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Ruminations

With summer on its way, Roger knows its not just a good novel that makes for fun reading in the sun.

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Before starting today’s column, Roger has something to share from his inbox:

This showed up in my e-mail on last Friday night.

I was asked to share it with you all by someone who has worked in the animation industry for the better part of his life. You’ve seen his work and loved it. He wouldn’t steer us wrong on this.

Grammar aside, it is a legitimate plea that I hope you will take to heart. I’ve met the author (once on a quick tour), and hope you’ll give this your consideration. Frankly, there was a lot of great work done by a lot of good people that we will likely never be seen on the big screen in a theater — unless we take up the call and drop a note in response to this request.

Subject: Mickey Mouse at the movies

Dear friends –

Would you like to see a great Mickey Mouse movie at your local theater? Well so would I.

For those of you who don’t know me, my name is Donovan Cook and I recently finished directing, The Three Musketeers a Disney animated feature film staring Mickey Mouse, Donald Duck, and Goofy. (You can see a short preview of my movie on the Lion King 1 1/2 DVD.) Sadly because of misguided management this movie is scheduled to skip a theatrical release on the big screen and go straight to DVD.

Mr. Eisner and his executives did not make this decision based on the content or execution of the movie. In fact, the three top executives at the Disney Studio have never seen the movie. Mr. Eisner has been quoted as saying that he doesn’t think there is a large enough audience for Mickey to be in the theaters. Bob Iger, the number two exec at Disney, has publicly added that releasing The Three Musketeers in the theaters is too big of a financial risk because it is not computer animation. High quality classic animation is a financial risk? Not a big enough audience for Mickey Mouse? If you are as confused as me, please read on.

A few weeks ago, I was discussing this very situation with a friend of mine who is in no way connected with Disney or the entertainment industry. “Who could I send and email to at Disney about this?” He asked. I thought about it for a moment and said, “Well *** Cook would probably be good.” Mr. Cook, (no relation to myself) is the Chairman of The Walt Disney Studios, which means he is the big cheese in charge of all movies, DVDs and TV shows that Disney makes.

My friend did send an email to *** Cook expressing his disappointment about Musketeers going straight to DVD. Now here is the really crazy part, two weeks later, Mr. Cook called my friend to discuss his concerns. Yes you read correctly, the Chairman of the Walt Disney Studios picked up the phone and called a regular Joe just to discuss the email he sent.

Now it is unlikely that Mr. Cook calls every consumer who sends him an email, which means that this particular issue is of great concern to him. I believe that if enough people express their desire to see Mickey Mouse on the big screen, *** Cook and the Disney execs will reconsider.

So if you want to take your kids to see a high quality, classic and funny Disney movie staring Mickey Mouse and friends, send *** Cook and email at…

***.cook@disney.com

For your convenience, a sample letter is provided below. You may simply fill in the blacks then copy and paste it into a new email. Better yet, add your own personal concerns/complaints or best of all, write a letter in your own words.

A couple notes about your letter; be brief, (unlike me) or Mr. Cook probably will not have time to read it. If you are a Disney stockholder be sure to include that info as it means a lot, especially now.

Feel free to forward this email to any friends who you think would be interested.

Thanks for your help.

All the best to you,
Donovan Cook

——————————————–

(Subject: Letter from a parent and/or stockholder)

Dear Mr. Cook,

My name is (your name here) and I am a stockholder (if you do not own Disney stock, omit this) and an undying Disney consumer/fan. I am a parent of (enter number of children) children and our family happily supports Disney products. We see every movie, purchase the DVDs, go to (Disneyland/Disneyworld — pick one), watch the Disney Channel as well as purchasing a great deal of Disney products.

I was recently thrilled to hear that Disney is making a movie of The Three Musketeers staring Mickey Mouse, Donald Duck and Goofy. I was however very disappointed to see that this movie will be going straight to DVD.

I am very excited to introduce Mickey, Donald and Goofy to my (child/children) through this movie, but I do not understand why this movie is not being released in the theaters. These are the characters created by Walt Disney himself. They are what your company was founded on. My family and I would like to see The Three Musketeers the way Walt would have shown it, on the big screen.

Thank you for your attention. I look forward to your reply.

