Theme Parks & Themed Entertainment
Exploring WDW’s Contemporary Resort Hotel
It’s Try-out Tuesday here at JimHillMedia. Which is why we’re spotlighting JHM guest writer, Scott Liljenquist of Mouseketrips.com. Scott’s written a column that we’re considering as a possible regular feature here at the site. One that gives in-depth information about the various Disney hotels.

Hey, gang!
Jim Hill here. Given that it’s the start of a new year, I thought that it was high time that we actually tried a few new things around here. (More importantly, given that JimHillMedia.com has spent the last 10 days beating up on the Walt Disney Company for its mishandling of the closure of Feature Animation Florida, I thought that it was also high time that we actually said something nice about the Mouse again). Which is why we’re trying out a possible new feature at the site. One that would regularly give in-depth reports of various resorts at the Disney theme parks.
Now let me tell you a little background on the author of today’s JHM guest column: He’s Scott Liljenquist, one of the co-owners of Mouseketrips.com. A company that Scott says is “the web’s best Disney-only travel agency.” Liljenquist and I actually met back in December at Mousefest 2003. Scott seemed like a very nice guy who did seem to know an awful lot about Disney’s theme parks and resorts. So I decided: “What the hey – why not give Scott a shot?”
So the following in-depth article about WDW’s Contemporary Resort is kind of a test run, folks. By that I mean: I like what Liljenquist has put together here. But I’d like to hear what YOU think about this article as well. As is: would you like to see more articles like this at JHM? Possibly as a regular feature?
So — after you read Scott’s story (which I think really does a nice job of summing up the assortment of activities one can enjoy while staying at the Contemporary Resort) — could you please drop me a line or/and heave a note up on the JHM discussion boards? Letting me know if you’d like to see more stories like this up on JimHillMedia, com, okay?
Okay. That’s enough prologue for today. Now — ladies and gentlemen — please give a warm JHM welcome to Scott Liljenquist of Mouseketrips.com!
Disney’s Contemporary Resort
Facts and Figures
The first of the two original Walt Disney World resorts, Disney’s Contemporary Resort opened on October 1, 1971. With the monorail running directly through the middle of the A-frame structure’s 10-story atrium, the Contemporary is arguably the most famous and well-recognized of all Disney hotels. The resort is actually comprised of three large buildings: the large A-frame tower building, and two garden wing buildings located on the eastern side of the property. The focal point of the resort is, of course, the tower building, in which are located the lobby, restaurants, shops, arcade, health club, and monorail station.
The Contemporary resort, more than any other, illustrates Walt Disney’s passion for the newest designs and latest technology. Designed by WED (forerunner to Walt Disney Imagineering) and architectural firm Welton Beckett and Associates (who, by the way, threatened to pull out of the project for a time if the Imagineers continued to insist on running their “carnival ride” through the middle of the structure), the Contemporary was built as a completely modular hotel.
Each main building was constructed as a steel skeleton frame on a concrete foundation. Individual hotel rooms were assembled separately at an on-site location by US Steel. The hotel rooms were built as completely “unitized” self-supporting modules, and could be stacked three high with no external support. Each room was completely built, painted, carpeted, wired, plumbed, and furnished at the US Steel site. Once an individual room was completed, the door to the room would be locked and not opened again until the room was transported to the hotel site and hoisted by crane into the steel building structure, slid into its spot like a dresser drawer, bolted down, and connected to the water, sewer, and electrical systems.
The original intent of this building method was to facilitate very rapid renovations and maintenance. A supply of “extra” rooms would be maintained which would be periodically refurbished with updated decor and furniture. Once these new rooms were ready, the existing outdated or damaged rooms could simply be unbolted from the frame, disconnected from the utility services, and removed from the structure. The new room would then be inserted into the empty space, reconnected, and the renovated or repaired room would be ready for occupancy in a matter of hours. Unfortunately, due to settling and shifting of the main steel frame, the original rooms have become immovably bound into the structure and can no longer be easily removed. The rooms originally inserted in the structure remain in the resort to this day.
Lodging
As mentioned earlier, the Contemporary’s 1041 guest lodging rooms are located in either the tower building or in one of the two garden wing buildings. Rooms in the tower building are the most popular, and, of course, the most expensive. All of the rooms in the resort, like those in the Polynesian, are among the largest of any Disney property. Guest rooms are decorated in bright, vibrant colors and have somewhat funky, futuristic decor and furnishings.
