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History of Reedy Creek Improvement District: Part 2

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In 1966, just a few month prior to his death, Walt Disney was named “Showman for the World” by  NATO (Not the North Atlantic Treaty Organization. But — rather — the National Association of Theater Owners).

Of course, while he was putting in an appearance at NATO’s annual convention to accept this award, Walt was asked “Why don’t you make a sequel to your studio’s biggest hit?” Which — at that time — was “Mary Poppins.” Which had been released to theaters back in August of 1964.

Walt Disney and New Worlds to Conquer

You’ve probably heard a few select quotes from Walt’s response to this question in the past. Which Disney employees have then cherry-picked to support whatever project they were working on at the time. What follows is Walt’s full response. Which may give you some idea what direction Walt Disney Productions was actually headed in just prior to Walt’s untimely passing in December of 1966:

Many people have asked, “Why don’t you make another Mary Poppins?” Well, by nature, I’m a born experimenter. To this day, I don’t believe in sequels. I can’t follow popular cycles. I have to move on to new things — there are many new worlds to conquer.

Credit: Vanity Fair

As a matter of fact, people have been asking us to make sequels ever since Mickey Mouse first became a star. We have bowed only on one occasion to the cry to repeat ourselves. Back in the ‘30’s, “The Three Little Pigs” was an enormous hit, and the cry went up “Give us more pigs.” I could not see how we could possibly top pigs with pigs. But we tried, and I doubt that any of you can name the other cartoons in which the pigs appeared.

We didn’t make the same mistake with “Snow White.” When it was a huge hit, the shout went up for more dwarfs. Top dwarfs with dwarfs? Why try?

Right now, we’re not thinking about making another “Mary Poppins.” We never will. Perhaps there will be other ventures with equal critical and financial success. But we know that we can not hit a home run with the bases loaded every time we go to the plate. We also know that the only way we can even get to First Base is by constantly going to bat and continuing to swing.

So we’re always looking for new ideas and new stories, hoping that somehow we’ll come up with a different kind of “Mary Poppins” … or even a different kind of Disneyland.

As 1967 begins, we have high hopes that some of our current projects may measure up to this exciting challenge. Perhaps it will be a motion picture like “The Happiest Millionaire.” Perhaps it will be our so-called “Disney World” in Florida. Or perhaps it will be our year-round recreation facility in the High Sierra of California, Mineral King.

“… our so-called ‘Disney World’ in Florida”

You gotta love Walt describing “Project Florida” as “ … our so-called ‘Disney World’ in Florida.” As in: Seriously? That’s the best name that you could come up with for this thing? Try again.”

But look at how Walt describes Mineral King: “ … our year-round recreation facility in the High Sierra of California.” Care to guess which one Walt was most excited about? “ … our so-called ‘Disney World’ in Florida” or “ … our year-round recreation facility in the High Sierra of California” ?

Remember the press conference which was held at the Cherry Tree Plaza Hotel in Orlando back in November of 1965. More importantly, Walt’s private meeting with 750 of Florida’s most powerful politicians and business leaders just prior to this press conference.

It was while Walt was speaking with the press & those politicians that the public got its first inkling of what the construction timetable for “Project Florida” might be. Here’s what Walt said at that time:

Based on preliminary estimates that WED had done, it would take “… at least a year and a half to design” the vacation kingdom portion of Disney World and then “ … at least another year-and-a-half to (actually) build” the thing.“

Again, that was revealed back in November of 1965. And since that time, Florida’s politicians and business leaders had been patiently waited on word as to what Walt’s “so-called ‘Disney World’ “ would entail.

But as 1966 drew to a close, word came out of California that Walt Disney Productions was finally ready to reveal what exactly they wanted to build out on those 27,443 acres that the Company acquired out in the swamps of Central Florida.

Here’s the crucial part of that announcement:

“Preliminary plans for Disney World — and a review of local legislation necessary to make the project a reality — will be revealed at a public hearing called by the Central Florida legislative delegation during the first week of February, 1967.”

Which isn’t to say that — while the Imagineers were back in Glendale, designing Disney World’s  “Vacation Kingdom” — that there was no work going on on-site on those 27,443 acres.

Early Construction at Walt Disney World – Introducing General Joe Potter

There were huge pieces of heavy earth-moving equipment moving under the guidance of General Joe Potter AKA William Everett Potter. Walt had first met General Joe when he was working with Robert Moses on the 1964 – 1965 New York World’s Fair. This is when Walt Disney learned about Potter’s work history:

  • Mr. Potter has supervised the Army Corps of Engineers as they tackled a $100 million project to control the Missouri River
  • General Joe followed that challenging work assignment with a 5 year stint as the governor of the Panama Canal Zone.