(Your Name)

(Your email address)

(Your phone number)

Now on with the regular column…

 

“Print is dead.”
— Harold Ramis as Dr. Egon Spengler, “Ghostbusters” (1984)

 

Well, to paraphrase Mark Twain, rumors of it’s demise were greatly exaggerated.

While you can’t dismiss the growth of online content and folks making use of it, print is here to stay. Let’s face it. Folks like me who read tend to read a lot, and there is still a lot of content on the printed page that hasn’t made it’s way online just yet. And there is something about having that book or magazine to refer to after you’ve done reading it the first dozen times or so…

It’s why, when I get the chance, I pick up a copy of the San Francisco Chronicle to read from the paper pages, rather than the online edition. And it’s why I will buy a novel to read at my own pace instead of listening to someone perform an audio book.

So today, I’m sharing some of my favorite magazines with you. They shouldn’t come as too much of a surprise.

To bring home the point that print is anything but dead, the San Francisco Chronicle had a great piece about a new magazine being published out of the City.

What is interesting to note is that the subject isn’t one you would usually think of when it comes to San Francisco. That’s NASCAR. Typically, one thinks of a magazine like this being published somewhere below the Mason-Dixon line.

NASCAR has something that other sports or competitors for our disposable income would kill for — nationwide growing fan base. And the demographics of who is going to these races makes advertisers drool. Wide across the spectrum, it’s got something for everyone in the family. But this new magazine won’t be alone as there are already a flock of NASCAR themed publications on the stand. But “American Thunder” has some interesting folks on the masthead. Notably, President and Publisher Val Landi (who was with IDG, the Boston based publisher of Macworld and other technical magazines) and chief editor Lucas Mast (the one we can all blame for making online payments so easy — he was the man behind Paypal). According to the piece in the Chron, the magazine is to be more of a lifestyle piece than just more news about races. Gotta say, it is an interesting concept and will be worth keeping an eye on.

One of the benefits (so far) of having a Premium Annual Pass for Disneyland is the yearly subscription to Disney Magazine. I’ll give them three out of four stars for this one, but there are times when it tries to be a bit too much of all things Disney to all of it’s subscribers. Understandable that may be. But as an AP, it’s a bit like preaching to the choir at times. Maybe I was spoiled by all those years of the fondly recalled and late lamented “Vacationland” magazine. This link shows some of the classic covers. One treasured issue in my collection from the early 70’s has a great piece on young (was he ever that young?) Rod Miller and his piano at the Coca Cola Corner. With a lot less in the way of non-Disney advertising, and a Disneyland focus, is there any surprise that folks still miss it so?

Now, readers here may recall that I have an interest in the history of trains, planes and automobiles. Setting aside trains for the moment, let’s look at the others. “Air Classics” has been a favorite for many years with it’s annual coverage of the Reno Air Races, but has also offered some good history on flight back to the earliest days. A bit of everything from airline history to air combat in all kinds of conflicts. Stepping up the ladder is “Smithsonian Air & Space“. As the official magazine of the Museum it’s a bit like the Disney magazine in that it promotes attendance at it’s parent locations. And it has advertising that targets it’s core customers as well. A recent issue had a great look at the new Udvar-Hazy Center at Washington’s Dulles International. Truly some fine examples of the aero-space industry and the people who created and flew them on display there.

When it comes to cars, my dad has always enjoyed “Road & Track“. One item I always looked forward to was the April issue and their unique road test. One year it was the Space Shuttle crawler transporter, and another was Great Britain’s “Flying Scotsman” steam locomotive. Always fun to read. A slightly less pretentious car magazine for the hot rod folks is “Drive!” “Big Daddy” Ed Roth had a regular column for several years that was a great look at car culture as it has grown and evolved. Missed he is, but the magazine is still a great place for info. And best of all, it’s free! Check the web pages for locations where you can get an issue.

One of the things worth noting about magazines is that they come and they go. A good example was Paramount’s “Star Trek” magazine. Lot’s of great detail into all of the franchises with information to satisfy even the most dedicated of fans. Yet it couldn’t sustain a level of profitability to keep it going. Yet, the fan focused “Star Trek Communicator” manages to survive. Originally it was a true fan based publication, and now it’s owned by Decipher Games (best known for their collectible card games). They have good info, some of the same detailed articles on the shows (including a classic look at the original Starship Enterprise model now in the Smithsonian Air & Space Museum). Throw in a store with some decent merchandise and they manage to survive where the big guys didn’t.

