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Never mind about the $1.1 billion Disney just spent on its DCA redo. Why For isn’t anyone talking about the billions Mickey has poured into WDW over the past 3-to-5 years?

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Brian K. dropped me a line on September 3rd to say:

Hey Jim!

I can't get enough of your site and I literally feel like I
"grew up" reading your insight into the parks and attractions, so
thanks! I feel like I already know the answer to this, but do you think we
might ever see a major investment in Walt Disney World's four parks? I know
none are near as fundamentally flawed as DCA was, but what about an announced
"five year plan" for the resort, divvying another $1 billion between
the four parks over the course of a half-decade? Indiana Jones at the Magic
Kingdom
; elements of Project: Gemini in Epcot; Cars Land at the Studios;
whatever big project (in my opinion, Beastly Kingdom) or an all-encompassing
World of Color fountain show in Discovery River at Animal Kingdom… With an
arguably "better" place to start than DCA had, even $250 million per
park could do wonders at WDW, and even just one major E-ticket per park could
really enliven things. If marketing plays it right, it could be an exciting
promotion.


Concept art for Disney's Animal Kingdom's never-built Beastlie Kingomme area.
Copyright Disney Enterprises, Inc. All rights reserved

Keep it up, and thanks!

Brian K.

Thanks for the kind words, but … When you talk about The
Walt Disney Company making a major investment in WDW, you do understand that —
were you take a step back and take a cold-blooded look at what's been going on in
Lake Buena Vista  over the past 3-to-5
years — you'd see that the Mouse have already made / is making a DCA-sized
investment in The Walt Disney World Resort.


The original concept art of the Fantasyland expansion at WDW's Magic Kingdom theme
park (Please note the massive Cinderella / Sleeping meet-n-greet show building at the
very center of this image as well as the never-built Pixie Hollow area in the upper
right hand corner). Copyright Disney Enterprises, Inc. All rights reserved

I mean, seriously, Brian K. Think about it: The Fantasyland
expansion
project? Depending on who you talk to, that's $380 – $400 million
right there (I'm told that the $250 – $300 million ceiling that had originally
been set on this project got blown through once Tom Staggs, the newly installed
Chairman of Walt Disney Parks & Resorts decided to swap those elaborately
themed Cinderella & Sleeping Beauty meet-and-greet areas out for a Seven
Dwarfs Mine Train ride). Now fold in all of the design & construction costs
associated with taking that never-finished wing of Disney's Pop Century hotel
and then turning that abandoned  worksite
into the highly themed Disney's Art of Animation Resort PLUS those Villas at
Disney's Grand Floridian Resort & Spa that DVC is building right now. Then  factor in
the cost of all of the road widening that's 
been going on lately along Buena Vista Drive between DHS's back entrance
and Victory Way, the Golden Oak at Walt Disney World Resort project, the reimagining of Test
Track
, that new "Phineas and Ferb & You: A Brand New Reality" at
Downtown Disney, the revamp of the Magic Kingdom's "The Magic, the
Memories and You!" show
, the costs involved with developing those
"Sorcerers of the Magic Kingdom" & "Agent P's World Showcase
Adventure
" games  … and we're now
up to  a billion dollars worth of additions
being added / improvements being made at  The Walt Disney World Resort without even
breaking a sweat.

And then when you consider all of the time, money and
research that the Company has already poured into WDW's  Fast Plus Pass project (which — FYI — begins
its second round of onsite field testing at the Magic Kingdom later this month)
… Well, that's another $100 million plus right there. And should these tests
go well and The Walt Disney Company then opt to go forward with full-blown implementation
of its NextGen program for  the Walt
Disney World Resort  … Between all of the
actual physical changes which the Imagineers will need to make in & around
this 43-square mile piece of property  (EX:
Doing things like changing the Rose Gardens off the Hub at the Magic Kingdom
into a gated fireworks viewing area. Not to mention significantly upgrading the
WDW Resort's overall wireless capabilities so that it can then actually support
& serve all of those Guests who'll now be trying to make dinner
reservations & book Fast Passes through their iPhones and Droids) … Well,
spread over four theme parks and 20+ onsite hotels, that'll easily be another
billion right there.

