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A Waste of “Space”

As the media’s attention once again turns to Epcot’s troubled “Mission: Space” attraction, Jim Hill reveals that — as far back as three years ago — Imagineering insiders knew that this Future World attraction was going to have problems. But — despite repeated warnings from WDI about the “MS” ride system — Disney Theme Parks and Resorts managers still insisted that this “Mission” go forward.

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As you might expect, I got a lot of e-mail yesterday, keying off of the fact that WKMG-TV in Orlando had used as me as a source for their “Mission: Space” story. This was the news report where Mike DeForest revealed that Disney — having finally faced the fact that this Future World attraction’s “protein spill” problem was not going to go away — had quietly begun equipping each of the ride’s cabins with air sickness bags.

“You must be pretty good right about now, Jim,” said Sassafrass23 in her note to me yesterday. “After all, JimHillMedia.com was the first site to talk about how people were getting sick on this Epcot ride. Way back in July, wasn’t it, Jim? So it must feel pretty nice to be vindicated like this.”

Actually, no, SassyFrass23. It doesn’t feel nice. Why for? Because I don’t really get my jollies out of watching multi-million dollar projects crash and burn. I genuinely feel bad for all the people involved here — from the Imagineers who for years tried to convince WDW management that “MS” was a bad idea right down to Disney World’s PR department, who are now stuck with a marketing campaign for Epcot that’s built around an attraction that makes people sick. Once this air sickness bag story goes national, there’s going to be serious career repercussions here that go all the way down Disney’s food chain.

And the really sad part of the story is — just as I mentioned in the paragraph above — that there really were Imagineers who, right from the get-go, were warning Disney Theme Parks and Resorts managers that “Mission: Space”‘s ride system was going to be a bad fit for WDW’s science and discovery park. That any Future World attraction that potentially made a portion of the public sick was a PR disaster in the making. And that Disney should seriously try and find another way to tell the “Mission: Space” story.

But did Disney Theme Park and Resorts managers (Who — during this period — were being lead by then-division chairman Paul Pressler) listen? No. Why for? Because guest surveys had told these guys that Epcot desperately needed a thrill ride. Something that could top the hi-tech fun found over at Universal Studios’ Islands of Adventures’ “The Amazing Adventures of Spiderman” attraction. So that the Walt Disney Company could once again claim “the high ground” when it came to theme park superiority.

So, in spite of all the red flags that WDI had raised (I.E. That the ride system itself made people sick, that — impressive as the ride’s special effects might be — that the “Mission: Space” attraction still didn’t really tell a story, and — most importantly — that this Future World addition lacked the most fundamental qualities found in the very best Disney theme park attractions: A sense of wonder and heart), this project still rumbled through Imagineering’s production pipeline. Initially funded by the Compaq Computer Corporation, “Mission: Space” was eventually sponsored by Hewlett-Packard (Why the change in sponsors? Because HP actually swallowed Compaq back in May of 2002 when the two companies merged).

“So how much did ‘Mission: Space’ eventually cost?,” you ask. Well, Disney’s PR staff will tell you that the Mouse and Hewlett-Packard jointly spent $100 million on the development and construction of this Future World addition. But WDI insiders have told me that the project’s actual final price tag was significantly north of that amount. Something more along the lines of $170 million.

We asked one particular WDI insider, Marky Moose (A 10+ year Imagineering vet who agreed to provide deep background from this article if JHM agreed not to reveal his or her name) for his take on this situation. Marky replied:

“Yeah, we all knew that ‘Mission: Space’ was seriously over budget. But — you have to understand, Jim — that we honestly thought that this was money well spent. For ‘Mission: Space’ wasn’t just supposed to be an Epcot exclusive. No, Paul Pressler and his crowd had actually convinced themselves that ‘MS’ could be the Disney Corporation’s next big franchisable attraction. The company’s next ‘Big Thunder’ or ‘Tower of Terror.’

I’m serious, Jim. Less than three months ago, Disney management still had dreams of dropping a “Mission: Space” clone into Tomorrowland at Disneyland. With the hope that this hi-tech thrill ride would eventually revitalize that sagging section of the Anaheim theme park. And we’d also had discussions with executives from the Oriental Land Company about possibly using ‘Mission: Space’ as the centerpiece for a whole new Tomorrowland for Tokyo Disneyland. There’d also been talk of dropping clones of ‘MS’ into Disney Studios Paris and the Hong Kong park.

But now that Disney’s finally had to admit that ‘Mission: Space’ is making people sick, that dream’s dead, Jim. There’s just no way that we’re ever going to get any more of these rides out of the ground now. I mean, just think what the execs at the Oriental Land Company are going to make of this barf bag news. Given what a fastidious people the Japanese are, there’s just no way that OLC will ever allow construction of a clone of this attraction to go forward now.

