General

9/11 at Walt Disney World: First Person Accounts

Have you ever wondered what it must have been like to be at WDW when the towers fell? JHM readers come forward now with their own stories about what it was like to be working at and/or visiting the theme parks on September 11, 2001

Published

19 years ago

March 7, 2006

Jim Hill

Be careful what you ask for.

Last Thursday, as part of my "Disney theme park emergency plan is simple as A, B, C" article, I asked that JHM readers who were actually at Walt Disney World when 9/11 happened to come forward & share their stories. And — boy — did you guys respond.

I literally got dozens of e-mails from WDW cast members & guests. Some of whom wanted to correct the mistakes that I made in my original article (It turns out that it was NOT Michael Eisner who announced that the parks would be closing that day. Nor did this announcement mention a "national tragedy" that had occurred in New York City and Washington D.C. So my apologies for getting that part of last Thursday's story wrong). While still others just want to share their memories of what it was like to be visiting at and/or working in the theme parks on that fateful day.

What follows is an article where I've tried to cobble together out of a number of the stories that JHM readers sent me and/or gave me permission to use. To give you sort of a broad overview of what it must have been like to be at WDW as the tragic events of 9/11 were unfolding.

WDWCASTMEMBER remembers the day starting out something like this:

I (was) getting trained on 2 major attractions (at the Magic Kingdom) when my manager told both me and my trainer what had just happened in NY. We quickly went to the nearest Cast Member Break Room and I managed to see the second plane hitting the tower "live." The room was packed with all sorts of managers and I remember very vividly the (very surprised) reaction on their faces when the ABC reporter said:

"This just in: (The Walt Disney Company) has just announced that (it) will be closing (its) theme parks worldwide."

And literally less than a minute after the reporter said that, their beepers started going off like crazy and they walked out of the break room.

About 5 – 10 minutes after that incident, they notified cast members of what we were going to do.

First we shut down all the attractions and restaurants and merchandise shops to get the guests out in the street. We were strictly forbidden from telling them what was the real reason why we decided to close the park. Which caused some confusion; and maybe even some irate guests at times. But it avoided (quite effectively) the cause for panic from our guests. They even gave us a simple spiel to tell them in case they had questions.

Michael, a Frontierland cast member who was in the park that morning, confirms this part of WDWCASTMEMBER'S story:

We were told not to tell the guests what had happened unless they asked us. I remember one guest asking me and — after I told them — they just stood there blank faced and didn't move for a bit.

(By the way), the announcement that was made (in the theme parks that morning) was NOT (made) by Michael Eisner and it did NOT mention anything about what had happened or why the parks were closing. It simply stated that " … Due to circumstances beyond our control, the Magic Kingdom is now closed. Please follow the direction of the nearest Cast Member."

Continuing with WDWCASTMEMBER's account of that morning:

Once the guests were forced to the streets of the park because all the rides were closed, all the cast members were instructed to hold hands and basically form a human wall and gently (without touching any one) walk towards the hub of the park and eventually towards Main Street. That way we could basically force the guests out of the park. Disney Security obviously followed each human wall and made sure no one got past it.

That "human wall procedure" was done at all 4 parks, by the way. And guests were given complimentary tickets at the turnstiles as they left the park.

Mind you, Kelly had a somewhat different take on what happened at the Magic Kingdom that morning. But — then again — she wasn't a cast member. But just a typical tourist trying to enjoy a day at that theme park with her family.

On 9/11, I was eating breakfast at Tony's with my family (and 6 months pregnant to boot). We were sitting in the front where all of the windows were, and I noticed many CMs in business attire with headsets walking throughout the park. It was the last full day of our (WDW) vacation. We had originally planned to fly (out) that day, but I (had) talked my husband into (staying) another day.

Our waiter was a young man from the midwest, and his accent was thick (At least to this New Yawker). All of the staff were talking and he came over to us and said what I thought was "The trade centers IN Washington were hit with planes." We were confused, finished our meal and went to take our daughter on Dumbo and the Carousel. I tried to call my Dad back home, since he always has FOX news on. And when (my cell) kept saying "All circuits were busy," I knew something was up.

My Aunt works at MGM as Security. So I knew that WDW was considered a prime terrorist target. So I said to my husband, Matt: "We need to get out of the Magic Kingdom. This could be hit next."

