Theme Parks & Themed Entertainment

The Private Railroad Car Experience

Roger Colton reveals to all us Disney dweebs that there are other things in the world besides theme parks and feature length cartoons. And what better way is there to start exploring that great, big world than by taking a train trip? So come climb aboard …

Published

23 years ago

October 7, 2002

Roger Colton

Travel by train has always held a fascination for many people. There was a golden age before the Second World War when deluxe service aboard the train attracted not only the rich and famous, but the average traveler as well. In many places, the train was the only way to get there from anywhere.

The parlor-lounge car at the rear of a streamlined passenger train. From the collection of Roger Colton

For long distance travel, trains were the way to go in those days before the interstate highways or jet airliners. Once on board the train, you could expect the same kind of service found in world class hotels, and be certain to receive it.

Some travelers took this to the next level by having their own private railroad cars built for their exclusive use. The Pullman Company would gladly create just the right atmosphere for you to enjoy the passing panorama from. Captains of industry and families of old money all could be found at the playgrounds of the nation (such as White Sulphur Springs or Pacific Grove) aboard their private railroad cars. And if having a car at your beck and call wasn’t required, the Pullman Company maintained a fleet of cars just for charter, with a staff ready to meet your every need.

The war put a strain on the American railroads like never before. Every piece of equipment that could roll was put into service. Some of the private cars were converted to other uses including hospital cars to carry home the wounded and those who gave their lives in defense of their country.

After the war, railroads offered a renaissance of passenger travel. New cars and locomotives were colorful, streamlined, sleek and attractive lures to entice passengers back to the rails. Even Disney got into the act when it partnered with the Atchison, Topeka and Santa Fe to promote Disneyland with package tours. Dining car menus aboard the Union Pacific’s Streamliner “City of Los Angeles” offered views of the Park and noted easy bus connections from downtown LA to the Park.

But the competition from the automobile and the jet airplane was too strong, and passenger trains were doomed to fall into oblivion. In 1971, the railroads got out of the passenger business, with the creation of Amtrak by the Federal government. The National Railroad Passenger Corporation has always been a political hot potatoe, and funding from one year to another has never been a sure thing. Today’s ongoing battle between Amtrak’s management and the Administration is just the latest in a long line of conflicts.

Service was a hallmark aboard passenger trains the world over at one time.

This vintage advertisement is from the United Kingdom’s London and North Eastern Railway (home to the famed Flying Scotsman train and steam locomotive of the same name!) From the collection of Roger Colton

Railroads have long held a fascination for many people. As a symbol of westward expansion, they offered young boys the lure of the West and the thrill of tales told of brave locomotive engineers.

A great example of how that lure works: Thanks to the luck of ancestry, I come from a family where railroading was a career. My great-grandfather went to work for the Southern Pacific as a locomotive fireman in December of 1900 in Wadsworth, Nevada. His train service took him east across the state following the route of the transcontinental railroad. As he told it, things were much as they had been in 1869. The railroad ran on ties that sat in the alkali dirt where they had been placed over thirty years before and the locomotives pulling the trains were not that much different either. Wood had given way to coal as a fuel, and soon would be replaced by oil (plentiful and cheap from California along the lines of the Southern Pacific).

My first ride in a diesel locomotive with him and my father at the age of 3 in the Sparks, Nevada yard of the Espee. The thrill of being handed up to the cab and peering out the windows as we rolled along is something I will always remember. Had I been born fifty years earlier, there can be no doubt that I would have followed him in a railroad career. Alas, that was not the case, and instead briefly considered it when graduating from high school. I discovered the California Railway Museum at Rio Vista Junction (not to be confused with the California State Railroad Museum, in Sacramento) enjoying the hobby instead of the job.

I volunteered for all kinds of tasks. Sold tickets, worked in the bookstore, planned special events, handled marketing duties, repaired track, interpreted the museum for guests as a docent, ran electric streetcars, even diesel and steam locomotives in maintenance and passenger service. But what seems to have served me best was working aboard the train. First as conductor and later as part of the team that provided lounge car service aboard two Pullman cars from the 1920’s.