Tower building rooms are located on floors 5-14 (no 13th floor), with floors 12 and 14 being reserved for concierge service and suites. Rooms in the tower can face either the Magic Kingdom or Bay Lake and provide spectacular views. These rooms all have private balconies with a couple of chairs and a small table.
Garden wing rooms are located in either the north or south garden wings. These rooms have views of Bay Lake, the garden/landscaping area, or the parking lot. First floor rooms have a small patio with furniture similar to that of the tower balcony rooms. Second and third floor rooms do not have balconies. The entire north garden wing building and the second floor of the south garden wing building have been designated as non-smoking.
Rooms in the tower building are closest to the restaurants, shops, monorail, and bus stops. Nearest to the tennis courts, Magic Kingdom (to which you can easily walk) and monorail station in the tower are the rooms in the north garden wing building. South garden wing buildings are nearest the pools, marina, and convention center.
Dining
Restaurants at the Contemporary are all located in the tower building. Located on the 4th floor of the tower building, which is known as the Grand Canyon Concourse, is Chef Mickey’s. Here diners enjoy one of two Disney character meals each day. The breakfast buffet is very popular, and features an all-you-can-eat selection of breakfast foods, accompanied by visits from Chef Mickey himself, Goofy, Pluto, Chip and Dale, and others. The same characters also pay a visit to a daily dinner buffet, which features salads, seafood, pasta, and prime rib.
The Concourse Steakhouse, located on the Grand Canyon Concourse right next to Chef Mickeys, offers full-service breakfast, lunch, and dinner service. The specialty here, of course, is steaks and prime rib, both of which are excellent. This is one of my favorite low-key places to dine at WDW. It’s not usually too crowded, the food and service are invariably good, and you can watch the monorail glide past just above your head as you dine.
At the top of the tower building is the California Grill, undoubtedly my favorite restaurant in the World. Located on the 15th floor, the California Grill serves dinner only, accompanied by spectacular views of the Magic Kingdom, Seven Seas lagoon, Bay Lake, and the surrounding landscape for miles in every direction. California-style cuisine is featured here, with outstanding salads, seafood, steaks, and pasta dishes. The desserts are all delicious and near-decadent — the creme brulee is absolutely the best I’ve had anywhere. The lights are dimmed each evening for the fireworks show over the Magic Kingdom, and the same music that accompanies the fireworks in the park is piped over the restaurant’s speaker system.
Counter service is offered at the Food ‘n Fun Center located on the first floor of the tower building. This restaurant is open 24 hours, and serves the usual assortment of burgers, fries, chicken, salads, hot dogs, pizza, and other fast-food fare. Breakfast items are offered daily from 7am – 11am, and the grill is open from 7am – 11pm.
Transportation
The focal point of the transportation options at the Contemporary is, of course, the monorail. The monorail station is accessible via escalator or elevator from the Grand Canyon Concourse on the 4th floor of the tower building. The resort monorail makes a stop here before continuing on to the Ticket and Transportation Center, the Polynesian, the Grand Floridian, and the Magic Kingdom. Epcot is easily accessible by riding the monorail to the Ticket and Transportation Center, then switching there to the Epcot monorail.
Buses to Disney-MGM Studios, Animal Kingdom, and Downtown Disney depart from the bus stop area located near the lobby entrance area on the west side of the tower building. Other areas of WDW can be accessed by boarding a bus to Downtown Disney and transferring there to the appropriate destination.
Boat service has been offered between the Contemporary and the Wilderness Lodge and Fort Wilderness campground in the past, but this appears to have been reduced to seasonal operation, and is available only during peak periods of demand.
Activities
The Contemporary is home to two swimming pools, six tennis courts, a beach volleyball court, a health club, a marina, and a large arcade.
There are two swimming pools located east of the tower building and in between the two garden wing buildings. The main swimming pool features a large deck area and a waterslide. The bay pool is located right on the shore of Bay Lake, and is a smaller, shallower quiet pool.
The six tennis courts are located near the north garden wing building, and are home to the Walt Disney World Racquet Club.
A large health club/fitness area is offered to resort guests and features a wide variety of fitness machines, free weights, and exercise area.