So — instead of being the first of many — ‘Mission: Space’ is now going to be a one-and-only. And — given this ride’s ridiculously high price tag as well as all of its unexpected additional maintenance costs — it’s going to be years before this Future World attraction finally pays for itself.

This is really bad news, Jim. Given that Pressler’s now out of reach since he left Disney to go run the Gap, Paul’s no longer available to take the rap for ‘Mission: Space’ ‘s failure. Which means that some poor slob in WDI’s Orlando or Glendale office is going to end up taking the fall for Paul. Losing their job because the execs in the Team Disney Burbank building are desperate to find someone other than themselves to pin the blame on.

It’s just so sad, Jim. Three years ago, we repeatedly told Paul that this attraction wasn’t going to work. That people were going to get sick when they rode the thing. But Pressler wouldn’t listen. All he wanted was his hi-tech thrill ride for Epcot. And now we’re stuck cleaning up his mess. Literally. All because we couldn’t persuade Paul back in 2000 that ‘Mission: Space’ was a seriously flawed attraction.”

So here we are, less than five months after this Epcot addition first opened to the public, and the Walt Disney Company already has an operational nightmare on its hands. Given that — every time someone gets sick inside one of those cabins — “MS”‘s staff has to shut down an entire centrifuge unit for airing and cleaning, “Mission: Space” rarely — if ever — reaches its theoretical hourly ride capacity.

Then there’s the attraction’s increasingly toxic reputation. Just last week, when I finally got down to Orlando to ride “Mission: Space” for myself, I was stunned to see the dozens of nervous people who were just sitting around in the attraction’s post-show area after I got off the ride.

Mind you, these folks weren’t having fun playing the “Space Race” game and/or sending “Postcards from Space” home via e-mail. By that I mean: I’ve seen happier faces in hospital emergency rooms. No, these people were nervously sitting around “Mission: Space”‘s post-show area, anxiously watching the attraction’s exit area. Hoping against hope that their friends and family members would not be made nauseous by their trip through “Mission: Space.”

I’ve honestly never experienced anything like that, gang. Entering a room full of anxious, nervous people at a Disney theme park. Happy, smiling people — sure. But this was a first.

“But what did you think of the ride itself, Jim?” you ask. Well, I’d have to say that the best special effect on the entire attraction would have to be Gary Sinise’s painfully obvious plastic surgery. I don’t know if this guy had a big bowl of Botox just prior to shooting his part in “MS”‘s pre-show film, but Sinise’s face is almost scarily smooth. Let’s put it this way: Compared to Gary Sinise’s face in “Mission: Space,” Michael Jackson’s mug shot looks almost lifelike.

As for the ride itself … There’s no denying that “MS”‘s “blast-off” sequence is very cool. That pressure-in-the-pit-of-the-stomach sensation you get as your rocket roars off into space? It’s truly a one-of-a-kind feeling, folks. And I did genuinely enjoy the ride’s visuals.

But where was the heart? That epic sense of story telling, of adventure and fun you usually get on the very best of Disney theme park attractions? As I made my way through “MS”‘s queue, surrounded by all those plasma screens and all that chrome, I kept thinking: This is what space travel in the future is really going to be like? Like I’m getting on line to buy a Happy Meal at Downtown Disney’s McDonalds?

Particularly in the pre-show area, as Gary Sinise was droning on and on about the crew members’ particular missions were, I couldn’t help but think about how much more fun “Mission: Space” might have been if Sinise’s deadly dull Mission Control commander were suddenly elbowed out of the way by Mike Meyers dressed as Austin Powers. Then Austin could tell us that Gary’s training mission had been scrubbed in favor of recruiting all those assembled to help Powers defeat Doctor Evil.

Ah, but that’s not what actually happened. My “Mission: Space” experience flew by in a quick 4 minutes. And — just for the record– my simulated trip into space didn’t leave me feeling nauseous. But it didn’t fill me with a sense of wonder either. The whole experience just left me feeling … Well … empty and cold.

Which is how space is actually supposed to feel. So maybe the Imagineers DID do an okay job after all. I guess.

Anyway … I doubt that I’ll be getting back on “Mission: Space” again anytime soon. Why for? Not because I’m afraid of throwing up. But — rather — because I have better ways of spending my time when I’m at Walt Disney World. If I have my druthers, I’d rather go to a show that really entertains me, that fills me with a sense of magic and wonder.

Something like — say — “Mickey’s Philharmagic.” (But that’s a story for another time.)

