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Ruminations: A sneak preview of the Walt Disney Family Museum

Roger Colton’s back with an extra-special column today, as he reports on his recent visit to the Presidio. When Roger got to tour the still-under-construction Disney Family Museum in the company of Ron Miller and Diane Disney Miller

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It is no secret that I have many reasons to love the City that is San Francisco. Like many visitors, I find an attraction in the neighborhoods, the people, the places and the food. So, if something else were to come along that would make me enjoy it all the more, how would I feel about it? After today, I can say pretty darn great!

Loyal readers of this space may recall that last September, I shared a look at one of the oldest and most historical places in the City. Located on the northern tip of the San Francisco Peninsula, The Presidio continues to be a place where the past meets the present and the future awaits. Under the direction of the Presidio Trust, this jewel of an urban park continues to evolve as reuse plans unfold. In a place where so much historic fabric exists, the challenge is how to incorporate the past safely and respectfully into the future.

One very important element of that future is The Walt Disney Family Museum. If everything goes as planned, sometime in late 2008 or early 2009, the doors will open to the public on a very special place to share the story and the legacy of Walt Disney.

So… how about a sneak peak at what lies in store for the guests to this Museum? If you were one of those lucky enough to visit the Ronald Reagan Presidential Library (in Simi Valley, CA) during the “Walt Disney – The Man & His Magic” events in 2001, then you have a head start on the rest of us. Check this link for a great description of the exhibition by Matt Walker of Started By A Mouse.

That exhibition came about as the result of contacts between Retlaw Enterprises and the Reagan Library. Preparation of the exhibit was financed by the Walt Disney Family Library and used a great deal of materials from its collection. When that exhibition closed, the materials were returned to storage with the hope that they might eventually find a permanent display location. In November 2004, plans were announced for the creation of the Walt Disney Family Museum at the Presidio in San Francisco. In the years since, the materials from the Reagan Library exhibition have been used to create what could best be described as a prototype for the San Francisco museum. I recently had the good fortune to visit that prototype, with a rare tour of these displays hosted by Diane Disney Miller and Ron Miller.

As much as Abraham Lincoln was a hero of Walt Disney’s, General John “Black Jack” Pershing was another. General Pershing was commandant of the 8th Infantry Brigade at the Presidio during a period of the rebuilding of the City after the 1906 San Francisco earthquake and fire. With that history, the Presidio location will work very well in bringing the story of Walt and his legacy to life for visitors.

A great deal of what visitors will eventually see is very personal to the Disney family. For example, one wall display contained a series of artworks that had been in the Millers’ home at one time. Among those works was a pair of Mary Blair character studies. Those came from the 1941 South American Disney trip (referred to as “El Groupo” by the participants) that lead to the production of 1943’s “Saludos Amigos” and 1945’s “The Three Caballeros.” Next to that was a Jim Fetherolf painting of a pond and pasture view that had been a 1965 Christmas gift from Walt and Lillian to Diane and Ron. Walt had very much admired his work and gave both Diane and Sharon paintings of his as gifts that year. (It’s also worth noting here that this Fetherolf painting was the very last Christmas gift that Walt ever gave to Diane & Ron. Which is why this particular painting has a special significance to the Millers.)

One truly interesting piece was a painting by Peter Ellenshaw of a Tennessee cabin of Davy Crockett in a winter snow scene. As with many of his famed matte paintings, it has special highlights of lighting that bring the image to life in the way he seemed to excel at.

While looking over a case with a series of medals awarded to Walt, Diane made a comment that “stories get lost.” To illustrate that point, she shared the tale of a 1935 trip to Paris by Walt and Lillian along with Roy and Edna. Over the years since, the story about the trip had been told that Walt had specifically traveled to buy books about European fairy tales as reference materials for various Disney artists. Diane related how a transcript of a journal written by Edna, told of the trip and how one entry noted that “Lillian, Roy and I did this today, while Walt went off to buy more books.” As Walt was always collecting figures, books and other items, this was easy to accept as being the truth about that trip.

The real reason for the trip was that Walt was being awarded the French Legion of Honor medal. It came with recognition of Mickey Mouse as “a universal symbol of goodwill.” And of course, while she was telling that story, there was the 1935 Legion of Honor medal on display.

Disney archivist Dave Smith further related to Diane that it was on that trip that Walt noticed how the theaters in Paris were playing four and five Mickey Mouse cartoons at a time. And he thought, “Aha! People are finally ready for a feature length Disney cartoon.” As Diane said, the truth is more interesting than some of the legendary stories (or myths) that have become accepted as reality. Offering those truths is a part of what the efforts behind the Walt Disney Museum are all about.