There were good teachers all along, but especially so when it came to the lounge car service. Using the standards set by the Pullman Company, we recreated the levels of service once enjoyed by passengers. Offering beverages and snacks to the first class passengers was how it started. Eventually, we worked our way up to full dinner service with a wedding party for 75 guests. (Since then, we’ve applied our talents at other museums for occasional events.)

Sadly, things changed at the Rio Vista Junction, and we no longer had a place to ply our skills. Since 1985, I had been able to occasionally “take my act on the road” by chartering a private railroad car for excursions with friends. Just about the same time as the last train ran at the museum, the opportunity arose for a trip on behalf of a group of folks from Pixar.

The Dome Lounge “Plaza Santa Fe”, a veteran of service on the famed “Super Chief” between Los Angeles and Chicago. Photo by Dasha Clancey

It’s “Dinner in the Diner” at the Joshua Tree & Southern Railroad Museum!

Waiter Jeff Ferris and Steward Roger Colton make preparations aboard the former Denver & Rio Grande dining car, “Castle Peak”, before seating begins in November of 2000. Photo by Chris Allan

The project they were working on was supposedly about to wrap and they wanted a way to celebrate. What began as a trip by Amtrak from LA to New Orleans became a private car trip from Emeryville to Reno/Sparks instead. That was back in 1995, and we have done a trip a year for them and others each year since. We have one more trip planned for February 2003.

That first Pixar trip was aboard a former Canadian National touring car named “Burrard”. Built by Pullman for CN in 1954, it was one of two cars used for special groups and VIP’s. Some of the more notable trains they were used for included Queen Elizabeth and Prince Phillip during their visit to open the St. Lawrence Seaway, and Princess Margaret during a state visit. Buster Keaton used the sister car “Bedford” for a trip across Canada during the production of a short (“The Railrodder”) for the National Film Board of Canada.

It’s the Pixar crowd on that first trip, with the private car, “Burrard” in the falling snow at Sparks, Nevada. From left to right: Mike Quinn, Charles Keagle, Dan Jeup, Ken Mitchroney, Natasha (not a Pixar employee), Steve Boyett, and Jon Mead. Photo from the collection of Roger Colton

One thing led to another and we started working trips aboard the “Burrard” from time to time. Eventually, I decided that a business was needed to handle the financial end of things and hence, Private Car Service began.

So… How do we start? It all begins with the client. We’ve done trips for as few as five people and as many as one hundred and twenty five. Based on what the client has in mind, we go looking for a car to charter. Surprisingly, there are many different types of cars available for charter and at reasonable prices. (A national organization, the American Association of Private Railroad Car Owners or AAPRCO, has worked with Amtrak to establish a tariff for private railroad car moves behind Amtrak trains. They also established mechanical standards that must be met in order to operate a car.)

Working with the car owner, we schedule the charter for the client. Amtrak will carry private cars on most of its trains, but will only allow switching of the cars into and out of trains at designated locations. So, once we know where we’re going, we plan accordingly.

As we live in the San Francisco Bay Area, we tend to run trips based out of Amtrak’s Oakland facility. From here, we can go east to Chicago, north to Seattle and south to Los Angeles. We can also travel on trains in the Capitol Corridor between San Jose and Sacramento or down the San Joaquin Valley to Bakersfield.

On another trip, Jeff Pidgeon enjoys a comfortable seat on the observation platform crossing the Sierra Nevada aboard the “Burrard”. Photo from the collection of Roger Colton

The most popular destination we that we travel to is Reno, Nevada. From Emeryville, we go on the back of the “California Zephyr” (which is headed for Chicago). The car we have chartered is added to the train in the Oakland Coach Yard. It’s about a seven-hour trip to Reno where the passengers disembark for their hotels in downtown Reno. The car continues on to Sparks (just east of Reno) where Amtrak changes train crews (engineers and conductors, who by federal law may not work more than 12 hours on duty). The Union Pacific (now) operates a freight yard here and we have one of their yard crews remove the car from the Amtrak train and spot it for storage overnight. The next morning, the car is turned (if needed) and placed on the train bound for Emeryville.

