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Making Fun of the Mouse: Part I

Making Fun of the Mouse: Part I

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Given the continued carping about "Journey to the Disney Vault," you'd think that this particular "TV Funhouse" skit (Which reran on "Saturday Night Live" this past Saturday night as part of a "Best of TV Funhouse" episode) was the very first time that anyone had ever made fun of Walt Disney and/or the films that his studio produced.


Copyright NBC Universal, Inc.

Truth be told, this Robert Smigel short is just the latest in a long line of cartoons that have poked fun at the Mouse. Twitting the sorts of movies that Mickey makes.

Don't believe me? Then get yourself a copy of Volume Three of the "Looney Tunes: Golden Collection." As you laugh your way through this 4-disc set, you'll eventually come across a Friz Freleng short, "Pigs in a Polka." Released on February 2, 1943, this Academy Award-nominated cartoon starts off as a parody of Disney's "Fantasia," with the Big Bad Wolf standing in for Deems Taylor.


Copyright Warner Bros.

Once this introduction is complete, "Pigs in a Polka" then quickly turns into a musical riff on Disney's "The Three Little Pigs." With this trio of porkers repeatedly out-witting the Big Bad Wolf all the while moving in tempo to Johannes Brahms' "Hungarian Dances."  

What makes this particular Warner Brothers short fun for Mouse fans is how closely Friz & his animators aped the character design of Disney's 1933 Oscar-winning short.  With Fiddler, Fifer and Practical Pig all retaining the instruments that they played and/or the costumes that they wore in the original film.


Copyright Warner Bros.

Six months later, Warner Brothers revisited the idea of making fun of Disney's "Fantasia." Only this time, under the supervision of animation legend Bob Clampett, the crew at Termite Terrace dedicated an entire short to sending up this 1940 Walt Disney Studios release. And that film was called ...


Copyright Warner Bros.

This short basically beat up on Disney for "Fantasia" 's pretensions. Starting with the dramatic entrance of the film's conductor ...


Copyright Warner Bros.

Only to reveal that -- this time around -- it wasn't Leopold Stowoski at the podium. But -- rather -- Elmer J. Fudd.


Copyright Warner Bros.

To reveal much more about "A Corny Concerto" would ruin one of the funnier animated shorts that Warner Brothers Studio ever produced. To see this cartoon in all its digitally restored glory, I suggest that you pick up a copy of Volume II of the "Looney Tunes: Golden Collection" DVD.

Mind you, this wasn't the only time that the guys at Termite Terrace dedicated an entire animated short to making fun of a particular Disney film. In fact, in January of 1943, Warner Brothers released a cartoon that actually lampooned "Snow White and the Seven Dwarfs." And that toon was called ...


Copyright Warners Bros.

Now this particular short is rarely seen these days. Partially because "Coal Black" is badly dated. Take -- for example -- the photo below of a sight gag from this movie. This animated short attempts to demonstrate how truly wealthy the evil Queen is by showing the piles of tires as well as the sacks of sugar & coffee that she keeps inside her castle.

Now obviously this particular joke doesn't really register for today's audiences. But back during World War II (when Americans were regularly dealing with the rationing of rubber, sugar & coffee), this sight gag always got a huge laugh.


Copyright Warner Bros.

Another reason that "Coal Black and de Sebben Dwarfs" is seldom seen these days is that ... Well, to be honest, this Bob Clampett cartoon isn't really all that P.C. I mean, check out this sign which allegedly lists Murder, Inc. rates back during the War years:


Copyright Warner Bros.

Now obviously, some JHM readers out there are going to offended by the use of the term "Japs." But back during World War II, particularly in the days following Pearl Harbor, that was the rather derogatory term that many Americans used when describing someone of Japanese descent.

Mind you, the Japanese aren't the only folks who tend to take offense at screenings of "Coal Black and de Sebben Dwarfs." Many African-Americans are also offended by the racial stereotypes that are depicted in this particular animated film.

