Theme Parks & Themed Entertainment

“Circus 1903” uses modern stage craft & pachyderm puppets to recreate a turn-of-the-century traveling show

Published

7 years ago

February 20, 2017

30+ years ago, David Williamson almost ran away with the circus.

“I was a teenager growing up in Ohio,” Williamson recalled during a recent phone interview. “And this one ring circus came to town. They found out somehow that I did magic and then tried to recruit me to come join their show. The idea sounded so romantic, but my mother wouldn’t let me go.”

We now jump ahead a few decades and Williamson has become a conjurer’s conjurer. Voted “Sleight of Hand Magician of the Year” two years in a row by Hollywood’s Magic Castle, David had also been declared the “Most Wanted Magician” by the International Federation of Magic Societies. Which is why organizations like the Disney Cruise Line regularly sought Williamson out to come perform on their boats. Which is where David wound up doing sleight of hand in front of 1500 people at a time.

Now while this level of professional success (not to mention repeatedly receiving the recognition of your peers) is the sort of thing that every other magician on the planet craves, Williamson was looking for new fields to conquer. Which is why – when producer Simon Painter (i.e., the impresario behind the highly successful “Illusionists” shows) offered David the opportunity to circle back on an old dream – he jumped at it.

“This must have been 3, 3 & a ½ years ago, when Simon first talked with me about this idea for a new stage show that he was exploring. One that would celebrated all of those one ring circuses that used to visit small towns at the turn-of-the-century. Only to make this retro show a true theatrical experience, Simon was going to have the animal acts done as puppets a la ‘War Horse,’ ” Williamson explained. “And as Simon was talking, I remember thinking that it might be fun to play the ringmaster in a show like that. That I could do a lot with a role like that.”

So more than 3 decades after his mother expressly told him not to, David did finally run away with the circus. Which – in this case – involved traveling all the way from Ohio to Docklands Studios in Melbourne, Australia. Which is where Williamson then spent three weeks rehearsing with this veteran group of circus performers who had never before been in a stage show.

Photo by Mark Turner

“Neil Dorwood — our director — showed incredible patience with the cast because … Well, I’m not an actor. I’m a magician. And these circus folk? They’re a really different breed. By that I mean: They’re good natured & competitive & athletic & hardy & a lot of fun. And they quickly form a family. But that said, they’re kind of hard to manage,” David said.

“And here’s Simon & Neil who are trying to build ‘Circus 1903’ from scratch. Which means that they have to teach us to do all of these theatrical things, learn intricate steps and choreography. And since our first performances were already scheduled for December, they honestly didn’t have a whole lot of time to pull this retro circus show together,” Williamson continued. “But in the end, Neil did a great job. Which is why – as you now watch ‘Circus 1903’ – you get to see all of these great acrobats using new & different muscles. When they’re out onstage, these people are fully invested in making this show a genuine theatrical experience for the audience. You should see them emote when the elephants come out.”

And speaking of emotions & elephants … David said that the most memorable moment during rehearsals of “Circus 1903” came when the cast first got to meet Queenie & Peanut (i.e., that full-sized, mother & child pair of pachyderm puppets which Significant Object spent five months building for this show).

Photo by Mark Turner

“The puppeteers had spent two weeks rehearsing their routine with Queenie & Peanut. And when these elephant puppets first made their entrance on Soundstage 4 at Dockland Studios, as they stepped through the mist with their music & their lighting … I wasn’t prepared for the emotional reaction that I’d have when we were rehearsing that scene. And as I looked around at all of these supposedly hardened circus performers, they were almost in tears as well,” Williamson stated. “And once we actually started performing ‘Circus 1903’ in theaters around Australia, that’s the exact same reaction that people in the audience had when they first saw these enormous elephant puppets. Just a second they’d think ‘Oh, there’s puppeteers there. Isn’t that clever?’ And then – through the magic of the stage – what you’re seeing suddenly somehow transformed into this real enormous elephant with its misbehaving calf. And you – as an audience member — are just dazzled to be in the presence of these magnificent massive animals.”

Mind you, the live circus acts that David introduces & interacts with are pretty dazzling as well. Williams had especially high praise for the Lopez Family, the tightrope act which is presented in the first act of “Circus 1903.”

“Maria Jose Pontigo – who performs with the Lopezes – is fourth generation circus. And she says that ‘Circus 1903’ is like this love letter to her family’s traditions,” Williamson enthused. “That’s why Maria and all the other circus acts just love performing in this show. They consider it a real validation of what their families have been doing for decades now.”

