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Jim Hill talks about how CEOs Bob Iger & Brian Roberts actually share an agenda. Which is to get other media giants to embrace an “anytime, anywhere, any device” sensibility when it comes to content distribution
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Disney Legend Floyd Norman talks about what it was like to work at Walt Disney Studios in the post-strike era. And to Floyd's way of thinking, "The Bad Old Days" were pretty darned good
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Jim Hill shares what Tim Burton said at Comic-Con last month while this acclaimed filmmaker was talking up Disney’s new Digital 3D version of “Alice in Wonderland”
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Jim Hill writes about the new tack that Walt Disney Animation Studios is taking with the promotion of its new hand-drawn animated feature. Which involves screening footage from “The Princess and the Frog” at events that will be attended by African-American opinion makers
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Jim Hill talks up this once-in-a-lifetime event. Where John Lasseter will play host to Japanese animation master Hayao Miyazaki at the Academy of Motion Picture Arts and Science
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Jim Hill wonders why more people aren’t talking about Carmen Esquer’s article for Disney twenty-three magazine. Which features an in-depth interview with Nathan Greno & Byron Howard, “Rapunzel” ‘s new directors. PLUS Does Jerry Bruckheimer has another franchise in the works?
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Jim Hill’s back with even more tales from the 2009 Licensing International Expo. This time around, he talks about what’s been holding up development of an “Incredibles” sequel
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Jim Hill shares what he's heard about the somewhat underwhelming debut of this new Disney animated film. Which seems to have been overshadowed by the big screen version of Stephenie Meyer's best selling novel
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Jim Hill wonders if Glen Keane's exit will result in more reporters asking about why Chris Sanders was taken off of "American Dog"
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Jim Hill reviews Hans Bacher's new "Production Design for Animation" book. Which features visual development art from "My Peoples," "Fraidy Cat" and "Wild Life"
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