Browse by Tags

• 101 Dalmatians
• 1949
• 1960
• 1960s
• 1961
• A Walt Disney Production
• actor
• Afrokids.com
• album
• animation
• Animation Building
• animators
• Annette Funicello
• ant
• ants
• artwork
• attraction
• book
• books
• boxing movie
• Brian Keith
• Bud Swift
• Burbank lot
• B-Wing
• California
• camera optics
• cataroo.com
• Charlie Ruggles
• coffee machine
• coffee maker
• column
• comedy writing
• compositing
• corporate
• crazy
• creative
• director
• Director of Photography
• Disney
• Disney art
• Disney artist
• Disney backlot
• Disney Commissary
• Disney geek
• Disney history
• Disney Legend
• Disney staffers
• Disneyland
• Disney's Animation Building
• donut
• donut machine
• donuts
• Dopey Drive
• D-Wing
• electronic music
• Faster! Cheaper! The Flip Side of the Art of Animation
• Favorites list
• Floyd Norman
• Frank DeVol
• Frank Thomas
• F-Wing
• gags
• Glendale
• handler
• Hayley Mills
• Hollywood
• Pollyanna
• press agent
• radio
• redhead
• Robert Keith
• rock band
• screen double
• screenplay
• scriptwriting
• sculptor
• sculpture
• shameless plugging
• sodium matte process
• Son of Faster Cheaper
• sound stage
• space epic
• special effects
• special photographic technique
• Stage Two
• studio commissary
• television show
• The Rifleman
• The Walt Disney Company
• theme park
• Toontown
• United States Air Force
• vending machine
• Wagon Train
• Wally Cox
• Walt Disney
• Walt Disney Productions
• Walt Disney Studios
• Ward Kimball
• writer/director

• Toon Thursday : Mermaids, donuts and musical concrete

  Disney Legend Floyd Norman is back with a trio of wild & wacky stories from his days at the Mouse House. And did we mention that Mr. Fun now has his very own blog ? Read More... Posted Thursday, April 17, 2008 12:00 AM | 5 Comments Filed under: animation, Disney, movies, books, Walt Disney Studios, Walt Disney, Ward Kimball, 1960s, Mouse House, Glendale, Burbank, The Walt Disney Company, Imagineering, Disneyland, theme park, Disney Legend, Toontown, Faster! Cheaper! The Flip Side of the Art of Animation, cataroo.com, How the Grinch Stole Disney, Afrokids.com, Son of Faster Cheaper, Animation Building, animators, Bob's Big Boy , artwork , Disney history , Walt Disney Productions , 1940s , Burbank lot , Jim Hill , Floyd Norman, JHM , Mr. Fun , Mr. Fun's Blog, JimHillMedia, Favorites list , shameless plugging , column, Disney's Animation Building , Disney art , crazy, creative , corporate , rock band, album, Music Concrete, electronic music, space epic , F-Wing , old Animation Building, coffee machine, coffee maker , vending machine, donuts, donut, donut machine , ants, ant, Disney artist , Disney staffers , gags, Jack Fergus, sculptor , attraction, sculpture , B-Wing, mermaid , Disney backlot , boxing movie , Dopey Drive, movers, moving crew , book

• Caught in "The Parent Trap" -- Part I

  In the first installment of this new two-part series, Disney Legend Floyd Norman describes what it was like to visit the set of this 1961 David Swift film Read More... Posted Wednesday, March 19, 2008 12:00 AM | 5 Comments Filed under: Disney, Walt Disney Studios, Walt Disney, Ward Kimball, 101 Dalmatians, 1960s, Hollywood, Burbank, The Walt Disney Company, Disney Legend, D-Wing , Animation Building, Frank Thomas, Disney Commissary , California, television show, director, Disney history , The Parent Trap , 1960, Annette Funicello, Hayley Mills , Pollyanna, A Walt Disney Production , Walt Disney Productions , writer/director , Disney geek, Bud Swift , Minneapolis, Minnesota , 1940s , United States Air Force , radio , comedy writing , 1949, television , scriptwriting, screenplay, Philco Television Playhouse , Playhouse 90, The Rifleman, Wagon Train , television series , Mr. Peepers, Wally Cox, Jamie, 1961, Petticoats and Blue Jeans , sound stage, Maureen O'Hara , Brian Keith, Leo G Carroll, Charlie Ruggles, Nancy Kulp , Frank DeVol , on location, Northern California, Stage Two, Director of Photography , Hollywood veteran , Lucien Ballard , Old Hollywood, special effects , screen double, special photographic technique , camera optics , sodium matte process , compositing , on-camera double, redhead , Burbank lot , studio commissary, Robert Keith , Julie Andrews , actor, press agent , handler, motion picture