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Why For? : What happened to the Geyser Mountain ride Imagineers hoped to add to Disneyland

Jim Hill returns with even more answers to your Disney related questions. This time around, he gushes about Geyser Mountain, puzzles over what was Disney's biggest missed opportunity (movie-wise) might have been, then offers up suggestions about which Disneyland Paris book to pick up.

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Geyser Mountain

First up, DISNEYFREEK writes in to ask:

Jim,

LOVE the site, man. Great work and I love reading your articles / reports. Next time I go down to the states, I’ll take the (JHM) Disney tour.

I heard a rumor once regarding a geyser ride in Frontierland? Any truth to this?

Keep up the good work!

Yep, “Geyser Mountain” was a really-for-real project. A new thrill ride that the Imagineers had hoped to add to Disneyland a few years back. Out where the now-unused Big Thunder Ranch / the Festival of Fool arena stage area currently sits empty and unused.

So what exactly would this proposed new thrill ride for Frontierland have been like? Well, you know how Epcot’s “Body Wars” is really just a variation on the “Star Tours” simulator attraction? Using the exact same technology to tell a somewhat different story? Well “Geyser Mountain” was supposed to have been done pretty much the same thing with “Tower of Terror”‘s powered drop ride system. Only — instead of sending Disneyland guests screaming down an elevator shaft — GM would have its riders hurtling skyward. Supposedly powered by an unexpected geothermal eruption.

To explain: If “Geyser Mountain” had actually been built out back where Fantasyland and Frontierland meet, your adventure would have begun as you follow a trail out into a rough wilderness area that looked very much like a continuation of Big Thunder Mountain. So think lots more pine trees, scenic buttes as well as Bryce Canyon-like spires.

But bordering the queue of the attraction there would have been several steaming hot springs, many bubbling mud pots and some small sputtering geysers. So — as you moved deeper into the woods — you would have automatically thought: “Gee, there’s a lot of geothermal activity back in this part of the wilderness. No wonder they call this area ‘Geyser Mountain’.”

Finally, you come to a clearing in the forest. There — in front of you — is a tumbledown cabin with a barn attached. And behind this … the craggy peak of Geyser Mountain. Which would rumble ominously every now and then. And what’s that you hear in the distance? Could that be … people screaming?

Okay. Out in front of the cabin is a yard full of weird machinery. Which fills you in on a bit of the back story for this new Frontierland attraction. How the house that you’re about to enter is the home of this eccentric inventor. The guy who actually built the amazing mining rig that was used to dig all those tunnels through Big Thunder Mountain (so the miners could go in and harvest all that gold).

Once you enter the inventor’s house, you’ll learn that — prior to tunneling through the mountainside over at Big Thunder — this guy tried out his new invention by digging dozens of test holes in the side of Geyser Mountain. And — while he was testing his mining rig — this guy discovered many strange and wondrous things under the ground.

To re-enforce this idea, the inventor’s study would have been full of colorful crystals and enormous geodes that he’d recovered while tunneling under Geyser Mountain. There are also black and white photographs of some truly impressive stalagmite and stalactite formations that he must have encountered (and photographed) while exploring the underworld.

But the most intriguing (or should we say foreboding?) decoration in the inventor’s study is a hand-drawn map of the interior of Geyser Mountain. Which is pinned up to one wall and clearly shows the networks of tunnels that crisscross through the mountainside. There — at the very center of the map — is a drawing and description of this extremely fierce, totally unpredictable but extremely powerful geyser that intermittently erupts from deep down inside the mountain.

Also on this hand-drawn map is a note that the inventor has written to himself, reminding him about a certain bridge that he’d installed at the very heart of Geyser Mountain. The note reads: “Reminder to self: Temporary bridge has been taking an awful pounding from geyser eruptions. Must remember to make repairs.” The only problem is … this note is dated back in the early 1920s.

Okay. Exiting the study, we now find ourselves in the barn. Where — surprise, surprise — Disney officials have recently found the amazing mining machine that our eccentric inventor used for digging all those tunnels over at Big Thunder Mountain. Now the Mouse invites us to climb on board this lethal looking machine (remember the rig that Gaeten Moliere drove around in while he was tunneling under the Earth in “Atlantis: The Lost Empire” … well, this new Frontierland ride vehicle was supposed to look a lot like that) for a trip over, around and under Geyser Mountain.

