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Ruminations: A sneak preview of the Walt Disney Family Museum

Roger Colton’s back with an extra-special column today, as he reports on his recent visit to the Presidio. When Roger got to tour the still-under-construction Disney Family Museum in the company of Ron Miller and Diane Disney Miller

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It is no secret that I have many reasons to love the City that is San Francisco. Like many visitors, I find an attraction in the neighborhoods, the people, the places and the food. So, if something else were to come along that would make me enjoy it all the more, how would I feel about it? After today, I can say pretty darn great!

Loyal readers of this space may recall that last September, I shared a look at one of the oldest and most historical places in the City. Located on the northern tip of the San Francisco Peninsula, The Presidio continues to be a place where the past meets the present and the future awaits. Under the direction of the Presidio Trust, this jewel of an urban park continues to evolve as reuse plans unfold. In a place where so much historic fabric exists, the challenge is how to incorporate the past safely and respectfully into the future.

One very important element of that future is The Walt Disney Family Museum. If everything goes as planned, sometime in late 2008 or early 2009, the doors will open to the public on a very special place to share the story and the legacy of Walt Disney.

So… how about a sneak peak at what lies in store for the guests to this Museum? If you were one of those lucky enough to visit the Ronald Reagan Presidential Library (in Simi Valley, CA) during the “Walt Disney – The Man & His Magic” events in 2001, then you have a head start on the rest of us. Check this link for a great description of the exhibition by Matt Walker of Started By A Mouse.

That exhibition came about as the result of contacts between Retlaw Enterprises and the Reagan Library. Preparation of the exhibit was financed by the Walt Disney Family Library and used a great deal of materials from its collection. When that exhibition closed, the materials were returned to storage with the hope that they might eventually find a permanent display location. In November 2004, plans were announced for the creation of the Walt Disney Family Museum at the Presidio in San Francisco. In the years since, the materials from the Reagan Library exhibition have been used to create what could best be described as a prototype for the San Francisco museum. I recently had the good fortune to visit that prototype, with a rare tour of these displays hosted by Diane Disney Miller and Ron Miller.

As much as Abraham Lincoln was a hero of Walt Disney’s, General John “Black Jack” Pershing was another. General Pershing was commandant of the 8th Infantry Brigade at the Presidio during a period of the rebuilding of the City after the 1906 San Francisco earthquake and fire. With that history, the Presidio location will work very well in bringing the story of Walt and his legacy to life for visitors.

A great deal of what visitors will eventually see is very personal to the Disney family. For example, one wall display contained a series of artworks that had been in the Millers’ home at one time. Among those works was a pair of Mary Blair character studies. Those came from the 1941 South American Disney trip (referred to as “El Groupo” by the participants) that lead to the production of 1943’s “Saludos Amigos” and 1945’s “The Three Caballeros.” Next to that was a Jim Fetherolf painting of a pond and pasture view that had been a 1965 Christmas gift from Walt and Lillian to Diane and Ron. Walt had very much admired his work and gave both Diane and Sharon paintings of his as gifts that year. (It’s also worth noting here that this Fetherolf painting was the very last Christmas gift that Walt ever gave to Diane & Ron. Which is why this particular painting has a special significance to the Millers.)

One truly interesting piece was a painting by Peter Ellenshaw of a Tennessee cabin of Davy Crockett in a winter snow scene. As with many of his famed matte paintings, it has special highlights of lighting that bring the image to life in the way he seemed to excel at.

While looking over a case with a series of medals awarded to Walt, Diane made a comment that “stories get lost.” To illustrate that point, she shared the tale of a 1935 trip to Paris by Walt and Lillian along with Roy and Edna. Over the years since, the story about the trip had been told that Walt had specifically traveled to buy books about European fairy tales as reference materials for various Disney artists. Diane related how a transcript of a journal written by Edna, told of the trip and how one entry noted that “Lillian, Roy and I did this today, while Walt went off to buy more books.” As Walt was always collecting figures, books and other items, this was easy to accept as being the truth about that trip.

The real reason for the trip was that Walt was being awarded the French Legion of Honor medal. It came with recognition of Mickey Mouse as “a universal symbol of goodwill.” And of course, while she was telling that story, there was the 1935 Legion of Honor medal on display.

Disney archivist Dave Smith further related to Diane that it was on that trip that Walt noticed how the theaters in Paris were playing four and five Mickey Mouse cartoons at a time. And he thought, “Aha! People are finally ready for a feature length Disney cartoon.” As Diane said, the truth is more interesting than some of the legendary stories (or myths) that have become accepted as reality. Offering those truths is a part of what the efforts behind the Walt Disney Museum are all about.

Diane also admitted that while she was pleased that Bob Iger had been able to re-acquire the rights to the Oswald properties, that she had (at one point) no idea who or what Oswald was. As it had all taken place long before she was born, it had been something of a mystery to her. But now, she is very glad that this early component of the Disney legacy had been recovered.


Ron Miller and Diane Disney Miller
with a display on Walt’s early years.

The items on display are not all to be small in scale or nature. Take for example this group of items:

Photo by Roger Colton

In the foreground is an early prototype Autopia car with the finished production model behind. While both were driven around the Studio lot by a number of kids (in testing, of course), the prototype went to several car shows but never saw service on the highways of Tomorrowland. FYI: These cars were donated to the Walt Disney Family Museum by Walt’s own grandchildren, Johanna & Christopher Miller.

Behind the cars is the train from Walt’s backyard railroad, The Carolwood Pacific. Lead by the “Lilly Belle” steam locomotive and completed by the four-wheel bobber caboose, the train sits on a wooden trestle with various photos behind it. As much as Walt’s railroad interest inspired others and was a factor in the growth of the live steam railroad hobby, I know that this particular display will be enjoyed by many future Museum guests.