Photo by Mark Turner

And what about David, who’s still something of a newbie when it comes to standing under the big top? Williamson believes that it was all those magic shows which he presented aboard the Disney Cruise Lines that properly prepared him for playing a ringmaster.

“When you work on the Disney boats, you’re constantly in front of three generations — kids, parents and grandparents — all sitting together, laughing and thrilling at the exact same thing. And when we were traveling around Australia late last year – we presented ‘Circus 1903’ to over 30,000 people there – what was really great was that I’d look out into the house and see the exact same sorts of audiences that I saw when I was working on the Disney Cruise Line. These families sitting together with their kids, many of whom had never been to a proper circus before,” David stated. “And what’s especially fun about ‘Circus 1903’ is – because of the theatricality of this show – all of these already great circus acts are amplified somehow. I remember looking out from the wings on opening night looking at this family in the first row. And their two boys are sitting there with their mouths open slack jawed, just wowed by everything that they were seeing.”

Of course, one of the things that was sure to have wowed these small boys was Williamson’s performance as Willy Whipsade, the ringmaster character that he plays in “Circus 1903.” Margaret Gray of the Los Angeles Times – when she reviewed this show‘s just-completed stand at the Pantages Theatre – said that …

… the real secret weapon of “Circus 1903” is its ringmaster, Willy Whipsnade, played by the magician David Williamson (who toured in “The Illusionists,” a magic show produced by the same team). Williamson, tall and imposing, with a bushy white mustache, a booming voice and a quick wit, is now my Platonic ideal of a ringmaster. His Whipsnade has a faintly disreputable, carny edge; he’s the sort of irresistible showman you know will send you home flat broke but happy. He keeps the action moving at a nice pace as emcee, but the show is even more fun when he is the main attraction, inviting children from the audience to the stage and making gentle, hilarious sport of them.

While David is obviously pleased that his character in “Circus 1903” has been singled out for this sort of praise as this new stage show is just getting started on its five-month long, 15-city American tour, Williamson is quick to turn the spotlight back on his brand-new circus family.

“I have to admit that – after all these years of working as a magician – I feel kind of naked when I’m up there onstage without a deck of cards in my hand,” David concluded. “But when I see how the audience reacts to those elephant puppets – not to mention all these wonderful circus acts that I have the privilege of presenting as ringmaster – that’s when I realize that I’m still in a magic show. It’s just the whole theatrical experience of ‘Circus 1903’ – rather than just me – that’s providing the magic this time around.”

Photo by Mark Turner

The American tour of “Circus 1903” continues with a stop at the Buell Theatre in the Denver Center for the Performing Arts February 21st – 26th.

This article was originally published by the Huffington Post on Monday, February 20, 2017

History

The Evolution and History of Mickey’s ToonTown

Published

5 months ago

February 7, 2024

Jim Hill

Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all. Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?

There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.

The Beginning: Mickey’s Birthdayland

The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.

In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.

Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.

From Concept to Reality: The Birth of Toontown

In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.

Building Challenges: Innovative Solutions

The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.

And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.

Key Attractions: Bringing Animation to Life

Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.

Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.

Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.

Executive Decisions: Shaping ToonTown’s Unique Attractions

The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.

In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.

These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.

Global Influence: Toontown’s Worldwide Appeal

The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.

Evolution and Reimagining: Toontown Today

As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.

Dive Deeper into ToonTown’s Story

Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!

History

Unpacking the History of the Pixar Place Hotel

Published

5 months ago

January 30, 2024

Jim Hill

Pixar Place Hotel, the newly unveiled 15-story tower at the Disneyland Resort, has been making waves in the Disney community. With its unique Pixar-themed design, it promises to be a favorite among visitors.

However, before we delve into this exciting addition to the Disneyland Resort, let’s take a look at the fascinating history of this remarkable hotel.

The Emergence of the Disneyland Hotel

To truly appreciate the story of the Pixar Place Hotel, we must turn back the clock to the early days of Disneyland. While Walt Disney had the visionary ideas and funding to create the iconic theme park, he faced a challenge when it came to providing accommodations for the park’s visitors. This is where his friend Jack Wrather enters the picture.

Jack Wrather, a fellow pioneer in the television industry, stepped in to assist Walt Disney in realizing his dream. Thanks to the success of the “Lassie” TV show produced by Wrather’s company, he had the financial means to build a hotel right across from Disneyland.