Which brings us to the real issue here. A concept that some  Disney fanbois seem to have real trouble
grasping:  The Walt Disney World Resort isn't
the Disneyland Resort.


Copyright Disney Enterprises, Inc. All rights reserved

By that I mean: When you pour a billion dollars into the 510
acres that make up the Disneyland Resort, you can immediately see where most of
that money went. The changes that have been made to the Disneyland Hotel, not
to mention DCA's two new "lands" and all of the other rides, shows &
attractions that have been added to that theme park since its redo was
initially announced back in 2007 have been dramatic.

Conversely when you take a billion dollars and then try &
spread that across the 30,500 acres that make up the Walt Disney World Resort,
that seemingly huge amount of amount doesn't travel quite so far and/or have as
nearly huge an impact. At first glance, anyway

That doesn't negate the fact that Disney has in fact been
aggressively reinvesting in WDW over the past 3-to-5 years. But when you
compare road widening along Buena Vista Drive to — say — Disney California
Adventure getting Cars Land and/or Universal Orlando building the Wizarding
World of Harry Potter
… Spending money on improving resort infrastructure (which
is absolutely essential. Given the tens of thousands of people who travel those
roads every day) isn't quite as sexy or exciting as building another Radiator
Springs Racers
and/or coming up with an attraction that can possibly rival Harry
Potter and the Forbidden Journey
.


HARRY POTTER characters, names and related indicia are trademarks of and copy-
written by Warner Bros. Entertainment Inc. Harry Potter publishing rights copy-
wright JKR. Copyright 2010 Universal Orlando Resort. All rights reserved

But to certain Disney fanbois, none of this sort of
reinvestment ever really matters. They just laser focus in on the chipped paint and/or
continue to moan about how the Disneyland Resort gets all of the cool stuff,
even though there's still $300 – $400 million worth of new rides, shows and
attractions about to be unveiled at the Magic Kingdom. If you
listen to these folks, the Fantasyland expansion (which none of us have actually
experienced yet) is already in the rear view mirror. These people (if you sample
various discussion boards around the Web) are already bitching about the budget
cuts that have reportedly been made to WDW's version of Radiator Springs Racers
which is reportedly in the works for Disney's Hollywood Studios. Or they're chortling about how
James Cameron and the Imagineers now appear to be having creative
differences
when it comes to the "World of Avatar" project.

My advice is just ignore people like this. If Walt Disney Parks
and Resorts only built E Tickets in Orlando from here on in, these very same
fanbois would still somehow find something else to complain about. That's just the way that they're wired.  These people can't
help themselves. All they can ever see (and all they're ever going to see) are Disney's supposed shortcomings.

More to the point, when you're talking about a 30,500-acre
piece of property, you really have to take that 30,000-foot view. Take in the
property as a whole. And from that height / with that perspective, Brian K., you'll then clearly be able to see that Disney has been
pouring a ton of money into WDW over the past 3-to-5 years. But that amount has been
spread out over 43 square-miles. Not focused in on two relatively tiny little
areas like the Disneyland Hotel and the Disney California Adventure theme park.


The new monorail-themed water slide which was just added to the pool area at the
Disneyland Hotel.  Copyright Disney Enterprises, Inc. All rights reserved

Don't get me wrong. Would I love to see some major new
attraction being added to Disney's Hollywood Studios in the not-so-distant
future? Absolutely. But having said that, I also have to acknowledge that —
just last year — DHS did, in essence, get a brand-new ride with the arrival of
"Star Tours: The Adventures Continues" and the new multi-branching
version of that simulator's ride film.