The arcade at the Contemporary is fantastic. By far the best arcade anywhere in WDW, it is large, brightly lit, clean and well maintained, and fully stocked with the latest arcade games and entertainment. You may very well lose your teenagers here and never see them again.
Available at the Contemporary’s marina are a wide variety of boating and watersport options. Sailboats, pontoon boats, water mice, and waterskiing boats and equipment can be rented here. In addition, the Sammy Duvall Watersports Center is located here, and offers waterskiing rentals and instruction, parasailing, wakeboarding, and, for the first time at WDW, personal watercraft rentals.
Located on the Grand Canyon Concourse are several great shops and boutiques. Men’s and womens’ fashions and beachwear, jewelry, Disney merchandise, gifts and souvenirs, and snacks and sundries are among the offerings. I’ve found several unique items at the shops in the Contemporary that I’ve never been able to find anywhere else on WDW property.
Insider’s Tips and Tricks
If you’re going to pony up the $$ for a tower room, be sure request a Magic Kingdom view. Some of my favorite WDW memories are sitting on the balcony of a Contemporary tower room after a long day at the parks with a cool beverage and watching the evening’s activities. As the sun sets you can watch the pathway torches light at the Polynesian and see the lights come on at Cinderella’s Castle, and watch the monorail glide around the Seven Seas lagoon. As the night wears down you ultimately have a front-row, uncrowded, comfortable seat for the nightly Magic Kingdom fireworks show.
However, for you early risers, don’t discount a Bay Lake view room in the tower. Located on the opposite side of the tower building, these rooms offer absolutely stunning views of the sunrises over Bay Lake.
If you choose instead to save some green and select a garden wing room, be sure to request a ground floor room a the end of the hall. Unlike other garden view rooms, these rooms have a private patio and are a little larger than the other rooms. Views from the room are also generally better because there are two exterior walls with windows.
Take some time from your park-commando itinerary to enjoy the watersports offerings at the Contemporary marina. This is the only place at WDW where personal watercraft can be rented. In addition, waterskiing, wakeboarding and parasailing activities and instruction are offered here at the Sammy Duvall Watersports Center. If you enjoy any of these activities at all or want to learn, it’s a great deal of fun to be out on the water (or above it if you’re parasailing!) surrounded by the resort hotels and the Magic Kingdom. The instructors are top-notch and very friendly, and will make you feel comfortable no matter what your expertise level.
If you’re a light sleeper, be forewarned that the rooms in the tower can be very noisy. The interior of the Contemporary tower building is a 10-story atrium decorated mostly in stone, concrete, stucco, and other hard surfaces. The restaurants and shops on the 4th floor Grand Canyon Concourse are open to the atrium above, so any noise from people, music, monorails, etc., seems to echo and reverberate in this large atrium space.
The Contemporary is the only resort hotel at WDW where you can comfortably walk to the Magic Kingdom. A dedicated walkway is available and is accessed just outside the north garden wing building. It’s just a short walk down the pathway, across a very busy intersection, and then right up to the gate of the Magic Kingdom. It’s almost always faster to walk than to take the monorail to the Magic Kingdom, as the resort monorail that departs from the Contemporary first has to make stops at the Ticket and Transportation Center, the Polynesian, and the Grand Floridian before arriving at the Magic Kingdom.
Request a late priority seating at the California Grill for dessert. After a busy day at the parks there’s nothing better than to be comfortably seated at your table, enjoying a fantastic dessert, and watching the Magic Kingdom fireworks from your seat. You can also venture outside to the observation deck for a spectacular view (if it’s warm enough, of course!)
The observation deck outside on the north end of the 4th floor Grand Canyon Concourse is a fantastic place for fireworks viewing if you don’t want to get a table at the California Grill. As at the California Grill, the music from the fireworks show is piped into the area’s speakers.
History
The Super Bowl & Disney: The Untold Story Behind ‘I’m Going to Disneyland!’

One of the highlights of the Super Bowl isn’t just the game itself—it’s the moment when the winning quarterback turns to the camera and exclaims, “I’m going to Disney World!” This now-iconic phrase has been a staple of post-game celebrations for decades. But where did this tradition begin? Surprisingly, it didn’t originate in a stadium but at a dinner table in 1987, in a conversation involving Michael Eisner, George Lucas, and aviation pioneers Dick Rutan and Jeana Yeager.