The level of service aboard is again determined by what the client wants. We offer everything from simple snack and beverage service to full sit-down meals using vintage railroad dining car china, silver and linens. A single car, like the “Burrard” seats 16 comfortably. It has a single dining room table that can seat 8 to 10 at a time. A leisurely lunch can be enjoyed in two groups. For larger groups, additional cars can be used to provide more dining seats.

Another trip aboard the “Burrard” with the usual suspects, from left to right: Ken Mitchroney, Bud Luckey, Jeff Pidgeon, Steve Boyett. Photo from the collection of Roger Colton

Our staff is at the ready to meet the service needs of our passengers. Dressed in proper railroad uniforms, they offer passengers the kind of service made legendary by the crews of such famous trains as the “Daylight”, “Zephyr” or the “Chief”. Some of them were part of the crew from the railroad museum, and others have joined us to see what it was all about. We all enjoy the chance to provide an experience our passengers won’t soon forget.

A view of the Truckee River from the Observation Platform. Photo from the collection of Roger Colton

A story is told of a society dowager who was to travel to New York City. Considering her options, she decided upon the train. However, she was not to travel with the common passenger. Instead, she was provided with a private railroad car and staff to meet her every need.

When the train arrived in New York City, she was met by reporters from the society columns of the city’s newspapers. One inquired about her trip, asking how she found travel by private railroad car. She replied that “It was something to which one could easily become accustomed to.”

That’s our goal.

About the Author or “So… who is this guy, anyway?”
Roger Colton is a member of a pioneer family. Both sides of his family tree contain ancestors who came to the West for a variety of reasons. One notable left England in search of a new life having apprenticed in the trades of both a stone mason and a brewer. Others left the career as miners in Nova Scotia, only to end up in the Silver State doing the same thing. Another took his family to eastern Oregon to try his hand at farming. Ironically, another found prosperity in dairy farming along California’s Central Coast.
His grandfathers have their share of tales to tell as well. One great-grandfather left the life of a vaquero and went railroading (hence this tale). His maternal grandfather went to two Rose Bowl games as the quarterback for the Stanford football team under the legendary coach Pop Warner.
Courtesy of the US Army, Roger was born just before Christmas of 1958 in the Luftwaffe Hospital in Wiesbaden, West Germany. His father was a GI attached to the first Mobile Missile deployment to the European Theater. His mother worked in the Air Force weather office. (2001 saw a return visit and tour of the Rhine along with other parts of Germany and Austria.)
His first train ride was in West Germany. In the US, his first train experience was the ride in the cab of the diesel locomotive with his father and great-grandfather. Living on the San Francisco peninsula, he watched trains of the Southern Pacific, including the last years of the famed “Coast Daylight”.
His first Disney experience came in the summer of 1965 with a family visit to the “Happiest Place on Earth”. Notable firsts included Club 33 in 1997, Walt Disney World and the Adventurer’s Club in 1999 (Kongaloosh!), and Disney’s California Misadventure in 2001. He is currently a Disneyland Annual Passholder, but don’t hold that against him.
As a child of the mass media age (once related to Marshall MacLuhan by an uncle’s marriage), Roger has produced videos for community access television on railroading and air racing. He has been published photographs and articles in national magazines. Between 1989 and 2000, he was a Community Leader for America Online, responsible for the Television Viewers community. Among the fandoms he supported were The X-Files, Quantum Leap and Space: Above & Beyond.
Married to wife, Michele, since 1986, there are no children, just the furry child “Cruiser”, (a demanding, orange lump of a cat) to dominate his home life. Both Roger and Michele are currently employed by the California State Automobile Association. Roger has been with Automotive Services since 1979, and Michele with Travel since 1998.
Private Car Service can be reached by e-mail: pullman@privatecarservice.net or by phone at (925) 321-0023. Their web pages at located at www.privatecarservice.net
A final public excursion from Emeryville to Reno will be operated February 1 & 2, 2003. Details are available on the website.

