General
Holy Moley! Another Monday Mélange
In his first post-Thanksgiving article, Jim Hill talks up an important new movie, previews an upcoming JHM article, plugs fabsboards.com as well as carouselchecks.com and … Oh, yeah! Announces the next JHM contest.
“Dream on Silly Dreamer.”
No, I’m not telling JHM readers that it’s okay to slip back into a tryptophan-induced coma. “Dream on Silly Dreamer” is the name of an important new movie. A film that — in spite of it’s “Dream-y” title — is sure to give Michael Eisner (as well as a number of executives at Disney Feature Animation) nightmares.
“What’s ‘Dream On Silly Dreamer’ ?,” you ask. To be blunt, it’s a movie about the death of traditional animation at Disney Studios. Longtime WDFA employees Dan Lund and Tony West have put together a guerilla-type short that chronicles the end of an era. That sad, sad period from 2002 – 2003 when short-sighted studio execs decided to shut down the traditional arm of Disney Feature Animation.
But Dan & Tony didn’t just do what we try to do here at JHM (Which is attempt to recreate key moments in Disney Company history). Thanks to Mr. Lund’s ever-present digital camera, these two captured events as they were actually happening. Interviewing their coworkers just minutes after the infamous “Tom Meeting,” when Thomas Schumacher — the then-head of Disney Feature Animation — basically told the crew in Burbank that their jobs were going away.
“Dream On Silly Dreamer” offers that rarest-of-rare views. The insider’s perspective as events are actually happening. Given that the Walt Disney Company really doesn’t like it when the public gains any real insight into how WDFA actually operates (EX: Look how deeply Disney buried “The Sweatbox,” Trudie Styler’s film that detailed how “Kingdom of the Sun” went off the tracks), that’s why “Dreamer” is a must-see for any real animation fan.
The only problem is … Dan & Tony don’t actually have a distributor for their film yet. But Lund & West aren’t going to let a little thing like that stand in the way of “Dream On Silly Dreamer.” That’s why they already got a website set up which features a trailer for “Dream On.” And — even as we speak — Lund & West are deep in the middle of trying to get “Dream On Silly Dreamer” qualified to be screened at the 2005 Sundance Film Festival.
So — obviously — this is an evolving story. One that JHM will be paying very close attention to in the weeks & months ahead.
But — in the meantime — remember that name, folks: “Dream On Silly Dreamer.” The movie that Michael Eisner most definitely doesn’t want you to see.
Okay. Now that we’ve talked about something that Disney did wrong, let’s talk about something that Mouse House executives appear to be doing right. And that’s relaunching the Muppet franchise.
Ever since the Walt Disney Company finally closed the deal to acquire Miss Piggy & pals back in February, Disney has taken a slow-but-steady approach to reintroducing these characters to the public. For starters, Kermit, Piggy & Pepe made a well-received cameo appearance in the “Nick and Jessica Variety Special” back in May. The Mouse then followed that up by having the Frog, the Rat and Sweetums provided the entertainment for the closing night banquet at this year’s N.F.F.C. convention (Which won the Muppets quite a bit of goodwill among hardcore Disneyana fans). Then — in September — Disney had Kermit & Piggy interviewing celebrities out on the red carpet at this year’s Emmies.
After that, Disney had Kermit & Co. head on up to Lions Gate Studios in North Vancouver. Where they spent six weeks shooting a new TV movie, “The Muppet Wizard of Oz.” Less than a month after that project was completed, the Mouse launched Muppets.com.
When asked to comment on the November 17th launch of this high profile website, Christ Curtin — the general manager & vice president of the Muppet Holding Company, the inhouse organization that the Mouse uses to supervise all Muppet-related projects — said: “Today is the first day of the Muppets being back.” Suggesting that everything that we’d seen with Piggy & pals up until this point was just a tease.
In the weeks & months ahead, we can expect to see the Muppets take on an even higher profile at the Walt Disney Company. Just last Wednesday, for example, veteran Muppeteers Steve Whitmire, David Goelz and Eric Jacobson were out in Anaheim — putting Kermit, Gonzo and Piggy through their paces while the Muppets served as the anchors for the Disneyland portion of this year’s “Walt Disney World Christmas Day Parade” TV special.
(FYI: Look for Disney to use this two-hour-long holiday special to launch ABC’s initial publicity push for “The Muppet Wizard of Oz.” Which perhaps explains why Kermit’s human co-star from that TV movie — R & B star Ashanti — was selected to sing a holiday song as part of next month’s “Walt Disney World Christmas Day Parade” show.)
2005 will see Disney pushing Piggy & pals even further out into the spotlight. May will see the debut of a new Muppet-themed street show at DCA as well as the first airing of the “Muppet Wizard of Oz” on ABC. Come the Fall of 2005, look for Buena Vista Home Entertainment to put the very first set of “Muppet Show” full season DVDs up for sale. Then — come November — look for a new holiday show starring Kermit & Co. to pop up at both Disney-MGM & California Adventure.
Which — you’d think — would be enough to make most Muppet fans happy. But — to be honest — I’ve already heard from a number of longtime Henson Co. watchers who believe that Disney may actually be taking the wrong approach to reintroducing the public to Miss Piggy & pals. These folks believe that Chris Curtin has been far too conservative with what he’s being doing with the characters. That — by moving so slowly and playing it too safe with Kermit & his fuzzy friends — Chris may actually be hurting the Muppets in the long run.
So who’s right here? To be honest, I’m not entirely sure. Which is why I’m planning on exploring this story in depth next week here at JHM. Taking a close look at Disney management approach to reviving the Muppets (Paging Mr. Curtin!) as well as talking with fans about the various ways that they’d go about reviving this franchise.
