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How Wilmer Valderrama helped make ‘From Dusk Till Dawn’ a featured attraction at this year’s Universal Studios Halloween Horror Nights

Published

10 years ago

on

If you’re one of the tens of thousands of people who’ve
already screamed your way through the “From Dusk Till Dawn” maze at
this year’s Halloween Horror Nights at Universal Studios Hollywood and the
Universal Orlando Resort … Well, you have Wilmer Valderrama to thank for
those scares.

And — no — that’s not because Wilmer plays a key role in
this hit TV series on the El Rey Network. But rather because Valderrama has
been a longtime Halloween Horror Nights fan.

“Seriously. Wilmer’s been coming to this event every
year for years now. I’d see him in  the
Park and go ‘You’re here again?,’ ” recalled John Murdy, the executive
producer of the West Coast version of Universal Studios Halloween Horror
Nights. “That’s how Wilmer and I actually became friends. And he’s been
actively looking for ways to get involved with this event for a number of years
now.”


Wilmer Valderrama & John Murdy inspect the interior of the “From Dusk to Dawn”
maze for Universal Studios Hollywood’s Halloween Horror Nights event.
Copyright 2014 Universal Studios. All rights reserved

“That’s true,” Valderrama admitted during a recent
interview. “I’ve been a huge fan of Halloween Horror Nights for a very
long time. I’ve also been John’s groupie for a very long time. I just love how
he and his team mastermind these mazes. Give fans the opportunity to have the
physical experience of walking through their favorite horror movie or TV show.
Which is why I kept calling John, saying ‘I want to do something with you guys.
I’m a producer and developer now. Let’s figure this out.’ ”

Unfortunately, given that Wilmer’s post “That ’70s
Show” career has mostly been built around family-friendly fare like
“Handy Manny” … Well, it was kind of hard to imagine how that
preschool program could be used as fodder for a haunted house. But then Wilmer
found himself cast as Carlos Madrigal, the 500 year-old master villain &
crime lord in “From Dusk Till Dawn: The Series.”

“So I’m down in Austin
on set. And I’m looking around the bar that my character runs on the show, and
I suddenly realize that this place would be a great setting for a Halloween
Horror Nights maze. I mean, wouldn’t it be cool if people could walk into the
Twister and then — just like we do on the series — go explore the depths of
that Mesoamerican temple below the club. Which is why I picked up my phone and
gave John a call.”


The exterior of the “From Dusk Till Dawn” maze on the Universal backlot for the
Hollywood version of Halloween Horror Nights.  Photo by Jim Hill

Now it just so happened that Mr. Murdy had been trying for
more than a decade to get a “From Dusk Till Dawn” haunted house built
at Universal Studios Halloween Horror Nights. From the moment that this cult
classic first arrived in theaters back in January 1996, John knew that this
Quentin Tarantino / Robert Rodriguez film could be the jumping-off point for a
really amazing maze.

“The only problem was that Robert Rodriguez is this
very busy guy. So whenever we’d reach out to him to try and get a dialogue
going about Universal possibly doing a ‘From Dusk Till Dawn’ maze as part of
one of our Halloween Horror Nights, Robert was off directing some movie. And
now he’s running his own television network. So I began to think that this was
never going to happen,” Murdy recalled. “But then I get this call
from Wilmer. Who — as luck would have it — has been cast as one of the leads
in ‘From Dusk Til Dawn: The Series.’ So he then became our ace in the hole when
it came to finally getting Robert onboard with the idea of us doing a ‘From
Dusk Till Dawn’ maze.”

Of course, what’s kind of ironic about this whole situation
is that — while John had been struggling for years to even get negotiations
started with Robert — Wilmer closed the deal for a “From Dusk Till Dawn” maze
in about a minute and a half.


