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Toon Tuesday : "WALL E" skillfully blends sci-fi & satire to tell a surprisingly sweet tale

Toon Tuesday : "WALL E" skillfully blends sci-fi & satire to tell a surprisingly sweet tale

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By now, you've probably seen pictures of "WALL E" 's title character. Maybe you've even caught a glimpse of this film's unique-looking logo.

But what do you actually know about Pixar's 2008 release? Very little, I'll bet. Which is standard operating procedure for this Emeryville-based animation studio. They like keeping the storylines for their upcoming animated features under lock & key for as long as possible.

But "WALL E" went over the wall (so to speak) last week. You see, I had the chance to talk with someone associated with this new Andrew Stanton film who just couldn't contain themselves. They had to talk about "WALL E."

Why For? Because this individual believes that Stanton's next movie is important. That it's going to be such a step up from the work that Andrew did on "Finding Nemo" that "WALL E" is going to shock people. Both for its choice of source material as well as its style of storytelling.

And the story that this animation insider told me ... It's such a departure for Pixar, such a ballsy choice that one wonders how mainstream audiences are actually going to react to "WALL E." Will they be able to embrace a message movie that so liberally mixes science fiction & satire?

Be warned, folks. If you don't want to know anything about the story of Pixar's Summer 2008 release, now would be a really good time to bail out of JHM. For I'm about to give you the skinny on "WALL E."

 

 

Still there?

 

 

Okay. Here goes ...

"WALL E" starts out on Earth in the year 2700. Which -- due to the horrible way that humans have treated this planet -- is now just one massive trash heap floating in space.

Earth in fact has become so toxic that -- centuries before our story actually gets underway -- mankind has abandoned the planet. We're now all living aboard the Axiom, this massive spaceship that circles high overhead. Waiting for the day that the planet once again becomes inhabitable.

But the only problem is that mankind hired this enormous, inept corporation -- Buynlarge -- to supervise the clean-up effort. And that company -- in turn -- sent hundreds of thousands of robots down to the planet's surface to pick up all of the trash.

But Buynlarge's Waste Allocation Load Lifters -- Earth Class units really weren't up to the task. And so -- over the centuries -- these robots slowly began breaking down. Until now (as the film's story finally, officially gets underway) there's only one WALL E left running on the entire planet.


Copyright 2007 Disney / Pixar

And so every morning, this WALL E powers up and then tries to accomplish the task that he's been programmed to do. Which is pick up all of the trash that's been scattered around the Earth. It's obviously an impossible job. But still this robot (with the help of his pet cockroach, Spot) does what he can every day.

But here's the thing, folks. Over the past 700 years, WALL E has gotten ... quirky. To be specific, he's become somewhat self-aware & curious.

"Curious about what?," you ask. Well, humans for starters. Over the centuries, this WALL E has collected an amazing array of human artifacts. Things like a Rubik's Cube, a lightbulb, a Playmate portable ice chest. But this robot's proudest possession is an old VCR. On which he plays -- over and over again -- a VHS copy of "Hello, Dolly !"

Now let's pause here for a moment and just think about that. Everything that this robot knows (Or -- more importantly -- thinks he knows) about mankind, he's either learned from picking through garbage and/or by watching a 700-year-old Barbra Streisand film.

Anyway ... Given that he's the last operational robot left on the planet, with only Spot to keep him company, WALL E has become lonely. He longs for companionship.

Which is why this robot is thrilled one morning when a spaceship almost lands on him. And what should float out of the craft but this sleek new unit, EVE.

Eve has been sent down to Earth to find ...something (Sorry. But I really don't to give "WALL E" 's entire story  away with today's article). And as this sleek new unit hovers around the planet, endlessly scanning the Earth's surface ... WALL E follows along behind EVE like a lovesick pup. Desperate to get her attention, to have this newer model notice him.

It isn't 'til a sudden sandstorm forces WALL E & EVE to seek shelter in the very same vehicle that these two mechanical devices then really begin trying to communicate. With the trash-collecting robot trying to impress this more advanced model by showing off his collection of rare human artifacts.

But then EVE is recalled. And as she reboards her craft to return to space, WALL E has a decision to make. Should this robot just do as he's programmed? Remain on Earth and continue to pick his way through those never-ending mountains of trash? Or should WALL E actually take a chance, continue to try & win EVE over by following her out into outer space?

At the very last moment, as EVE's rocket is actually blasting off, WALL E latches onto her craft. And this  robot -- along with the rocket -- is hurtled off into space. Which is where the real fun begins ...

Now keep in mind that all I've described here is just the first third of "WALL E." Which plays out with little or no dialogue. By that I mean: The age-old trash-picking robot and the sleek new scanning droid may beep & boop at one another. But -- with the exception of the music & the dialogue that we hear coming from that VCR that plays "Hello, Dolly !" -- that's it. The rest of this section of Pixar's 2008 release is (in effect) a silent movie.

And wait 'til you see what happens to WALL E once he gets on board the Axiom and finds out what has become of mankind. How -- because humans have grown even more lazy in the 700 years that they've been off Earth -- we're all now just these enormous fat blobs who can only move about because we travel in huge floating lounge chairs.