Does saying / writing something like this make me a Disney
apologist? Nah. I prefer to think of myself as a Disney realist. Someone who
realizes that The Walt Disney Company is now a publicly held, multi-national
corporation with a board of directors who then have to answer to the Company's
shareholders  and  the investment community. I mean, Disney just
isn't the same Company that it was back in the early 1960s when Walt was
calling the shots. When it was only one man's taste, interests & fascinations that determined which films Walt Disney Studios made and/or which rides,
shows and attraction were added / subtracted at his theme park.

That said, I still have to admit that I can't quite
understand why the folks running Downtown Disney felt it was so urgent to gut
Pleasure Island back in September of 2008 and have since done nothing with that
piece of property. I mean, I know. The Global Financial Meltdown scared away a lot of the would-be lessees who were supposed to come on board as part of the Hyperion Wharf redo … But that was four years ago
now. Even taking into account the somewhat tentative nature of the U.S. 's
financial recovery (More importantly, given how the spending patterns of Guests who visit Disney World these days have changed. These people just aren't buying plush and  pins the way that they used to back in 2006 & 2007) it just seems
bizarre to me that so many of the shops & restaurants that used to do a
halfway decent business in & around Pleasure Island have since been boarded
up and/or torn down.


Hyperion Wharf concept art which gives some indication of how this Downtown Disney
redo was at least supposed to fit in with the West Side of this shopping / dining
complex. Copyright Disney Enterprises, Inc. All rights reserved

I mean, if you take into consideration the primo location
that the now-basically abandoned Pleasure Island complex occupies at Downtown
Disney (i.e. between the West Side and the original WDW Shopping Village), it's
like having a smile where the front teeth have been knocked out. The folks
running the Walt Disney World Resort really need to address this issue.

Which I suspect they already know. But when you're managing
a 30,500 acre parcel of land which — just last year — was reportedly visited
by over 25 million people … Well, you're always going to have one hell of a
"To Do" list. And — yes — I will admit that it is high
profile, big ticket attractions like "Expedition Everest" which drive
attendance at the theme parks & put heads-in-beds at the Resorts. But as
the balky Yeti AA figure in that DAK attraction has proven, you can't stint on
back-of-the-house stuff like maintenance. Especially during this social
media-driven age where bad news travels at light speed.

Sorry, Brian K. But what started out as a short answer to your
Why For question somehow morphed into this lengthy lecture about Walt Disney World. To be
specific, how a certain segment of the Disney fan community just can't seem to see that
the Company has continually been pouring huge amounts of money into
maintaining, upgrading and improving the Florida property. Given the blinders
that these guys wear, if the Mouse isn't spending money on mega-attractions for
the Parks like Radiator Springs Racers, it doesn't count for some reason. Which
(to my way of thinking, anyway) is silly.


Discovery River, Disney's Animal Kingdom's somewhat over-grown
central waterway. Copyright Disney Enterprises, Inc.
All rights reserved

Anywho … To answer at least one of your questions, Brian
K: Don't look for a version of DCA's World of Color to be built in Disney's
Animal Kingdom's Discovery River area anytime soon. In order to keep the illuminated
thousand fountains that actually drive this nighttime show working properly, they
need to be placed inside of a closed water system that's regularly / heavily
filtered. And given that DAK's Discovery River is supposed to resemble a
natural body of water which is somehow winding its way in and around that
theme park … Well, those really-for-real lily pads that you
see floating in the image above are an essential part of pulling off this thematic
illusion. And since all this floating flora would obviously regularly clog up
the high pressure nozzles which are used for dramatic effect in World of Color

You get the idea, right?  It's kind of an either / or proposition. If
DAK wants to bring in World of Color, it needs to change Discovery River into a
closed-off, highly filtered body of water like DCA's Paradise Bay. Which means
that you then lose all of the weeds & grass lining its shoreline. Which
help make Discovery River look like this living thing, when then helps to re-enforce
the overall theme of this theme park (i.e. that Disney's Animal Kingdom is a place that celebrates all animals. Living,
extinct and imaginary).