We tried to get over to MGM to my aunt (I figured she would know the whole story). But on the bus ride over, just as we got to MGM, the bus driver told us about the Towers, Washington and the possiblity of PA. She explained (that we) were going back to the TTC and (that we should all) take the appropriate route to our hotels/cars and evacuate. I have never heard a WDW bus so quiet. I was close to tears.

Neal G. — who was over at Disney's Animal Kingdom that morning — now shares his experience:

My wife and I were at WDW on September 11, 2001.

We were actually having breakfast at the Rainforest Cafe at the Animal Kingdom when the planes crashed, but had no idea anything happened. After breakfast we went into the park and after about 2 1/2 hours decided to leave (it's about 11:30 a.m. now). Until I read your article today I never knew that an announcement had been made. We never heard it.

It didn't seem like an unusual amount of people were leaving (Animal Kingdom). But at the next stop, Blizzard Beach we noticed hundreds of people leaving. I asked someone that got on the bus what was going on, and he informed us about what had happened in New York. We were in absolute shock. We went back to the Yacht Club where we were staying and just watched TV in disbelief.

At one point a gunship flew overhead so closely that my wife could clearly see someone manning one of the machine guns (It looked like the plane flew in from MGM Studios and then went right out over EPCOT).

The resorts tried to do everything they could that night. They kept the pools open until midnight and they had characters roaming all around the Boardwalk area. The cast members were doing the best they could to help and try to keep calm atmosphere. People were walking around not really knowing what to do. I commented to my wife that we were at one the happiest places on earth, yet it was a strange, sad and terrible feeling.

The next day (Wednesday) we went to National Car Rental desk at the WDW Dolphin to try and rent a car since we had flown out of Logan (Yes, we are from the Boston area. And boy did we get looks from people when we told them, and comments like "Oh, you are from Boston") and knew the likelihood of our Saturday flight getting out was remote. National was a mob scene, and they could not get us a car until Friday.

We then went to the Magic Kingdom, where security tables had been set up overnight. It was at these tables that they had set up to check bags before you entered any of the Parks where it finally really hit you. Especially since they were not there the day before.

The next 2 days were tough to get through, even being at the parks. It was such a subdued, almost surreal atmosphere.

Mind you, Ian G. (Who was over visiting Epcot with his brother that morning) had a somewhat different take on what happened on 9/11:

I was actually in EPCOT on 9/11. To be more specific, I was on Spaceship Earth – the ride devoted to the rapid change in communication and how we can instantly connect with each other. Well, it's true, I guess!

As we exited the ride (It must have been around 11, but I forget) a mass of people were calmly all going in the direction of the exit. We didn't think anything of it until we saw the tip board in Future World and saw that all the rides were closed. I figured for that to happen there either needed to be a power outage, a hurricane or a bomb. A cast member casually walked up to us and honestly told us that "2 planes had crashed into a building in New York and the Pentagon."

And that was it. We just left the park. It was such a strange thing to think about. Surely (that cast member who talked with us) was exaggerating!

Exiting the park was calm and orderly. People still seemed to be in a good mood. No one was crying or panicking or anything like that. If anything, I think everyone was anxious to go back to their rooms and turn on the news.

On the monorail back to the Poly, people (including me) were talking, nearly joking actually, about (how) the president (must have been) killed. We figured (that was what it) must have been. Otherwise why the fuss? There was no way anyone could have imagined what was really occuring.

At one point on the ride back to our hotel, I actually blurted out that "I bet there's like a huge hole in the building with smoke coming out…whoa!" And people literally chuckled because it was just so unfathomable that it could really be that way.

I gotta say that WDW handled it really well. It was so calm there that it was hard to assume the worst had happened. It wasn't until we were back at the Poly & turned on the news that the sense of panic and fear really hit.

WDW was by far the best place to be that day, the cast members were great.

That's a WDW vacation I'll never forget.

As for how it was at the Disney theme parks in the days after 9/11, I'll let an old Jungle Cruise captain pick up the tale:

Your 9/11 piece struck a cord with me, because I was there at the MK on Sept 11, 2001. I was a CP working as a Jungle Cruise Skipper, and had gone into the park early with friends to "play" before our afternoon shifts. Imagine our disbelief and horror as we watched this all unfold with a handful of other CMs on the small TV in the Main Street breakroom. The rest of the day was a bit of a blur. A very painful day, but the folks in costume were able to pull it together and go assist the evac with those trademark Disney smiles.

The next morning I returned to work, we discovered a major problem. Our fun-loving, wise-cracking spiel usually included the downed airplane just before the hippos. The usual line goes: "It's plane to see how I landed this job. I took a crash course!"