When Walt learned about General Joe’s work experience when it came to guiding genuinely massive water control projects to completion, Disney quietly pulled Potter aside and said “Have I go a job for you.”

Walt Disney, General Joe Potter, & Roy O. Disney

So throughout 1966, General Joe and his team began wrestling with the swamps of Central Florida. With the end goal here getting this twice-the-size-of-the-Island-of-Manhattan wetland ready for construction.

Reedy Creek Drainage District and “Joe’s Ditches”

Now before Potter could begin working onsite, Disney — with the help of state & county officials in Florida — formed the Reedy Creek Drainage District (that name sounds familiar for some reason). The purpose of the Reedy Creek Drainage District was … Well, this was a legal entity that then made it possible for the Company to begin reclaiming and preparing all of the property that it had acquired on-the-sly in 1964 & 1965 for subsequent development.

Now Potter had a lot of plates to spin here as he began working on this project. First and foremost, there was the fact that headwaters of the Everglades actually start in the Orlando area and then flow on through to the Kissimmee chain of lakes. Of which Bay Lake at Walt Disney World is one of the key bodies of water within this ecosystem.

Credit: Orlando Sentinel

So General Joe had to make sure that — not matter what he was doing on property — water had to continue to flow on through from Bay Lake down on towards the Everglades. While — of course — trying to keep the water table at select sites around Disney World low so that they could then support construction of the Vacation Kingdom.

This meant that Walt Disney Production needed to criss-cross its 27,443 acres of land in Central Florida with miles & miles of new drainage canals. Which Walt — not entirely affectionately — began referring to as “Joe’s ditches.”

Potter oversaw the construction of the Walt Disney World Resort’s entire infrastructure. He supervised the building and operation of the underground utilities and sewer, power, and water treatment plants that were considered revolutionary at the time. Among his achievements, Potter was well-known for the development of drainage canals for the entire property, which were known affectionately as “Joe’s ditches” and kept the water table constant.

Another Disney World Joe – Admiral Joe Fowler

Admiral Joe Fowler was the WWII vet that Walt roped in back in the Summer of 1954 to help turn that orange grove in Anaheim, CA into the Happiest Place on Earth. Fowler had then stayed on with the Disney organization to help build projects-of-size.

So as not to confuse these two men:

  • General Joe Potter got the swampland that Walt bought ready for the actual construction of his vacation kingdom.
  • Whereas Admiral Joe Potter was the one who then went on to supervise the construction of the Magic Kingdom, the themed resort hotels, World Drive. You get the idea.
Admiral Joe Fowler (left), General Joe Potter (right)

Anyway, Admiral Joe Fowler recalled in an interview in the late 1980s:

The first canal Joe Potter laid out ran straight as an arrow from Bay Lake to the south part of the property. I was with Walt when he first saw it. Walt didn’t raise his voice. The only way you could tell he was angry was when he raised his right eyebrow. He raised it and said, ‘Look, Joe. I don’t want any more of those Corps of Engineers canals.’

From then on, at much greater expense, the canals that General Joe Potter had dug on property  were deliberately laid out in a meandering pattern to resemble natural rivers.

More to the point, WDW’s water control system was laid out in such a way that — when Central Florida experienced a heavy rain storm (which used to happen virtually every afternoon at around 2 o’clock) — that a system of automatic gates would then open & close. Preventing key portions of the property (the ones that had been designated as construction sites for the theme park, the golf courses and the hotels) from flooding.

Vacation Kingdom or Valuable Real Estate for Sale?

But — again — remember, officials from Walt Disney Productions kept describing those 24,773 acres of land that they’d acquired back in 1964 & 1965 as “ … a major and important real estate acquisition.” A chunk of property that had significantly increased in value since Disney had acquired this parcel.

So all of the time & money that Walt Disney Productions was plowing into the creation of all of those canals criss-crossing Central Florida’s swamps didn’t actually mean that they were really going to go forward with the construction of …

Well, here’s the language that Disney PR flacks put out in 1966 as part of the Company’s annual report:

“ … a recreation and entertainment complex whose impact on the quality of urban life will be measured for generations to come.”

More to the point:

“ … a once-in-a-lifetime opportunity for everyone who participates.”

