General

The Disney 9/11 stories continue …

JHM readers continue to share their stories of what it was really like to be at various Disney resorts as these tragic events unfold. In today's article, we journey from Tokyo to Paris to Anaheim

Published

19 years ago

March 9, 2006

Jim Hill

You know, when people usually talk about what happened on 9/11, the focus (for obvious reasons) is on New York, Washington D.C. and that field just outside of Shanksville, PA. But — as was proven by this past Wednesday's story on JHM — the impact of these tragic events was felt the world 'round.

And given we've already discussed what it was like to be at Walt Disney World on that fateful day (Though — given the number of e-mails that I have received over the past two days from other cast members & guests who were also at the resort on September 11, 2001 that have stories that they'd like to share — I'm now giving some semi-serious thought to doing a WDW 9/11 follow-up article), I thought that I might now try to show you just how far reaching the effects of these planes crashes actually were.

Let's start with Disneyland-Paris. Colin W. now talks about what his family experienced on 9/11:

I had planned a family visit at the Park for late September 2001 — but then came 9/11. I was unable to make that trip, but we did not want to let our pre-paid vacation go to waste so my wife and three kids went alone and gave me updates by phone from the park.

From the moment of their arrival they were amazed — the parking lot was completely empty, something we had never experienced. The family stepped onto the moving sidewalk that carries guests to the entrance, but they were totally alone — and this was several hours after opening time. The Disney music echoed a bit eerily from the walls and the first workers they saw (who seemed quite bored) were waiting to search the family's bags. That was definitely something new.

Inside the park, the family found absolutely no lines — all attractions were open for immediate boarding. They and the other rare visitors could wander to the Pirates and have a whole boat for each family. The Fantasyland rides could be repeated as often as the kids wanted.

The Cafe Hyperion (where we prefiously had stopped a number of times for a hamburger, while watching a visiting Chinese acrobatic group perform "Mulan") was now like a vast nearly empty theater.

My wife said that I could have spent the whole day at the wonderful walk-through display of Captain Nemo's Nautilus (one of my favorites) without being disturbed by other visitors.

It was a unique experience but naturally it was also depressing when one recalled the reason for the absence of the normal crowd.

Then Joe in Japan shares a melancholy memory of what it was like to be at Tokyo Disneyland Resort right after 9/11:

It's fascinating to read the accounts of people who were at WDW the morning of 9-11. For us in Japan, the attacks occurred at around 10:30 p.m. local time…

My wife and I had been preparing for our visit to the recently-opened Tokyo DisneySea the next day and stay at the MiraCosta Hotel. It was in the late evening while we were watching FOX NEWS at home when the report came of an airplane crash in NYC. While we couldn't take our eyes off the screen, the next plane struck. We just sat there silently gazing at the TV set. We stayed up until very late watching the updates, then we realized: "We're supposed to start our Disney vacation tomorrow morning!"

We discussed it for a while and decided to go through with our plans. We got up early the next morning and made our way to Tokyo Disney Resort an hour from our home. When we registered at the hotel, they told us that the Parks would open an hour or two later than originally scheduled. Later I learned that Disney told OLC to take pre-cautionary measures.

TDR being located between two major airports, we could see airplanes flying above us (since no flight bans were implemented that time) and just thinking how creepy it felt. Well, the gates opened late but even with Japanese cast members, there seemed to be a sense of "something didn't feel right." Many of that CM friends that I saw (and knew I was an American) came up to me and asked how I was.

One of the more strange moments was going into the American Waterfront area of early-1900s New York City. It just felt awkward walking through there. It's not really the city and it doesn't feature buildings like the WTC. However, it was just unpleasant. We saw the Broadway show "Encore!" and one of the sets did feature a silhouette of the WTC (which has since been removed). Many of the performers in that show are American and European. You can see the expressions on their faces that their minds were elsewhere. At the end of the show, there is a big salute to the USA with "76 Trombones" and "Give My Regards to Broadway". There were many a tear being shed that day, and not just by the performers.

We stayed the full four days we had planned. Our TV inside the hotel remained on CNN and other Japanese stations for more information. The Parks didn't close here like they did in the US. There we were in the land of fantasy and make-believe, but the harsh realities of world events made for a not so "Happiest Place on Earth."