Your thoughts?

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

The Super Bowl & Disney: The Untold Story Behind ‘I’m Going to Disneyland!’

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One of the highlights of the Super Bowl isn’t just the game itself—it’s the moment when the winning quarterback turns to the camera and exclaims, “I’m going to Disney World!” This now-iconic phrase has been a staple of post-game celebrations for decades. But where did this tradition begin? Surprisingly, it didn’t originate in a stadium but at a dinner table in 1987, in a conversation involving Michael Eisner, George Lucas, and aviation pioneers Dick Rutan and Jeana Yeager.

Credit: AP News

The Unlikely Beginning of a Marketing Sensation

To understand the origins of this campaign, we have to go back to December 1986, when the Rutan Voyager became the first aircraft to fly around the world without stopping or refueling. Pilots Dick Rutan and Jeana Yeager completed the nine-day journey on December 23, 1986, flying over 26,000 miles before landing at Edwards Air Force Base. Their historic achievement earned them national recognition, and just days later, President Ronald Reagan awarded them the Presidential Citizen Medal at the White House.

Meanwhile, Disney was gearing up for the grand opening of Star Tours at Disneyland, set for January 12, 1987. Following its usual playbook of associating major theme park attractions with real-world pioneers, Disney’s PR team invited astronauts Gordon Cooper and Deke Slayton to the launch event. But in a twist, they also invited Rutan and Yeager, who were still making headlines.

Credit: Endor Express

A Dinner Conversation That Changed Advertising Forever

After the Star Tours opening ceremony, a private dinner was held with Disney CEO Michael Eisner, George Lucas, and Eisner’s wife, Jane. During the meal, Eisner asked Rutan and Yeager, “You just made history. You traveled non-stop around the planet on a plane without ever refueling. How are you ever going to top that, career-wise? What are you two gonna do next?”

Without hesitation, Jeana Yeager replied, “Well, after being cramped inside that tiny plane for nine days, I’m just glad to be anywhere else. And even though you folks were nice enough to fly us here, invite us to your party… Well, as soon as we finish eating, I’m gonna go over to the Park and ride some rides. I’m going to Disneyland.”

Jane Eisner immediately recognized the power of Yeager’s statement. On the car ride home, she turned to Michael and said, “That’s a great slogan. I think you should use that to promote the theme parks.” Like many husbands, Michael initially dismissed the idea, but Jane persisted. Eventually, Eisner relented and pitched it to his team.

The Super Bowl Connection

With Super Bowl XXI just around the corner, Disney’s PR team saw an opportunity. The game was set for January 25, 1987, at the Rose Bowl in Pasadena—just miles from Disney Studios. What if they convinced the winning quarterback to say, “I’m going to Disneyland” live on-air?

Disney quickly struck a deal with both quarterbacks—Phil Simms of the New York Giants and John Elway of the Denver Broncos—offering each $75,000 to deliver the line if their team won. Simms led the Giants to victory, making history as the first athlete to say, “I’m going to Disney World!” on national television.

A Marketing Triumph

That year’s Super Bowl had the second-highest viewership in television history, with 87 million people watching Simms say the famous line. The next day, Disney turned the clip into a national commercial, cementing the phrase as a marketing goldmine.

Since then, “I’m going to Disneyland” (or Disney World, depending on the commercial) has been a staple of championship celebrations, spanning the NFL, NBA, and even the Olympics. What started as a casual remark at dinner became one of the most successful advertising campaigns in history.

A Lasting Legacy

Jane Eisner’s keen instinct and Disney’s ability to act quickly on a great idea created a tradition that continues to captivate audiences. The “I’m going to Disneyland” campaign remains a testament to the power of spontaneous inspiration and smart marketing, proving that sometimes, the best ideas come from the most unexpected places.

To learn more about Disney’s ties to the world of sports, check out I Want That Too: A Disney History and Consumer Product Podcast.

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Television & Shows

How the Creators of South Park Tricked A-List Celebrities to Roast Universal – “Your Studio & You”

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Your Studio and You

Universal Studios has a rich and storied history, but few moments are as peculiar—and as hilariously cutting—as the creation of Your Studio & You. This 14-minute parody film, commissioned in 1995 to celebrate Universal’s new ownership under Seagram’s, brings together an all-star cast, biting humor, and the unmistakable comedic fingerprints of Matt Stone and Trey Parker.

Long before South Park debuted on Comedy Central in 1997, Stone and Parker were already carving out a reputation for their irreverent style, and Your Studio & You perfectly encapsulates their knack for turning even the most corporate project into something delightfully subversive.