The Unlikely Beginning of a Marketing Sensation
To understand the origins of this campaign, we have to go back to December 1986, when the Rutan Voyager became the first aircraft to fly around the world without stopping or refueling. Pilots Dick Rutan and Jeana Yeager completed the nine-day journey on December 23, 1986, flying over 26,000 miles before landing at Edwards Air Force Base. Their historic achievement earned them national recognition, and just days later, President Ronald Reagan awarded them the Presidential Citizen Medal at the White House.
Meanwhile, Disney was gearing up for the grand opening of Star Tours at Disneyland, set for January 12, 1987. Following its usual playbook of associating major theme park attractions with real-world pioneers, Disney’s PR team invited astronauts Gordon Cooper and Deke Slayton to the launch event. But in a twist, they also invited Rutan and Yeager, who were still making headlines.

A Dinner Conversation That Changed Advertising Forever
After the Star Tours opening ceremony, a private dinner was held with Disney CEO Michael Eisner, George Lucas, and Eisner’s wife, Jane. During the meal, Eisner asked Rutan and Yeager, “You just made history. You traveled non-stop around the planet on a plane without ever refueling. How are you ever going to top that, career-wise? What are you two gonna do next?”
Without hesitation, Jeana Yeager replied, “Well, after being cramped inside that tiny plane for nine days, I’m just glad to be anywhere else. And even though you folks were nice enough to fly us here, invite us to your party… Well, as soon as we finish eating, I’m gonna go over to the Park and ride some rides. I’m going to Disneyland.”
Jane Eisner immediately recognized the power of Yeager’s statement. On the car ride home, she turned to Michael and said, “That’s a great slogan. I think you should use that to promote the theme parks.” Like many husbands, Michael initially dismissed the idea, but Jane persisted. Eventually, Eisner relented and pitched it to his team.
The Super Bowl Connection
With Super Bowl XXI just around the corner, Disney’s PR team saw an opportunity. The game was set for January 25, 1987, at the Rose Bowl in Pasadena—just miles from Disney Studios. What if they convinced the winning quarterback to say, “I’m going to Disneyland” live on-air?
Disney quickly struck a deal with both quarterbacks—Phil Simms of the New York Giants and John Elway of the Denver Broncos—offering each $75,000 to deliver the line if their team won. Simms led the Giants to victory, making history as the first athlete to say, “I’m going to Disney World!” on national television.
A Marketing Triumph
That year’s Super Bowl had the second-highest viewership in television history, with 87 million people watching Simms say the famous line. The next day, Disney turned the clip into a national commercial, cementing the phrase as a marketing goldmine.
Since then, “I’m going to Disneyland” (or Disney World, depending on the commercial) has been a staple of championship celebrations, spanning the NFL, NBA, and even the Olympics. What started as a casual remark at dinner became one of the most successful advertising campaigns in history.
A Lasting Legacy
Jane Eisner’s keen instinct and Disney’s ability to act quickly on a great idea created a tradition that continues to captivate audiences. The “I’m going to Disneyland” campaign remains a testament to the power of spontaneous inspiration and smart marketing, proving that sometimes, the best ideas come from the most unexpected places.
To learn more about Disney’s ties to the world of sports, check out I Want That Too: A Disney History and Consumer Product Podcast.
Television & Shows
How the Creators of South Park Tricked A-List Celebrities to Roast Universal – “Your Studio & You”

Universal Studios has a rich and storied history, but few moments are as peculiar—and as hilariously cutting—as the creation of Your Studio & You. This 14-minute parody film, commissioned in 1995 to celebrate Universal’s new ownership under Seagram’s, brings together an all-star cast, biting humor, and the unmistakable comedic fingerprints of Matt Stone and Trey Parker.
Long before South Park debuted on Comedy Central in 1997, Stone and Parker were already carving out a reputation for their irreverent style, and Your Studio & You perfectly encapsulates their knack for turning even the most corporate project into something delightfully subversive.
Matt Stone & Trey Parker Before South Park
Stone & Parker were already known out in Hollywood as funny guys. Thanks largely to “The Spirit of Christmas,” which was this video greeting card that they’d crafted for a Fox executive – who then distributed this infamously funny thing (which had Our Lord Jesus Christ & Santa Claus literally duking it out for the holiday affections of Cartman, Kenny, Stan & Kyle) to friends & family.
