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Big changes at WDW’s “Small World,” “Noodle Station” adds a nice new nosh

Is “Motors” worth a special trip? Is the Magic Kingdom’s new castle show really cause for “Cinderellabration”? JHM columnist Seth Kubersky is back with a detailed look at Disney World’s newest shows & attractions

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It’s been a busy week at Walt Disney World. In honor of Disneyland’s 50th anniversary, new and refurbished attractions are debuting all over the Florida resort. By the end of this year, every WDW park will have opened a major new attraction, a larger expansion than the original Anaheim park will receive. This week alone, new attractions opened or began “soft open” testing at Epcot, the Magic Kingdom, Disney/MGM Studios, and Typhoon Lagoon. Here’s a brief look at some of these new experiences – keep in mind that many are still in the preview stage, and may change by the time you visit (your mileage may vary, not valid in North Carolina).

Disney/MGM Studios: Lights, Motors, Action!

What’s your favorite movie car chase? Automobile stunts have been a staple since the earliest action movies, and at their best they can be a thrilling way to propel a film’s plot. Old-times may remember classic chases from “The French Connection” or the 60’s Bond films. Those with shorter memories might be partial to the CGI excess of “The Matrix Reloaded” or “Terminator 3”. For my money, you can’t beat the visceral simplicity of John Frankenheimer’s “Ronin”. Whatever your taste, who wouldn’t love to see their favorite car chase moments brought to life on stage? That’s the formula Disney has banked on in bringing the popular “Lights, Motors, Action” (LMA) show to WDW’s Disney/MGM Studios, but the final product might not completely live up to expectations.

A massive new venue for LMA has been built on the former site of the Backstage Tour’s “Residential Street”, not far from the shuttered “Hunchback” theatre (can we please bring that show back?). After navigating a queue line past glassed-in maintenance bays, where mechanics can been seen prepping cars for the show, the audience is led into a vast stadium. The wide set depicts a quaint Southern French village market, with a trough of water separating the stage from the audience bleachers. The setup is similar to that of the Indiana Jones Epic Stunt Spectacular (the first of many similarities) with the addition of a large video billboard to reinforce the action, and (as Kimberly Duncan might say), “every seat provides excellent viewing”.

The show begins with a warm welcome from the “assistant director” host – in French. After briefly befuddling the non-Francophonic in the audience, she explains (in English) that the show has been imported from the Walt Disney Studios park in Paris. The show’s French connections are referenced repeatedly, an odd creative choice. Next, we’re treated to a montage of clips from famous movie car chases. Most are from Jerry Bruckheimer-produced monstrosities like “Gone in 60 Seconds” and “The Rock”, through there is a tribute to my favorite “Ronin”.

The show proper kicks off with “Ballet”, a masterful display of driving talent in which a red “hero” car tries to evade a team of “bad guys” in black sedans. This is an expertly choreographed few minutes of cars careening across the set at high speeds, driving bumper to bumper and skidding to stops with mere inches of clearance. The precision driving drew audible gasps from the audience, and the final trick where a car jumps backwards off a ramp brought cheers. This first stunt sequence is truly exciting, and nearly makes the show worth seeing all on its own.

Unfortunately, the rest of the show goes downhill from there. There are 3 more stunt sequences spaced out through the rest of the show, “Blockade”, “Motorcycle”, and the finale. Each is largely variations on what we have already seen, various combinations of obstacles and vehicles swerving around each other. Each segment has a signature effect – in “Blockade” a car leaps off a ramp into an airbag, and “Motorcycle” concludes with an excellent fire stunt. But overall, the stunt sequences become repetitive, even within their brief running time.

The bigger problem comes when the cars aren’t being put through their paces. Like the Indy stunt show, LMA requires lengthy changes to the set between each stunt. Though the show runs nearly 40 minutes, less than a quarter of that is taken up by stunts. With no story to tie the action together, the rest of the show is filled by faux movie-making banter that will be very familiar to anyone who has seen the Indy stunt show. We get a glimpse under the hood of the cars, and many “don’t try this at home” admonitions. There is the inevitable audience participation segment, where a child is selected to “drive” a remote controlled car. There is a shameless plug for the upcoming Herbie the Love Bug movie (do today’s kids have any idea who Herbie is?), and they even kill some time explaining what a movie “MacGuffin” is (another nod to “Ronin”).

All this filler serves to drain whatever momentum the show generates. It may be necessary to take the time to set up these obviously dangerous stunts, but the pace of the show suffers as a result. The Indy stunt show overcomes this through the emotional connection to Indiana Jones that an audience brings into the show, and with some genuine humor. Guests have no such connection to the non-existent movie that LMA is themed around. The filler doesn’t have enough meat to be educational, and the writing isn’t witty enough to be funny. As a result, the show limps to the end with an anticlimactic climax.

LMA is not a disaster; it’s got many entertaining and amazing moments, and it’s easy to see why it’s considered the top original attraction at the Paris park. But without some rewriting and tightening, it’s hard to see it having the repeat viewing potential that a major E-Ticket show should.

Magic Kingdom: It’s A Small World, Cinderellabration, Tomorrowland Noodle Station

After a lengthy rehab, the most beloved and hated of all classic Disney attractions returned this week. No attraction has inspired more derision and stand-up comedy, and for some it represents Disney at its saccharine, cloying worst. But “it’s a small world” (IASW) has endured since 1964 because of its charming art direction, catchy music (too catchy, for anyone who has had the refrain stuck in their head for days), and heartfelt message of peace and hope.