That debate sounds like it has the makings of a fun series of articles. So keep an eye out for that piece, okay?
Speaking of things that you need to keep your eyes out for … I’ve recently received e-mail from a number of JHM readers wondering what has become for my ex-wife (I.E. Michelle Smith aka the Fabulous Disney Babe)’s website. Sadly, www.fabdisbabe.com is no more. Michelle opted to shut down that site earlier this fall.
But the good news is that my ex is already hard at work on a brand-new version of her website. Tentatively titled www.fabsfaves.com, this site promises to have some pretty snazzy features. Or so says Michelle.
fabsfavs.com is supposedly launching sometime after the first of the year. But — for those of you who can’t go without having a little fabulousness in your life ’til then — there’s always Michelle’s discussion boards: www.fabsboards.com. So be sure to check those out.
Speaking of checks … This is the time of year when — typically (thanks to all that holiday shopping) — people write a lot of checks. Which (I know) isn’t a whole lot of fun.
Well, the folks at Carousel Checks are determined to change all that. They’ve decided to try & make paying your bills much more amusing by printing up a series of checks that actually feature images from classic amusement parks. You can check out Carousel’s first set of checks — featuring photos of Holiday World as well as Linda Barnicott’s Kennywood paintings — by following this link.
Okay. I know. That’s a lot of plugs to have to wade through. Particularly on the first Monday after Thanksgiving. So how’s about I try to make it up to you by announcing the next JHM contest?
This time around, there’ll be no trick questions. In fact, this contest should be downright easy for all you folks who bought the 2-disc version of the “Aladdin” DVD last month. All you have to do to win your very own copy of the “Aladdin” screenplay is send me a listing of all the different characters that Robin Williams morphs into as part of his portrayal of the Genie in this 1992 film. The JHM reader who produces the most thorough listing wins the script.
All entries must be received by midnight EST on Thursday, December 2nd. Good luck, everyone!
General
Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District
Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.
Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.
Photo by Jim Hill
Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.
Photo by Jim Hill
Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building
…
Photo by Jim Hill
… and eventually wound up just below Times
Square (right behind where the Waterford Crystal Times Square New
Year's Eve Ball is kept).
Photo by Jim Hill
But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created.
Photo by Jim Hill
And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.
Photo by Jim Hill
Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …
Photo by Jim Hill
… the postman delivering the mail …
Photo by Jim Hill
… the hot dog vendor working at his cart …
Photo by Jim Hill
Photo by Jim Hill
… the street musician playing for tourists …
Photo by Jim Hill
Not to mention the tourists themselves.
Photo by Jim Hill
But right alongside the bronze businessmen …
Photo by Jim Hill
… and the tired grandmother hauling her groceries home …
Photo by Jim Hill
… there were also statues representing people who were
from out-of-town …
Photo by Jim Hill
… or — for that matter — out-of-time.
Photo by Jim Hill
These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.
Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill
Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these
bronzes?"
Mind you, for those of you who aren't big fans of the
impressionists …
Photo by Jim Hill
… there's also an array of American icons. Among them
Marilyn Monroe …
Photo by Jim Hill
… and that farmer couple from Grant Wood's "American
Gothic."
Photo by Jim Hill
But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.
Photo by Jim Hill
By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).
Photo by Jim Hill
By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th.
General
Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues
Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las
Vegas.
Photo by Jim Hill
I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.
Photo by Jim Hill
Take — for example — all of "The Secret Life of
Pets" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
Entertainment production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.
Photo by Jim Hill
Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.
Photo by Jim Hill
And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice" to start trending on Twitter today — brought
the Batmobile to Las Vegas.
Photo by Jim Hill
Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.
Photo by Jim Hill
That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.
Photo by Jim Hill
And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.
Photo by Jim Hill
Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.
Photo by Jim Hill
I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.
Photo by Jim Hill
I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.
Photo by Jim Hill
Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.
Photo by Jim Hill
Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
Pictures will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis —
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."
Photo by Jim Hill
Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with production of Genndy Tartakovsky's
"Popeye" movie. But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.
Photo by Jim Hill
And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.
Photo by Jim Hill
"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.
Photo by Jim Hill
I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.
Photo by Jim Hill
And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.
Photo by Jim Hill
And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."
Photo by Jim Hill
And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."
Photo by Jim Hill
One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.
Photo by Jim Hill
Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.
Your thoughts?
General
It takes more than three circles to craft a Classic version of Mickey Mouse
You know what Mickey Mouse looks like, right? Little guy,
big ears?
Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
Park (especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.
Copyright Disney Enterprises,
Inc.
All rights reserved
Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.
Copyright Disney Enterprises, Inc. All rights
reserved
Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.
Copyright Disney Enterprises,
Inc. All rights reserved
That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.
Take — for example — Disney
California Adventure
Park's "World of Color:
Celebrate!" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.
Copyright Disney Enterprises,
Inc.
All rights reserved
Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity
3.0.
"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "
Copyright Disney Enterprises,
Inc. All rights reserved
"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"
Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.
Copyright Disney
Enterprises, Inc. All rights reserved
"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."
But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity
3.0.
Copyright Disney Enterprises,
Inc. All rights reserved
"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."
And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.
Copyright Disney Enterprises,
Inc. All rights reserved
"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.
Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.
Copyright Disney Enterprises,
Inc. All rights reserved
"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."
So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?
Copyright Lucasfilm / Disney
Enterprises, Inc. All rights reserved
"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."
This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015
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