Theme Parks & Themed Entertainment
La Twilight Zone Tour De Toons?
The story of the French version of the Tower of Terror could very well be featured in its very own episode of Rod Sterling’s “The Twilight Zone”, since it features so many surprises, dark corners and 11th hour twists that even folks in those Paris offices don’t know exactly what happened…
Hey there hi there ho there gang,
So, who actually shed a tear whilst reading Jim’s amazing description of the Toon area planned for Disney-MGM?
That whimsical Sunset Boulevard with its trolley line leading to the “Maroon Studios” area? The “Roller Coaster Rabbit” coaster? The ToonTown trolley simulator ride? All these rides (and more) left quite a few Imagineers sore, and Disney fans bitter about WDI not going forth with rendering a real for real wacky and crazy Toon studios area!
Of course we are all happy in the end all this gave way to another amazing Disney masterpiece as “the Twilight Zone Tower of Terror”, and now that also Disney’s California Adventure is seeing the day to day progress in the rising of their brand new version of this Florida favorite freefall ride, by 2004 Disneyland Resort guests will “drop by” this Spanish architecture Hollywood hotel and get a whole new twist of the fears and mysteries of “the twilight zone”.
Also Tokyo Disney Sea’s park model (which was on display in TDL up until before park opening) featured this Hollywood Tower Hotel as a prominent feature of the American water front area, a district of the park which, according to many, had been designed majorly with the goal of providing a good enough setting for this future attraction…which kind of made all Disney fans say “there we have it again; Disney is placing the Tower of Terror (TOT) as a staple ride in all its theme parks, much like the salty old Pirates or the Grimm Grinning Ghosts present in the four Disney Corners of the world”.
But no sign of this amazing freefall ride was ever seen for the new Paris Studios, sure it was always a strong rumor from the day the Park project was presented (after all in Florida the TOT is in the studios theme park), but when it came to thrills the Imagineers decided to have their brand new Aerosmith Rock ‘n’ Roller Coaster send guests in an amazing light show…instead of having thunder strike them on an elevator.
Why for? Well, my friends, the story of the French version of the Tower of Terror could very well be featured in its very own episode of Rod Sterling’s “Twilight Zone”, since it features so many surprises, dark corners and 11th hour twists even folks in those Paris offices don’t know exactly what happened…and what will happen by the episodes ending!
All this majorly because DLP-I /SETEMO (the WDI division situated in the Paris offices actually developing the French resort) had other plans for their brand new Studio’s Park and the freefall elevator idea behind the Tower of Terror… they actually didn’t want the Twilight Zone to enter into France!
Sounds weird right? Well let’s start from the beginning; as most of you should know the European Imagineers actually had a limited budget for their new theme park (reportedly slightly less then 600 Million US $), therefore they voluntarily designed the “skeleton of a park”, devising an elaborate plan which divided the park in four expansion phases; the opening, a major expansion with a new area and a few rides in the existing park, night time entertainment area (i.e. some lagoon and a hub for some form of Fantasmic or firework show) and finally a real working studio area.
The “circular layout” of the park would have meant that guests could have ventured on from the Backlot into the real studios; the tram tour station would have been relocated here and performed the “outside top perimeter” of the park, having therefore always on it’s inner side sets and working soundstages (which would have been added in the expansion phases). This idea would have finally allowed for some sense in the backlot’s story line…since this would have been the area SFX and stunts would be trained, before venturing into the actual working studio!
On the other side of the park the Animation courtyard would have served as the entrance point to that very idea Imagineering had cooked up more than 10 years before; the “Toon studios concept”.
Yes, my friends, you read it right; DLP-I was seriously considering elaborating that old Toon Studios idea and crossing it with the Disneyland ToonTown in order to provide a brand new area of the park for kids of all ages to enjoy.
Walt Disney Studios guests would have seen this area divided into two districts: the downtown area featuring shopping and ride opportunities and the studios area featuring soundstages and wacky Toon rides. The actually story line for this being that Toons actually shot their movies here in the Walt Disney studios therefore they needed both soundstages and sets and a commercial area where to live and do their Toon shopping.
Walt Disney Studios guests would have found themselves much in the same situation as Eddie Valiant in the Roger Rabbit movie; the actual soundstages would have been interactive areas themed to the Maroon Studios warehouses, with crashing props, and all sorts of Toon gags performed, also in this area some sort of “Benny the Cab” dark ride would have been featured. Most discussions about this ride claim that it would have been a Wild Mouse ride through a Toon movie shooting…making it sound a lot like a cross Between Disneyland’s’ Car Toon Spin and that never built Roller Coaster Rabbit ride!
But the real excitement was to be found in the Downtown part of Toon Studios; here guests would have seen how Toons actually live, shop and eat visiting the area’s signature “ACME gag Store”, “Toon Dinner” and ventured into the “Toon Tower Hotel”.
Yes, my friends, you got that last line right (though the name has changed in countless versions) The Walt Disney Studios design team hoped to use the Florida freefall ride technology and redress it to a Toon hotel setting.