This was the early 1990s. No internet. Each copy of “The Spirit of Christmas” was made on VHS tape and then mailed. Went viral the old-fashioned way. It’s rumored that George Clooney made over 300 copies of “The Spirit of Christmas” and passed these VHS taps along to friends and family.
Things didn’t move as fast as they do today. “The Spirit of Christmas” still became a sensation out West.
Zucker Brothers
Matt & Trey also had other supporters in the entertainment industry. Among them David Zucker, who was one of the members of ZAZ (i.e., Zucker Abrahams Zucker), the talented trio that made “Airplane!” in 1980, “Top Secret!” in 1984 and the three “Naked Gun” movies.
- The original “Naked Gun” in 1988
- “Naked Gun 2 & 1/2 : The Smell of Fear” in 1991
- and “Naked Gun 33 & a 1/3: The Final Insult” in 1994
All five of these parody films had been made for Paramount Pictures. But in the Late Winter / Early Spring of 1995, Universal had persuaded the Zucker Brothers to come over and set up shop in a bungalow on their lower lot. With the hope that – at some point further on down the line – David & his brother Jerry would start making funny films for Universal.

And it’s during this same window of time (We’re now talking April of 1995) that news breaks that Seagrams (Yep, the adult beverage company. Who – at the time – was making an absolute fortune on the sales of wine coolers) was about to buy a majority stake in MCAUniversal. We’re talking control of 80% of that company’s stock. Which would effectively make Seagrams the new owners of Universal Studios.
Edgar Bronfman
And Edgar Bronfman – the owner of Seagrams – knew that Universal had had a tough time with its previous owners – which had been the Matsushita Electric Industrial Co. of Japan. Matsushita had bought MCA back in November of 1990 for $7.5 billion but had never really understood the entertainment industry.
This is why – after repeatedly butting heads with Lew Wasserman & Sidney Sheinberg (i.e., the heads of Universal Studios & the Universal theme park respectively) when it came to creative control of this company – Matsushita decided to wash it hands of the entire enterprise. Agreeing to sell their holdings in MCA to Seagrams for $5.7 billion (effectively taking a nearly $2 billion loss on this investment).

And Bronfman … He knew that some bad feeling had developed between Hollywood’s creative community and the Japanese owners of Universal. The thinking was that executives at Matsushita Electric had just not gotten what it took to make movies & TV shows.
And Edgar? Right from the get-go, he wanted to show that Seagrams was NOT going to be Matsushita Electric Redux. Bronfman was looking for a way to send a clear message to Hollywood’s creative community that Universal’s new owners got it. That they were willing to work with Hollywood to make the best possible movies & TV shows at Universal.
And how did Edgar decide to get this message across? By making a funny movie.
Zucker Commissions Trey Parker for “Your Studio & You”
Mind you, Bronfman himself didn’t make this film. The owner of Seagrams reached out to David Zucker. Who – after initially agreeing to produce this introduction-to-Universal film – then farmed out the production of the actual project to Trey Parker. Who – just two days before shooting was supposed to star on the Universal Lot – persuaded Matt Stone to come help him on this project.
Which brings us to “Your Studio and You.” Which is a parody of an educational film from the 1950s, right down to being shot in black & white and featuring a very generic soundtrack.
Now what’s amazing about watching “Your Studio and You” today is that this 14-minute-long film features some of the biggest names working in Hollywood back in the mid-1990s. We’re talking about people like recent Golden Globe winner Demi Moore, Sylvester Stallone, Michael J. Fox and Angela Lansbury. Not to mention two of the most powerful men in all of Hollywood, Steven Spielberg & Jeffrey Katzenberg.
And what’s especially interesting about watch “Your Studio and You” is that – as you watch these performers go through their paces in this motion pictures (which – most of the time – involves doing some innocuous task while holding a Seagram’s wine cooler) – you often get the feeling that this star is not in on the gag.
So how did Matt & Trey get away with this? Simple. There was never actually a script for “Your Studio and You.”
Filming “Your Studio & You” at Universal Studios Hollywood
Mind you, David Zucker would always insist that there was. Especially when he’d phone up celebrities on the Universal Lot and say “Hey, I’m sending over a couple of college kids later today. They’re working with me on a new parody film. It’s something that we’re doing for the new owners of Universal. I need just a half hour of your time. We’re shooting something special for the party we’ll be holding when the Seagrams people first arrive at the Studio. Absolutely. You’ll definitely get an invite to that party. So can I count on you to help these kids out? Beautiful. They’ll be over there later this morning.”