The result was the Disneyland Hotel, which opened its doors in October 1955. Interestingly, the early incarnation of this hotel had more of a motel feel than a hotel, with two-story buildings reminiscent of the roadside motels popular during the 1950s. The initial Disneyland Hotel consisted of modest structures that catered to visitors looking for affordable lodging close to the park. While the rooms were basic, it marked the beginning of something extraordinary.

The Evolution: From Emerald of Anaheim to Paradise Pier

As Disneyland’s popularity continued to soar, so did the demand for expansion and improved accommodations. In 1962, the addition of an 11-story tower transformed the Disneyland Hotel, marking a significant transition from a motel to a full-fledged hotel.

The addition of the 11-story tower elevated the Disneyland Hotel into a more prominent presence on the Anaheim skyline. At the time, it was the tallest structure in all of Orange County. The hotel’s prime location across from Disneyland made it an ideal choice for visitors. With the introduction of the monorail linking the park and the hotel, accessibility became even more convenient. Unique features like the Japanese-themed reflecting pools added to the hotel’s charm, reflecting a cultural influence that extended beyond Disney’s borders.

Japanese Tourism and Its Impact

During the 1960s and 1970s, Disneyland was attracting visitors from all corners of the world, including Japan. A significant number of Japanese tourists flocked to Anaheim to experience Walt Disney’s creation. To cater to this growing market, it wasn’t just the Disneyland Hotel that aimed to capture the attention of Japanese tourists. The Japanese Village in Buena Park, inspired by a similar attraction in Nara, Japan, was another significant spot.

These attractions sought to provide a taste of Japanese culture and hospitality, showcasing elements like tea ceremonies and beautiful ponds with rare carp and black swans. However, the Japanese Village closed its doors in 1975, likely due to the highly competitive nature of the Southern California tourist market.

The Emergence of the Emerald of Anaheim

With the surge in Japanese tourism, an opportunity arose—the construction of the Emerald of Anaheim, later known as the Disneyland Pacific Hotel. In May 1984, this 15-story hotel opened its doors.

What made the Emerald unique was its ownership. It was built not by The Walt Disney Company or the Oriental Land Company (which operated Tokyo Disneyland) but by the Tokyu Group. This group of Japanese businessmen already had a pair of hotels in Hawaii and saw potential in Anaheim’s proximity to Disneyland. Thus, they decided to embark on this new venture, specifically designed to cater to Japanese tourists looking to experience Southern California.

Financial Challenges and a Changing Landscape

The late 1980s brought about two significant financial crises in Japan—the crash of the NIKKEI stock market and the collapse of the Japanese real estate market. These crises had far-reaching effects, causing Japanese tourists to postpone or cancel their trips to the United States. As a result, reservations at the Emerald of Anaheim dwindled.

To adapt to these challenging times, the Tokyu Group merged the Emerald brand with its Pacific hotel chain, attempting to weather the storm. However, the financial turmoil took its toll on the Emerald, and changes were imminent.

The Transition to the Disneyland Pacific Hotel

In 1995, The Walt Disney Company took a significant step by purchasing the hotel formerly known as the Emerald of Anaheim for $35 million. This acquisition marked a change in the hotel’s fortunes. With Disney now in control, the hotel underwent a name change, becoming the Disneyland Pacific Hotel.

Transformation to Paradise Pier

The next phase of transformation occurred when Disney decided to rebrand the hotel as Paradise Pier Hotel. This decision aligned with Disney’s broader vision for the Disneyland Resort.

While the structural changes were limited, the hotel underwent a significant cosmetic makeover. Its exterior was painted to complement the color scheme of Paradise Pier, and wave-shaped crenellations adorned the rooftop, creating an illusion of seaside charm. This transformation was Disney’s attempt to seamlessly integrate the hotel into the Paradise Pier theme of Disney’s California Adventure Park.

Looking Beyond Paradise Pier: The Shift to Pixar Place

In 2018, Disneyland Resort rebranded Paradise Pier as Pixar Pier, a thematic area dedicated to celebrating the beloved characters and stories from Pixar Animation Studios. As a part of this transition, it became evident that the hotel formally known as the Disneyland Pacific Hotel could no longer maintain its Paradise Pier theme.

With Pixar Pier in full swing and two successful Pixar-themed hotels (Toy Story Hotels in Shanghai Disneyland and Tokyo Disneyland), Disney decided to embark on a new venture—a hotel that would celebrate the vast world of Pixar. The result is Pixar Place Hotel, a 15-story tower that embraces the characters and stories from multiple Pixar movies and shorts. This fully Pixar-themed hotel is a first of its kind in the United States.