Guests would have been right in the center of the Toon Studios Downtown area this completely wacky building, with no straight lines and with red bricks all different in size providing that “Toonish look” (one version proposed by a few Imagineers placed even Eyes on the building but Tom Morris- DLRP head Imagineer reportedly said “now let’s not exaggerate ok”).
On its facade (much like in Florida) the “Toon Tower Hotel” name emblazing the building, and all sort of sounds and gags would have been featured in the buildings cue!
Want an Idea? Well, as guests ventured through the hotel’s queue even before entering the lobby, they would have wound through this Toon garden with tilted plants and even a fountain which featured water “going up” (like in that gag prop which you sometimes can find of the glass which fills the bottle). Even more interactive where the “sound gags” proposed for this cue: much like in Anaheim’s Indy ride guests in the cue could have pressed and touched all sorts of Toonish gags on the level of Toon-holes (featuring Goofy’s trademark scream), electric doors (like in Anaheim’s ToonTown) and many other gags.
As guests finally entered the ToonTower Hotel lobby they would have been greeted by the sign “Toon Tower Hotel; the home of the stars” (an in-joke to the “Hollywood home of the stars” phrase) and a video would be shown of all Disney’s (plus a few more) Toon stars relaxing and enjoying this Luxurious hotel where the Toons supposedly stayed whilst shooting their best gags.
The video would have ended with a Toon bellhop saying “now that your room is ready we invite you to step into the elevator whilst we escort you to your room”. Obviously Imagineering had a whole twist to all this video (and the room in which it was shown); guests would have noticed that the windows now presented the outside view of a busy bustling ToonTown (much like in the Roger Rabbit movie) thanks to some rear projection trick, also the video would have featured al sorts of gags and strange sounds happening in the background: picture a cross between Muppet vision 3-D and the Honey I shrunk the Audience waiting room video and you get the idea…Toon madness at it’s best!
As guests entered this lift supposedly to get to their rooms (and hopefully see some Toon stars as presented in the brochure) they would have had this amazing “deja-vu” since the elevator would have featured a terrible resemblance to that lift controlled by Droopy in the Roger Rabbit movie!
Using the same audio track from the movie Droopy’s voice would have said (via on board speaker) once the doors closed “hold on sir” and the lift would have started its climb up.
As the doors opened guests would have seen this bustling corridor full of many Toon stars making the hotel waiters (the unmistakable Mary Poppins penguins) run from one door to the other…whilst Toon madness would have been seen in the hotel!
Droopy’s voice would have then said “I’m sorry sir wrong floor” and the doors would have closed for the lift to climb up…only to open a few floors higher to reveal this amazing room with a view of the whole Toon studios.
Guests would have then had a few seconds to realize that the actual room had its walls completely absent and that therefore (thanks to a clever illusions devised by DLP-I) they where going to fall exactly like Eddie in the Hotel scene in ToonTown…
…And there you would go down whilst the inner walls of the drop shaft would have featured this amazing projection of the Toon skyline during your descent; as in Florida there was the possibility of modifying the drop sequence at the Imagineers’ wish…and as in Florida the finale of the ride would have featured a movie: only this time we would have seen that the reason of our continuous drops was that (in pure Toon style) the bottom of our drop featured a bouncing carpet (tada…. incredibly clever if you ask me)…and the final effect shown would have been of stars right over the passengers heads…in pure Toon style!
Sounds like a cool ride? A sure hit with guests of all ages and a great way to update the Tower of Terror ride with a new theme, most of all it would have served as a good reason to finally have some sort of ToonTown area in the Paris resort (ToonTown was at first to be part of a Euro Disneyland Expansion but the financial problems lead to it’s indefinite red lighting).
Imagineering, in order to cut costs and increase capacity even decided to place 3 shafts instead of 2 and forget that horizontal movement (AKA “5th Dimension room) in order to have a more reasonable budget, Disney studio’s planners also voluntarily cut much of the kid oriented rides and theming, as well as any “really big” shop from the park’s opening phase in order to have the necessary funding for this Toon Studios.
Euro Disney SCA (the company actually owning the Paris resort) management was reportedly impressed with the ride’s potential; here was a ride which could be remembered as the most wacky Toon ride on the planet, and as part of the expansion it had the potential to do what Space Mountain had done to Disneyland in 1995… i.e. re-market the park and make teenagers wet there appetite to ride this “Toon Tower”.
Most of all what Euro Disney SCA management realized was that with this new area, and it’s trade mark ride, would heavily improve what has been the sore spot of Euro Disney from day 1: people per capita spending on in-park food and merchandise! After all who wouldn’t spend tens of Euros on Toon gadgets, toys and gizmos…after all Anaheim’s “ACME warehouse” was the number 2 shop after the emporium. Also this expansion area could feature amazing eating possibilities…who wouldn’t love to eat in eateries filled with all sorts of Toon gags and props?