Matt Stone & Trey Parker Before South Park

Stone & Parker were already known out in Hollywood as funny guys. Thanks largely to “The Spirit of Christmas,” which was this video greeting card that they’d crafted for a Fox executive – who then distributed this infamously funny thing (which had Our Lord Jesus Christ & Santa Claus literally duking it out for the holiday affections of Cartman, Kenny, Stan & Kyle) to friends & family.

This was the early 1990s. No internet. Each copy of “The Spirit of Christmas” was made on VHS tape and then mailed. Went viral the old-fashioned way. It’s rumored that George Clooney made over 300 copies of “The Spirit of Christmas” and passed these VHS taps along to friends and family.

Things didn’t move as fast as they do today. “The Spirit of Christmas” still became a sensation out West.

Zucker Brothers

Matt & Trey also had other supporters in the entertainment industry. Among them David Zucker, who was one of the members of ZAZ (i.e., Zucker Abrahams Zucker), the talented trio that made “Airplane!” in 1980, “Top Secret!” in 1984 and the three “Naked Gun” movies.

  • The original “Naked Gun” in 1988
  • “Naked Gun 2 & 1/2 : The Smell of Fear” in 1991
  • and “Naked Gun 33 & a 1/3: The Final Insult” in 1994

All five of these parody films had been made for Paramount Pictures. But in the Late Winter / Early Spring of 1995, Universal had persuaded the Zucker Brothers to come over and set up shop in a bungalow on their lower lot. With the hope that – at some point further on down the line – David & his brother Jerry would start making funny films for Universal.

Zucker Brothers featured in "Your Studio and You"

And it’s during this same window of time (We’re now talking April of 1995) that news breaks that Seagrams (Yep, the adult beverage company. Who – at the time – was making an absolute fortune on the sales of wine coolers) was about to buy a majority stake in MCAUniversal. We’re talking control of 80% of that company’s stock. Which would effectively make Seagrams the new owners of Universal Studios.

Edgar Bronfman

And Edgar Bronfman – the owner of Seagrams – knew that Universal had had a tough time with its previous owners – which had been the Matsushita Electric Industrial Co. of Japan. Matsushita had bought MCA back in November of 1990 for $7.5 billion but had never really understood the entertainment industry.

This is why – after repeatedly butting heads with Lew Wasserman & Sidney Sheinberg (i.e., the heads of Universal Studios & the Universal theme park respectively) when it came to creative control of this company – Matsushita decided to wash it hands of the entire enterprise.  Agreeing to sell their holdings in MCA to Seagrams for $5.7 billion (effectively taking a nearly $2 billion loss on this investment).

Edgar M. Bronfman
Credit: NYTimes

And Bronfman … He knew that some bad feeling had developed between Hollywood’s creative community and the Japanese owners of Universal. The thinking was that executives at Matsushita Electric had just not gotten what it took to make movies & TV shows.

And Edgar? Right from the get-go, he wanted to show that Seagrams was NOT going to be Matsushita Electric Redux. Bronfman was looking for a way to send a clear message to Hollywood’s creative community that Universal’s new owners got it. That they were willing to work with Hollywood to make the best possible movies & TV shows at Universal.

And how did Edgar decide to get this message across? By making a funny movie.

Zucker Commissions Trey Parker for “Your Studio & You”

Mind you, Bronfman himself didn’t make this film. The owner of Seagrams reached out to David Zucker. Who – after initially agreeing to produce this introduction-to-Universal film – then farmed out the production of the actual project to Trey Parker. Who – just two days before shooting was supposed to star on the Universal Lot – persuaded Matt Stone to come help him on this project.

Which brings us to “Your Studio and You.” Which is a parody of an educational film from the 1950s, right down to being shot in black & white and featuring a very generic soundtrack.

Now what’s amazing about watching “Your Studio and You” today is that this 14-minute-long film features some of the biggest names working in Hollywood back in the mid-1990s. We’re talking about people like recent Golden Globe winner Demi Moore, Sylvester Stallone, Michael J. Fox and Angela Lansbury. Not to mention two of the most powerful men in all of Hollywood, Steven Spielberg & Jeffrey Katzenberg.

And what’s especially interesting about watch “Your Studio and You” is that – as you watch these performers go through their paces in this motion pictures (which – most of the time – involves doing some innocuous task while holding a Seagram’s wine cooler) – you often get the feeling that this star is not in on the gag.

So how did Matt & Trey get away with this? Simple. There was never actually a script for “Your Studio and You.”

