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Were Michael Jackson & Mickey Mouse actually supposed to team up for a music video back in the 1980s? Profiles in History has the proof

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Just a quick heads-up to all you animation & theme park history buffs
out there: Profiles in History is holding an animation art auction on
Wednesday, July 31st that you really don’t want to miss.


Copyright 2013 Profiles in History. All
rights reserved

Joseph Maddalena and his PIH team always manage to chase down some truly
amazing items for their auctions. Rarer-than-rare pieces like this early concept painting of Snow
White

from back when Walt was considering making “The Fairest in the Land”
a blonde.


Copyright 2013 Profiles in History. All
rights reserved

Or this “Brer Rabbit’s Splash Mountain” booklet that the
Imagineers put together in the mid-1980s, back when Walt Disney Parks &
Resorts was still trying to persuade McDonalds to come be the sponsor of this
still-yet-to-be-built flume ride.


Copyright 2013 Profiles in History. All
rights reserved

That’s what’s usually so great about the animation art auctions that the Profiles in
History people put together. The entertaining & eclectic mix of items that
Maddalena & Co. always manage to put together. Weird
period promotion items like the cell below, which shows Donald Duck dressed as the
Coachman from Disney’s “Pinocchio
” …


Copyright 2013 Profiles in History. All
rights reserved

… or how about the ultimate pool toy? Which would be a couple of full-sized deep sea
diver figures that used to be part of the show at Disneyland‘s Submarine Voyage ride.


Copyright 2013 Profiles in History. All
rights reserved

But if I had to pick the one item from Wednesday’s animation
art auction that is the true gem, that one thing which Disney enthusiasts &
pop culture fans are going to completely lose their minds over, I’d have to say
that it was Item No. 374. Which is this set of 12 storyboards for a never-shot
music video which was to have started Michael Jackson & Mickey Mouse.


Copyright 2013 Profiles in
History. All rights reserved

Yep, back in the late 1980s, the King of Pop wanted to do what his idol —
screen legend Gene Kelly — had never been able to pull off. And that was dance with
the world’s most famous cartoon mouse.

For those who haven’t heard this story before: Back in 1944 when Kelly was still
pulling together the dance routines that he wanted to perform in Metro-Goldwyn-Mayer‘s then-upcoming musical, “Anchors Aweigh
,” he reportedly reached out directly to Walt Disney
and asked for his permission to use Mickey Mouse in a musical number that would combine live-action footage & animation in a way that had never been done before.


The Gene Kelly Audio Animatronic figure from the
“Singin’ in the Rain” sequence in
the Great Movie Ride at WDW’s
Disney’s Hollywood Studios theme park.
Copyright Disney Enterprises, Inc. All
rights reserved

As the story goes, Walt allegedly initially gave Gene permission to use
Mickey in this soon-to-begin-shooting screen musical. But then Roy O. Disney
reportedly nixed the idea, arguing that since the Studio still owed millions to
the Bank of America for earlier production loans, it just wouldn’t be wise for
Disney to lend out the Studio’s biggest star to the competition for free.

So since Gene now couldn’t dance with Mickey in “Anchors Aweigh,” Kelly
was then forced to go with the second most famous cartoon mouse in the world. Which is Jerry the Mouse of “Tom & Jerry” fame.
And while the finished version of  this musical number still wound up being a wow … To hear Michael tell this story, whenever these two legendary entertainers
got together to talk about Hollywood history, Gene would
always eventually wind up moaning about how Roy O. Disney had ruined his chance to work with Mickey
Mouse. Which is why he had to settle for the second best cartoon mouse instead.


Copyright Warner Home Video. All rights reserved

Now jump ahead to September of 1986. Which is when “Captain EO” had just
opened at Disneyland Park.
Which — to Michael Jackson’s way of thinking, anyway — meant that The Walt
Disney Company now owed him.