A scareactor menaces Guests who are making their way through Universal
Hollywood’s “From Dusk Till Dawn” maze. Copyright 2014
Universal Studios. All rights reserved

“So I went up to Robert and I said ‘Hey, I don’t know
if you’ve heard of this.’ Robert lives in Austin.
So I don’t know if he’s familiar with what goes on at the Universal Studios
Hollywood park. ‘But have you ever heard of Halloween Horror Nights?’ And
Robert goes ‘What is that?’ And I explain about the mazes and he goes ‘Oh,
yeah. I’ve heard of that. I was invited a couple of times to do that.’ And I
was like ‘Cool. If we had the opportunity to work with Universal Studios to
build this maze that not only celebrated our show but also helped to promote
it, would you do that?’ And Robert was like ‘I don’t know. Do you think we
should?’ And I was like ‘Hell yes.’ And that’s when he said ‘Okay. Maybe we should give it a shot,’ ” Valderrama
said.

“So Robert and John finally connected. Mind you, I
still had to convince the powers-that-be at ‘From Dusk Till Dawn: The Series’
that this would be an easy & effortless collaboration. Which it did actually
turn out to be, thanks to people like Greg Nicotero,” Wilmer continued.

Greg (for those of you who don’t know) is one of Hollywood’s
modern make-up masters. And one of the films that originally helped to put him
on the map was 1996’s “From Dusk Till Dawn.” Which is why — when
Rodriguez & Tarantino decided to reimagine that cult classic as an epic
supernatural crime novel for television — Nicotero immediately signed up to be
part of that project. Just so he could then revisit those characters.


Copyright 2014 El Rey Network. All rights reserved

“And given that Greg is the special make-up effects
supervisor and co-executive producer on AMC‘s ‘The Walking Dead,’ he’s worked
with us on all of the ‘Walking Dead’ mazes that we’ve done to date at Halloween
Horror Nights — including this year’s ‘Walking Dead: End of the Line’ maze and
our Terror Tram experience. So Greg was able to reassure Robert that we’d do a
really great job with our ‘From Dusk to Dawn’ maze,” Murdy enthused.

And John (along with Mike Aiello, the Director of
Entertainment – Creative Development at the Universal Orlando
Resort. Who rode herd on the East Coast version of the “From Dusk Till
Dawn” haunted house at Universal Studios Florida’s Halloween Horror Nights
event) delivered. He and his team created a maze that not only paid tribute to
the El Rey Network’s first scripted show but also rewarded the super fans of
this new hit series.

“Take — for example — how we’ve propped the storeroom
section of this maze. This is the part of the Twister that’s actually below the
club, down in the bowels of that ancient Mesoamerican temple which the Twister
is built on top of. The storeroom is where the vampires keep all of the weapons
that they’ve taken off of the people that they’ve then eaten,” Murdy
explained. “So when we’re propping a maze that’s based on a well-known
horror movie or TV show, we always look for those items that will then please
the uber-fans when they see them. Like 
this ‘Choose Your Fate’ wheel. This piece of plywood — which has a fork
for its spinner — was on the TV show really, really briefly. I think maybe
only in a single shot. But even so, to prove to ‘From  Dusk Till Dawn’ fans that we have really been
paying attention, we had to replicate the ‘Choose Your Fate’ wheel and then
place it in our storeroom scene. That’s an example of the crazy lengths we’re
willing to go in order to get all of the details right in our Halloween Horror
Nights mazes.”


John Murdy and Wilmer Valderrama check out the “Choose Your Fate” wheel
prop in the storehouse scene from Universal Hollywood’s  “From Dusk Till
Dawn” maze at this year’s Halloween Horror Nights event.
Copyright 2014 Universal Studios. All rights reserved

John also made sure to use social media to engage ‘From Dusk
Till Dawn’ fans. Give them a way to have a truly unique experience whenever
they visited this particular Halloween Horror Nights maze.

“I personally run the Halloween Horror Nights Twitter
feed for Universal Studios Hollywood. And each night, I Tweet out a different
password. And if you say this password to the doorman outside of the Twister
just before you officially enter the ‘From Dusk Till Dawn’ maze, he’ll then
hand you a card like those cards that they hand out along the Las Vegas Strip.
And the great thing about this card is that if you call the number that’s on it,
you’ll then get to hear this message that Wilmer recorded,” Murdy
enthused. “It’s just like an Easter Egg in a video game. This little,
little detail that we’re doing for the very hardcore fans of the series.”