Filming “Your Studio & You” at Universal Studios Hollywood

Mind you, David Zucker would always insist that there was. Especially when he’d phone up celebrities on the Universal Lot and say “Hey, I’m sending over a couple of college kids later today. They’re working with me on a new parody film. It’s something that we’re doing for the new owners of Universal. I need just a half hour of your time. We’re shooting something special for the party we’ll be holding when the Seagrams people first arrive at the Studio. Absolutely. You’ll definitely get an invite to that party. So can I count on you to help these kids out? Beautiful. They’ll be over there later this morning.”

And then Matt & Trey would show up and say “… Dang, Miss Lansbury. We’re sorry. We must have left our copy of the ‘Your Studio and You’ script back in our office. Which is clear on the other side of the Lot. So – rather than waste your time – why don’t we do this instead? Follow us over to the Psycho House. Where we’re then going to get footage of you painting the front porch on Mother Bates’ house while you say ‘Gosh, with all of the wonderful improvements going on around here, everyone is going to want to work at Universal.’ Oh, and can we also get you to wear this button on the front of your blazer which reads ‘Universal is A-OK’ ? “

And over & over again, the biggest names who were working for Universal at that time took part in the production of “Your Studio & You” because A) David Zucker vouched for Matt Stone & Trey Parker and B) this was something that was being made for the new owners of Universal. And it’s just natural to want to get in good with the new boss.

Steven Spielberg, Jeffery Katzenberg, and Jaws

But no one at Universal anticipated that “Your Studio & You” would wind up being as sharp edged as the finished product turned out to be. I mean, it’s one thing to bite the hand that feeds you. But “Your Studio & You” ? It doesn’t just bite the hand. It takes the hand off at the wrist.

It’s a brutally funny film. With one of the meanest moments reserved for Steven Spielberg, who plays a driver on the Universal Studio Tour who’s trying to persuade a tram full of bored tourists (one of whom is played by Jeffery Katzenberg) that the “Shark Attack” scene down by Jaws Lagoon is actually exciting.

Spielberg actually says lines like “ … Whoa, whoa. What is going on here? Ladies and gentlemen, this never happens. Look out! It’s a shark! Whoa, that is one big scary shark.”


Mind you, as footage of this mechanical shark repeatedly coming up out of the water is shown, “Your Studio & You” ‘s off-screen narrator (who is voiced by Trey Parker says):

“But what about tomorrow? If we don’t keep in step with the times, things that were once neat and thrilling can become old and stupid.”

“Your Studio & You” Reception

This film was supposed to be shown only once at the welcoming party for Seagrams executive on the Universal Lot. And I’m told that – when Edgar Bronfman saw the finished product at that party – he reportedly turned to David Zucker and said “ … That’s a little more mean-spirited that I think it needed to be.”

And with that, “Your Studio & You” was supposed to go back into the Universal vault, never to be seen again. But when “South Park” debuted on Comedy Central in August of 1997 and then became a sensation for its biting humor, there was suddenly a lot of interest in what else Matt & Trey had done. Which is why copies of “The Spirit of Christmas” began to circulate. And – over time – copies of “Your Studio & You” began to bubble up.

Which – as Stone & Parker have repeatedly pointed out – was just not supposed to happen. Largely because none of the celebrities who appeared in “Your Studio & You” had never signed releases for Universal’s legal department. Because – again – this was for a movie that was only going to be shown once at a private function on the Universal Lot.

Matt mentioned (as part of a career retrospective at the Paley Center in LA back in 2000) that “ … they wouldn’t even let us keep a copy of the finished film.”

It’s a funny but brutal movie. And worth taking a look at today especially if you’re a theme park history buff because it shows Universal Studios Hollywood’s “Jurassic Park: The Ride” still under construction on the Lower Lot. That attraction would finally open to the public in June of 1996.

“Your Studio & You” became a lot easier to see after Seagrams sold off its share of Universal to Vivendi in 2000. Copies began propagating online after that. Though Universal Legal will periodically make an effort to get the latest copy of “Your Studio & You” taken off the Internet because – again – none of the performers who appear on camera ever signed the proper releases and/or were paid for their efforts.

That said, if you’re up for a mean-spirited laugh, “Your Studio & You” is well worth 14 minutes of your time. That said, once you watch this thing, be warned:

  1. You’re immediately going to be thirsty for a Seagram’s wine cooler
  2. And you’re going to have a sudden desire to go out & buy a porcelain deer.
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Theme Parks & Themed Entertainment

Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

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Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.

The Very First Parade and the Early Days of Balloons

The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.

And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade

It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.

Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.

Duck Joins and Towers Over Mickey

A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.

Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.

A Somber Parade in 2001

Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.

That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo

Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.

In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.

These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey

After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.

But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios

In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024

This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.

As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.

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