And the whole time that Disney Officials are meeting with folks who are high up in the legislative branches of the State of Florida as they plan out all of the roads, off-ramps & interchanges that will then provide access to the more-than-6,000,000 visitors who are expected to come flooding into the Central Florida area during Disney World’s first year of operation, they’re saying things like:

“Well, Walt hasn’t completely committed yet to building Disney World. I mean, he likes Project Florida and all. But he’s also excited about that ski area the Company looking to build up in the High Sierra. And the Department of the Interior and the State of California are really eager to work with him on Mineral King. They’re already talking about funding the construction of an all-weather road that will take Guests straight to that property.”

With the very unsubtle message here being … If you want us to actually build this vacation kingdom in the swamps of Central Florida, the State and Federal Government are going to have to cover the cost of construction of all these roads, off-ramps & interchanges that will then get Guests to Disney World.

Playing Hardball with Mickey Mouse – Disney and Florida Legislature

That whole year of 1966, Disney Company representatives worked closely with state and county officials, trying to identify key legal issues that would then serve as road blacks to Project Florida. With the idea here being:

  • In February of 1967, Walt Disney Productions would first present its plans for the Vacation Kingdom.
  • And then — in the months that follow — the Florida Legislature would then vote on a bill (or a package of bills) that would then clear a path for this $100 million project.

Whenever the folks in Orange & Osceola County (or — for that matter — officials up in Tallahassee) would start to complain about the terms & conditions that Walt Disney Productions execs were lying out, how the supposedly family-friendly Mouse was playing hardball here, Disney officials would then drop disturbing little tidbits of information. Like:

  • California Governor Ronald Reagan has already gone on record as saying he supports the Mineral King project and that he hopes construction of this “ … year-round recreation facility in the High Sierras” goes forward
  • Or that the National Forest Service has just given its okay to construct an all-weather road through a previously preserved section of Sequoias. Which will now provide necessary access to the Mineral King construction.

Long story short: This was a high stakes game of poker that the State of Florida found itself. And if it actually wanted to come out on top here, have Walt Disney Productions move beyond installing just drainage canals on site at the 24,773 acres that it acquired in Central Florida in 1964 & 1965 and then build … Well, not just a theme park & some hotels. But “… a recreation and entertainment complex whose impact on the quality of urban life will be measured for generations to come.”

They had to put up.

Death of Walt Disney – Selling Off Disney?

Then — to add further pressure to the whole situation — Walt Disney died on December 15, 1966. And — for a brief window of time — everyone holds their breath as there are rumors of Roy O. Disney selling off the entire company to RCA and both Project Florida & Mineral King being cancelled.

We’ll get to that part of the story — as well as the actual Reedy Creek Improvement District legislation — in the next installment of this series.

If you missed Part 1 of The History of Reedy Creek Improvement District, be sure to take a look at our coverage of Project Florida and the Epcot film.

If you’d like to learn more about Mineral King, Daniel P. Selmi has written a book about this never-built project, “Dawn at Mineral King Valley: The Sierra Club, the Disney Company, and the Rise of Environmental Law.” This 344-page hardcover is being published by the University of Chicago Press on July 7th of this year. Amazon is currently offering it for $30, $38.50 for the Kindle version.

This article is based on research for The Disney Dish Podcast “Episode 370”, published on April 18, 2022. The Disney Dish Podcast is part of the Jim Hill Media Podcast Network.

This post contains references to products from one or more of our advertisers. We may receive compensation when you click on links to those products.

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Television & Shows

How the Creators of South Park Tricked A-List Celebrities to Roast Universal – “Your Studio & You”

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Your Studio and You

Universal Studios has a rich and storied history, but few moments are as peculiar—and as hilariously cutting—as the creation of Your Studio & You. This 14-minute parody film, commissioned in 1995 to celebrate Universal’s new ownership under Seagram’s, brings together an all-star cast, biting humor, and the unmistakable comedic fingerprints of Matt Stone and Trey Parker.

Long before South Park debuted on Comedy Central in 1997, Stone and Parker were already carving out a reputation for their irreverent style, and Your Studio & You perfectly encapsulates their knack for turning even the most corporate project into something delightfully subversive.

Matt Stone & Trey Parker Before South Park

Stone & Parker were already known out in Hollywood as funny guys. Thanks largely to “The Spirit of Christmas,” which was this video greeting card that they’d crafted for a Fox executive – who then distributed this infamously funny thing (which had Our Lord Jesus Christ & Santa Claus literally duking it out for the holiday affections of Cartman, Kenny, Stan & Kyle) to friends & family.

This was the early 1990s. No internet. Each copy of “The Spirit of Christmas” was made on VHS tape and then mailed. Went viral the old-fashioned way. It’s rumored that George Clooney made over 300 copies of “The Spirit of Christmas” and passed these VHS taps along to friends and family.