So we do. And — with a teeth rattling rumble — we roar out of the barn for a trip that promises to replace BTMRR as the NEW “wildest ride in the wilderness.”

Okay. So how many of you out there remember the Rainbow Caverns sequence in Frontierland’s old “Mine Train through Nature’s Wonderland” ride? Well, the initial portion of your trip through Geyser Mountain would have been a lot like that. Your vehicle rumbling through several very colorful sequences done with black light. Rolling by giant glowing crystals and fantastic underground waterfalls.

And — as your ride vehicle moved further and further up the side of Geyser Mountain — you would have encountered other little tributes to DL’s “Mine Train to Nature’s Wonderland” ride. Clever recreations and/or tributes to various vignettes from that late, great Frontierland attraction.

But as you reach the very top of the mountain and — after admiring the view from up there — begin to make your descent back to the inventor’s cabin … a recent landside has blocked our return route. The only way back down Geyser Mountain now is to go across that rickety old bridge. (Remember the one that we were shown back in the eccentric inventor’s study? That one that was shown in that hand-drawn map that was pinned up on the wall? That extremely old, in-really-rough-shape bridge that was in need of repairs?)

So our mining machine slowly starts across the rickety old bridge. The ancient span of timbers creaks ominously as this heavy piece of equipment chugs across the darkened chasm. The only light in this entire area is the sunlight that’s coming pouring in from above. (As further proof that this area is geologically unstable, the top of Geyser Mountain appears to have been blown off in some previous eruption. So think of this section of the ride as being set inside of the cone of some sort of dormant volcano)

As our vehicle reaches the center of the bridge, the span suddenly starts to sag in the middle. As the amazing mining machine tilts to one side, we all think we’re all about to fall to our deaths. Once the bridge collapses, we’ll be impaled on all those lethal looking stalagmites below. It all seems so hopeless. But then …

What’s that rumbling sound? Oh, no! This situation couldn’t get worse. Or could it? Geyser Mountain is about to erupt!!

And — with that — seemingly heaved up off the collapsing bridge and into the air by the power of the geyser, our mining rig is thrown straight up into the sky. We literally seem to bounce up and down on top of this powerful stream of super-heated water. For just a moment, our vehicle pops out of the top of Geyser Mountain itself. We get a brief glimpse of the Rivers of America below us. The top of Splash Mountain off in the distance.

Luckily, the force of that geyser has heaved us out of the chasm, away from that collapsing bridge. We land safely on the rim of Geyser Mountain, then quickly rumble back down to the barn. We climb out of our ride vehicle and stumble into the nearby gift shop. Happy to have survived our recent brush with death.

So do you get the idea here, DISNEYFREEK? Where “Twilight Zone Tower of Terror” uses powerful elevator motors to send guests hurtling toward the ground at faster-than-gravity speeds, “Geyser Mountain” would have used this same technology to send you soaring into the sky. Supposedly bouncing in a super-heated stream of water that was being expelled by this massive geyser.

Sounds like a neat ride, doesn’t it? Well, the Imagineers certainly thought so. Which is why they had models made of Geyser Mountain. (I just saw one — not too long ago — when I was visiting friends at WDI.) Then they talked to Team Disney Anaheim reps about how this project was the obvious way to re-energize DL’s tired old Frontierland. Which has gotten increasingly tame (and lame) over the past 10 years. Not to mention being a way to take the “Tower of Terror” incredibly-expensive-to-develop ride system and using that technology to create a whole new attraction for the corporation’s West Coast sort for about a 1/3rd of what the original TOT attraction cost.

But — of course — cost ended up being a decisive factor in the Mouse’s decision to ultimately hold off on adding “Geyser Mountain” to Disneyland’s roster of rides. Mind you, GM did look like it was going to get greenlighted. At least for a little while.