The rest of this amazing motion picture is set deep out in space, where WALL E runs into some even more mis-begotten creatures ... And some 700 years after doing what he was built to do, this robot will finally discover what he was meant to do.


Copyright 2007 Disney / Pixar

Trust me, folks. This is just the tip of the iceberg when it comes to "WALL E." There are so many other aspects of this Andrew Stanton that are daring and/or charming. Take -- for example -- Fred Willard's involvment with this production. Fred plays the president of the Buynlarge Corporation. And this will be the very first time that a really-for-real human performer will appear in a Pixar production.

There's so much more to talk about in regards to "WALL E." But -- as I said earlier -- I don't want to totally ruin this upcoming Pixar release for you. I just want to give JHM readers some sense about the size & the scope of the story that Andrew Stanton is trying to tell here. The sort of a picture that he's trying to make this time around.

Given what you heard so far, aren't you interested in learning how the rest of "WALL E" plays out? The story that starts in the year 2700. After Earth has been abandoned. But someone forgot to turn the last robot off.

Your thoughts?

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  • Sounds like a great short.

    Does not sound like a great movie.

    I still think Wall-E is great design. More emotive and sympathetic than any of the dull characters in Cars. To me.

    I'll be curious to see how heavy-handed they get with this. Couldn't be more than, say, Happy Feet. But heavy-handed enviromental messages are getting tiresome in animated movies.

    Any word on whether Ed Beagley, Jr has been cast?

  • As an unabashed Pixar geek, I'll quickly note -- for my fellow Pixar geeks in the audience -- that Jim Hill Media has two articles with spoiler-ish teasers for the computer-animated film studio's next movies, Ratatouille and WALL-E.

  • I had no interest in Cars when it was painted as a love song to NASCAR and the like. That is not what the flic was about, as we all saw. Lassiter, Stanton and chums pump more heart into the opening credits of their films than their contemporaries at Blue Sky, Dreamworks, etc. do in their entire films.

    Disney should count their blessings that PIXAR didn't jump ship as many thought they would. We all have seen Mouse House's poor efforts (such as Chicken Little) under the auspices of doing it all themselves.

  • Jim writes:

    "But what do you actually know about Pixar's 2008 release? Very little, I'll bet. Which is standard operating procedure for this Emeryville-based animation studio. They like keeping the storylines for their upcoming animated features under lock & key for as long as possible.

    But "WALL E" went over the wall (so to speak) last week. You see, I had the chance to talk with someone associated with this new Andrew Stanton film who just couldn't contain themselves. They had to talk about "WALL E."

    NO.  Actually, they didn't have to talk about WALL E.   There are very good reasons why Pixar keeps a tight lid on these things . IF this person being alluded to above even exists  I can only hope that this misguided blabbermouth will soon be cleaning out their office and escorted to the gate by Pixar security .  

  • Sounds like one of two possibilities:

    1. Someone is pulling your leg. AKA:Disinformation

    2. This will be Pixar's first guaranteed bomb.

    Given how amazingly insipid, cliche, and preachy this sounds, I'll go for number 1. In the event of number 2, well if Pixar is looking for another big movie, elminating most conservatives and non-gaia worshipers from the audience from day one is giving it a huge handicap. Of course, it may be that Jobs et al have overdosed on Al Gore's scare fest and just can't wait to use the power at their disposal to move the ignorant public into the path of righteousness. In any case, if it's anything like the description, I sure as heck won't be going.  

  • I sort of find it curious the number of people who imply you should go see a film before you judge it ... I mean this sounds good on the surface, but based on that wouldn't you have to go see every movie ever made?

    I think people pre-judge stories and movies based on trailers and commercials every day. Isn't that why some films bomb and some do well? I mean if everyone had to go to a movie before they could figure out if it was something they wanted to see or not, then every movie ever made would have a billion dollar box.

    I think what these people are trying to say is, "I think this sounds like a great movie, why don't you agree with me?"

    Why can't people just accept that not everyone likes the same stuff? Some people read this and thought, "Hey, this sounds cool!!" which is fine. Others read it and thought, "This doesn't sound like something I'd be intereted in seeing." Can't that be okay, too?

  • I'm going just far enough into this conversation to say, this movie sounds adorable.  Yes, coming from a straight male teenager, adorable.  I'm looking forward to this.  End of my comment; now I'm going to back away in peace.

  • this sounds like it could be a very important film for our time, if what jim says is true. very artistic, original, and inventive.

    although, im not going to put ALL of my faith in what JH says.......

    it does seem a little strange that Pixar wouldnt put a lot of dialogue in their film..

    all though i dont want to be preached to either, it sounds incredibly interesting.

    so how bout naysayers shut their mouths untill they see a full length trailer?

    whaddya say?

    XD

  • Pampered pooches, the Prince of Persia, even Shaolin monks are expected to make appearances in Disney's releases for 2008. Jim Hill gives a brief run-down of some of the more interesting movies that Mickey currently has in its production pipeline

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