Things didn’t move as fast as they do today. “The Spirit of Christmas” still became a sensation out West.

Zucker Brothers

Matt & Trey also had other supporters in the entertainment industry. Among them David Zucker, who was one of the members of ZAZ (i.e., Zucker Abrahams Zucker), the talented trio that made “Airplane!” in 1980, “Top Secret!” in 1984 and the three “Naked Gun” movies.

  • The original “Naked Gun” in 1988
  • “Naked Gun 2 & 1/2 : The Smell of Fear” in 1991
  • and “Naked Gun 33 & a 1/3: The Final Insult” in 1994

All five of these parody films had been made for Paramount Pictures. But in the Late Winter / Early Spring of 1995, Universal had persuaded the Zucker Brothers to come over and set up shop in a bungalow on their lower lot. With the hope that – at some point further on down the line – David & his brother Jerry would start making funny films for Universal.

Zucker Brothers featured in "Your Studio and You"

And it’s during this same window of time (We’re now talking April of 1995) that news breaks that Seagrams (Yep, the adult beverage company. Who – at the time – was making an absolute fortune on the sales of wine coolers) was about to buy a majority stake in MCAUniversal. We’re talking control of 80% of that company’s stock. Which would effectively make Seagrams the new owners of Universal Studios.

Edgar Bronfman

And Edgar Bronfman – the owner of Seagrams – knew that Universal had had a tough time with its previous owners – which had been the Matsushita Electric Industrial Co. of Japan. Matsushita had bought MCA back in November of 1990 for $7.5 billion but had never really understood the entertainment industry.

This is why – after repeatedly butting heads with Lew Wasserman & Sidney Sheinberg (i.e., the heads of Universal Studios & the Universal theme park respectively) when it came to creative control of this company – Matsushita decided to wash it hands of the entire enterprise.  Agreeing to sell their holdings in MCA to Seagrams for $5.7 billion (effectively taking a nearly $2 billion loss on this investment).

Edgar M. Bronfman
Credit: NYTimes

And Bronfman … He knew that some bad feeling had developed between Hollywood’s creative community and the Japanese owners of Universal. The thinking was that executives at Matsushita Electric had just not gotten what it took to make movies & TV shows.

And Edgar? Right from the get-go, he wanted to show that Seagrams was NOT going to be Matsushita Electric Redux. Bronfman was looking for a way to send a clear message to Hollywood’s creative community that Universal’s new owners got it. That they were willing to work with Hollywood to make the best possible movies & TV shows at Universal.

And how did Edgar decide to get this message across? By making a funny movie.

Zucker Commissions Trey Parker for “Your Studio & You”

Mind you, Bronfman himself didn’t make this film. The owner of Seagrams reached out to David Zucker. Who – after initially agreeing to produce this introduction-to-Universal film – then farmed out the production of the actual project to Trey Parker. Who – just two days before shooting was supposed to star on the Universal Lot – persuaded Matt Stone to come help him on this project.

Which brings us to “Your Studio and You.” Which is a parody of an educational film from the 1950s, right down to being shot in black & white and featuring a very generic soundtrack.

Now what’s amazing about watching “Your Studio and You” today is that this 14-minute-long film features some of the biggest names working in Hollywood back in the mid-1990s. We’re talking about people like recent Golden Globe winner Demi Moore, Sylvester Stallone, Michael J. Fox and Angela Lansbury. Not to mention two of the most powerful men in all of Hollywood, Steven Spielberg & Jeffrey Katzenberg.

And what’s especially interesting about watch “Your Studio and You” is that – as you watch these performers go through their paces in this motion pictures (which – most of the time – involves doing some innocuous task while holding a Seagram’s wine cooler) – you often get the feeling that this star is not in on the gag.

So how did Matt & Trey get away with this? Simple. There was never actually a script for “Your Studio and You.”

Filming “Your Studio & You” at Universal Studios Hollywood

Mind you, David Zucker would always insist that there was. Especially when he’d phone up celebrities on the Universal Lot and say “Hey, I’m sending over a couple of college kids later today. They’re working with me on a new parody film. It’s something that we’re doing for the new owners of Universal. I need just a half hour of your time. We’re shooting something special for the party we’ll be holding when the Seagrams people first arrive at the Studio. Absolutely. You’ll definitely get an invite to that party. So can I count on you to help these kids out? Beautiful. They’ll be over there later this morning.”