Television & Shows

The Untold Story of Super Soap Weekend at Disney-MGM Studios: How Daytime TV Took Over the Parks

Published

1 week ago

April 24, 2025

Jim Hill

Super Soap Weekends at Disney-MGM Studios

A long time ago in a galaxy that … Well, to be honest, wasn’t all that far away. This was down in Florida after all. But if you traveled to the WDW Resort, you could then experience “Star Wars Weekends.” Which ran seasonally at Disney’s Hollywood Studios Disney World from 1997 to 2015.

Mind you, what most folks don’t remember is the annual event that effectively plowed the road for “Star Wars Weekends.” Which was “Super Soap Weekend.” That seasonal offering — which allowed ABC soap fans to get up-close with their favorite performers from “All My Children,” “General Hospital,” “One Life to Live” and “Port Charles” — debuted at that same theme park the year previous (1996).

So how did this weekend-long celebration of daytime drama (which drew tens of thousands of people to Orlando every Fall for 15 years straight) come to be?

Michael Eisner’s Daytime TV Origins and a Theme Park Vision

Super Soap Weekend was the brainchild of then-Disney CEO Michael Eisner. His career in media began with short stints at NBC and CBS, but it truly took off in 1964 when he joined ABC as the assistant to Leonard Goldberg, who was the network’s national programming director at the time.

Eisner quickly advanced through the ranks. By 1971, he had become Vice President of Daytime Programming at ABC. That meant he was on the scene when One Life to Live joined the lineup in July 1968 and when All My Children made its debut in January 1970. Even after being promoted to Senior Vice President of Prime Time Programming in 1976, Eisner stayed close to the daytime division and often recruited standout soap talent for ABC’s primetime shows.

Fast forward nearly two decades to July 31, 1995. The Walt Disney Company announced that it would acquire ABC/Cap Cities in a $19 billion deal. Although the acquisition wasn’t finalized until February 1996, Eisner was already thinking ahead. He wanted to use the stars of All My Children, One Life to Live, and General Hospital to draw people to Disney’s theme parks.

He had seen how individual soap stars were drawing huge mall crowds across America since the late 1970s. Now he wanted to bring dozens of them together for something much bigger.

Super Soap Weekend Takes Over Disney-MGM Studios

The very first Super Soap Weekend was announced in June 1996, just a few months after the ABC deal closed. The event was scheduled for October 19 and 20 at Disney-MGM Studios and was a massive success.

The weekend featured panel discussions, autograph sessions, and photo opportunities with the stars of ABC’s daytime dramas. Thousands of fans packed the park for the chance to meet their favorite actors. Due to the overwhelming response, the event became an annual tradition and was eventually moved to Veterans Day weekend each November to better accommodate attendees.

Longtime fans like Nancy Stadler, her mom Mary, and their close friend Angela Ragno returned year after year, making the event a personal tradition and building lifelong memories.

West Coast Events and the ABC Soap Opera Bistro

Disney even tried to recreate the event out west. Two Super Soap Weekends were held at Disneyland Resort, one in April 2002 and another in June 2003.

At Disney’s California Adventure, Eisner also introduced the ABC Soap Opera Bistro, a themed dining experience that opened in February 2001. Guests could dine inside recreated sets from shows like General Hospital and All My Children, including Kelly’s Diner and the Chandler Mansion. The Bistro closed in November 2002, but for fans, it offered a rare opportunity to step into the world of their favorite soaps.