Diane also admitted that while she was pleased that Bob Iger had been able to re-acquire the rights to the Oswald properties, that she had (at one point) no idea who or what Oswald was. As it had all taken place long before she was born, it had been something of a mystery to her. But now, she is very glad that this early component of the Disney legacy had been recovered.


Ron Miller and Diane Disney Miller
with a display on Walt’s early years.

The items on display are not all to be small in scale or nature. Take for example this group of items:

Photo by Roger Colton

In the foreground is an early prototype Autopia car with the finished production model behind. While both were driven around the Studio lot by a number of kids (in testing, of course), the prototype went to several car shows but never saw service on the highways of Tomorrowland. FYI: These cars were donated to the Walt Disney Family Museum by Walt’s own grandchildren, Johanna & Christopher Miller.

Behind the cars is the train from Walt’s backyard railroad, The Carolwood Pacific. Lead by the “Lilly Belle” steam locomotive and completed by the four-wheel bobber caboose, the train sits on a wooden trestle with various photos behind it. As much as Walt’s railroad interest inspired others and was a factor in the growth of the live steam railroad hobby, I know that this particular display will be enjoyed by many future Museum guests.


The Lilly Belle.


Walt’s caboose, complete with detailed interior.

During the Disneyland 50th anniversary festivities, Diane mentioned how great it was to have had so many members of the Disney family able to be present. It was a family reunion that somewhat just happened. Initially, she had been invited to do a signing of the book, “The Story of Walt Disney”. This a book that she denies writing, and so acknowledged in a forward to the 2005 edition. A scheduling conflict prevented her from attending the May 5th press event at Disneyland. When chatting about the July event, one thing lead to another and there were members from many branches of the extended Disney family who were able to be there on July 17th.

One highlight for the family was the opportunity to visit Walt’s apartment for that day complete with a wonderful meal enjoyed on the balcony adjacent to the apartment. Being there with many of her grandchildren brought back wonderful memories of earlier visits with both of her parents. (Having been able to enjoy a Disneyland vacation with my extended family in October, I could easily identify the joy of family and just how special a part of the Disneyland experience it can be.)


Some of the furniture from Walt’s Disneyland Apartment
now in storage waiting for the Museum.

Diane mentioned that she had not met Bob Iger until that day. There was a rehearsal that morning at 5:30. She had her speech all set to go on the teleprompter, able to read it without her glasses. It was Bob who suggested to her that she read Walt’s opening day dedication.So she was doing fine with the rehearsal and started to recite the dedication. Then she turned and looked at the large video display and there was her father just as he had been that day, with his hair tussled, so earnest. So, she started to sob, overcome by the moment. So when it came time for the actual event, she was lead onstage by Donald Duck, who quietly offered her a tissue, just in case. She said she didn’t need it, because she turned her eyes from the screen and just looked at her family. It was a very emotional day. (For the record, the audience only heard Diane say the opening words of the dedication, as Walt’s dedication was replayed not only on the video display but also on the audio throughout the Park.)

Diane noted that that visit was also her first time to see Disney’s California Adventure including “Soarin’ Over California.” She truly enjoyed the spirit of the Cast Members. The Parks looked great and everyone was very upbeat. Ron mentioned that from the Orange County airport to Anaheim that so much had changed over the years since his last visit that he didn’t recognize the area until he was inside Disneyland.

Ron mentioned that he was particularly moved by the participation of the Disneyland Cast Members on that day. From the smiles and welcomes at the main gate as souvenir maps and golden mouse ears were handed out to the line along Main Street with Cast Members welcoming guests “home,” it was a day to be proud of in many ways.

Among some of the many other items that I saw were a series of framed original Disneyland attraction posters, an early optical film printer, a restored World War I ambulance (a close relation to the one that Walt was so proud of having driven in France), a number of vintage motion picture cameras, and many items from Walt’s collection of miniatures. Diane noted that there are so many of the latter that they may be arranged in themed groupings just as Walt had originally intended.


How’s this for a rare piece of Disney art?
A complete cel set-up from 1953’s “How To Dance
(part of “The Complete Goofy” DVD)
with the portrait of “The Firehouse Five Plus Two.”