The Future of Pixar Place and Disneyland Resort

As we look ahead to the future, the Disneyland Resort continues to evolve. The recent news of a proposed $1.9 billion expansion as part of the Disneyland Forward project indicates that the area surrounding Pixar Place is expected to see further changes. Disneyland’s rich history and innovative spirit continue to shape its destiny.

In conclusion, the history of the Pixar Place Hotel is a testament to the ever-changing landscape of Disneyland Resort. From its humble beginnings as the Disneyland Hotel to its transformation into the fully Pixar-themed Pixar Place Hotel, this establishment has undergone several iterations. As Disneyland Resort continues to grow and adapt, we can only imagine what exciting developments lie ahead for this iconic destination.

If you want to hear more stories about the History of the Pixar Place hotel, check our special edition of Disney Unpacked over on YouTube.

Stay tuned for more updates and developments as we continue to explore the fascinating world of Disney, one story at a time.

History

From Birthday Wishes to Toontown Dreams: How Toontown Came to Be

Published

6 months ago

January 14, 2024

Jim Hill

In the latest release of Episode 4 of Disney Unpacked, Len and I return, joined as always by Disney Imagineering legend, Jim Shull. This two-part episode covers all things Mickey’s Birthday Land and how it ultimately led to the inspiration behind Disneyland’s fan-favorite land, “Toontown”. But let’s not get ahead of ourselves here. It all starts in the early days at Disneyland.

Early Challenges in Meeting Mickey

Picture this: it’s the late 1970s and early 1980s, and you’re at Disneyland. You want to meet the one and only Mickey Mouse, but there’s no clear way to make it happen. You rely on Character Guides, those daily printed sheets that point you in Mickey’s general direction. But let’s be honest, it was like finding a needle in a haystack. Sometimes, you got lucky; other times, not so much.

Mickey’s Birthdayland: A Birthday Wish that Came True

Fast forward to the late 1980s. Disney World faced a big challenge. The Disney-MGM Studios Theme Park was under construction, with the company’s marketing machine in full swing, hyping up the opening of Walt Disney World’s third theme park, MGM Studios, in the Spring of 1989. This extensive marketing meant that many people were opting to postpone their family’s next trip to Walt Disney World until the following year. Walt Disney World needed something compelling to motivate guests to visit Florida in 1988, the year before Disney MGM Studios opened.

Enter stage left, Mickey’s Birthdayland. For the first time ever, an entire land was dedicated to a single character – and not just any character, but the mouse who started it all. Meeting Mickey was no longer a game of chance; it was practically guaranteed.

The Birth of Birthdayland: Creative Brilliance Meets Practicality

In this episode, we dissect the birth of Mickey’s Birthdayland, an initiative that went beyond celebrating a birthday. It was a calculated move, driven by guest feedback and a need to address issues dating back to 1971. Imagineers faced the monumental task of designing an experience that honored Mickey while efficiently managing the crowds. This required the perfect blend of creative flair and logistical prowess – a hallmark of Disney’s approach to theme park design.

Evolution: From Birthdayland to Toontown

The success of Mickey’s Birthdayland was a real game-changer, setting the stage for the birth of Toontown – an entire land that elevated character-centric areas to monumental new heights. Toontown wasn’t merely a spot to meet characters; it was an immersive experience that brought Disney animation to life. In the episode, we explore its innovative designs, playful architecture, and how every nook and cranny tells a story.

Impact on Disney Parks and Guests

Mickey’s Birthdayland and Toontown didn’t just reshape the physical landscape of Disney parks; they transformed the very essence of the guest experience. These lands introduced groundbreaking ways for visitors to connect with their beloved characters, making their Disney vacations even more unforgettable.

Beyond Attractions: A Cultural Influence

But the influence of these lands goes beyond mere attractions. Our episode delves into how Mickey’s Birthdayland and Toontown left an indelible mark on Disney’s culture, reflecting the company’s relentless dedication to innovation and guest satisfaction. It’s a journey into how a single idea can grow into a cherished cornerstone of the Disney Park experience.

Interested in learning about Jim Shull’s original idea for a Winnie the Pooh ride? Here’s concept art of the attraction proposed for the original Toontown in Disneyland. More on [Disney Unpacked].

Unwrapping the Full Story of Mickey’s Birthdayland

Our two-part episode of Disney Unpacked is available for your viewing pleasure on our Patreon page. And for those seeking a quicker Disney fix, we’ve got a condensed version waiting for you on our YouTube channel. Thank you for being a part of our Disney Unpacked community. Stay tuned for more episodes as we continue to “Unpack” the fascinating world of Disney, one story at a time.