That’s why DL officials let the Imagineers do some prep work for the project. Which is why Cascade Peak (which had been a Frontierland landmark since 1960) got pulled down in October of 1998. Because WDI had hoped that — once this aged structure was out of the way — it would be that much easier for Walt Disney Company management to officially greenlight construction of this new DL thrill ride.

Sadly, that never happened, DISNEYFREEK. Had everything gone according to plan, “Geyser Mountain” would have been up and running at Disneyland by this past summer. It was supposed to have been the attraction that would have lured visitors away from the wonderful new theme park that had been built next to “The Happiest Place on Earth,” Disney’s California Adventure.

But since it turned out that DCA was going to need all the help it can get in order to lure DLR guests to come through its turnstiles, that’s why the Walt Disney Company ultimately decided to bag the idea of building a “Geyser Mountain” in Anaheim and opted instead to bring a clone of that already-established-hit-thrill-ride, “The Twilight Zone Tower of Terror” to California Adventure instead. With the hope that a Southern California version of this Disney-MGM favorite might help DCA from going DOA.

But — by doing that — Disneyland officials pretty much snuffed out any chance of a version of “Geyser Mountain” will ever get built in Anaheim anytime soon. After all, you don’t want to build too many attractions that use the very same technology too close together at the same time. Otherwise, they undercut the effectiveness of one another.

I mean, look what happened over at DCA when “It’s Tough to Be a Bug” and “Kermit the Frog Presents Jim Henson’s Muppetvision 3D” opened up on the very same day in the same park. While both of these shows — which skillfully mix 3D film, in-theater effects and Audio Animatronics to create some memorable entertainment — were huge hits in Central Florida at their respective theme parks (I.E. “Muppetvision” in MGM, “Tough to Be a Bug” in DAK), these two show were greeted with a collective shrug when they both opened at DCA in January 2001. Too much of a good thing. Or should I say “Too much of the same thing?”

Anyway … with construction of “The Twilight Zone Tower of Terror” now nearing completion at Disney’s California Adventure, it now seems quite unlikely that “Geyser Mountain” will be erupting from out behind Disneyland’s Frontierland and Fantasyland area anytime soon. Which is a shame.

Mind you, this doesn’t mean that this ambitious sounding thrill ride is totally dead in the water. After all, good ideas never really die at WDI. So — with luck — this proposed Frontierland ride could (several years down the line. Once the Mouse stops being so stingy about what the corporation is willing to spend on new theme park attractions) could be resurrected as a possible addition for WDW’s Frontierland. Or DLP’s Frontierland. Or TDL’s Frontierland. Or even HKDL’s Frontierland. You get the idea, right?

Me personally? I remain ever hopefully that — someday, somehow — this dynamite-sounding ride will actually make off the drawing board and out in the real world. In a theme park near you very soon.

And I’m guessing the Imagineers feel the same way too. Otherwise, why would they keep that “Geyser Mountain” model out in the open on display? If not to remind themselves that, occasionally, they can still come up with killer ideas for new Disney theme park attractions.

Now if the Mouse House managers would allow WDI to actually get around to building these things.

Next, Loose Eel Ball (Funny pseudonym there) writes in to ask:

Dear Jim:

Since your site seems to love to celebrate all the really bizarre and obscure things that the Walt Disney Company has tried to get off the ground over the years, I was wondering: What’s your favorite lost cause? The Disney project that you wish with all your heart had actually been realized as it was originally planned?

Dear Loose Eel Ball:

Jeese, that’s a tough question to answer. I mean, there are literally dozens of intriguing ideas that never made it off Disney’s drawing boards for one reason or another. Or truly promising projects that wound up being botched for one reason or another.

Take — for example — Disney’s live action version of “Babes in Toyland.” This 1961 Walt Disney Studios release is generally regarded as one of the company’s lesser features. But still, I can’t help but wonder how differently this film would have turned out if the picture’s original director — veteran animator Ward Kimball — had actually been allowed to helm the project. Sadly, Ward and Walt had a falling out just before the start of production on that picture. So Disney replaced Kimball with Jack Donohue. And the end result was one fair-to-middling film fantasy.

