initial Disneyland Hotel consisted of modest structures that catered to visitors looking for affordable lodging close to the park. While the rooms were basic, it marked the beginning of something extraordinary.

The Evolution: From Emerald of Anaheim to Paradise Pier

As Disneyland’s popularity continued to soar, so did the demand for expansion and improved accommodations. In 1962, the addition of an 11-story tower transformed the Disneyland Hotel, marking a significant transition from a motel to a full-fledged hotel.

The addition of the 11-story tower elevated the Disneyland Hotel into a more prominent presence on the Anaheim skyline. At the time, it was the tallest structure in all of Orange County. The hotel’s prime location across from Disneyland made it an ideal choice for visitors. With the introduction of the monorail linking the park and the hotel, accessibility became even more convenient. Unique features like the Japanese-themed reflecting pools added to the hotel’s charm, reflecting a cultural influence that extended beyond Disney’s borders.

Japanese Tourism and Its Impact

During the 1960s and 1970s, Disneyland was attracting visitors from all corners of the world, including Japan. A significant number of Japanese tourists flocked to Anaheim to experience Walt Disney’s creation. To cater to this growing market, it wasn’t just the Disneyland Hotel that aimed to capture the attention of Japanese tourists. The Japanese Village in Buena Park, inspired by a similar attraction in Nara, Japan, was another significant spot.

These attractions sought to provide a taste of Japanese culture and hospitality, showcasing elements like tea ceremonies and beautiful ponds with rare carp and black swans. However, the Japanese Village closed its doors in 1975, likely due to the highly competitive nature of the Southern California tourist market.

The Emergence of the Emerald of Anaheim

With the surge in Japanese tourism, an opportunity arose—the construction of the Emerald of Anaheim, later known as the Disneyland Pacific Hotel. In May 1984, this 15-story hotel opened its doors.

What made the Emerald unique was its ownership. It was built not by The Walt Disney Company or the Oriental Land Company (which operated Tokyo Disneyland) but by the Tokyu Group. This group of Japanese businessmen already had a pair of hotels in Hawaii and saw potential in Anaheim’s proximity to Disneyland. Thus, they decided to embark on this new venture, specifically designed to cater to Japanese tourists looking to experience Southern California.

Financial Challenges and a Changing Landscape

The late 1980s brought about two significant financial crises in Japan—the crash of the NIKKEI stock market and the collapse of the Japanese real estate market. These crises had far-reaching effects, causing Japanese tourists to postpone or cancel their trips to the United States. As a result, reservations at the Emerald of Anaheim dwindled.

To adapt to these challenging times, the Tokyu Group merged the Emerald brand with its Pacific hotel chain, attempting to weather the storm. However, the financial turmoil took its toll on the Emerald, and changes were imminent.

The Transition to the Disneyland Pacific Hotel

In 1995, The Walt Disney Company took a significant step by purchasing the hotel formerly known as the Emerald of Anaheim for $35 million. This acquisition marked a change in the hotel’s fortunes. With Disney now in control, the hotel underwent a name change, becoming the Disneyland Pacific Hotel.

Transformation to Paradise Pier

The next phase of transformation occurred when Disney decided to rebrand the hotel as Paradise Pier Hotel. This decision aligned with Disney’s broader vision for the Disneyland Resort.

While the structural changes were limited, the hotel underwent a significant cosmetic makeover. Its exterior was painted to complement the color scheme of Paradise Pier, and wave-shaped crenellations adorned the rooftop, creating an illusion of seaside charm. This transformation was Disney’s attempt to seamlessly integrate the hotel into the Paradise Pier theme of Disney’s California Adventure Park.

Looking Beyond Paradise Pier: The Shift to Pixar Place

In 2018, Disneyland Resort rebranded Paradise Pier as Pixar Pier, a thematic area dedicated to celebrating the beloved characters and stories from Pixar Animation Studios. As a part of this transition, it became evident that the hotel formally known as the Disneyland Pacific Hotel could no longer maintain its Paradise Pier theme.

With Pixar Pier in full swing and two successful Pixar-themed hotels (Toy Story Hotels in Shanghai Disneyland and Tokyo Disneyland), Disney decided to embark on a new venture—a hotel that would celebrate the vast world of Pixar. The result is Pixar Place Hotel, a 15-story tower that embraces the characters and stories from multiple Pixar movies and shorts. This fully Pixar-themed hotel is a first of its kind in the United States.