Speaking of the "Happiest Place on Earth" … We now arrive back in Anaheim. Which — because of the three-hour-time-difference involved here — 9/11 allegedly didn't quite have the same impact on the Disneyland Resort's guests and cast members as it did back in Orlando.

But — as the following trio of stories will prove — how you felt the impact of what had happened in NYC, Washington D.C. and Shanksville pretty much depended on where you were standing that morning: On the outside of the theme parks …

(On the morning of 9/11, both Disneyland & Disney's California Adventure were) already closed when I drove out to the Anaheim Convention Center for a computer conference ([Which was] also postponed). There were a couple of cast members at the gates to answer questions. But most people responded to being told that (the theme parks were closed for the day) with "Oh, sure."

Inside of a Disney hotel …

I was staying at the Grand Californian the night of Sept. 10, 2001, and I can tell you the message the hotel sent to our voicemail the next morning *did* say the parks would be closed "due to the events that occurred in New York and Washington, DC this morning." I'd overslept (probably because Downtown Disney, which was just outside my window, was unusually quiet), and the voicemail had me frantic, wondering what had happened. I called the front desk and was told "They're bombing New York and Washington DC!" The hotel offered discounted rates to departing guests stranded in Southern California, but those of us who could pack up headed for home. At the time it seemed that the Disney theme parks might be the next target, since they have such a high profile. As I was checking out, I had the daylights scared out of me by a costumed Rafiki character who came up behind me and patted my shoulder — probably not the cuddliest character to have roaming the halls during a tense morning!

Or backstage …

(Back in the Fall of 2001), I … (had) … a Backstage role (at Disneyland). I was fortunate enough to live close enough to the Resort to ride my bicycle to work each day (there are showers and locker rooms in the building I worked in).

Believe it or not, I rode my bicycle through the gate right before the first plane hit (I had no idea what was happening at the time). I showered and dressed for what I thought would be a normal day. When I got to my office, I went through the break room and found EVERYONE in the building watching the TV. Again, not knowing what was going on, I asked why people were not working. Someone in the room told me what had happened. I too, sat and watched the TV.

Soon after that, we received word that the Parks would not be opened at all that day and that we all would need to start calling Cast Members who were not already at work to stay home.

Several members of my staff were taken to the scheduling area to begin calling several hundred Cast Members. In the middle of that, the decision was made that we needed to do something for the Guests who were staying in on-site hotels (preferably Characters). Some folks were called back (I.E. Performers, technicians, drivers, etc.) to come in after all.

All was going OK (People were getting their jobs done; no one was freaking out), until about 8:50 a.m. At that point, an emergency call went out over the Park radios to evacuate every building in both Parks.

You see, there was a report that came in that airplanes were headed for the Resort at 9:00 a.m. too. I vividly remember RUNNING through the building with my boss searching every room, opening every door, and yelling to get OUT of the building NOW (Park Security was tied up in other locations and many officers were not yet at work).

At 8:59, my boss and I ran out of the building, satisfied that we were the last to leave. We joined the others in the pre-designated evacuation area to wait. And wait. And wait …

I thought the clock was standing still …

9:05 …

9:10 …

9:15 …

Someone thought they heard a jet, but no one could see one …

9:30 …

Still waiting for the all-clear …

At about 9:45 we were finally let back into the building to keep making calls.

Shortly after that, all of the management folks were called into a meeting at Lincoln Theatre to be briefed on what was going on.

My boss and I along with another manager went to the meeting. At that meeting, we were giving information verifying that the Parks would remain closed for the day. Everyone was briefed about Characters and Guests at the hotels. We were given additional security information that I should really not go into.

The meeting was very emotional. It may have been the first time for many of those people to realize that this was serious. This was not a drill or a test.

After the meeting, we joined other Cast Members at the Inn Between (I.E. he Cast Cafeteria behind Main Street U.S.A.) for lunch. Other managers were actually doing the cooking and serving. Mickey paid for lunch.