And then Matt & Trey would show up and say “… Dang, Miss Lansbury. We’re sorry. We must have left our copy of the ‘Your Studio and You’ script back in our office. Which is clear on the other side of the Lot. So – rather than waste your time – why don’t we do this instead? Follow us over to the Psycho House. Where we’re then going to get footage of you painting the front porch on Mother Bates’ house while you say ‘Gosh, with all of the wonderful improvements going on around here, everyone is going to want to work at Universal.’ Oh, and can we also get you to wear this button on the front of your blazer which reads ‘Universal is A-OK’ ? “

And over & over again, the biggest names who were working for Universal at that time took part in the production of “Your Studio & You” because A) David Zucker vouched for Matt Stone & Trey Parker and B) this was something that was being made for the new owners of Universal. And it’s just natural to want to get in good with the new boss.

Steven Spielberg, Jeffery Katzenberg, and Jaws

But no one at Universal anticipated that “Your Studio & You” would wind up being as sharp edged as the finished product turned out to be. I mean, it’s one thing to bite the hand that feeds you. But “Your Studio & You” ? It doesn’t just bite the hand. It takes the hand off at the wrist.

It’s a brutally funny film. With one of the meanest moments reserved for Steven Spielberg, who plays a driver on the Universal Studio Tour who’s trying to persuade a tram full of bored tourists (one of whom is played by Jeffery Katzenberg) that the “Shark Attack” scene down by Jaws Lagoon is actually exciting.

Spielberg actually says lines like “ … Whoa, whoa. What is going on here? Ladies and gentlemen, this never happens. Look out! It’s a shark! Whoa, that is one big scary shark.”


Mind you, as footage of this mechanical shark repeatedly coming up out of the water is shown, “Your Studio & You” ‘s off-screen narrator (who is voiced by Trey Parker says):

“But what about tomorrow? If we don’t keep in step with the times, things that were once neat and thrilling can become old and stupid.”

“Your Studio & You” Reception

This film was supposed to be shown only once at the welcoming party for Seagrams executive on the Universal Lot. And I’m told that – when Edgar Bronfman saw the finished product at that party – he reportedly turned to David Zucker and said “ … That’s a little more mean-spirited that I think it needed to be.”

And with that, “Your Studio & You” was supposed to go back into the Universal vault, never to be seen again. But when “South Park” debuted on Comedy Central in August of 1997 and then became a sensation for its biting humor, there was suddenly a lot of interest in what else Matt & Trey had done. Which is why copies of “The Spirit of Christmas” began to circulate. And – over time – copies of “Your Studio & You” began to bubble up.

Which – as Stone & Parker have repeatedly pointed out – was just not supposed to happen. Largely because none of the celebrities who appeared in “Your Studio & You” had never signed releases for Universal’s legal department. Because – again – this was for a movie that was only going to be shown once at a private function on the Universal Lot.

Matt mentioned (as part of a career retrospective at the Paley Center in LA back in 2000) that “ … they wouldn’t even let us keep a copy of the finished film.”

It’s a funny but brutal movie. And worth taking a look at today especially if you’re a theme park history buff because it shows Universal Studios Hollywood’s “Jurassic Park: The Ride” still under construction on the Lower Lot. That attraction would finally open to the public in June of 1996.

“Your Studio & You” became a lot easier to see after Seagrams sold off its share of Universal to Vivendi in 2000. Copies began propagating online after that. Though Universal Legal will periodically make an effort to get the latest copy of “Your Studio & You” taken off the Internet because – again – none of the performers who appear on camera ever signed the proper releases and/or were paid for their efforts.

That said, if you’re up for a mean-spirited laugh, “Your Studio & You” is well worth 14 minutes of your time. That said, once you watch this thing, be warned:

  1. You’re immediately going to be thirsty for a Seagram’s wine cooler
  2. And you’re going to have a sudden desire to go out & buy a porcelain deer.
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Theme Parks & Themed Entertainment

Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

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Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.

The Very First Parade and the Early Days of Balloons

The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.

And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade

It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.

Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.

Duck Joins and Towers Over Mickey

A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.

Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.

A Somber Parade in 2001

Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.

That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo

Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.

In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.

These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey

After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.

But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios

In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024

This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.

As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.

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Theme Parks & Themed Entertainment

Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street

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When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.

You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.

This is where Disneyland’s Little Monsters on Main Street came in.

The Origins of Little Monsters on Main Street

Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.

This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.

A Unique Halloween Experience

Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.

The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.

It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!

The Haunted Mansion “Tip-Toe” Tour

Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.

Growing Success and a Bigger Event

Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.

In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.

From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash

Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.

While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.

The Merch: A Piece of Little Monsters History

For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.

While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.

Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!

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