Me? I can understand that. The way that most of the characters are depicted in "Coal Black" is racially offensive today. But -- that said -- if you can just look past the "Amos & Andy" -seque dialogue and all the racial stereotypes ... There's some truly amazing animation to be found in this Warner Brothers short. Which is why -- back in 1994 -- "Coal Black" was named as one of the "50 Greatest Cartoons of All Time."

For today's article, what I'd like to focus on is how closely the animators at Warners chose to follow the original "Snow White" when staging scenes and/or setting up gags in "Coal Black."

Take -- for example -- how the hero & the heroine meet. In Disney's "Snow White," the princess gets her first glimpse of her handsome prince by seeing his reflection in the water of a well. In "Coal Black," So White first spies Prince Chawmin' by seeing his reflection in her laundry tub. 


Copyright Disney Enterprises LLC / Warners Bros.

In both films, the evil queen discovers that the Snow White / So White characters have fallen for their particular princes by peerily angrily through a curtain.


Copyright Disney Enterprises LLC / Warner Bros.

Both princesses eventually find themselves wandering through menacing forests ...  


Copyright Disney Enterprises LLC / Warner Bros.

... where even the trees appear to have eyes.


Copyright Disney Enterprises LLC / Warner Bros.

Where each evil Queen, as she works in her particular secret laboratory on the poison apple, is lit so that she has a dramatic shadow behind her.


Copyright Disney Enterprises LLC / Warner Bros.

Where each Queen disguises herself as a crone wth an over-sized nose in order to trick the young princess into eating the poisoned apple.


Copyright Disney Enterprises LLC / Warner Bros.

Of course, the one key difference between these two animated films is that Prince Charming's kiss does awake Snow White in the Disney version. Whereas Prince Chawmin' tries & tries in "Coal Black." But So White stays "stiff as a board" ...


Copyright Disney Enterprises LLC / Warner Bros.

... Until Dopey decides to plant a kiss on the sleeping princess. And that kiss ... Well, as you can see, Dopey's kiss really gets So White's motor racing.


Copyright Warners Bros.

Look, I know. A number of you may have been offended by the images that I've used in today's article. If that was really the case ... Well, then, I apologize for the unintended offense.

It's just that ... So many people have heard about "Coal Black and de Sebben Dwarfs" and how offensive this particular Warner Bros. short is supposedly is. But very few folks have actually seen this Bob Clampett film 'til now. Which makes it rather difficult for most people to form an  opinion about this often-censored short.

But thanks to the nice folks over at www.youtube.com, now you can watch "Coal Black and de Sebben Dwarfs" and decide for yourself whether it's right for Warner Bros. to pull a "Song of the South" with this particular animated short. Keeping "Coal Black" locked away in the vault, so that very un-P.C. cartoon can't possibly offend anyone.

Speaking of Bob Clampett: Over 25 years later, Bob would take another swing at Walt. Only this time around, Clampett wasn't making fun of one particular Disney film. But -- rather -- the entire "Happiest Place on Earth."


Copyright Image Entertainment

Come back tomorrow and I'll share some of the better gags from this particular episode of "The Beany & Cecil Show."

In the meantime, what are your thoughts on "Coal Black and de Sebben Dwarfs"? Does this Warner Bros. short really deserve the "Song of the South" treatment? Or should this cartoon be included on one of the upcoming "Looney Tunes: Golden Collection" DVD sets?

 