And then Matt & Trey would show up and say “… Dang, Miss Lansbury. We’re sorry. We must have left our copy of the ‘Your Studio and You’ script back in our office. Which is clear on the other side of the Lot. So – rather than waste your time – why don’t we do this instead? Follow us over to the Psycho House. Where we’re then going to get footage of you painting the front porch on Mother Bates’ house while you say ‘Gosh, with all of the wonderful improvements going on around here, everyone is going to want to work at Universal.’ Oh, and can we also get you to wear this button on the front of your blazer which reads ‘Universal is A-OK’ ? “

And over & over again, the biggest names who were working for Universal at that time took part in the production of “Your Studio & You” because A) David Zucker vouched for Matt Stone & Trey Parker and B) this was something that was being made for the new owners of Universal. And it’s just natural to want to get in good with the new boss.
Steven Spielberg, Jeffery Katzenberg, and Jaws
But no one at Universal anticipated that “Your Studio & You” would wind up being as sharp edged as the finished product turned out to be. I mean, it’s one thing to bite the hand that feeds you. But “Your Studio & You” ? It doesn’t just bite the hand. It takes the hand off at the wrist.
It’s a brutally funny film. With one of the meanest moments reserved for Steven Spielberg, who plays a driver on the Universal Studio Tour who’s trying to persuade a tram full of bored tourists (one of whom is played by Jeffery Katzenberg) that the “Shark Attack” scene down by Jaws Lagoon is actually exciting.
Spielberg actually says lines like “ … Whoa, whoa. What is going on here? Ladies and gentlemen, this never happens. Look out! It’s a shark! Whoa, that is one big scary shark.”

Mind you, as footage of this mechanical shark repeatedly coming up out of the water is shown, “Your Studio & You” ‘s off-screen narrator (who is voiced by Trey Parker says):
“But what about tomorrow? If we don’t keep in step with the times, things that were once neat and thrilling can become old and stupid.”
“Your Studio & You” Reception
This film was supposed to be shown only once at the welcoming party for Seagrams executive on the Universal Lot. And I’m told that – when Edgar Bronfman saw the finished product at that party – he reportedly turned to David Zucker and said “ … That’s a little more mean-spirited that I think it needed to be.”
And with that, “Your Studio & You” was supposed to go back into the Universal vault, never to be seen again. But when “South Park” debuted on Comedy Central in August of 1997 and then became a sensation for its biting humor, there was suddenly a lot of interest in what else Matt & Trey had done. Which is why copies of “The Spirit of Christmas” began to circulate. And – over time – copies of “Your Studio & You” began to bubble up.
Which – as Stone & Parker have repeatedly pointed out – was just not supposed to happen. Largely because none of the celebrities who appeared in “Your Studio & You” had never signed releases for Universal’s legal department. Because – again – this was for a movie that was only going to be shown once at a private function on the Universal Lot.
Matt mentioned (as part of a career retrospective at the Paley Center in LA back in 2000) that “ … they wouldn’t even let us keep a copy of the finished film.”
It’s a funny but brutal movie. And worth taking a look at today especially if you’re a theme park history buff because it shows Universal Studios Hollywood’s “Jurassic Park: The Ride” still under construction on the Lower Lot. That attraction would finally open to the public in June of 1996.
“Your Studio & You” became a lot easier to see after Seagrams sold off its share of Universal to Vivendi in 2000. Copies began propagating online after that. Though Universal Legal will periodically make an effort to get the latest copy of “Your Studio & You” taken off the Internet because – again – none of the performers who appear on camera ever signed the proper releases and/or were paid for their efforts.
That said, if you’re up for a mean-spirited laugh, “Your Studio & You” is well worth 14 minutes of your time. That said, once you watch this thing, be warned:
- You’re immediately going to be thirsty for a Seagram’s wine cooler
- And you’re going to have a sudden desire to go out & buy a porcelain deer.
Theme Parks & Themed Entertainment
Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.
The Very First Parade and the Early Days of Balloons
The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.
And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade
It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.
Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.
Duck Joins and Towers Over Mickey
A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.
Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.
A Somber Parade in 2001
Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.
That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo
Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.
In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.
These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey
After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.
But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios
In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024
This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.
As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.
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