One might think that, given the public’s love/hate relationship with IASW, the attraction’s return might go unnoticed. But judging by the crowds queued up despite the 60 minute posted wait time, there is pent up demand for this classic ride. Disney purists can rejoice, IASM has returned exactly as you remember it, only better. No flume drops or 3D effects have been added, there are no chili-belching dolls, and Zazu and Iago don’t interrupt to sing the Conga. All we have is the classic ride, lovingly restored to look even better than on opening day.

The biggest change is to the loading area. On entering through the former exit, guests are treated to a lovely white and gold animated clock façade, similar to the design of the Anaheim version’s exterior. The loading dock has been redesigned to efficiently load 2 boats at a time, with easy access for wheelchairs. Once the ride begins, all the show scenes are essentially unchanged, as I didn’t recognize any major new set pieces. But every doll and object has been carefully cleaned, repainted, and restored to pristine condition. The sound track has also been digitally cleaned, and the speakers rehabbed, allowing every note to be clearly heard. I couldn’t say whether the audio is the original World’s Fair version or the Disneyland version, but it sounds great and isn’t as monotonous as I remember.

The biggest improvement is in the lighting. A new theatrical lighting system has been installed, and every fixture re-gelled and focused, showing off the sets and dolls to their best. Words can’t describe what a wonderful difference the subtle and beautiful new illumination makes. IASM may not have the thrills or elaborate effects of a modern ride, but judging by the delighted smiles I saw on exiting guests, this happy cruise looks set to delight crowds for years to come.

Also new at the Magic Kingdom is Cinderellabration, the new show performed on the castle forecourt stage. In honor of the Disneyland 50th anniversary, Cinderella’s Castle has been spiffed up with gold filigree and character figures (I especially like the golden Peter Pan and Wendy soaring around the tallest spire). There is also a large “magic mirror” suspended above the castle gate, displaying a stained glass-style image of Sleeping Beauty’s castle. It’s a beautiful treatment, far more palatable than the Pepto-Bismol birthday cake foisted on us for WDW’s 25th.

The newly decorated castle makes an attractive backdrop for the lightweight new show. This 10 minute pageant is themed around the coronation of Cinderella. The Fairy Godmother welcomes us, and the royal court enters and performs some faux-Renaissance dance steps. Next comes Cinderella, who is joined by a number of other Disney princesses (in the new world of Disney synergy, Snow White, Jasmine, and Belle are all best friends, logistics of distance and time travel be damned). More dancing, a saccharine song about “every girl is a princess inside”, a kiss, some fireworks, and the whole thing is neatly wrapped up. It’s an inoffensive diversion, perfect if your child is princess-crazy, but anyone over the age of 9 or with a Y chromosome need not apply.

Finally, while waiting for Cinderellabration, I tried the food at the new Tomorrowland Noodle Station (formerly the Tomorrowland Terrace). The Asian-themed menu features noodle bowls, Pad Thai, meat buns, mandarin orange salad, egg rolls, and potstickers. I tried the shrimp noodle bowl and the ginger crème Brule for desert. The noodle bowl was a large bowl of soup with clear rice noodles, vegetables, and a surprisingly generous portion of shrimp. The broth was well-seasoned with fresh cilantro, without being spicy or overpoweringly salty. The crème brule’s ginger flavor was so subtle as to be undetectable, and the caramelized top could have been crunchier, but the custard was sweet and had a nice firm texture. It certainly isn’t the best noodle bar in Orlando (try Little Saigon on Colonial Drive) or even in a WDW park (I’m partial to the quick-service at Epcot’s Japan pavilion). But it’s a solid addition to the Magic Kingdom’s dining option, and a great alternative when you’re tired of smoked “turkey” legs and clam chowder bread bowls.

This is only the beginning of the new additions to WDW. Soarin’, a clone of the hit attraction from California Adventure, has begun limiting testing at Epcot’s revamped Land pavilion. There are also rumors of a “Grand Reopening” rededication of the Living Seas, tied to the addition of Finding Nemo characters to that Epcot attraction. A new waterslide has been added to Typhoon Lagoon, and back at the Magic Kingdom, Stich’s Great Escape is getting some much needed tweaks. By the end of the year, guests should start experiencing the massive new Expedition Everest over at Animal Kingdom. Not every addition might be a creative home-run, but it’s definitely a good time be an Orlando local with an annual pass.

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Theme Parks & Themed Entertainment

Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

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Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.

The Very First Parade and the Early Days of Balloons

The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.

And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade

It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.

Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.

Donald Duck in Macy's Thanksgiving Day Parade – Donaldism

Duck Joins and Towers Over Mickey

A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.

Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.

A Somber Parade in 2001

Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.

That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo

Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.

In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.

These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey

After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.

But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios

In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024

This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.

As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.

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Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street

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When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.

You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.

This is where Disneyland’s Little Monsters on Main Street came in.

The Origins of Little Monsters on Main Street

Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.

This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.

A Unique Halloween Experience

Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.

The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.

It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!

The Haunted Mansion “Tip-Toe” Tour

Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.

Growing Success and a Bigger Event

Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.

In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.

From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash

Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.

While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.

The Merch: A Piece of Little Monsters History

For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.

While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.

Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!

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Theme Parks & Themed Entertainment

The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition

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The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.

Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.

A Not-So-Scary Beginning

I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.

Mickey’s Halloween Treat 1996 – Photo: Disney
Mickey’s Halloween Treat 1996 – Photo: Disney

This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.

A Different Approach

Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.

Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.

Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.

A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.

A Modest Start but a Big Future

That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.

Universal’s Influence

It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.

So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.


For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.

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