The Future of Pixar Place and Disneyland Resort

As we look ahead to the future, the Disneyland Resort continues to evolve. The recent news of a proposed $1.9 billion expansion as part of the Disneyland Forward project indicates that the area surrounding Pixar Place is expected to see further changes. Disneyland’s rich history and innovative spirit continue to shape its destiny.

In conclusion, the history of the Pixar Place Hotel is a testament to the ever-changing landscape of Disneyland Resort. From its humble beginnings as the Disneyland Hotel to its transformation into the fully Pixar-themed Pixar Place Hotel, this establishment has undergone several iterations. As Disneyland Resort continues to grow and adapt, we can only imagine what exciting developments lie ahead for this iconic destination.

If you want to hear more stories about the History of the Pixar Place hotel, check our special edition of Disney Unpacked over on YouTube.

Stay tuned for more updates and developments as we continue to explore the fascinating world of Disney, one story at a time.

History

From Birthday Wishes to Toontown Dreams: How Toontown Came to Be

Published

11 months ago

January 14, 2024

Jim Hill

In the latest release of Episode 4 of Disney Unpacked, Len and I return, joined as always by Disney Imagineering legend, Jim Shull. This two-part episode covers all things Mickey’s Birthday Land and how it ultimately led to the inspiration behind Disneyland’s fan-favorite land, “Toontown”. But let’s not get ahead of ourselves here. It all starts in the early days at Disneyland.

Early Challenges in Meeting Mickey

Picture this: it’s the late 1970s and early 1980s, and you’re at Disneyland. You want to meet the one and only Mickey Mouse, but there’s no clear way to make it happen. You rely on Character Guides, those daily printed sheets that point you in Mickey’s general direction. But let’s be honest, it was like finding a needle in a haystack. Sometimes, you got lucky; other times, not so much.

Mickey’s Birthdayland: A Birthday Wish that Came True

Fast forward to the late 1980s. Disney World faced a big challenge. The Disney-MGM Studios Theme Park was under construction, with the company’s marketing machine in full swing, hyping up the opening of Walt Disney World’s third theme park, MGM Studios, in the Spring of 1989. This extensive marketing meant that many people were opting to postpone their family’s next trip to Walt Disney World until the following year. Walt Disney World needed something compelling to motivate guests to visit Florida in 1988, the year before Disney MGM Studios opened.

Enter stage left, Mickey’s Birthdayland. For the first time ever, an entire land was dedicated to a single character – and not just any character, but the mouse who started it all. Meeting Mickey was no longer a game of chance; it was practically guaranteed.

The Birth of Birthdayland: Creative Brilliance Meets Practicality

In this episode, we dissect the birth of Mickey’s Birthdayland, an initiative that went beyond celebrating a birthday. It was a calculated move, driven by guest feedback and a need to address issues dating back to 1971. Imagineers faced the monumental task of designing an experience that honored Mickey while efficiently managing the crowds. This required the perfect blend of creative flair and logistical prowess – a hallmark of Disney’s approach to theme park design.

Evolution: From Birthdayland to Toontown

The success of Mickey’s Birthdayland was a real game-changer, setting the stage for the birth of Toontown – an entire land that elevated character-centric areas to monumental new heights. Toontown wasn’t merely a spot to meet characters; it was an immersive experience that brought Disney animation to life. In the episode, we explore its innovative designs, playful architecture, and how every nook and cranny tells a story.

Impact on Disney Parks and Guests

Mickey’s Birthdayland and Toontown didn’t just reshape the physical landscape of Disney parks; they transformed the very essence of the guest experience. These lands introduced groundbreaking ways for visitors to connect with their beloved characters, making their Disney vacations even more unforgettable.

Beyond Attractions: A Cultural Influence

But the influence of these lands goes beyond mere attractions. Our episode delves into how Mickey’s Birthdayland and Toontown left an indelible mark on Disney’s culture, reflecting the company’s relentless dedication to innovation and guest satisfaction. It’s a journey into how a single idea can grow into a cherished cornerstone of the Disney Park experience.

Interested in learning about Jim Shull’s original idea for a Winnie the Pooh ride? Here’s concept art of the attraction proposed for the original Toontown in Disneyland. More on [Disney Unpacked].

Unwrapping the Full Story of Mickey’s Birthdayland

Our two-part episode of Disney Unpacked is available for your viewing pleasure on our Patreon page. And for those seeking a quicker Disney fix, we’ve got a condensed version waiting for you on our YouTube channel. Thank you for being a part of our Disney Unpacked community. Stay tuned for more episodes as we continue to “Unpack” the fascinating world of Disney, one story at a time.