Given Ward’s wonderfully weird wit and imagination, I’m fairly certain that any version of “Babes in Toyland” that Kimball had ended up directing would have been infinitely more entertaining that the one that we ended up with. But I guess we’ll never know now.

Disney history is littered with projects like this. So you have to wonder if “The Rainbow Road to Oz” (that Oz picture that Walt tried to get off the ground in the mid-to-late 1950s, which was to have starred the Mouseketeers) would have been any good if Walt had actually put the thing into production. Or — for that matter — if “Return to Oz” (Walt Disney Pictures’ 1984 attempt at revisiting and revitalizing the colorful world that L. Frank Baum so carefully mapped out in his series of “Oz” books. If you haven’t seen this much maligned Walter Murch film for a while, make an effort to do so. Disney’s “Return to Oz” doesn’t deserve the reputation that it has. The movie really is quite entertaining and much more faithful to the actual style and the tone of the Baum books than its more acclaimed predecessor, MGM’s 1939 Academy Award winner, “The Wizard of Oz”) hadn’t had $5 million cut out of its production budget just weeks before shooting was due to begin by then-Disney execs who were suddenly getting nervous about “Oz”‘s enormous price tag.

Even today there are Disney projects that seemingly miss greatness by inches. I may be one of the only people on the planet who actually liked “Geppetto,” that Stephen Schwartz musical that the Mouse presented on “The Wonderful World of Disney” back in May 2000. But even I admit that this made-for-TV project would undoubtedly been infinitely more entertaining if the Mouse had been able to land the actors that they originally wanted for this film.

I mean, instead of Drew Carey in the show’s title role and Julia Louis-Dreyfus as the Blue Fairy, how about Dick Van Dyke as Geppetto and Julie Andrews as the magical creature that gave Pinocchio life. That’s right. The stars of “Mary Poppins” reunited some 35 years after the fact. Wouldn’t that casting coup have made “Geppetto” appointment television during the May 2000 sweeps period?

Sadly, Disney offered this role to Andrews just months after she had had that surgery that had so badly damaged her vocal cords. So Julie reluctantly had to take a pass on the project. Dick Van Dyke, however, was supposedly very interested in playing the part of Geppetto. So much so that — for a time — the Mouse tried to convince Dick’s other famous co-star — Mary Tyler Moore — to come play the Blue Fairy in this made-for-TV musical.

Unfortunately, this “Dick Van Dyke” reunion (for some reason or another) fell through. Which is how we ended up with Drew Carey and Julie Louis-Dreyfus in “Geppetto.” Which was a lot of fun with a number of very charming songs. But it wasn’t really as good as it could have been.

Yeah, the history of Walt Disney Pictures is littered with stories like this. What if “Bedknobs & Broomsticks” had starred Julie Andrews and Ron Moody instead of Angela Lansbury and David Tomlinson? What if “The Watcher in the Woods” (in its original form) hadn’t been so rushed during the final phases of its production? Would this suspense thriller have been more of a success if it had just stuck with its original out-of-this-world ending.

It’s so hard to choose just one story, Loose Eel. So I guess I won’t.

Mind you, when it comes to choosing just one Disney history book, I never have that sort of problem. Particularly when it comes to the Disneyland Paris resort. To explain: Claire T. wrote in this week to ask:

Jim:

I’m please to see that you’re looking to expand your website’s coverage. In particular to start doing stories about both Tokyo Disneyland and Disneyland Paris. And I’ll look forward to reading those articles whenever they turn up on your site.

My problem is … I’m heading over to DLP sometime in the next few weeks. So I’d like to be able to read up on that resort. Learn more about the history of its two theme parks and their back story.

So is there a book that you could recommend me? Something that would allow me to get up to speed quickly? Or should I just wait ’til those DLP articles start popping up on JHM?

Thanks in advance for your help here, Jim. Keep up the great work at your site.

Dear Claire:

Well, those articles about Disneyland Paris SHOULD start popping up on JimHillMedia.com in a week or so. But — until then — if you’d really like to read a great book about Disneyland Paris, then I suggest you pick up a copy of Alain Littaya and Didier Ghez’s “Disneyland Paris: From Sketch to Reality.”