So — knowing that — I can't honestly see World of Color ever
being built in DAK's Discovery River area. But that said, that doesn't mean
that we won't then be seeing this DCA show (or — to be specific — some of the
technology & effects used to power this nighttime extravaganza) being
folded in to new & improved editions of DHS's Fantasmic! and/or Epcot's
Illuminations.


Copyright Disney Enterprises, Inc. All rights reserved

EDITOR'S NOTE: I'm sorry if yesterday's article about Sony
Pictures Animation's 10th anniversary threw off the momentum of JHM's week-long
experiment with doing a daily Why For column. But I wanted to make sure that
JHM's Southern Californian readers got a shot at those tickets for next week's
"Surf's Up" screening on SPA's Culver City campus. Which is why I
thought it was essential to first get an article out there that talked up this
event before I then began JHM's ticket giveaway.

I'm now going to push ahead with production of two more Why
For columns to round out the week. So if you have any Disney, animation or
theme park-related questions that you'd like to see answered in a story which
will be posted on this site, please send them along to whyfor@jimhillmedia.com.

Your thoughts?

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

The Evolution and History of Mickey’s ToonTown

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Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all.  Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?

There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.

The Beginning: Mickey’s Birthdayland

The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.

In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.

Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.

From Concept to Reality: The Birth of Toontown

In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.

Building Challenges: Innovative Solutions

The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.

And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.

Key Attractions: Bringing Animation to Life

Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.

Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.

Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.

Executive Decisions: Shaping ToonTown’s Unique Attractions

The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.

In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.

These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.

Global Influence: Toontown’s Worldwide Appeal

The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.

Evolution and Reimagining: Toontown Today

As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.

Dive Deeper into ToonTown’s Story

Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

Unpacking the History of the Pixar Place Hotel

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Pixar Place Hotel, the newly unveiled 15-story tower at the Disneyland Resort, has been making waves in the Disney community. With its unique Pixar-themed design, it promises to be a favorite among visitors.

However, before we delve into this exciting addition to the Disneyland Resort, let’s take a look at the fascinating history of this remarkable hotel.

The Emergence of the Disneyland Hotel

To truly appreciate the story of the Pixar Place Hotel, we must turn back the clock to the early days of Disneyland. While Walt Disney had the visionary ideas and funding to create the iconic theme park, he faced a challenge when it came to providing accommodations for the park’s visitors. This is where his friend Jack Wrather enters the picture.

Jack Wrather, a fellow pioneer in the television industry, stepped in to assist Walt Disney in realizing his dream. Thanks to the success of the “Lassie” TV show produced by Wrather’s company, he had the financial means to build a hotel right across from Disneyland.

The result was the Disneyland Hotel, which opened its doors in October 1955. Interestingly, the early incarnation of this hotel had more of a motel feel than a hotel, with two-story buildings reminiscent of the roadside motels popular during the 1950s. The initial Disneyland Hotel consisted of modest structures that catered to visitors looking for affordable lodging close to the park. While the rooms were basic, it marked the beginning of something extraordinary.

The Evolution: From Emerald of Anaheim to Paradise Pier

As Disneyland’s popularity continued to soar, so did the demand for expansion and improved accommodations. In 1962, the addition of an 11-story tower transformed the Disneyland Hotel, marking a significant transition from a motel to a full-fledged hotel.

The addition of the 11-story tower elevated the Disneyland Hotel into a more prominent presence on the Anaheim skyline. At the time, it was the tallest structure in all of Orange County. The hotel’s prime location across from Disneyland made it an ideal choice for visitors. With the introduction of the monorail linking the park and the hotel, accessibility became even more convenient. Unique features like the Japanese-themed reflecting pools added to the hotel’s charm, reflecting a cultural influence that extended beyond Disney’s borders.

Japanese Tourism and Its Impact

During the 1960s and 1970s, Disneyland was attracting visitors from all corners of the world, including Japan. A significant number of Japanese tourists flocked to Anaheim to experience Walt Disney’s creation. To cater to this growing market, it wasn’t just the Disneyland Hotel that aimed to capture the attention of Japanese tourists. The Japanese Village in Buena Park, inspired by a similar attraction in Nara, Japan, was another significant spot.