SOAPnet, Port Charles, and the Expansion of Daytime TV at Disney

Eisner’s enthusiasm for soaps extended beyond the parks. In January 2000, he launched SOAPnet, a cable channel dedicated to prime time replays of ABC’s daytime dramas.

During his time at Disney, General Hospital also received a spin-off series titled Port Charles, which aired from June 1997 to October 2003. The show leaned into supernatural plotlines and was another example of Eisner’s commitment to evolving and expanding the soap genre.

The Final Curtain for Super Soap Weekend

In September 2005, Eisner stepped down after 21 years as head of The Walt Disney Company. Bob Iger, who had previously served as President of ABC and Chief Operating Officer of ABC/Cap Cities, took over as CEO. While Iger had deep ABC credentials, he didn’t share Eisner’s passion for daytime television.

In the fall of 2008, Disney hosted the final Super Soap Weekend at what was then still called Disney-MGM Studios. That same year, the park was rebranded as Disney’s Hollywood Studios, and Disney began shifting away from television-focused experiences.

Within the next five years, the rest of Eisner’s soap legacy faded. One Life to Live was canceled in January 2012. SOAPnet was rebranded as Disney Junior in February 2013. Later that year, All My Children ended its 41-year run on ABC.

Only General Hospital remains on the network today, the last standing soap from the golden age of ABC Daytime.

A New Chapter for Daytime TV and Super Soap Fans

The soap genre may have faded from its former glory, but it’s not gone. On February 24, 2025, CBS premiered a brand-new daytime drama called Beyond the Gates, marking the first new soap launch in years.

Meanwhile, All My Children alum Kelly Ripa has been actively working on a revival. In September 2024, she mentioned a holiday-themed movie set in Pine Valley that would bring back many original cast members. The project was in development for Lifetime, though its current status is unclear.

And what about Super Soap? Fans like Nancy and Angela still hope Disney will bring it back. Even if it only featured the cast of General Hospital, it would be a welcome return for longtime viewers who miss that one weekend a year where the magic of Disney collided with the drama of daytime TV.

If you want to hear firsthand what it was like to be part of Super Soap Weekend, be sure to listen to our I Want That Too podcast interview with actor Colin Egglesfield. He shares behind-the-scenes memories from his days as Josh Madden on All My Children and what it meant to be part of one of the most unique fan events in Disney park history.

History

The Super Bowl & Disney: The Untold Story Behind ‘I’m Going to Disneyland!’

Published

3 months ago

February 6, 2025

Jim Hill

One of the highlights of the Super Bowl isn’t just the game itself—it’s the moment when the winning quarterback turns to the camera and exclaims, “I’m going to Disney World!” This now-iconic phrase has been a staple of post-game celebrations for decades. But where did this tradition begin? Surprisingly, it didn’t originate in a stadium but at a dinner table in 1987, in a conversation involving Michael Eisner, George Lucas, and aviation pioneers Dick Rutan and Jeana Yeager.

The Unlikely Beginning of a Marketing Sensation

To understand the origins of this campaign, we have to go back to December 1986, when the Rutan Voyager became the first aircraft to fly around the world without stopping or refueling. Pilots Dick Rutan and Jeana Yeager completed the nine-day journey on December 23, 1986, flying over 26,000 miles before landing at Edwards Air Force Base. Their historic achievement earned them national recognition, and just days later, President Ronald Reagan awarded them the Presidential Citizen Medal at the White House.

Meanwhile, Disney was gearing up for the grand opening of Star Tours at Disneyland, set for January 12, 1987. Following its usual playbook of associating major theme park attractions with real-world pioneers, Disney’s PR team invited astronauts Gordon Cooper and Deke Slayton to the launch event. But in a twist, they also invited Rutan and Yeager, who were still making headlines.

