Theme Parks & Themed Entertainment
Ruminations
A trio of temptations awaits this week! And all well worth the time it takes to investigate, so read on adventurers…
You never know what you’ll stumble on to out and about on the ‘net. And so it is that you’re the beneficiaries of three little gems unearthed from the Information Superhighway. So, buckle up and away we go!
Once upon a time, no Saturday was complete without a visit to your local movie palace (or shack as the case might be) for a wide variety of short subjects and a feature film (likely something of the killer “B” genre) or two before it was time to head home for dinner piping hot from Mom’s kitchen. Usually those short subjects were a newsreel, a Disney and or Warner cartoon and the latest chapter of a serial adventure. If you don’t think the latter had any influence on the generations of movie goers who made sure not to miss a single chapter of their favorite heroes in action, well, you obviously spent too much time in line at the candy counter.
A couple of kids who seemed to have gotten what those films were all about? George Lucas and Steven Spielberg. What else would you call any of the “Star Wars” or “Indiana Jones” films? They’re nothing but new versions of the old serial adventures all shown at the same time. How many of you have ever watched a full viewing of each chapter of such favorites as “Radar Men From The Moon” staring Commando Cody (complete with his flying suit and keen helmet – Hello? “Rocketeer” anyone? And don’t overlook Leonard Nimoy in his first screen role as of all things a space alien. “Star Trek” likewise just an overgrown space adventure in serial form, right)?
Well then you would be as pleased as I was to discover “Rex Steele – Nazi Smasher”. What started as the typical student film project has turned out to be anything but. Based on the adventures appearing in a compilation of titles from Monkeysuit Press, the work of creators Bill Presing and Matt Peters has taken on a new and exciting chapter (“13” to be precise, or as it’s subtitled, “Into The Bosom of Terror”).
What you get here is a fine step back to those days in the theater waiting to see how your hero had managed to survive last week’s peril. Alexander Woo is the power behind the throne here as the Producer/Director, with both Bill and Matt as the lead story guys and animators.
“Rex” has the same flavor as the Fleisher “Superman” cartoons of the 1940’s. According to Alex, that’s not too much of a coincidence. “It’s funny that you mention the Fleischer cartoons. Many people have made that connection, and they were definitely an influence. We wanted to do a sort of modern day pumped up version of that genre of film.” There are more than a number of elements to compare from Rex and the jutting jaw of his profile, to his trusted sidekick Penny Thimble as the vulnerable (yeah, right!) female.
This wasn’t the usual quick and dirty student film, by any means. Again Alex: “The film was made over three years. I started it after my sophomore year of College (New York University’s Tisch School of the Arts ). I spent about two and half years in pre-production and production, storyboarding, and animating everything myself. During the last six months, I started recruiting students and friends in the industry to help finish the film up. I gathered together a great ink and paint team that worked on ANIMO (a digital ink and paint software program from Cambridge Works), and also handed out tied down animation to be cleaned up and made ready for scanning.”
“Most of the background paintings were done by friends of mine for next to nothing in pay. There were all doing me huge favors. All the paintings were done in Photoshop. So while I was getting all these elements from my different departments, I would slowly composite all the elements together in After Effects 6.0. When I had all the scenes together, I just edited it together with Final Cut Pro.
The music, which is my favorite part of the film (because I didn’t have to do any of it!), was scored by my Ryan Shore – an award winning composer who had worked on another short film that I had worked on early on in college. I knew we needed a grand orchestral score but also knew we couldn’t afford any US professional orchestras, so we decided to look abroad. Our search led us to Prague, where the Czech Philharmonic have made quite a name for themselves in film score recording (they had done Brad Bird’s “The Iron Giant” which was a HUGE inspiration – musically and cinematically). We contacted them, and ended up flying over there to record in their world famous concert hall, the RUDOLFINUM (the same place the score for The Iron Giant was recorded).”
According to Alex’s bio on the WooHoo! Pictures web pages, “He recently graduated from the Film/TV Production program, where he won the Russell Hexter Filmmaker Award, and the Richard Protovin Award for Excellence in Animation. He has spent the past three years working on his first film, “Rex Steele: Nazi Smasher”, while also animating professionally on a number of shows and commercials.