And given that Michael was already been developing
Moonwalker
” at this point (i.e., a “Fantasia
” -like concert film
that Jackson dreamed of building around some of the songs featured on his
soon-to-be-released album, 1987’s “Bad
“) … Well, he wasn’t going to settle for second best. Michael now wanted to do what Gene Kelly hadn’t been able to do 40+ years earlier. Which is why Jackson reportedly reached out
to Michael Eisner and personally pitched Disney’s then-CEO about Michael &
Mickey possibly teaming up to do a dance routine together for this
yet-to-be-shot motion picture.

Now as I understand it, it was Jackson himself who hired a
former Disney artist to put together the storyboards that were used for this pitch. Which
starts out with the King of Pop telling the kids he’s babysitting that it is now time to go to bed.


Copyright 2013 Profiles in
History. All rights reserved

And as Jackson
is herding this boy & girl into their bedroom, Michael notices that these
kids have left some of their toys behind on the floor.


Copyright 2013 Profiles in
History. All rights reserved

But as Michael bends over and picks up that Mickey Mouse doll, the King of
Pop’s magical touch then somehow brings this plush toy to life.


Copyright 2013 Profiles in
History. All rights reserved

At first, Michael & Mickey just dance & interact inside of that kids playroom.


Copyright 2013 Profiles in
History. All rights reserved

But then with a wave of that magical paintbrush which so
often appears in Disney productions …


Copyright 2013 Profiles in
History. All rights reserved

… Mickey & Michael find themselves dancing through a
surreal animated landscape that borrows a number of ideas & key creative
concepts from the Benny Goodman sequence in Disney’s 1946, “Make Mine
Music

.”


Copyright 2013 Profiles in History. All rights
reserved

The borrowing from other earlier Disney animated films continues as
Mickey — just as he did in the “Sorcerer’s Apprentice” sequence in
“Fantasia” — lose control of the magic that powers this fantasy world.
And as giant dinosaur-like musical notes threaten to eat the world’s most
famous mouse, it’s up to the King of Pop to rescue this rodent.


Copyright 2013 Profiles in
History. All rights reserved

Before things get totally out of control, Mickey &
Michael finally manage to make their way back to the relative safety of that kids playroom which they started out  in …


Copyright 2013 Profiles in
History. All rights reserved

… where Mickey now decides that he’s had more than enough music
& magic for one night. And as the Mouse climbs up onto the dresser …


Copyright 2013 Profiles in
History. All rights reserved

… and as Michael clicks off the lights in the playroom …


Copyright 2013 Profiles in
History. All rights reserved

… the camera swings back to the dresser, revealing that
Mickey is now once again just a plush plaything.


Copyright 2013 Profiles in
History. All rights reserved

Isn’t that a cute — if somewhat slight — concept to build a
late 1980s-era music video around? Michael Jackson certainly thought so. And even though he
and Disney’s lawyers reportedly repeatedly tried to find a way to make this
live action / animated musical extravaganza actually happen, in the end, they just
couldn’t get the financials to line up.

Long story short: Given that Michael had made “Captain
EO” for the Disney Parks, Jackson
— being the shrewd businessman that he was — felt that Eisner should now give him
a sweetheart deal. Make him only pay pennies on the dollar for the rights to use Mickey Mouse
in this proposed music video.


Mickey Mouse bows down before the
King of Pop during a
1980s-era visit to WDW’s Magic
Kingdom. Copyright
Disney
Enterprises, Inc. All rights reserved

Whereas Michael Eisner … While he recognized what a huge deal it would be from
a promotional point of view for both the Company & its most famous character to have Mickey Mouse & Michael Jackson appear together in
a music video, he still wasn’t willing to sell Disney’s corporate symbol
short. And when Jackson wasn’t able
to get Eisner to budge on the proposed budget for the project … Well, that’s
when Michael suddenly found himself in Gene Kelly country. That if he still really wanted
“Moonwalker” to have an animated sequence in it, Jackson
was now going to have to creatively compromise. Which is why the proposed
Mickey-and-Michael musical number got ditched in favor of a new Will Vinton-produced Claymatian sequence built around Jackson’s
“Speed Demon” song
.