A Dinner Conversation That Changed Advertising Forever

After the Star Tours opening ceremony, a private dinner was held with Disney CEO Michael Eisner, George Lucas, and Eisner’s wife, Jane. During the meal, Eisner asked Rutan and Yeager, “You just made history. You traveled non-stop around the planet on a plane without ever refueling. How are you ever going to top that, career-wise? What are you two gonna do next?”

Without hesitation, Jeana Yeager replied, “Well, after being cramped inside that tiny plane for nine days, I’m just glad to be anywhere else. And even though you folks were nice enough to fly us here, invite us to your party… Well, as soon as we finish eating, I’m gonna go over to the Park and ride some rides. I’m going to Disneyland.”

Jane Eisner immediately recognized the power of Yeager’s statement. On the car ride home, she turned to Michael and said, “That’s a great slogan. I think you should use that to promote the theme parks.” Like many husbands, Michael initially dismissed the idea, but Jane persisted. Eventually, Eisner relented and pitched it to his team.

The Super Bowl Connection

With Super Bowl XXI just around the corner, Disney’s PR team saw an opportunity. The game was set for January 25, 1987, at the Rose Bowl in Pasadena—just miles from Disney Studios. What if they convinced the winning quarterback to say, “I’m going to Disneyland” live on-air?

Disney quickly struck a deal with both quarterbacks—Phil Simms of the New York Giants and John Elway of the Denver Broncos—offering each $75,000 to deliver the line if their team won. Simms led the Giants to victory, making history as the first athlete to say, “I’m going to Disney World!” on national television.

A Marketing Triumph

That year’s Super Bowl had the second-highest viewership in television history, with 87 million people watching Simms say the famous line. The next day, Disney turned the clip into a national commercial, cementing the phrase as a marketing goldmine.

Since then, “I’m going to Disneyland” (or Disney World, depending on the commercial) has been a staple of championship celebrations, spanning the NFL, NBA, and even the Olympics. What started as a casual remark at dinner became one of the most successful advertising campaigns in history.

A Lasting Legacy

Jane Eisner’s keen instinct and Disney’s ability to act quickly on a great idea created a tradition that continues to captivate audiences. The “I’m going to Disneyland” campaign remains a testament to the power of spontaneous inspiration and smart marketing, proving that sometimes, the best ideas come from the most unexpected places.

To learn more about Disney’s ties to the world of sports, check out I Want That Too: A Disney History and Consumer Product Podcast.

Television & Shows

How the Creators of South Park Tricked A-List Celebrities to Roast Universal – “Your Studio & You”

Published

4 months ago

January 12, 2025

Jim Hill

Universal Studios has a rich and storied history, but few moments are as peculiar—and as hilariously cutting—as the creation of Your Studio & You. This 14-minute parody film, commissioned in 1995 to celebrate Universal’s new ownership under Seagram’s, brings together an all-star cast, biting humor, and the unmistakable comedic fingerprints of Matt Stone and Trey Parker.

Long before South Park debuted on Comedy Central in 1997, Stone and Parker were already carving out a reputation for their irreverent style, and Your Studio & You perfectly encapsulates their knack for turning even the most corporate project into something delightfully subversive.

Matt Stone & Trey Parker Before South Park

Stone & Parker were already known out in Hollywood as funny guys. Thanks largely to “The Spirit of Christmas,” which was this video greeting card that they’d crafted for a Fox executive – who then distributed this infamously funny thing (which had Our Lord Jesus Christ & Santa Claus literally duking it out for the holiday affections of Cartman, Kenny, Stan & Kyle) to friends & family.

This was the early 1990s. No internet. Each copy of “The Spirit of Christmas” was made on VHS tape and then mailed. Went viral the old-fashioned way. It’s rumored that George Clooney made over 300 copies of “The Spirit of Christmas” and passed these VHS taps along to friends and family.

Things didn’t move as fast as they do today. “The Spirit of Christmas” still became a sensation out West.