This full color, 320 page volume is something that every serious Disneyana fan should have in their library. Profusely illustrated, this book is filled with dozens of never-seen-outside-of-WDI drawings and paintings which reveal many abandoned ideas for the Parisian theme park. Including a late 1920s / early 1930s version of Main Street U.S.A. where gangsters and flappers would rubbed elbows with DLP’s guests.

There’s lots of great stuff like that to be found in “Disneyland Paris: From Sketch to Reality,” Claire. Early concepts for the castle (including an art deco whatchamacallit — which is topped off by a Sorcerer Mickey — that has to be seen to be believed). Numerous peeks at Nemo’s hidden base (back when the bottom floor of what-was-then-known-as Discovery Mountain would have featured a secret lagoon where a fullscale version of the Nautilus would have sat). Littaya and Ghez’s book is just loaded with stuff like this.

Speaking of Didier, I just heard that Ghez is selling off some of the collector’s editions of “Disneyland Paris: From Sketch to Reality” at reduced prices. Given that this version of the book features four reproductions of concept paintings that were done for this theme park, now might be a great time to take Didier up on his offer.

For more information about how you can pick up a copy of the collector’s edition of “Disneyland Paris: From Sketch to Reality,” Claire T., I suggest that you get ahold of Ghez by sending an e-mail to this address: dghez@hotmail.com. He’ll then pass along the particulars about how you can got about picking up an autographed copy of his great DLP book.

Trust me, Claire. This is the one you really want to read before you head out for that theme park.

Speaking of heading out … that’s it for this week, folks. I hope you enjoyed the assortment of stories that we had up on JHM over the past five. Our aim is to amuse and inform you. If we just ended up annoying you … sorry about that. We’ll try to do better next week, okay?

Til then, you take care, okay?

jrh

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Television & Shows

How the Creators of South Park Tricked A-List Celebrities to Roast Universal – “Your Studio & You”

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Your Studio and You

Universal Studios has a rich and storied history, but few moments are as peculiar—and as hilariously cutting—as the creation of Your Studio & You. This 14-minute parody film, commissioned in 1995 to celebrate Universal’s new ownership under Seagram’s, brings together an all-star cast, biting humor, and the unmistakable comedic fingerprints of Matt Stone and Trey Parker.

Long before South Park debuted on Comedy Central in 1997, Stone and Parker were already carving out a reputation for their irreverent style, and Your Studio & You perfectly encapsulates their knack for turning even the most corporate project into something delightfully subversive.

Matt Stone & Trey Parker Before South Park

Stone & Parker were already known out in Hollywood as funny guys. Thanks largely to “The Spirit of Christmas,” which was this video greeting card that they’d crafted for a Fox executive – who then distributed this infamously funny thing (which had Our Lord Jesus Christ & Santa Claus literally duking it out for the holiday affections of Cartman, Kenny, Stan & Kyle) to friends & family.

This was the early 1990s. No internet. Each copy of “The Spirit of Christmas” was made on VHS tape and then mailed. Went viral the old-fashioned way. It’s rumored that George Clooney made over 300 copies of “The Spirit of Christmas” and passed these VHS taps along to friends and family.

Things didn’t move as fast as they do today. “The Spirit of Christmas” still became a sensation out West.

Zucker Brothers

Matt & Trey also had other supporters in the entertainment industry. Among them David Zucker, who was one of the members of ZAZ (i.e., Zucker Abrahams Zucker), the talented trio that made “Airplane!” in 1980, “Top Secret!” in 1984 and the three “Naked Gun” movies.

  • The original “Naked Gun” in 1988
  • “Naked Gun 2 & 1/2 : The Smell of Fear” in 1991
  • and “Naked Gun 33 & a 1/3: The Final Insult” in 1994

All five of these parody films had been made for Paramount Pictures. But in the Late Winter / Early Spring of 1995, Universal had persuaded the Zucker Brothers to come over and set up shop in a bungalow on their lower lot. With the hope that – at some point further on down the line – David & his brother Jerry would start making funny films for Universal.