Obviously, any airplane crash jokes were now completely inappropriate. Some skippers tried to distract their crews (in this area of the attraction) with other jokes. Others — such as myself — had a brief moment of silence. Suffice to say, none of us will ever view that show scene the same way again.

In the days that followed, during and after all commercial airline had been grounded, an occassional jet would streak across the sky over the Magic Kingdom. Everything, everyone would stop and watch that airplane silhouette (as they held their) breath.

The hardest part of it all was staying so darn happy. Everyone – CMs and Guests- felt dead inside. Yet it was the CMs who had to work 8+ hour shifts "making the magic" to distract everyone from the heavy shadow of the 9/11 attacks. And then the cut-hours and layoffs that followed… You could not imagine a quieter, more depressed breakroom.

It's not a happy memory, but you were looking for a first hand account. I honestly can't recall a PA announcement (in the theme park on 9/11). I was not in costume yet. So I was probably gone by that point to be home with my fellow CPs who were all from NY and NJ.

Anyway … That's a brief overview of what it was like to be at Walt Disney World as 9/11 was unfolding. My thanks to all those JHM readers who wrote in this past week to share their stories.

Now, if you want to know what it was like to be out at Disneyland while 9/11 was happening, come back on Friday. When I'll share a story that I'm sure will shock you.

General

Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District

Published

9 years ago

June 23, 2015

Jim Hill

Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.

Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.

Photo by Jim Hill

Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.

Photo by Jim Hill

Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building
…

Photo by Jim Hill

… and eventually wound up just below Times
Square (right behind where the Waterford Crystal Times Square New
Year's Eve Ball is kept).

Photo by Jim Hill

But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created.

Photo by Jim Hill

And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.

Photo by Jim Hill

Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …

Photo by Jim Hill

… the postman delivering the mail …

Photo by Jim Hill

… the hot dog vendor working at his cart …

Photo by Jim Hill

… the street musician playing for tourists …

Photo by Jim Hill

Not to mention the tourists themselves.

Photo by Jim Hill

But right alongside the bronze businessmen …

Photo by Jim Hill

… and the tired grandmother hauling her groceries home …

Photo by Jim Hill

… there were also statues representing people who were
from out-of-town …

Photo by Jim Hill

… or — for that matter — out-of-time.

Photo by Jim Hill

These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.

Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill

Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these
bronzes?"

Mind you, for those of you who aren't big fans of the
impressionists …

Photo by Jim Hill

… there's also an array of American icons. Among them
Marilyn Monroe …

Photo by Jim Hill

… and that farmer couple from Grant Wood's "American
Gothic."

Photo by Jim Hill

But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.

Photo by Jim Hill

By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).

Photo by Jim Hill

By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th.

General

Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues

Published

9 years ago

June 10, 2015

Jim Hill

Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las
Vegas.

Photo by Jim Hill

I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.

Photo by Jim Hill

Take — for example — all of "The Secret Life of
Pets" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
Entertainment production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.

Photo by Jim Hill

Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.

Photo by Jim Hill

And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice" to start trending on Twitter today — brought
the Batmobile to Las Vegas.

Photo by Jim Hill

Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.

Photo by Jim Hill

That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.

Photo by Jim Hill

And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.

Photo by Jim Hill

Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.

Photo by Jim Hill

I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.

Photo by Jim Hill

I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.

Photo by Jim Hill

Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.

Photo by Jim Hill

Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
Pictures will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis —
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."

Photo by Jim Hill

Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with production of Genndy Tartakovsky's
"Popeye" movie. But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.

Photo by Jim Hill

And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.

Photo by Jim Hill

"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.

Photo by Jim Hill

I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.

Photo by Jim Hill

And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.

Photo by Jim Hill

And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."

Photo by Jim Hill

And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."

Photo by Jim Hill

One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.

Photo by Jim Hill

Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.

Your thoughts?

General

It takes more than three circles to craft a Classic version of Mickey Mouse

Published

9 years ago

June 9, 2015

Jim Hill

You know what Mickey Mouse looks like, right? Little guy,
big ears?

Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
Park (especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.

Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.

Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.

That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.

Take — for example — Disney
California Adventure
Park's "World of Color:
Celebrate!" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.

Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity
3.0.

"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "

"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"

Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.

"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."

But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity
3.0.

"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."

And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.

"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.

Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.

"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."

So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?

"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."

This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015