Copyright Warner Home Video.
All rights reserved

So was Jackson angry with Eisner specifically and The Walt Disney Company in general for not allowing him to use Mickey Mouse in this proposed music video? Well, as you watch the “Speed Demon” sequence in “Moonwalker” today, it’s hard not to look those two huge, obnoxious & grossly overweight Disney fans with their Mickey Mouse ears who are prominently featured in this portion of that motion picture …


Copyright Warner Home Video. All rights reserved

… without thinking that these two Claymation characters have to be some sort of crude attempt at payback.

Anyway, this 22.5-by-30-inch board (which is covered with 12
drawings that are each 5.5 by 6.5 inches) are now all that remains of that proposed
Mickey & Michael team-up. And given how many Mickey Mouse & Michael
Jackson fans there are out there … Well, I’d have to say that — when this
animation art auction is all over on Wednesday afternoon — I will be very
surprised if this piece of pop culture history doesn’t wind up going for a multiple of the amount than the
people at Profiles in History currently suggest that it will. Which is a relatively lowball
bid of $600 – $800.

So what did you folks think of the artwork for this proposed
Mickey & Michael music video? If this project had actually been completed,
would you have been that much more likely to see “Moonwalker” when it
was released to theaters back in 1989 and/or have purchased this Michael Jackson movie when it then became
available on VHS?


Copyright Warner Home Video. All rights reserved

Your thoughts?

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

The Evolution and History of Mickey’s ToonTown

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Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all.  Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?

There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.

The Beginning: Mickey’s Birthdayland

The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.

In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.

Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.

From Concept to Reality: The Birth of Toontown

In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.

Building Challenges: Innovative Solutions

The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.

And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.

Key Attractions: Bringing Animation to Life

Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.

Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.

Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.

Executive Decisions: Shaping ToonTown’s Unique Attractions

The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.

In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.

These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.

Global Influence: Toontown’s Worldwide Appeal

The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.

Evolution and Reimagining: Toontown Today

As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.

Dive Deeper into ToonTown’s Story

Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

Unpacking the History of the Pixar Place Hotel

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Pixar Place Hotel, the newly unveiled 15-story tower at the Disneyland Resort, has been making waves in the Disney community. With its unique Pixar-themed design, it promises to be a favorite among visitors.

However, before we delve into this exciting addition to the Disneyland Resort, let’s take a look at the fascinating history of this remarkable hotel.

The Emergence of the Disneyland Hotel

To truly appreciate the story of the Pixar Place Hotel, we must turn back the clock to the early days of Disneyland. While Walt Disney had the visionary ideas and funding to create the iconic theme park, he faced a challenge when it came to providing accommodations for the park’s visitors. This is where his friend Jack Wrather enters the picture.

Jack Wrather, a fellow pioneer in the television industry, stepped in to assist Walt Disney in realizing his dream. Thanks to the success of the “Lassie” TV show produced by Wrather’s company, he had the financial means to build a hotel right across from Disneyland.

The result was the Disneyland Hotel, which opened its doors in October 1955. Interestingly, the early incarnation of this hotel had more of a motel feel than a hotel, with two-story buildings reminiscent of the roadside motels popular during the 1950s. The initial Disneyland Hotel consisted of modest structures that catered to visitors looking for affordable lodging close to the park. While the rooms were basic, it marked the beginning of something extraordinary.

The Evolution: From Emerald of Anaheim to Paradise Pier

As Disneyland’s popularity continued to soar, so did the demand for expansion and improved accommodations. In 1962, the addition of an 11-story tower transformed the Disneyland Hotel, marking a significant transition from a motel to a full-fledged hotel.

The addition of the 11-story tower elevated the Disneyland Hotel into a more prominent presence on the Anaheim skyline. At the time, it was the tallest structure in all of Orange County. The hotel’s prime location across from Disneyland made it an ideal choice for visitors. With the introduction of the monorail linking the park and the hotel, accessibility became even more convenient. Unique features like the Japanese-themed reflecting pools added to the hotel’s charm, reflecting a cultural influence that extended beyond Disney’s borders.