Zucker Brothers featured in "Your Studio and You"

And it’s during this same window of time (We’re now talking April of 1995) that news breaks that Seagrams (Yep, the adult beverage company. Who – at the time – was making an absolute fortune on the sales of wine coolers) was about to buy a majority stake in MCAUniversal. We’re talking control of 80% of that company’s stock. Which would effectively make Seagrams the new owners of Universal Studios.

Edgar Bronfman

And Edgar Bronfman – the owner of Seagrams – knew that Universal had had a tough time with its previous owners – which had been the Matsushita Electric Industrial Co. of Japan. Matsushita had bought MCA back in November of 1990 for $7.5 billion but had never really understood the entertainment industry.

This is why – after repeatedly butting heads with Lew Wasserman & Sidney Sheinberg (i.e., the heads of Universal Studios & the Universal theme park respectively) when it came to creative control of this company – Matsushita decided to wash it hands of the entire enterprise.  Agreeing to sell their holdings in MCA to Seagrams for $5.7 billion (effectively taking a nearly $2 billion loss on this investment).

Edgar M. Bronfman
Credit: NYTimes

And Bronfman … He knew that some bad feeling had developed between Hollywood’s creative community and the Japanese owners of Universal. The thinking was that executives at Matsushita Electric had just not gotten what it took to make movies & TV shows.

And Edgar? Right from the get-go, he wanted to show that Seagrams was NOT going to be Matsushita Electric Redux. Bronfman was looking for a way to send a clear message to Hollywood’s creative community that Universal’s new owners got it. That they were willing to work with Hollywood to make the best possible movies & TV shows at Universal.

And how did Edgar decide to get this message across? By making a funny movie.

Zucker Commissions Trey Parker for “Your Studio & You”

Mind you, Bronfman himself didn’t make this film. The owner of Seagrams reached out to David Zucker. Who – after initially agreeing to produce this introduction-to-Universal film – then farmed out the production of the actual project to Trey Parker. Who – just two days before shooting was supposed to star on the Universal Lot – persuaded Matt Stone to come help him on this project.

Which brings us to “Your Studio and You.” Which is a parody of an educational film from the 1950s, right down to being shot in black & white and featuring a very generic soundtrack.

Now what’s amazing about watching “Your Studio and You” today is that this 14-minute-long film features some of the biggest names working in Hollywood back in the mid-1990s. We’re talking about people like recent Golden Globe winner Demi Moore, Sylvester Stallone, Michael J. Fox and Angela Lansbury. Not to mention two of the most powerful men in all of Hollywood, Steven Spielberg & Jeffrey Katzenberg.

And what’s especially interesting about watch “Your Studio and You” is that – as you watch these performers go through their paces in this motion pictures (which – most of the time – involves doing some innocuous task while holding a Seagram’s wine cooler) – you often get the feeling that this star is not in on the gag.

So how did Matt & Trey get away with this? Simple. There was never actually a script for “Your Studio and You.”

Filming “Your Studio & You” at Universal Studios Hollywood

Mind you, David Zucker would always insist that there was. Especially when he’d phone up celebrities on the Universal Lot and say “Hey, I’m sending over a couple of college kids later today. They’re working with me on a new parody film. It’s something that we’re doing for the new owners of Universal. I need just a half hour of your time. We’re shooting something special for the party we’ll be holding when the Seagrams people first arrive at the Studio. Absolutely. You’ll definitely get an invite to that party. So can I count on you to help these kids out? Beautiful. They’ll be over there later this morning.”

And then Matt & Trey would show up and say “… Dang, Miss Lansbury. We’re sorry. We must have left our copy of the ‘Your Studio and You’ script back in our office. Which is clear on the other side of the Lot. So – rather than waste your time – why don’t we do this instead? Follow us over to the Psycho House. Where we’re then going to get footage of you painting the front porch on Mother Bates’ house while you say ‘Gosh, with all of the wonderful improvements going on around here, everyone is going to want to work at Universal.’ Oh, and can we also get you to wear this button on the front of your blazer which reads ‘Universal is A-OK’ ? “

And over & over again, the biggest names who were working for Universal at that time took part in the production of “Your Studio & You” because A) David Zucker vouched for Matt Stone & Trey Parker and B) this was something that was being made for the new owners of Universal. And it’s just natural to want to get in good with the new boss.