Zucker Brothers

Matt & Trey also had other supporters in the entertainment industry. Among them David Zucker, who was one of the members of ZAZ (i.e., Zucker Abrahams Zucker), the talented trio that made “Airplane!” in 1980, “Top Secret!” in 1984 and the three “Naked Gun” movies.

The original “Naked Gun” in 1988
“Naked Gun 2 & 1/2 : The Smell of Fear” in 1991
and “Naked Gun 33 & a 1/3: The Final Insult” in 1994

All five of these parody films had been made for Paramount Pictures. But in the Late Winter / Early Spring of 1995, Universal had persuaded the Zucker Brothers to come over and set up shop in a bungalow on their lower lot. With the hope that – at some point further on down the line – David & his brother Jerry would start making funny films for Universal.

Zucker Brothers featured in "Your Studio and You"

And it’s during this same window of time (We’re now talking April of 1995) that news breaks that Seagrams (Yep, the adult beverage company. Who – at the time – was making an absolute fortune on the sales of wine coolers) was about to buy a majority stake in MCAUniversal. We’re talking control of 80% of that company’s stock. Which would effectively make Seagrams the new owners of Universal Studios.

Edgar Bronfman

And Edgar Bronfman – the owner of Seagrams – knew that Universal had had a tough time with its previous owners – which had been the Matsushita Electric Industrial Co. of Japan. Matsushita had bought MCA back in November of 1990 for $7.5 billion but had never really understood the entertainment industry.

This is why – after repeatedly butting heads with Lew Wasserman & Sidney Sheinberg (i.e., the heads of Universal Studios & the Universal theme park respectively) when it came to creative control of this company – Matsushita decided to wash it hands of the entire enterprise. Agreeing to sell their holdings in MCA to Seagrams for $5.7 billion (effectively taking a nearly $2 billion loss on this investment).

And Bronfman … He knew that some bad feeling had developed between Hollywood’s creative community and the Japanese owners of Universal. The thinking was that executives at Matsushita Electric had just not gotten what it took to make movies & TV shows.

And Edgar? Right from the get-go, he wanted to show that Seagrams was NOT going to be Matsushita Electric Redux. Bronfman was looking for a way to send a clear message to Hollywood’s creative community that Universal’s new owners got it. That they were willing to work with Hollywood to make the best possible movies & TV shows at Universal.

And how did Edgar decide to get this message across? By making a funny movie.

Zucker Commissions Trey Parker for “Your Studio & You”

Mind you, Bronfman himself didn’t make this film. The owner of Seagrams reached out to David Zucker. Who – after initially agreeing to produce this introduction-to-Universal film – then farmed out the production of the actual project to Trey Parker. Who – just two days before shooting was supposed to star on the Universal Lot – persuaded Matt Stone to come help him on this project.

Which brings us to “Your Studio and You.” Which is a parody of an educational film from the 1950s, right down to being shot in black & white and featuring a very generic soundtrack.

Now what’s amazing about watching “Your Studio and You” today is that this 14-minute-long film features some of the biggest names working in Hollywood back in the mid-1990s. We’re talking about people like recent Golden Globe winner Demi Moore, Sylvester Stallone, Michael J. Fox and Angela Lansbury. Not to mention two of the most powerful men in all of Hollywood, Steven Spielberg & Jeffrey Katzenberg.

And what’s especially interesting about watch “Your Studio and You” is that – as you watch these performers go through their paces in this motion pictures (which – most of the time – involves doing some innocuous task while holding a Seagram’s wine cooler) – you often get the feeling that this star is not in on the gag.

So how did Matt & Trey get away with this? Simple. There was never actually a script for “Your Studio and You.”

Filming “Your Studio & You” at Universal Studios Hollywood

Mind you, David Zucker would always insist that there was. Especially when he’d phone up celebrities on the Universal Lot and say “Hey, I’m sending over a couple of college kids later today. They’re working with me on a new parody film. It’s something that we’re doing for the new owners of Universal. I need just a half hour of your time. We’re shooting something special for the party we’ll be holding when the Seagrams people first arrive at the Studio. Absolutely. You’ll definitely get an invite to that party. So can I count on you to help these kids out? Beautiful. They’ll be over there later this morning.”