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  • First of all the Journey to the Disney Vault skit was very funny.  Second I just caught a little bit of King Solomon's Mines on TCM the other night.  The depiction of the natives wasn't too PC in that either, but I would like to see movies like Coal Black and Song of the South released so that we can better understand how things were.  It wasn't always right, it just was.
  • Wow, I created an account just so I could comment on this article. I've recently watched "Song of the South" twice. I also just now watched "Coal Black" - It was absolutely repulsive. "Song of the South" is a civil rights march compared to "Coal Black". It's amazing how unoriginal Warner Bros is. - "Looney Tunes" - Silly Symphonies anyone? I will admit the animation on Coal Black was pretty good for 1943 - nothing great - but good. Too bad what they were animating was absolute trash. However, don't get me wrong - People need to see it and be educated. Boy, watching this, I question more than ever "WHY WON'T DISNEY RELEASE SONG OF THE SOUTH ON DVD?!"
  • I had never heard of "Journey to the Disney Vault".  It was pretty funny, but when they showed the "original" version of SOTS, some people may have thought that Uncle Remus really sings that.  Some people have no idea how the movie really is.  SOTS isn't bad at all, as long as you know that it's during Reconstruction.  I just watched "Coal Black", and it's so much worse than SOTS.  I agree with smokey39, how the animation wasn't bad, but they weren't animating anything worthwhile.  I don't know how this cartoon got on that 50 Best list.  Obviously those white Warner animators had some prejudices, and that showed in the animation.  Many animation studios back in the day made cartoons that were offensive, though, and all those other cartoons should be pointed out so people can realise that and not point fingers at just a couple studios.
  • Well, I can see why the Disneyana fans are upset. Good-hearted parody is one thing, but that "Journey to the Disney Vault" was just plain vicious. As someone who works in animation, you would think Smigel would have a little more respect for Walt, who created the animated film industry. I don't think it was fair, either, to attempt to muddy Walt's name by repeating age-old rumors and myths, many of which have no basis in fact. And to criticize Walt for being anti-Communist? My, how our country has changed. The few points I did like were the swipes at the Eisner regime and the endless cheapquels. That actually had basis in fact.

    As for Coal Black, maybe Iger needs to swing a deal with Warner Bros. to get them to release that, so Song of the South won't be such a big deal. From what I've read, Clampett was actually paying tribute to jazz. This is a hard film to watch even if you know the historical context. I don't think Clampett was being deliberately racist -- his depiction of African-Americans follows right in line with the Minstrel shows of vaudeville, Amos n' Andy, and other popular depictions of the day. It's our modern viewpoint that helps us see just how truly offensive it is. I've long argued that Song of the South should be re-released on DVD because it's actually anti-racist. Coal Black should be preserved as well (we should never forget the sins of the past), but only for historical purposes.
  • PC police in the house!  Better yet, Disney fan PC police!  Let's build up SOTS by trashing on another film with the exact same "issues!"

    The fact that 1000 animation pros and historians named "Coal Black" one of the 50 best cartoons ever (it's #21, one notch ahead of "Der Fueherer's Face"), the fact that Robert Clampett is revered as one of the greatest and most influential animation directors of all time with "Coal Black" being one of his 2 or 3 greatest works, the fact that the Warner animators went to Harlem and studied the culture, music, expressions and clothing before working on the toon, the fact that most of the voice cast was African American, the fact that "Coal Black" was a resounding success when first released, and just as popular (if not moreso) with black audiences as white, the fact that in the midst of the silliness, the cartoon paints a very positive picture of African American soldiers, and the fact that it really is a brilliant parody of the Disney movie . . . .  Nope, doesn't count.

    Material like this is only offensive if you force it to be, by making the unnecessary leap that the characters onscreen are in some way supposed to represent ALL of a certain race.  Most people didn't used to make this leap, and it was generally not intended (except for the "Japs" during WWII, which was a whole different thing).  They just enjoyed the funny characters and then got on with their lives.  Blacks shouldn't be offended by the prince in "Coal Black" any more than whites are offended by the short, stupid, speech-impedimented Elmer Fudd.  But they've been taught to be.

    But we digress.  This article had something to do with Disney parodies, didn't it?  Hey, Jim . . . don't forget the "Sleeping Beauty" episode of "Fractured Fairy Tales".
  • "Journey to the Disney Vault" was funny.  The fact that the movie was only released for a couple of weeks.  And, the lousy sequel movies that they showed!  "Little Sleepy meets Aladdin".  "Simba sits in for Meridith"

    I loved that they got someone who sounds just like Marc Elliot, as well.  I had to check the credits at the end to make sure it wasn't him.  