Steven Spielberg, Jeffery Katzenberg, and Jaws

But no one at Universal anticipated that “Your Studio & You” would wind up being as sharp edged as the finished product turned out to be. I mean, it’s one thing to bite the hand that feeds you. But “Your Studio & You” ? It doesn’t just bite the hand. It takes the hand off at the wrist.

It’s a brutally funny film. With one of the meanest moments reserved for Steven Spielberg, who plays a driver on the Universal Studio Tour who’s trying to persuade a tram full of bored tourists (one of whom is played by Jeffery Katzenberg) that the “Shark Attack” scene down by Jaws Lagoon is actually exciting.

Spielberg actually says lines like “ … Whoa, whoa. What is going on here? Ladies and gentlemen, this never happens. Look out! It’s a shark! Whoa, that is one big scary shark.”


Mind you, as footage of this mechanical shark repeatedly coming up out of the water is shown, “Your Studio & You” ‘s off-screen narrator (who is voiced by Trey Parker says):

“But what about tomorrow? If we don’t keep in step with the times, things that were once neat and thrilling can become old and stupid.”

“Your Studio & You” Reception

This film was supposed to be shown only once at the welcoming party for Seagrams executive on the Universal Lot. And I’m told that – when Edgar Bronfman saw the finished product at that party – he reportedly turned to David Zucker and said “ … That’s a little more mean-spirited that I think it needed to be.”

And with that, “Your Studio & You” was supposed to go back into the Universal vault, never to be seen again. But when “South Park” debuted on Comedy Central in August of 1997 and then became a sensation for its biting humor, there was suddenly a lot of interest in what else Matt & Trey had done. Which is why copies of “The Spirit of Christmas” began to circulate. And – over time – copies of “Your Studio & You” began to bubble up.

Which – as Stone & Parker have repeatedly pointed out – was just not supposed to happen. Largely because none of the celebrities who appeared in “Your Studio & You” had never signed releases for Universal’s legal department. Because – again – this was for a movie that was only going to be shown once at a private function on the Universal Lot.

Matt mentioned (as part of a career retrospective at the Paley Center in LA back in 2000) that “ … they wouldn’t even let us keep a copy of the finished film.”

It’s a funny but brutal movie. And worth taking a look at today especially if you’re a theme park history buff because it shows Universal Studios Hollywood’s “Jurassic Park: The Ride” still under construction on the Lower Lot. That attraction would finally open to the public in June of 1996.

“Your Studio & You” became a lot easier to see after Seagrams sold off its share of Universal to Vivendi in 2000. Copies began propagating online after that. Though Universal Legal will periodically make an effort to get the latest copy of “Your Studio & You” taken off the Internet because – again – none of the performers who appear on camera ever signed the proper releases and/or were paid for their efforts.

That said, if you’re up for a mean-spirited laugh, “Your Studio & You” is well worth 14 minutes of your time. That said, once you watch this thing, be warned:

  1. You’re immediately going to be thirsty for a Seagram’s wine cooler
  2. And you’re going to have a sudden desire to go out & buy a porcelain deer.
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Theme Parks & Themed Entertainment

Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

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Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.

The Very First Parade and the Early Days of Balloons

The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.

And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade

It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.

Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.

Duck Joins and Towers Over Mickey

A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.

Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.

A Somber Parade in 2001

Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.

That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo

Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.

In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.

These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey

After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.

But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios

In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024

This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.

As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.

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Theme Parks & Themed Entertainment

Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street

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When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.

You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.

This is where Disneyland’s Little Monsters on Main Street came in.

The Origins of Little Monsters on Main Street

Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.

This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.

A Unique Halloween Experience

Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.

The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.

It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!

The Haunted Mansion “Tip-Toe” Tour

Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.

Growing Success and a Bigger Event

Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.

In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.

From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash

Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.

While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.

The Merch: A Piece of Little Monsters History

For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.

While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.

Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!

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