Alex is currently developing his own animated projects for both film and television.”
Creators Bil Presing and Matt Peters are also seasoned veterans of the animation world in their own rights. Again from the WooHoo! pages:
“BILL PRESING – co creator
Bill Presing has been working in the animation industry for over seven years. After graduating from the Joe Kubert School of Cartoon and Graphic Art in 1996, Bill soon began work on various commercials and animated television shows, including Walt Disney Television’s “Doug”, “PB&J Otters” and “Lizzie Mcguire”. He has also worked on a number of Cartoon Network shows as a storyboard artist, including “Sheep in the Big City”, and the upcoming “The Venture Bros”. Bill has also worked as an Art Director on the Warner Bros. Animation web cartoon “Gotham Girls” and various General Mills commercial spots.
Bill’s work has been recognized by a number of a award committees and institutions. The “LUGZ” commercial spot he illustrated was nominated for an ANNIE award, and his work on the animated opening for “The Rosie O’Donnell Show “won him a prestigious Daytime Emmy award. Bill is also the co-creator of “Rex Steele: Nazi Smasher”, a comic book for which he received a nomination for the 2000 IGNATZ award for outstanding artist.
Bill Presing is currently a storyboard artist at Pixar Animation Studios.”
(All the more interesting as “Rex” got a recent showing on the Emeryville Campus…)
“MATT PETERS – co creator
Matt Peters has made animation his profession now for seven years. After graduating from the Joe Kubert School of Cartoon and Graphic Art in 1996, Matt has worked on projects ranging from commercials to television animation. He has worked as a storyboard artist and designer for such Walt Disney television cartoons as “Doug”, “PB&J Otter”, “101 Dalmatians”, and “Sabrina The Teenage Witch”. He has also storyboarded for Cartoon Network on such shows as “Codename: Kids Next Door” and “Sheep in the Big City”, as well as various pilot episodes including the soon-to-be-released “The Venture Bros.”. Matt has also storyboarded web-animation for the Gotham Girls web-cartoon by Warner Bros. Animation.
In addition to animation, Matt has worked in illustration and publishing heading the storybook department of Disney’s Doug as well as PB&J Otter. His contributions to the “Monkeysuit” anthologies are as the co-creator of “Rex Steele: Nazi Smasher” and also as artist and writer of various other short comics.
Matt Peters is currently completing back to back seasons of Cartoon Network’s hit show Codename: Kids Next Door.”
A final credit from that web page has an interesting side note:
“DAN BLANK – Voice Actor and Gag man
Dan Blank is a recent graduate from New York University’s animation program. While in school, he provided the voices to many of the celebrities on all four seasons of MTV’s Celebrity Deathmatch, from Kelsey Grammer to Hugh Hefner to Steven Spielberg. Dan studied animation alongside Alex Woo, and his stop-motion film “Shadowplay” went on to win both a Student Academy Award and Student Emmy Award. He currently resides in Los Angeles, where he is a visual effects artist on the upcoming “Sky Captain and the World of Tomorrow”, and coincidentally, will be providing some voice-over work on the film as well. Aside from voice-over acting and animation, Dan’s life long dream is to retire and live out his days as the butler at Disneyland’s Haunted Mansion.”
To learn more about Dan and his film “Shadowplay”, visit this link. Hmmm, maybe we’ll have to chat with him about “Sky Captain”?