And then Matt & Trey would show up and say “… Dang, Miss Lansbury. We’re sorry. We must have left our copy of the ‘Your Studio and You’ script back in our office. Which is clear on the other side of the Lot. So – rather than waste your time – why don’t we do this instead? Follow us over to the Psycho House. Where we’re then going to get footage of you painting the front porch on Mother Bates’ house while you say ‘Gosh, with all of the wonderful improvements going on around here, everyone is going to want to work at Universal.’ Oh, and can we also get you to wear this button on the front of your blazer which reads ‘Universal is A-OK’ ? “

And over & over again, the biggest names who were working for Universal at that time took part in the production of “Your Studio & You” because A) David Zucker vouched for Matt Stone & Trey Parker and B) this was something that was being made for the new owners of Universal. And it’s just natural to want to get in good with the new boss.

Steven Spielberg, Jeffery Katzenberg, and Jaws

But no one at Universal anticipated that “Your Studio & You” would wind up being as sharp edged as the finished product turned out to be. I mean, it’s one thing to bite the hand that feeds you. But “Your Studio & You” ? It doesn’t just bite the hand. It takes the hand off at the wrist.

It’s a brutally funny film. With one of the meanest moments reserved for Steven Spielberg, who plays a driver on the Universal Studio Tour who’s trying to persuade a tram full of bored tourists (one of whom is played by Jeffery Katzenberg) that the “Shark Attack” scene down by Jaws Lagoon is actually exciting.

Spielberg actually says lines like “ … Whoa, whoa. What is going on here? Ladies and gentlemen, this never happens. Look out! It’s a shark! Whoa, that is one big scary shark.”

Mind you, as footage of this mechanical shark repeatedly coming up out of the water is shown, “Your Studio & You” ‘s off-screen narrator (who is voiced by Trey Parker says):

“But what about tomorrow? If we don’t keep in step with the times, things that were once neat and thrilling can become old and stupid.”

“Your Studio & You” Reception

This film was supposed to be shown only once at the welcoming party for Seagrams executive on the Universal Lot. And I’m told that – when Edgar Bronfman saw the finished product at that party – he reportedly turned to David Zucker and said “ … That’s a little more mean-spirited that I think it needed to be.”

And with that, “Your Studio & You” was supposed to go back into the Universal vault, never to be seen again. But when “South Park” debuted on Comedy Central in August of 1997 and then became a sensation for its biting humor, there was suddenly a lot of interest in what else Matt & Trey had done. Which is why copies of “The Spirit of Christmas” began to circulate. And – over time – copies of “Your Studio & You” began to bubble up.

Which – as Stone & Parker have repeatedly pointed out – was just not supposed to happen. Largely because none of the celebrities who appeared in “Your Studio & You” had never signed releases for Universal’s legal department. Because – again – this was for a movie that was only going to be shown once at a private function on the Universal Lot.

Matt mentioned (as part of a career retrospective at the Paley Center in LA back in 2000) that “ … they wouldn’t even let us keep a copy of the finished film.”

It’s a funny but brutal movie. And worth taking a look at today especially if you’re a theme park history buff because it shows Universal Studios Hollywood’s “Jurassic Park: The Ride” still under construction on the Lower Lot. That attraction would finally open to the public in June of 1996.

“Your Studio & You” became a lot easier to see after Seagrams sold off its share of Universal to Vivendi in 2000. Copies began propagating online after that. Though Universal Legal will periodically make an effort to get the latest copy of “Your Studio & You” taken off the Internet because – again – none of the performers who appear on camera ever signed the proper releases and/or were paid for their efforts.

That said, if you’re up for a mean-spirited laugh, “Your Studio & You” is well worth 14 minutes of your time. That said, once you watch this thing, be warned: