General

A Very Muppet-y Monday Mélange

Jim Hill’s back with a lot of Muppet-related news, including the real origins of that sculpture in the Fifth Avenue “World of Disney” store as well as what’s been going on with the “Muppets Wizard of Oz.” All this — plus a new JHM contest!

Published

20 years ago

October 31, 2004

Jim Hill

Hey, gang!

Between all of those post-Halloween hangovers out there (not to mention the pre-election jitters), I would imagine that there are a lot of JHM readers who are hurting this morning. Who might be in need of a little entertainment. Which is why I thought that it might be time for another Monday Mélange. You know? That somewhat regular feature here at the site where we quickly touch on several Disney-related stories?

And — speaking of stories — last Tuesday, we did an article about all the Muppet stuff that be can be found in NYC’s “World of Disney” store. Well, as part of that piece, I mentioned the marvelous Muppet-themed balloon sculpture that can be seen next to the stairwell from the store’s second and third floor. Which a “World of Disney” manager told me was a one-of-a-kind commission for the 5th Avenue Store.

Photo by Jeff Lange

Well, that marvelous metal-and-wood sculpture is a one-of-a-kind. But — truth be told — it WASN’T built just for the “World of Disney” store. According to one Henson Company insider, this piece of art actually has a much more interesting history:

The hot air balloon sculpture that you mentioned actually came from the Henson New York Office. The sculpture is called “The Great Hot Air Balloon Circus” and was created by John Kahn and John Henson (Jim’s son). The sculpture hung in the Henson Townhouse office at 117 East 69th Street for many years — and was really the focal point of the building.

When the company decided to relocate (there will still be a NY office and workshop, but the townhouse was too big for the company’s NY needs), there was some discussion about what to do with the sculpture. I believe there was talk about just packing it up in boxes and I think someone at Disney (maybe Chris Curtin) suggested that there may be a display opportunity at the store.

So, the sculpture was dismantled and refurbished and installed at WOD. Unfortunately, there is no signage to indicate the very unique history of this very special piece. (This may be the only really historic piece of art at the store!!).

Speaking of Muppet-related news, “The Muppets Wizard of Oz” is scheduled to wrap production later this week. This TV movie (which is still tentatively slated on air on ABC’s ‘The Wonderful World of Disney” in May of 2005) has been shooting for the past six weeks up in North Vancouver’s Lions Gate Studios. And — based on the buzz that’s been coming off the set — things seem to have gone pretty well on this shoot.

Mind you, that isn’t to say that “The Muppets Wizard of Oz” didn’t hit a few snags back in September as shooting was initially getting underway. Chief among these was that the film’s human star — R&B star Ashanti — had to learn how to work with Kermit & Co.

As one “Oz” insider explained:

Look, it’s not as if Ashanti hasn’t been in front of a camera before. After all, the woman’s done some music videos, plus a little television. That “Buffy” episode last year as well as her appearance as Dionne Warwick on “American Dreams.” And — just over the past year — she’s started working in film. Ashanti’s got a cameo in next month’s ‘Bride and Prejudice’ as well as a juicy supporting role in January’s ‘Coach Carter.’

But acting in a Muppet movie is different. It can be a really daunting task to some performers. Just the physical challenges of the shoot — always making sure that you make eye contact with the puppet, NOT the puppeteer; avoiding all of the holes in the set as you try & perform your scenes — has undone much more seasoned performers than Ashanti.

So — sure — she had a rough couple of days when “Oz” first got underway. But Kirk [Thatcher, the director of “The Muppets Wizard of Oz”] worked closely with Ashanti. Helped ease her into what it was like to work with the Muppets. By the second week of the shoot, she was fine. Ashanti was hitting all her marks without worrying about falling off of the raised parts of the set. She was also relating well with the puppets. Not to mention turning in a pretty decent performance as Dorothy.

I think that people are going to be pleasantly surprised by what Ashanti does in “The Muppets Wizard of Oz.”

Mind you, this Henson veteran wasn’t upbeat about all aspects of this upcoming production. During our recent chat, he had some real concerns about the TV movie’s script as well as some interesting things to say about the film’s executive producer, Brian Henson:

I wish “Oz” ‘s script had been better. I mean, the teleplay was okay. But it’s really easy to tell that four different writers worked on this thing. There’s such an obvious shift in tone in certain sections of the script.

That’s why I miss the days when Jerry Juhl used to do most of the writing for the Muppet movies & TV shows. Jerry really had perfect pitch when it came to creating great new stories & skits for the characters to perform. I wish that Disney would bring Juhl back into the Muppet fold.

Speaking of Disney … It was really interesting to watch how those Disney execs handled Brian Henson. Normally, Brian acts as sort of a backseat director on all these modern Muppet projects. Calling the shots on how many times a particular scene gets shot, which take gets used in the final cut of the film, etc.

Well, Henson thought that he was going to be able to do the same sort of thing with “The Muppets Wizard of Oz.” Tell Kirk how he was going to direct his movie. But Disney quickly shut Brian down. Insisting that it would be Mouse House execs — rather than Jim’s son — who’d now be riding herd on Mr. Thatcher. Making sure that “The Muppets Wizard of Oz” stayed on track.

Understandably miffed, Brian quickly bailed on “Oz.” Insisting that his talents were urgently needed elsewhere as part of the promotion of the “Farscape” mini-series. Rather than admit that he’d be cuffed by Chris Curtin [general manager of the Muppet Holding Company, the arm of the Disney corporation that actually controls Kermit & Co].

Given what a bully Brian has been over the past 14 years, it did a lot of our hearts good to see Mickey finally put him in his place during the early days of the “Oz” production. So maybe with Brian out of the way, this Disney acquisition thing will work out after all.

Well, the Walt Disney Company is certainly hoping to get more out of the Muppets in the not-so-distant future. Just last week, I learned that Disney’s toying with the idea of putting a Muppet-based Christmas show in the theme parks next year. Plus Curtin’s said to already casting about for a follow-up project for “The Muppets Wizard Of Oz.” (Though I’m told that Disney management is really reluctant to commit to much of anything ’til they see how well this ABC TV movie does next May. If “Oz” does well enough in the ratings, this could throw up the door to a new Muppet TV movie becoming an annual event at the alphabet network. If not, Piggy & pals may wind up working on low budget projects for Playhouse Disney. So the Muppets’ fate could really be riding on how well “Wizard” does during the May 2005 sweeps. Anyway … )

Speaking of Henson-related stuff … The Jim Henson Legacy — working with the Brooklyn Academy of Music — will be holding a weekend-long celebration of Jim Henson’s work in film & video on Nov. 20 & 21st. If you’d like the chance to see some truly rare stuff from the Henson Company archives — not to mention meeting Muppet pioneers like Jane Henson, Jerry Nelson and Jerry Juhl — then maybe you should go learn more about this upcoming event by clicking on this link or this link.

And — now that we’ve somehow wandered back to the subject of New York City — it pleases me to announce our next JHM contest.

How many of you remember that picture from last week of me and Mr. Potato Head?

PHOTO BY JEFF LANGE

Well, while Cory, Jeff and I were visiting NYC’s “World of Disney” store, we picked up a few souvenirs for JimHillMedia.com readers.

A “World of Disney” Mr. Potato Head which includes all of the add-on items that are exclusive to the 5th Avenue Store.

PHOTO BY NANCY STADLER

A limited edition “Grand Opening” version of the pin for the 5th Avenue store.

PHOTO BY NANCY STADLER

Plus one of the other pins that Disney Consumer products had created for the NYC “World of Disney”store.

PHOTO BY NANCY STADLER

We’ll be awarding one of these three prizes to the JHM readers who are able to correctly answer these five New York-related Disney trivia questions:

What’s the name of the NYC theater where “Steamboat Willie” had its theatrical debut?
Which Disney feature length animated cartoon had its world premiere at this very same theater some twelve years later?
What was the name of the first Disney animated feature to be adapted to the stage?
In which theater was this show presented?
What was the name of the first Disney Theatrical production to be presented in the newly renovated New Amsterdam theater?

Send your answers to the above questions to jim@jimhillmedia.com. The deadline for submissions is midnight EST on Thursday, November 4th. The winners will then be announced on Friday, November 5th as part of this week’s “Why For.” Prizes will be awarded via a random drawing among the correct entrants.

Good luck, everyone!

General

Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District

Published

9 years ago

June 23, 2015

Jim Hill

Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.

Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.

Photo by Jim Hill

Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.

Photo by Jim Hill

Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building
…

Photo by Jim Hill

… and eventually wound up just below Times
Square (right behind where the Waterford Crystal Times Square New
Year's Eve Ball is kept).

Photo by Jim Hill

But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created.

Photo by Jim Hill

And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.

Photo by Jim Hill

Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …

Photo by Jim Hill

… the postman delivering the mail …

Photo by Jim Hill

… the hot dog vendor working at his cart …

Photo by Jim Hill

… the street musician playing for tourists …

Photo by Jim Hill

Not to mention the tourists themselves.

Photo by Jim Hill

But right alongside the bronze businessmen …

Photo by Jim Hill

… and the tired grandmother hauling her groceries home …

Photo by Jim Hill

… there were also statues representing people who were
from out-of-town …

Photo by Jim Hill

… or — for that matter — out-of-time.

Photo by Jim Hill

These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.

Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill

Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these
bronzes?"

Mind you, for those of you who aren't big fans of the
impressionists …

Photo by Jim Hill

… there's also an array of American icons. Among them
Marilyn Monroe …

Photo by Jim Hill

… and that farmer couple from Grant Wood's "American
Gothic."

Photo by Jim Hill

But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.

Photo by Jim Hill

By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).

Photo by Jim Hill

By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th.

General

Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues

Published

9 years ago

June 10, 2015

Jim Hill

Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las
Vegas.

Photo by Jim Hill

I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.

Photo by Jim Hill

Take — for example — all of "The Secret Life of
Pets" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
Entertainment production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.

Photo by Jim Hill

Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.

Photo by Jim Hill

And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice" to start trending on Twitter today — brought
the Batmobile to Las Vegas.

Photo by Jim Hill

Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.

Photo by Jim Hill

That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.

Photo by Jim Hill

And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.

Photo by Jim Hill

Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.

Photo by Jim Hill

I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.

Photo by Jim Hill

I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.

Photo by Jim Hill

Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.

Photo by Jim Hill

Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
Pictures will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis —
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."

Photo by Jim Hill

Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with production of Genndy Tartakovsky's
"Popeye" movie. But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.

Photo by Jim Hill

And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.

Photo by Jim Hill

"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.

Photo by Jim Hill

I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.

Photo by Jim Hill

And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.

Photo by Jim Hill

And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."

Photo by Jim Hill

And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."

Photo by Jim Hill

One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.

Photo by Jim Hill

Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.

Your thoughts?

General

It takes more than three circles to craft a Classic version of Mickey Mouse

Published

9 years ago

June 9, 2015

Jim Hill

You know what Mickey Mouse looks like, right? Little guy,
big ears?

Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
Park (especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.

Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.

Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.

That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.

Take — for example — Disney
California Adventure
Park's "World of Color:
Celebrate!" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.

Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity
3.0.

"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "

"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"

Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.

"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."

But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity
3.0.

"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."

And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.

"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.

Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.

"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."

So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?

"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."

This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015