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• Toon Tuesday: What was it like to work at the Mouse Factory back in the 1950s?

  Disney Legend Floyd Norman talks about what it was like to work at Walt Disney Studios in the post-strike era. And to Floyd's way of thinking, "The Bad Old Days" were pretty darned good Read More... Posted Tuesday, October 06, 2009 12:00 AM | 5 Comments Filed under: animation, Disney, Walt Disney Studios, Walt Disney, 1950s, Hollywood, Burbank, Animation Building, Disney Commissary , California, Los Angeles , instruction, artwork , 1941 , animators strike , Walt Disney Productions , sound stage, Old Hollywood, Burbank lot , motion picture, Disney artist , Dopey Drive, good times , Disney animator , The Great Depression, artists, job, Silver Lake , animated film, young animators, Disney shorts , master animator, industry veterans , job security, animation professionals, Roy Disney, production, production team , film, animated feature film, motion pictures, leader, legacy, Riverside Drive, animated feature, animation training class, animation department

• Caught in "The Parent Trap" -- Part I

  In the first installment of this new two-part series, Disney Legend Floyd Norman describes what it was like to visit the set of this 1961 David Swift film Read More... Posted Wednesday, March 19, 2008 12:00 AM | 5 Comments Filed under: Disney, Walt Disney Studios, Walt Disney, Ward Kimball, 101 Dalmatians, 1960s, Hollywood, Burbank, The Walt Disney Company, Disney Legend, D-Wing , Animation Building, Frank Thomas, Disney Commissary , California, television show, director, Disney history , The Parent Trap , 1960, Annette Funicello, Hayley Mills , Pollyanna, A Walt Disney Production , Walt Disney Productions , writer/director , Disney geek, Bud Swift , Minneapolis, Minnesota , 1940s , United States Air Force , radio , comedy writing , 1949, television , scriptwriting, screenplay, Philco Television Playhouse , Playhouse 90, The Rifleman, Wagon Train , television series , Mr. Peepers, Wally Cox, Jamie, 1961, Petticoats and Blue Jeans , sound stage, Maureen O'Hara , Brian Keith, Leo G Carroll, Charlie Ruggles, Nancy Kulp , Frank DeVol , on location, Northern California, Stage Two, Director of Photography , Hollywood veteran , Lucien Ballard , Old Hollywood, special effects , screen double, special photographic technique , camera optics , sodium matte process , compositing , on-camera double, redhead , Burbank lot , studio commissary, Robert Keith , Julie Andrews , actor, press agent , handler, motion picture