During those 1999 meetings the hopes were really high for Walt Disney Studios to succeed and have a great future ahead, this was the park that – with a small budget – could provide the necessary relief for Euro Disney; and could soon expand into a great second gate.
…then Disney’s California Adventure results proved below expectations and messed up most of the WDS expansion plans!
But what has DCA to do with Paris? I hear you say! Well Once it was obvious that DCA desperately needed some sort of Thrill ride to boost it’s marketing potential Disneyland management kind of went “hey, the folks in Paris have redesigned the Tower of Terror technology increasing its capacity, reducing its costs and avoiding that (which anyway never really worked as we planned) 5th Dimension room why not use that already designed project?”
And within a few minutes (and a few intercontinental phone calls) latter Barry Braverman and his design team were redesigning the exterior fagade of “Their Tower” to fit better into the California theme (David Fisher was assigned to the interior show and is reportedly doing wonders with the ride considering the limits he had been given).
Obviously all this left Euro Disney in a awkward position, as “the Accountaneers” were now pressing to cancel all Toon studio expansion plans (with it’s tower) and save hundreds of Million of Dollars by simply using the same ride being constructed in DCA! Corporate directives directly from Burbank and Glendale therefore made Paris imaginers redesign the area opposite Cinemagique into “La Terrase”, an outdoor food court designed in the same style used in California’s TOT (and WDS’s Front lot) and right up there on the area’s main gate the “HTH” (Hollywood Tower Hotel) logo in guests plain view.
With this smart move management believed that guests would understand that the Tower would one day come in that area, and thanks to it’s style, a duplicate of the California one would have been the obvious choice. Also to fix the “lack of kid attractions” Tokyo’s Mermaid lagoon area was believed to represent a good answer to both the “indoor area problem” (providing shelter in Paris’ inclement weather) and a good substitute to the Toon Studios.
More to this Disney has made quit a few hints for this obvious during the whole course of the summer when Disney fans watched a strange building, designed in the same style as “La Terrase” be erected next to Armageddon, only to prove a restroom facility (now AKA “Toilets of Terror”), and as this wasn’t enough during a French program about the making of the studios an Imagineer was interviewed and right behind him was this giant map of the studios; with a huge building creating the same shadow of the TOT, in that empty area behind “La Terrase”.
The only real problem is that Paris management realized that this Toon Studios idea was one of those Imagineering masterpieces which needed to be built (Jay Rassulo, Euro Disney’s CEO, is reportedly a major Imagineering fan himself – one of his first goals was to refurbish the park to 1992 standards), more to this they realized that any shop or restaurant themed to this area could make millions (and Disney, whether in the USA, France or Japan, cannot resist this) and therefore couldn’t give up so easily on the Toon Studios idea!
So guess what gang: This X-mas season, the area reportedly marked for the Twilight zone Tower of Terror will be dressed as “Mickey’s secret Garden” a sort of “Alice’s curious labyrinth” (which is a beloved attraction in the Disneyland park next door) a botanical garden only with Mickey in the leading role, making it really difficult for Disney management to construct the California and French tower simultaneously (Anaheim’s version is plainly in vertical construction), probably hinting to Euro Disney management trying to “buy some time” for thinking about which moves must be taken in order to go forth with the Walt Disney Studio’s expansion plans.
On my part I would at least wait until after those 4 new hotels in the “Val de France” owned and operated by outside companies but on Disney property open and allow for 1.600 new hotel rooms to be available for guests willing to spend a few days in Europe’s leading tourist destination…. only then will Euro Disney management be actually able to evaluate the actual demand for a major studio expansion.
Ttfn – ta-ta for now!
Theme Parks & Themed Entertainment
Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut
Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.
The Very First Parade and the Early Days of Balloons
The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.
And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.
1934: Mickey Mouse Floats In, and Disney Joins the Parade
It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.
Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.
Duck Joins and Towers Over Mickey
A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.
Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.
A Somber Parade in 2001
Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.
That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.
Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo
Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.
In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.
These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.
Mickey’s Comeback as a Bandleader and Sailor Mickey
After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.
But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.
Macy’s Disney Celebration at Hollywood Studios
In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.
Minnie Mouse’s Long-Awaited Debut in 2024
This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.
For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.
As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.
Theme Parks & Themed Entertainment
Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street
When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.
You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.
This is where Disneyland’s Little Monsters on Main Street came in.
The Origins of Little Monsters on Main Street
Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.
This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.
A Unique Halloween Experience
Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.
The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.
It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!
The Haunted Mansion “Tip-Toe” Tour
Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.
Growing Success and a Bigger Event
Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.
In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.
From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash
Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.
While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.
The Merch: A Piece of Little Monsters History
For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.
While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.
Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!
Theme Parks & Themed Entertainment
The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition
The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.
Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.
A Not-So-Scary Beginning
I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.
This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.
A Different Approach
Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.
Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.
Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.
A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.
A Modest Start but a Big Future
That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.
Universal’s Influence
It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.
So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.
For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.
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