    And "You're supposed to be funny?"  

    And parts of it were true.  Yes, Walt blamed the Jews for the union organization at his studios.  But, place his feelings in historical context.  Anti-semiticism was very much in place throughout the country at the time.  And yes, he was very anti communist.  But, you can't judge a person's past behavior with today's morality.   Walt did have his faults.  He was not dear "Uncle Walt" as many of us think of him.

  • Originally in 1992's "Bébé's Kids", Robin was supposed to take Bébé's children to Dizzyland, but Paramount's legal team thought better of it and they changed the name of the theme park.
    But you have to include Disney's self-referential jab in "A Goofy Movie" when Goof and Max went to Lester's Possum Park and witnessed that funny homage to the Country Bear Jamboree.
  • "Coal Black" is another perfect example of how this world has changed.  Back then, it was considered acceptable to make fun of other races.  Look at the classic Tex Avrey cartoons.  At least two out of every five cartoons had a racist joke in some way shape or form.  That was just a sign of the time.  Now, if they were to do something like that, they'd get a verbal butt kicking that would lead to shutting the film and never having it shown.  I agree though, Song of the South is absolutely harmless.
  • I just finished watching "Coal Black" and I can definitely understand the offensive nature about it.  Not very good with the writing but the animation is very good for that time period definitely...

    As far as jabs at the mouse, The Simpsons is a prime example of making fun.  Especially the jabs at DCA which are oddly enough, at time, right on the money...
  • I have seen the "Vault" spoof, and just checked out the infamous "Coal Black". I'll try and keep it brief, but this is a complex subject.

    It's all satire, that's for sure. We have to look at historical context if we are going to shed any light on these pieces. My feeling is that satire only works when you are cutting something- or someone, down to size, and when it's done with balance. When satire is coming from the wrong place-- meaning sour grapes, blanket hatred, or ignorance, it falls flat, or leaves that bad taste in your mouth.

    I have seen Walt Disney scapegoated many times but I am sure that in context, his work was subversive-- for me, in spite of the politics fashionable at the time, his heart was in the right place. He made mistakes-- we all do. My husband is Jewish, and he agrees with me on this. He's had bad experiences with Jews like with any other group. None of us are perfect. You get groups of humans together-- give us power-- we act stupid now and then, no matter what color. Whether it's racism or reverse racism-- it's all about humans being stupid.

    The "Coal Black" thing was made in a time when Whites held strict values and behavioral norms- all of which are contrary to the depiction of Blacks in this film. This indicates a condescention, and a lack of due compassion. And the sexism is as offensive as the racism in it. This young woman supposedly glibly exploits herself to avoid harm at the hands of all these men. I have never met a human being who would enjoy this treatment. This piece has no conscience, and therefore, it has no artistic value. It does not reflect poorly on the company, because it is run by different people now-- it reflects on those who made it, _especially_ given the historical context of it's time. And if Walt made it, I'd say the same thing. But he didn't make this; and I wouldn't like him if he did.

    Satire only works when it is tearing people down to size-- not running the downtrodden through a meatgrinder. And no-- it should not be burried-- we arrogant, spoiled Whiteys need to be reminded of how stupid and mean we can be, or we'll just keep making the same mistakes, and these mistakes will just keep on biting us in the butt. I say _if_ you release it -- do it with intelligent celebrity commentary to help get it in perspective for the idiots of the World who would take it literally.
  • >>This piece has no conscience, and therefore, it has no artistic value.<<

    An ignorant comment in an ignorant post.  "50 Greatest Cartoons of All Time," dearie.  Chosen by people who know a heck of a lot more about art and animation than you.
  • Smokey, what you don't know could fill a book ; )

    Seriously, though.  Coal Black is definitely a little hard for some people to take.  That 's too bad, because it has characters that, while stereotyped in some major ways, also stand as more fully fleshed out black characters than most of that era- even in live action.  By that, I mean that they have complicated feelings about things happening around them, and take action to set things right.  Some of them are good, some are bad, some are smart, some are dumb, foolish looking, sexy, what have you.  If some of the dialogue were tweaked, and the dwarves weren't so 'banjo lipped', it would be pretty tame stuff, in a way.