Japanese Tourism and Its Impact

During the 1960s and 1970s, Disneyland was attracting visitors from all corners of the world, including Japan. A significant number of Japanese tourists flocked to Anaheim to experience Walt Disney’s creation. To cater to this growing market, it wasn’t just the Disneyland Hotel that aimed to capture the attention of Japanese tourists. The Japanese Village in Buena Park, inspired by a similar attraction in Nara, Japan, was another significant spot.

These attractions sought to provide a taste of Japanese culture and hospitality, showcasing elements like tea ceremonies and beautiful ponds with rare carp and black swans. However, the Japanese Village closed its doors in 1975, likely due to the highly competitive nature of the Southern California tourist market.

The Emergence of the Emerald of Anaheim

With the surge in Japanese tourism, an opportunity arose—the construction of the Emerald of Anaheim, later known as the Disneyland Pacific Hotel. In May 1984, this 15-story hotel opened its doors.

What made the Emerald unique was its ownership. It was built not by The Walt Disney Company or the Oriental Land Company (which operated Tokyo Disneyland) but by the Tokyu Group. This group of Japanese businessmen already had a pair of hotels in Hawaii and saw potential in Anaheim’s proximity to Disneyland. Thus, they decided to embark on this new venture, specifically designed to cater to Japanese tourists looking to experience Southern California.

Financial Challenges and a Changing Landscape

The late 1980s brought about two significant financial crises in Japan—the crash of the NIKKEI stock market and the collapse of the Japanese real estate market. These crises had far-reaching effects, causing Japanese tourists to postpone or cancel their trips to the United States. As a result, reservations at the Emerald of Anaheim dwindled.

To adapt to these challenging times, the Tokyu Group merged the Emerald brand with its Pacific hotel chain, attempting to weather the storm. However, the financial turmoil took its toll on the Emerald, and changes were imminent.

The Transition to the Disneyland Pacific Hotel

In 1995, The Walt Disney Company took a significant step by purchasing the hotel formerly known as the Emerald of Anaheim for $35 million. This acquisition marked a change in the hotel’s fortunes. With Disney now in control, the hotel underwent a name change, becoming the Disneyland Pacific Hotel.

Transformation to Paradise Pier

The next phase of transformation occurred when Disney decided to rebrand the hotel as Paradise Pier Hotel. This decision aligned with Disney’s broader vision for the Disneyland Resort.

While the structural changes were limited, the hotel underwent a significant cosmetic makeover. Its exterior was painted to complement the color scheme of Paradise Pier, and wave-shaped crenellations adorned the rooftop, creating an illusion of seaside charm. This transformation was Disney’s attempt to seamlessly integrate the hotel into the Paradise Pier theme of Disney’s California Adventure Park.

Looking Beyond Paradise Pier: The Shift to Pixar Place

In 2018, Disneyland Resort rebranded Paradise Pier as Pixar Pier, a thematic area dedicated to celebrating the beloved characters and stories from Pixar Animation Studios. As a part of this transition, it became evident that the hotel formally known as the Disneyland Pacific Hotel could no longer maintain its Paradise Pier theme.

With Pixar Pier in full swing and two successful Pixar-themed hotels (Toy Story Hotels in Shanghai Disneyland and Tokyo Disneyland), Disney decided to embark on a new venture—a hotel that would celebrate the vast world of Pixar. The result is Pixar Place Hotel, a 15-story tower that embraces the characters and stories from multiple Pixar movies and shorts. This fully Pixar-themed hotel is a first of its kind in the United States.

The Future of Pixar Place and Disneyland Resort

As we look ahead to the future, the Disneyland Resort continues to evolve. The recent news of a proposed $1.9 billion expansion as part of the Disneyland Forward project indicates that the area surrounding Pixar Place is expected to see further changes. Disneyland’s rich history and innovative spirit continue to shape its destiny.

In conclusion, the history of the Pixar Place Hotel is a testament to the ever-changing landscape of Disneyland Resort. From its humble beginnings as the Disneyland Hotel to its transformation into the fully Pixar-themed Pixar Place Hotel, this establishment has undergone several iterations. As Disneyland Resort continues to grow and adapt, we can only imagine what exciting developments lie ahead for this iconic destination.