These attractions sought to provide a taste of Japanese culture and hospitality, showcasing elements like tea ceremonies and beautiful ponds with rare carp and black swans. However, the Japanese Village closed its doors in 1975, likely due to the highly competitive nature of the Southern California tourist market.

The Emergence of the Emerald of Anaheim

With the surge in Japanese tourism, an opportunity arose—the construction of the Emerald of Anaheim, later known as the Disneyland Pacific Hotel. In May 1984, this 15-story hotel opened its doors.

What made the Emerald unique was its ownership. It was built not by The Walt Disney Company or the Oriental Land Company (which operated Tokyo Disneyland) but by the Tokyu Group. This group of Japanese businessmen already had a pair of hotels in Hawaii and saw potential in Anaheim’s proximity to Disneyland. Thus, they decided to embark on this new venture, specifically designed to cater to Japanese tourists looking to experience Southern California.

Financial Challenges and a Changing Landscape

The late 1980s brought about two significant financial crises in Japan—the crash of the NIKKEI stock market and the collapse of the Japanese real estate market. These crises had far-reaching effects, causing Japanese tourists to postpone or cancel their trips to the United States. As a result, reservations at the Emerald of Anaheim dwindled.

To adapt to these challenging times, the Tokyu Group merged the Emerald brand with its Pacific hotel chain, attempting to weather the storm. However, the financial turmoil took its toll on the Emerald, and changes were imminent.

The Transition to the Disneyland Pacific Hotel

In 1995, The Walt Disney Company took a significant step by purchasing the hotel formerly known as the Emerald of Anaheim for $35 million. This acquisition marked a change in the hotel’s fortunes. With Disney now in control, the hotel underwent a name change, becoming the Disneyland Pacific Hotel.

Transformation to Paradise Pier

The next phase of transformation occurred when Disney decided to rebrand the hotel as Paradise Pier Hotel. This decision aligned with Disney’s broader vision for the Disneyland Resort.

While the structural changes were limited, the hotel underwent a significant cosmetic makeover. Its exterior was painted to complement the color scheme of Paradise Pier, and wave-shaped crenellations adorned the rooftop, creating an illusion of seaside charm. This transformation was Disney’s attempt to seamlessly integrate the hotel into the Paradise Pier theme of Disney’s California Adventure Park.

Looking Beyond Paradise Pier: The Shift to Pixar Place

In 2018, Disneyland Resort rebranded Paradise Pier as Pixar Pier, a thematic area dedicated to celebrating the beloved characters and stories from Pixar Animation Studios. As a part of this transition, it became evident that the hotel formally known as the Disneyland Pacific Hotel could no longer maintain its Paradise Pier theme.

With Pixar Pier in full swing and two successful Pixar-themed hotels (Toy Story Hotels in Shanghai Disneyland and Tokyo Disneyland), Disney decided to embark on a new venture—a hotel that would celebrate the vast world of Pixar. The result is Pixar Place Hotel, a 15-story tower that embraces the characters and stories from multiple Pixar movies and shorts. This fully Pixar-themed hotel is a first of its kind in the United States.

The Future of Pixar Place and Disneyland Resort

As we look ahead to the future, the Disneyland Resort continues to evolve. The recent news of a proposed $1.9 billion expansion as part of the Disneyland Forward project indicates that the area surrounding Pixar Place is expected to see further changes. Disneyland’s rich history and innovative spirit continue to shape its destiny.

In conclusion, the history of the Pixar Place Hotel is a testament to the ever-changing landscape of Disneyland Resort. From its humble beginnings as the Disneyland Hotel to its transformation into the fully Pixar-themed Pixar Place Hotel, this establishment has undergone several iterations. As Disneyland Resort continues to grow and adapt, we can only imagine what exciting developments lie ahead for this iconic destination.