So? Are you ready to find a showing of “Rex Steele – Nazi Smasher”? I am! Coming up a handful of days from now, to be precise and just up the road from me here in Livermore. The Danville (California) International Children’s Film Festival has “Rex” all set on the program. Friday, May 21 through Sunday, May 23 they’ll be showing a variety of films for and by children. “Rex” is scheduled to be shown Saturday at 3:00 p.m. and then on Sunday at 2:00 p.m. in the Town Hall location. Saturday’s hours for the full event run from 10:00 a.m. to 6:00 p.m. and Sunday’s from 11:00 a.m. to 5:00 p.m. with a variety of events before during and after (some at extra cost). I’ll be there on Saturday, at least to see “Rex”…
Now I promised a trio of things this time out, so here’s the next one. How about two great silent films and live orchestra accompaniment? I’m a fan of might Wurlitzer theater organs of both Hollywood’s El Capitan (liberated from San Francisco’s fabled Fox Theater) and Oakland’s Paramount. But a full orchestra? Why, of course! And two classic silents from a couple of favorites. How about Walt Disney’s first Mickey Mouse cartoon, “Plane Crazy” and Buster Keaton’s “Steamboat Bill Jr.”? That’s the program for the Los Angeles Chamber Orchestra’s Annual Silent Film Gala, Saturday June 5 at UCLA’s Royce Hall. Prices may seem a bit on the spendy side ($30 for General Admission), but I find it hard to imagine an evening like this any other way! I’m trying to find a way to get down for that evening…
Finally, back a few months when we were all out at Walt’s Barn in Griffith Park, there was a flyer for a new book on the Disneyland Railroad. Well here is the poop for your approval and pre-order! “Welcome Aboard The Disneyland Railroad” is the work of Steve DeGaetano, Editor of the Carolwood Pacific Historical Society newsletter The Carolwood Chronicle. And from what he has in store, this book is going to be taking a place on many a shelf soon. Here’s a glimpse into it:
“Some of what you find inside the 300 pages of Welcome Aboard the Disneyland Railroad!:
? Information on exactly how the locomotives are operated, including custom-made drawings with call-outs of a locomotive cab interior;
? In-depth histories of the locomotives including their “vital statistics,” rolling stock both old and new, stations and servicing structures;
? Over 100 never-before-published color photographs and over 20 custom-made CAD drawings of the locomotives, cars and stations;
? Notes on modeling the Disneyland Railroad, including tested formulas for creating close approximations of the colors used on the trains;
? Discussions of the wide variety of collectibles available for the Disneyland Railroad, including both common and rare items of interest;
? A written and photographic tour of the Roundhouse, with descriptions of the day-to-day activities of those who keep the trains running;
? What it’s like to ride in the cab, with thorough discussions of the locomotive controls; firing techniques, and operating procedures.”
That’s just what this Disney railfan is ready for! Now here’s the deal:
“The first edition of Welcome Aboard the Disneyland Railroad!, with a publication date of fall 2004, will be extremely limited. The cost of the hard cover book is only $64.95 plus shipping and handling. Each numbered book will be signed by the author upon request. If you pre-order before September 1, 2004, you will also receive, absolutely free, one of Steve’s signed and numbered limited edition prints of the E.P. Ripley, the same one that hangs in Diane Disney Miller’s home. This print is a $40.00 value, but is yours FREE when you place a pre-order for the most comprehensive book on the Disneyland Railroad ever written, Welcome Aboard the Disneyland Railroad!”
Well, that’s all for this week. A trio of fun and something for everyone I hope…
Next week? Oh, that’s a long way off yet, but hey, there’s a holiday weekend ahead and I wouldn’t want to disappoint any of you faithful readers out there. I’ve still got a few things to share yet…
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Theme Parks & Themed Entertainment
Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut
Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.
The Very First Parade and the Early Days of Balloons
The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.
And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.
1934: Mickey Mouse Floats In, and Disney Joins the Parade
It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.
Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.
Duck Joins and Towers Over Mickey
A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.
Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.
A Somber Parade in 2001
Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.
That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.
Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo
Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.
In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.
These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.
Mickey’s Comeback as a Bandleader and Sailor Mickey
After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.
But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.
Macy’s Disney Celebration at Hollywood Studios
In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.
Minnie Mouse’s Long-Awaited Debut in 2024
This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.
For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.
As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.
Theme Parks & Themed Entertainment
Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street
When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.
You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.
This is where Disneyland’s Little Monsters on Main Street came in.
The Origins of Little Monsters on Main Street
Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.
This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.
A Unique Halloween Experience
Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.
The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.
It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!
The Haunted Mansion “Tip-Toe” Tour
Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.
Growing Success and a Bigger Event
Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.
In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.
From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash
Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.
While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.
The Merch: A Piece of Little Monsters History
For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.
While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.
Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!
Theme Parks & Themed Entertainment
The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition
The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.
Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.
A Not-So-Scary Beginning
I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.
This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.
A Different Approach
Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.
Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.
Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.
A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.
A Modest Start but a Big Future
That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.
Universal’s Influence
It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.
So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.
For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.
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