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Jim Hill talks about all of the recent changes at the Mouse House. More importantly, what Bob Iger will be looking for from Rich Ross, the new Chairman of Walt Disney Studios
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Jim Hill writes about the new tack that Walt Disney Animation Studios is taking with the promotion of its new hand-drawn animated feature. Which involves screening footage from “The Princess and the Frog” at events that will be attended by African-American opinion makers
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Jim Hill talks up the trio of “Beauties” that are either already in production and/or currently in development. He also considers CBS Films & Columbia Pictures’ plan to remake Warner Bros. Academy Award-winner from 1964
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Jim Hill’s back with even more tales from the 2009 Licensing International Expo. This time around, he talks about what’s been holding up development of an “Incredibles” sequel
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Shelly Smith reports in on Monday night's event at Woodbury University. Where Don Hahn, James Baxter, Mike Belzer and Nik Ranieri shared stories about what life is like in today's animation industry
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WARNING !! There be spoilers ahead in this preview piece about DreamWorks Theatrical's Broadway-bound production. Which is a musical adaptation of DW's Academy Award-winning animated feature
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It's Christmas in July as Ron Schneider recalls the shocking experience that he had back in December of 1982 while shooting a sequence for "Walt Disney World's Very Merry Christmas Parade" special
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Jim Hill takes a close look at the retail side of the Mouse House. In particular why Disney Consumer Products is now taking a much more pragmatic approach toward the licensing of Pixar's next few pictures
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Jim Hill takes a look at a show that was proposed for the Disney Channel back in 2003. One that would have ditched Duchess & O'Malley and made Marie, Berlioz & Toulouse teenagers
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Been hearing disappointing things about those "WALL*E" test screenings? Jim Hill reminds us what happened when Michael Eisner predicted that Andrew Stanton's last film would flop
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