If you want to hear more stories about the History of the Pixar Place hotel, check our special edition of Disney Unpacked over on YouTube.

Stay tuned for more updates and developments as we continue to explore the fascinating world of Disney, one story at a time.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

From Birthday Wishes to Toontown Dreams: How Toontown Came to Be

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Mickey's Birthday Land

In the latest release of Episode 4 of Disney Unpacked, Len and I return, joined as always by Disney Imagineering legend, Jim Shull. This two-part episode covers all things Mickey’s Birthday Land and how it ultimately led to the inspiration behind Disneyland’s fan-favorite land, “Toontown”. But let’s not get ahead of ourselves here. It all starts in the early days at Disneyland.

Early Challenges in Meeting Mickey

Picture this: it’s the late 1970s and early 1980s, and you’re at Disneyland. You want to meet the one and only Mickey Mouse, but there’s no clear way to make it happen. You rely on Character Guides, those daily printed sheets that point you in Mickey’s general direction. But let’s be honest, it was like finding a needle in a haystack. Sometimes, you got lucky; other times, not so much.

Mickey’s Birthdayland: A Birthday Wish that Came True

Fast forward to the late 1980s. Disney World faced a big challenge. The Disney-MGM Studios Theme Park was under construction, with the company’s marketing machine in full swing, hyping up the opening of Walt Disney World’s third theme park, MGM Studios, in the Spring of 1989. This extensive marketing meant that many people were opting to postpone their family’s next trip to Walt Disney World until the following year. Walt Disney World needed something compelling to motivate guests to visit Florida in 1988, the year before Disney MGM Studios opened.

Enter stage left, Mickey’s Birthdayland. For the first time ever, an entire land was dedicated to a single character – and not just any character, but the mouse who started it all. Meeting Mickey was no longer a game of chance; it was practically guaranteed.

The Birth of Birthdayland: Creative Brilliance Meets Practicality

In this episode, we dissect the birth of Mickey’s Birthdayland, an initiative that went beyond celebrating a birthday. It was a calculated move, driven by guest feedback and a need to address issues dating back to 1971. Imagineers faced the monumental task of designing an experience that honored Mickey while efficiently managing the crowds. This required the perfect blend of creative flair and logistical prowess – a hallmark of Disney’s approach to theme park design.

Evolution: From Birthdayland to Toontown

The success of Mickey’s Birthdayland was a real game-changer, setting the stage for the birth of Toontown – an entire land that elevated character-centric areas to monumental new heights. Toontown wasn’t merely a spot to meet characters; it was an immersive experience that brought Disney animation to life. In the episode, we explore its innovative designs, playful architecture, and how every nook and cranny tells a story.

Impact on Disney Parks and Guests

Mickey’s Birthdayland and Toontown didn’t just reshape the physical landscape of Disney parks; they transformed the very essence of the guest experience. These lands introduced groundbreaking ways for visitors to connect with their beloved characters, making their Disney vacations even more unforgettable.

Beyond Attractions: A Cultural Influence

But the influence of these lands goes beyond mere attractions. Our episode delves into how Mickey’s Birthdayland and Toontown left an indelible mark on Disney’s culture, reflecting the company’s relentless dedication to innovation and guest satisfaction. It’s a journey into how a single idea can grow into a cherished cornerstone of the Disney Park experience.

Interested in learning about Jim Shull’s original idea for a Winnie the Pooh ride? Here’s concept art of the attraction proposed for the original Toontown in Disneyland. More on [Disney Unpacked].

Unwrapping the Full Story of Mickey’s Birthdayland

Our two-part episode of Disney Unpacked is available for your viewing pleasure on our Patreon page. And for those seeking a quicker Disney fix, we’ve got a condensed version waiting for you on our YouTube channel. Thank you for being a part of our Disney Unpacked community. Stay tuned for more episodes as we continue to “Unpack” the fascinating world of Disney, one story at a time.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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