If you want to hear more stories about the History of the Pixar Place hotel, check our special edition of Disney Unpacked over on YouTube.

Stay tuned for more updates and developments as we continue to explore the fascinating world of Disney, one story at a time.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

From Birthday Wishes to Toontown Dreams: How Toontown Came to Be

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Mickey's Birthday Land

In the latest release of Episode 4 of Disney Unpacked, Len and I return, joined as always by Disney Imagineering legend, Jim Shull. This two-part episode covers all things Mickey’s Birthday Land and how it ultimately led to the inspiration behind Disneyland’s fan-favorite land, “Toontown”. But let’s not get ahead of ourselves here. It all starts in the early days at Disneyland.

Early Challenges in Meeting Mickey

Picture this: it’s the late 1970s and early 1980s, and you’re at Disneyland. You want to meet the one and only Mickey Mouse, but there’s no clear way to make it happen. You rely on Character Guides, those daily printed sheets that point you in Mickey’s general direction. But let’s be honest, it was like finding a needle in a haystack. Sometimes, you got lucky; other times, not so much.

Mickey’s Birthdayland: A Birthday Wish that Came True

Fast forward to the late 1980s. Disney World faced a big challenge. The Disney-MGM Studios Theme Park was under construction, with the company’s marketing machine in full swing, hyping up the opening of Walt Disney World’s third theme park, MGM Studios, in the Spring of 1989. This extensive marketing meant that many people were opting to postpone their family’s next trip to Walt Disney World until the following year. Walt Disney World needed something compelling to motivate guests to visit Florida in 1988, the year before Disney MGM Studios opened.

Enter stage left, Mickey’s Birthdayland. For the first time ever, an entire land was dedicated to a single character – and not just any character, but the mouse who started it all. Meeting Mickey was no longer a game of chance; it was practically guaranteed.

The Birth of Birthdayland: Creative Brilliance Meets Practicality

In this episode, we dissect the birth of Mickey’s Birthdayland, an initiative that went beyond celebrating a birthday. It was a calculated move, driven by guest feedback and a need to address issues dating back to 1971. Imagineers faced the monumental task of designing an experience that honored Mickey while efficiently managing the crowds. This required the perfect blend of creative flair and logistical prowess – a hallmark of Disney’s approach to theme park design.

Evolution: From Birthdayland to Toontown

The success of Mickey’s Birthdayland was a real game-changer, setting the stage for the birth of Toontown – an entire land that elevated character-centric areas to monumental new heights. Toontown wasn’t merely a spot to meet characters; it was an immersive experience that brought Disney animation to life. In the episode, we explore its innovative designs, playful architecture, and how every nook and cranny tells a story.

Impact on Disney Parks and Guests

Mickey’s Birthdayland and Toontown didn’t just reshape the physical landscape of Disney parks; they transformed the very essence of the guest experience. These lands introduced groundbreaking ways for visitors to connect with their beloved characters, making their Disney vacations even more unforgettable.

Beyond Attractions: A Cultural Influence

But the influence of these lands goes beyond mere attractions. Our episode delves into how Mickey’s Birthdayland and Toontown left an indelible mark on Disney’s culture, reflecting the company’s relentless dedication to innovation and guest satisfaction. It’s a journey into how a single idea can grow into a cherished cornerstone of the Disney Park experience.

Interested in learning about Jim Shull’s original idea for a Winnie the Pooh ride? Here’s concept art of the attraction proposed for the original Toontown in Disneyland. More on [Disney Unpacked].

Unwrapping the Full Story of Mickey’s Birthdayland

Our two-part episode of Disney Unpacked is available for your viewing pleasure on our Patreon page. And for those seeking a quicker Disney fix, we’ve got a condensed version waiting for you on our YouTube channel. Thank you for being a part of our Disney Unpacked community. Stay tuned for more episodes as we continue to “Unpack” the fascinating world of Disney, one story at a time.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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