Oddly enough, the other collectible card game force, Wizards of the Coast (now a subsidiary of toy giant Hasbro), (best known for it’s Magic – the Gathering card games) produces the Star Wars Insider that caters to another other big sci-fi fan base. It too started out as a fan club magazine, and now keeps fans informed of all the latest from the Lucasfilm empire. (Oh, George! What were you thinking! Teen angst?)

Well, let’s dive into the train magazines…

There are a bunch of these that seem to find their way into my hand year round. You may recall in a previous column that I mentioned a fine British publication entitled “Heritage Railway“. We had a similar publication across the pond here for a while called “Locomotive and Railway Preservation”. It didn’t have quite the coverage as it’s UK cousin, but was a good look at the topic, nonetheless. A web site called Railway Preservation News covers the railway museum scene here in the North America today.

When you talk train magazines here, the big two are “Trains” and “Railfan and Railroad“. Both go way back. “Trains” came out just before World War II, but “Railfan” goes back even farther with roots as a pulp magazine of railroad tales. Of the two, “Trains” has taken on the appearance of a more upscale publication with a slicker appearance and style. “Railfan” continues to be more homespun and fan-based in appearance and content. Both magazines also have companion model railroad publications as well, with their own histories.

Kalmbach, the publisher of “Trains” produces a host of other magazines outside the railway realm, But another railway magazine they seem to have a winner with is the quarterly “Classic Trains“. If you can’t go back in time, this magazine does a good job of taking you there. Some great stories and photos of days gone by, and tales from the people who made the trains run. (This magazine, too had previous incarnations, even under another now defunct publisher.)

For the real nuts and bolts folks, there are the more detailed train magazines. The private car owners group, AAPRCO publishes “Private Varnish” for both its members and enthusiasts. Various railroad historical groups also publish magazines with a decidedly historical focus. A few of note are “The Streamliner” from the Union Pacific Historical Society; “The SP Trainline” from the Southern Pacific Historical & Technical Society; “The Western Pacific Headlight” from the Western Pacific Railroad Historical Society; and “The Warbonnet” from the Santa Fe Railway Historical and Modeling Society. And there is a whole bunch more out there!

Now I don’t subscribe any of these right now. I just pick up an issue now and then from a local newsstand or three. Other than Disney or Time, no other magazines clutter my mailbox except that of my employer. One of the perks of your AAA membership is the local affiliate club magazine. In my case, it’s “VIA Magazine“.

So, what do you think? Looks like print will be with us for a while to come. And in the immortal word of KFOG’s Scoop Nisker, “If you don’t like the news, go out and make some of your own!”

Next week? The usual suspects return from a visit to the South, and Roger will share a thought or two on that and other topics. Who knows? Maybe even the return of “Cranky Pants”?

If you’ve enjoyed Roger’s weekly effort, why not show your support but dropping a buck or two in his Paypal Donation Box. Truth be told, it’s only folks like you who keep him going here week after week. There’s no profit sharing or other schemes, just your generosity! Thanks for your support!

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Theme Parks & Themed Entertainment

Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

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Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.

The Very First Parade and the Early Days of Balloons

The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.

And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade

It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.

Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.

Donald Duck in Macy's Thanksgiving Day Parade – Donaldism

Duck Joins and Towers Over Mickey

A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.

Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.

A Somber Parade in 2001

Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.

That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo

Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.

In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.

These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey

After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.

But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios

In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024

This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.

As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.

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Theme Parks & Themed Entertainment

Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street

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When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.

You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.

This is where Disneyland’s Little Monsters on Main Street came in.

The Origins of Little Monsters on Main Street

Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.

This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.

A Unique Halloween Experience

Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.

The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.

It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!

The Haunted Mansion “Tip-Toe” Tour

Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.

Growing Success and a Bigger Event

Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.

In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.

From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash

Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.

While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.

The Merch: A Piece of Little Monsters History

For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.

While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.

Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!

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Theme Parks & Themed Entertainment

The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition

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The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.

Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.

A Not-So-Scary Beginning

I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.

Mickey’s Halloween Treat 1996 – Photo: Disney
Mickey’s Halloween Treat 1996 – Photo: Disney

This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.

A Different Approach

Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.

Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.

Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.

A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.

A Modest Start but a Big Future

That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.

Universal’s Influence

It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.

So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.


For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.

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