“I had so much fun working on this project. And I just
love the fact that hundreds of thousands of people are now getting the chance
to walk through this thing that I helped to make happen,” Valderrama
concluded. “After all those years of trying to come up with an excuse to
collaborate with John on something for Universal Studios Halloween Horror
Nights, I’m just glad that Robert invited me to be a part from ‘From Dusk Till
Dawn: The Series.’ Which then finally gave me a way to play a creative role in this
incredibly cool experience.”

This article originally appeared on the Huffington Post’s Entertainment page on Sunday, October 19, 2014

Related Topics:

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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General

Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District

Published

9 years ago

on

June 23, 2015

By

Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.

Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.


Photo by Jim Hill

Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.


Photo by Jim Hill

Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building
…


Photo by Jim Hill

… and eventually wound up just below Times
Square (right behind where the Waterford Crystal Times Square New
Year's Eve Ball is kept).


Photo by Jim Hill

But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created.


Photo by Jim Hill

And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.


Photo by Jim Hill

Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …


Photo by Jim Hill

… the postman delivering the mail …


Photo by Jim Hill

… the hot dog vendor working at his cart …


Photo by Jim Hill


Photo by Jim Hill

… the street musician playing for tourists …


Photo by Jim Hill

Not to mention the tourists themselves.


Photo by Jim Hill

But right alongside the bronze businessmen …


Photo by Jim Hill

… and the tired grandmother hauling her groceries home …


Photo by Jim Hill

… there were also statues representing people who were
from out-of-town …


Photo by Jim Hill

… or — for that matter — out-of-time.


Photo by Jim Hill

These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.


Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill 

Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these
bronzes?"

Mind you, for those of you who aren't big fans of the
impressionists …


Photo by Jim Hill

… there's also an array of American icons. Among them
Marilyn Monroe …


Photo by Jim Hill

… and that farmer couple from Grant Wood's "American
Gothic."


Photo by Jim Hill

But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.


Photo by Jim Hill

By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around  August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).


Photo by Jim Hill

By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th. 

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Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues

Published

9 years ago

on

June 10, 2015

By

Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las
Vegas.


Photo by Jim Hill

I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.


Photo by Jim Hill

Take — for example — all of "The Secret Life of
Pets" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
Entertainment production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.


Photo by Jim Hill

Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.


Photo by Jim Hill

And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice" to start trending on Twitter today — brought
the Batmobile to Las Vegas.


Photo by Jim Hill

Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.


Photo by Jim Hill

That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.


Photo by Jim Hill

And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.


Photo by Jim Hill

Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.


Photo by Jim Hill

I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.


Photo by Jim Hill

I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.


Photo by Jim Hill

Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.


Photo by Jim Hill

Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
Pictures will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis —
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."


Photo by Jim Hill

Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with  production of Genndy Tartakovsky's
"Popeye" movie.  But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.


Photo by Jim Hill

And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.


Photo by Jim Hill

"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.


Photo by Jim Hill

I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.


Photo by Jim Hill

And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.


Photo by Jim Hill

And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."


Photo by Jim Hill

And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."


Photo by Jim Hill

One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.  


Photo by Jim Hill

Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.

Your thoughts?

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It takes more than three circles to craft a Classic version of Mickey Mouse

Published

9 years ago

on

June 9, 2015

By

You know what Mickey Mouse looks like, right? Little guy,
big ears?

Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
Park (especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.


Copyright Disney Enterprises,
Inc.
All rights reserved

Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.


Copyright Disney Enterprises, Inc. All rights
reserved

Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.


Copyright Disney Enterprises,
Inc. All rights reserved

That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.

Take — for example — Disney
California Adventure
Park's "World of Color:
Celebrate!" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.


Copyright Disney Enterprises,
Inc.
All rights reserved

Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity
3.0.

"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "


Copyright Disney Enterprises,
Inc. All rights reserved

"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"

Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.


Copyright Disney
Enterprises, Inc. All rights reserved

"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."

But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity
3.0.


Copyright Disney Enterprises,
Inc. All rights reserved

"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of  Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."

And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.


Copyright Disney Enterprises,
Inc. All rights reserved

"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.

Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.


Copyright Disney Enterprises,
Inc. All rights reserved

"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."

So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?


Copyright Lucasfilm / Disney
Enterprises, Inc. All rights reserved

"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."

This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015

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