I remember walking back to my office down Main Street U.S.A. It was the middle of the day. Main Street was completely empty. The BGM (I.E. Background music) had been turned off. It was by far the strangest sight I remember seeing.

One more thing I remember: When I got back to my office, I had no sooner sat down than we got another emergency call to come to the warehouse immediately. At the same time, the fire alarm started to go off. It seems that a forklift driver — trying to get a pallet of something that was needed — hit and sheared off a fire sprinkler. The warehouse was flooded. The fire department was able to get the water off, and we spent the next couple of hours cleaning up.

At the end of that, my boss sent us home to be with our families. I climbed on my bike and rode out the gate for the last time (Personal vehicles were no longer allowed Backstage after that).

Isn't that just an amazingly-surreal-though-ultimately-sad story?

Anyway … I want to thank all of the JHM readers who were kind enough to write in & share their stories about what it was actually like to be at the Tokyo Disney Resort, the Disneyland-Paris Resort as well as the Disneyland Resort on 9/11.

You know, when tragic events like this unfold … Well, isn't it ironic to discover that — in this incredibly jaded day & age — that the Sherman Brothers were right all along? That it really is "… a small world after all"?

Your thoughts?

General

Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District

Published

9 years ago

June 23, 2015

Jim Hill

Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.

Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.

Photo by Jim Hill

Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.

Photo by Jim Hill

Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building
…

Photo by Jim Hill

… and eventually wound up just below Times
Square (right behind where the Waterford Crystal Times Square New
Year's Eve Ball is kept).

Photo by Jim Hill

But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created.

Photo by Jim Hill

And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.

Photo by Jim Hill

Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …

Photo by Jim Hill

… the postman delivering the mail …

Photo by Jim Hill

… the hot dog vendor working at his cart …

Photo by Jim Hill

… the street musician playing for tourists …

Photo by Jim Hill

Not to mention the tourists themselves.

Photo by Jim Hill

But right alongside the bronze businessmen …

Photo by Jim Hill

… and the tired grandmother hauling her groceries home …

Photo by Jim Hill

… there were also statues representing people who were
from out-of-town …

Photo by Jim Hill

… or — for that matter — out-of-time.

Photo by Jim Hill

These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.

Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill

Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these
bronzes?"

Mind you, for those of you who aren't big fans of the
impressionists …

Photo by Jim Hill

… there's also an array of American icons. Among them
Marilyn Monroe …

Photo by Jim Hill

… and that farmer couple from Grant Wood's "American
Gothic."

Photo by Jim Hill

But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.

Photo by Jim Hill

By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).

Photo by Jim Hill

By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th.

General

Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues

Published

9 years ago

June 10, 2015

Jim Hill

Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las
Vegas.

Photo by Jim Hill

I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.

Photo by Jim Hill

Take — for example — all of "The Secret Life of
Pets" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
Entertainment production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.

Photo by Jim Hill

Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.

Photo by Jim Hill

And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice" to start trending on Twitter today — brought
the Batmobile to Las Vegas.

Photo by Jim Hill

Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.

Photo by Jim Hill

That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.

Photo by Jim Hill

And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.

Photo by Jim Hill

Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.

Photo by Jim Hill

I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.

Photo by Jim Hill

I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.

Photo by Jim Hill

Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.

Photo by Jim Hill

Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
Pictures will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis —
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."

Photo by Jim Hill

Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with production of Genndy Tartakovsky's
"Popeye" movie. But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.

Photo by Jim Hill

And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.

Photo by Jim Hill

"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.

Photo by Jim Hill

I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.

Photo by Jim Hill

And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.

Photo by Jim Hill

And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."

Photo by Jim Hill

And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."

Photo by Jim Hill

One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.

Photo by Jim Hill

Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.

Your thoughts?

General

It takes more than three circles to craft a Classic version of Mickey Mouse

Published

9 years ago

June 9, 2015

Jim Hill

You know what Mickey Mouse looks like, right? Little guy,
big ears?

Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
Park (especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.

Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.

Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.

That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.

Take — for example — Disney
California Adventure
Park's "World of Color:
Celebrate!" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.

Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity
3.0.

"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "

"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"

Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.

"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."

But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity
3.0.

"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."

And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.

"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.

Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.

"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."

So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?

"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."

This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015