    Song of the South is just a lot of fun.  Leonard Maltin could defuse people's outrage with one of his introduction/history lessons.  Not releasing it on DVD is a little knee jerk, in my opinion.
  • According to the excellent book (recommended on this site, by the way) "How To Be Like Walt", Walt Disney did NOT "blame the Jews" for the strike at his studio. Richard and Robert Sherman, among other Jews who worked for Walt, vigorously defend him and attack the vicious myth that he was an anti-Semite. Walt DID blame the Communist Party for unrest at this studio, and there was indeed real basis for his belief, as the Communist Party did indeed try to infiltrate Hollywood during the 30's. (An amusing account of its efforts was recorded by Arthur Marx, son of Groucho: when a Communist Party member tried to enlist him and asked for a donation, Groucho told him to buy a ticket to Russia if he liked Communism so damned much).

    As for the parody on SNL, it was about what I expected from that show given its bias - and the fact it hasn't been funny for at least 20 years.
  • ----
    RogerRmjet said:
    I don't think it was fair, either, to attempt to muddy Walt's name by repeating age-old rumors and myths, many of which have no basis in fact.
    ----
    First the JttDV sketch was Smigel's recycling of an almost identical sketch from four years before, which only picked on the "retired Vault" joke, the VHS Bambi being limited-edition, and the "cheesy sequel" gag almost verbatim.  (Strike another mainstream idiot who doesn't know about the Three Types of Disney Sequels, and thinks Disney pumps them all out for the same reason...)
    This time around, as noted, he was in an extra snarky mood about the DVD's being retired (yes, Bob, kids will never, ever see them again because they can't rent them!--It's just like 1987, before the VHS's came out!), and decided to pile Walt-was-a-poopyhead insult onto injury for obligatory Simpsons-esque "shock" value....Yawn.

    Second, as most of us Diz-History buffs know, the whole "union" thing was aggressively forced upon Walt by a hi-profile organizer who thought he could organize every 40's studio in Hollywood, and didn't take being rebuffed lightly--Walt, OTOH, didn't understand why his "family" would want to make demands, and thought they were being "ungrateful" like the clowns in Dumbo.
    (Oh, and Smigel?--That "Walt frozen" rumor we've loved all those years was actually a deliberate press-prank by Ward Kimball, to distract reporters away from Walt's family funeral...But then, we know that and you don't, which is why you fell for it.)  :)
  • ---
    NubtheSquirrel said:
    As far as jabs at the mouse, The Simpsons is a prime example of making fun.  Especially the jabs at DCA which are oddly enough, at time, right on the money...
    ---
    And as for why Matt Groening picks on Disney, there's enough for a JHM article:
    1) The strange history of Itchy & Scratchy, which started out as a parody of you-know-which cartoon annoyingly dated and unfunny MGM cat and mouse...Yet, by the time Wang Studios had been hired by Ted Turner's short-lived animation division to work on "Tom & Jerry:the Movie", and all of a sudden, the conveniently timed I&S Movie, in an episode dedicated to it, became "the coolest movie EVER!" in the Springfield-verse, and ever after, I&S only parodied those nasty Disney cartoons...Hmm.
    2) Go back and do a "Simpsons" word search on JHM, and find out how Disney *twice* came that close to jumping on the show's bandwagon and giving us 3-D movies and sim-rides based on the franchise, only to leave Matt standing at the altar when Imagineers passed on the ideas for bigger, less expensive and longer shelf-lived in-house plans without someone's hefty third-party rights price.
    Which might account for the cheap and obsessive park jabs, if one was in a paranoid frame of mind, or judgmental about Matt's level of maturity...Oh, but *nooo*, certainly.  :)
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