The Building 104 location faces the former main parade ground of this military post. It will occupy over 44,000 square feet of one of the five 19th Century brick barracks buildings along Montgomery Street. With a wonderful view of the San Francisco Bay and the Presidio from the front of the structure and an especially impressive view of the Golden Gate from the rear, it will be the highlight of any visit to this area. As the Army had changed the use of the structure from housing to office space, much of the preparatory work for the conversion to the Museum has already been done. The work that remains now is to design and install the new systems and structures to make the building ready for the 21st Century and its new role as The Walt Disney Family Museum.


Building 104 facing the Presidio Main Parade Ground.


Ron and Diane pose for a photo in front of the future home of the Walt Disney Museum.

So… as much as many fans had looked forward to the 50th anniversary of Disneyland, now there is another great event and a great location to look forward to for 2008 or 2009. I know it will be worth the wait and hope that you enjoyed this preview.

Now this if you can’t wait quite that long, there is a Disney exhibit coming to the Bay Area this year that you will not want to miss. May 6th will see the Oakland Museum opening of the “Behind The Magic-50 Years of Disneyland” exhibition. Diane Disney Miller and Ron Miller are among the sponsors of the Oakland showing of this unique exhibition.

The following description is from the Museum web pages:

Go behind the scenes to see how Walt Disney and his Imagineers envisioned, created, and brought Disneyland to life. This touring exhibition includes hundreds of images and artifacts, including original artwork, construction drawings, architectural models, archival videos, promotional materials, and historic souvenirs?as well as original vehicles from Peter Pan’s Flight® and Mr. Toad’s Wild Ride®. Meet Disney’s first Audio-Animatronics® figure, Abraham Lincoln!


A vintage view of Fantasyland in Anaheim.
Image courtesy of the Oakland Museum


Dumbo the Flying Elephant exterior overall concept.
Bruce Bushman, 1953.
Image courtesy of the Oakland Museum

Previously, the exhibition had been shown at the Henry Ford Museum in Dearborn, Michigan. Loyal JHM readers will recall a description of the exhibition and the Museum members preview event here by Dan Viets last September. (An interesting coincidence has the Baseball As America exhibit now on display at the Ford Museum, where it had recently been shown at the Oakland Museum. As former New York Yankees catcher Yogi Berra once said, “This is like deja vu all over again!”)

Now if you are a member of the Oakland Museum, there will be an opportunity to attend their 2006 Golden Gala event on April 29th. The theme for this is When You Wish Upon A Star and it will feature a preview of the “Behind The Magic” exhibit with Diane serving as the honorary chairwoman for this fundraising event. Details are still being confirmed and you may want to check the Museum web site for further information. Perhaps you might want to consider one of their membership opportunities as well, to take advantage of during this Disneyland exhibition.

If you haven’t seen this exhibition, mark your calendar and do so while it is in Oakland. After it closes here on August 20th, it travels to Japan. Tickets are available now online from the Museum through this link.

Special thanks for making this tour possible go to Diane Disney Miller, Ron Miller and the staff of the Walt Disney Family Library in San Francisco. As well, thanks to Leo Holzer of the Northern California Chapter of the National Fantasy Fan Club, Matt Walker of Started By A Mouse and Elizabeth Whipple of the Oakland Museum.

Roger Colton

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Theme Parks & Themed Entertainment

Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street

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When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.

You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.

This is where Disneyland’s Little Monsters on Main Street came in.

The Origins of Little Monsters on Main Street

Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.

This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.

A Unique Halloween Experience

Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.

The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.

It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!

The Haunted Mansion “Tip-Toe” Tour

Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.

Growing Success and a Bigger Event

Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.

In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.

From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash

Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.

While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.

The Merch: A Piece of Little Monsters History

For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.

While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.

Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Theme Parks & Themed Entertainment

The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition

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The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.

Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.

A Not-So-Scary Beginning

I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.

Mickey’s Halloween Treat 1996 – Photo: Disney
Mickey’s Halloween Treat 1996 – Photo: Disney

This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.

A Different Approach

Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.

Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.

Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.

A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.

A Modest Start but a Big Future

That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.

Universal’s Influence

It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.

So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.


For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

The Evolution and History of Mickey’s ToonTown

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Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all.  Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?

There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.

The Beginning: Mickey’s Birthdayland

The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.

In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.

Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.

From Concept to Reality: The Birth of Toontown

In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.

Building Challenges: Innovative Solutions

The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.

And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.

Key Attractions: Bringing Animation to Life

Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.

Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.

Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.

Executive Decisions: Shaping ToonTown’s Unique Attractions

The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.

In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.

These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.

Global Influence: Toontown’s Worldwide Appeal

The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.

Evolution and Reimagining: Toontown Today

As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.

Dive Deeper into ToonTown’s Story

Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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