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A couple weeks ago, we had a visit from John Lasseter and two hundred of his wizards from Pixar Animation Studios . The Pixar team was getting a special tour of both the Burbank and Glendale facilities of the Walt Disney Company. It was good to see so many old friends & colleagues again. And I couldn...

If you were a young woman working in Disney's animation department in the 1950s, chances are you were pretty darn good. Though it was clearly a man's world back then, you might be surprised to know that the Mouse House had a fair share of young women toiling away at animation desks. Savvy young women...

When we arrived at the Walt Disney Studio as young apprentices back in the 1950s, much of Walt's "Brain Trust" still labored in the upstairs story rooms. The Storymen -- as they were called back then -- were Disney's elite, and their names are legendary. Bill Peet , Winston Hibler , Ralph Wright , Milt...

You could hardly call it a competition. But back in the early seventies, two feature films were being developed at the Walt Disney Studios. Ultimately, only one project would be given the green light for production. F-Wing was on the second floor of the Animation Building. And at the far end of the wing...

I've always been fascinated by storytellers. Those gifted individuals who have the ability to spin a captivating yarn and pull you totally into a make-believe world. Animation has had its fair share of talented storytellers. Lucky for me, I've had the opportunity to know and work with a few of them during...

I can't remember the production number of any Disney or Pixar movie I've ever worked on -- except one. "Sleeping Beauty's production number was 2082. I've never forgotten that number and probably never will. It was a number I had to write on every production slip, folder and drawing. And you better believe...

I've always loved Toontown in the " Roger Rabbit " cartoons. Toontown was the special area of Tinseltown where cartoon characters were segregated because they were -- Toons. I've always thought this a brilliant metaphor for racial inequities in the real world. Being a cartoonist and a person of color...

Picking up where we left off last week ... Things were a little bit different when I returned to Pixar Animation Studios in 1998. This was the second year in the development of " Toy Story 2 ," and it's not surprising to hit a few snags in this wacky process of crafting an animated feature film. Things...

Picking up from last week ... As usual, I decided to sit in the rear of the theater at Pixar Animation Studios . It was the day of the John Lasseter screening of " Toy Story 2 ," and I decided it was best to remain out of sight. This was nothing new for me. I learned this back in the sixties at the Disney...

Picking up where we left off last week ... In early in 1997, we had been storyboarding on the sequel to "Toy Story" at Walt Disney Studios in Burbank. Occasionally, our small crew would fly north to meet with our Pixar colleagues. Our meetings were always high spirited and energetic because things were...