The Lilly Belle.


Walt’s caboose, complete with detailed interior.

During the Disneyland 50th anniversary festivities, Diane mentioned how great it was to have had so many members of the Disney family able to be present. It was a family reunion that somewhat just happened. Initially, she had been invited to do a signing of the book, “The Story of Walt Disney”. This a book that she denies writing, and so acknowledged in a forward to the 2005 edition. A scheduling conflict prevented her from attending the May 5th press event at Disneyland. When chatting about the July event, one thing lead to another and there were members from many branches of the extended Disney family who were able to be there on July 17th.

One highlight for the family was the opportunity to visit Walt’s apartment for that day complete with a wonderful meal enjoyed on the balcony adjacent to the apartment. Being there with many of her grandchildren brought back wonderful memories of earlier visits with both of her parents. (Having been able to enjoy a Disneyland vacation with my extended family in October, I could easily identify the joy of family and just how special a part of the Disneyland experience it can be.)


Some of the furniture from Walt’s Disneyland Apartment
now in storage waiting for the Museum.

Diane mentioned that she had not met Bob Iger until that day. There was a rehearsal that morning at 5:30. She had her speech all set to go on the teleprompter, able to read it without her glasses. It was Bob who suggested to her that she read Walt’s opening day dedication.So she was doing fine with the rehearsal and started to recite the dedication. Then she turned and looked at the large video display and there was her father just as he had been that day, with his hair tussled, so earnest. So, she started to sob, overcome by the moment. So when it came time for the actual event, she was lead onstage by Donald Duck, who quietly offered her a tissue, just in case. She said she didn’t need it, because she turned her eyes from the screen and just looked at her family. It was a very emotional day. (For the record, the audience only heard Diane say the opening words of the dedication, as Walt’s dedication was replayed not only on the video display but also on the audio throughout the Park.)

Diane noted that that visit was also her first time to see Disney’s California Adventure including “Soarin’ Over California.” She truly enjoyed the spirit of the Cast Members. The Parks looked great and everyone was very upbeat. Ron mentioned that from the Orange County airport to Anaheim that so much had changed over the years since his last visit that he didn’t recognize the area until he was inside Disneyland.

Ron mentioned that he was particularly moved by the participation of the Disneyland Cast Members on that day. From the smiles and welcomes at the main gate as souvenir maps and golden mouse ears were handed out to the line along Main Street with Cast Members welcoming guests “home,” it was a day to be proud of in many ways.

Among some of the many other items that I saw were a series of framed original Disneyland attraction posters, an early optical film printer, a restored World War I ambulance (a close relation to the one that Walt was so proud of having driven in France), a number of vintage motion picture cameras, and many items from Walt’s collection of miniatures. Diane noted that there are so many of the latter that they may be arranged in themed groupings just as Walt had originally intended.


How’s this for a rare piece of Disney art?
A complete cel set-up from 1953’s “How To Dance
(part of “The Complete Goofy” DVD)
with the portrait of “The Firehouse Five Plus Two.”

The Building 104 location faces the former main parade ground of this military post. It will occupy over 44,000 square feet of one of the five 19th Century brick barracks buildings along Montgomery Street. With a wonderful view of the San Francisco Bay and the Presidio from the front of the structure and an especially impressive view of the Golden Gate from the rear, it will be the highlight of any visit to this area. As the Army had changed the use of the structure from housing to office space, much of the preparatory work for the conversion to the Museum has already been done. The work that remains now is to design and install the new systems and structures to make the building ready for the 21st Century and its new role as The Walt Disney Family Museum.


Building 104 facing the Presidio Main Parade Ground.


Ron and Diane pose for a photo in front of the future home of the Walt Disney Museum.

So… as much as many fans had looked forward to the 50th anniversary of Disneyland, now there is another great event and a great location to look forward to for 2008 or 2009. I know it will be worth the wait and hope that you enjoyed this preview.

Now this if you can’t wait quite that long, there is a Disney exhibit coming to the Bay Area this year that you will not want to miss. May 6th will see the Oakland Museum opening of the “Behind The Magic-50 Years of Disneyland” exhibition. Diane Disney Miller and Ron Miller are among the sponsors of the Oakland showing of this unique exhibition.

The following description is from the Museum web pages:

Go behind the scenes to see how Walt Disney and his Imagineers envisioned, created, and brought Disneyland to life. This touring exhibition includes hundreds of images and artifacts, including original artwork, construction drawings, architectural models, archival videos, promotional materials, and historic souvenirs?as well as original vehicles from Peter Pan’s Flight® and Mr. Toad’s Wild Ride®. Meet Disney’s first Audio-Animatronics® figure, Abraham Lincoln!


A vintage view of Fantasyland in Anaheim.
Image courtesy of the Oakland Museum


Dumbo the Flying Elephant exterior overall concept.
Bruce Bushman, 1953.
Image courtesy of the Oakland Museum

Previously, the exhibition had been shown at the Henry Ford Museum in Dearborn, Michigan. Loyal JHM readers will recall a description of the exhibition and the Museum members preview event here by Dan Viets last September. (An interesting coincidence has the Baseball As America exhibit now on display at the Ford Museum, where it had recently been shown at the Oakland Museum. As former New York Yankees catcher Yogi Berra once said, “This is like deja vu all over again!”)

Now if you are a member of the Oakland Museum, there will be an opportunity to attend their 2006 Golden Gala event on April 29th. The theme for this is When You Wish Upon A Star and it will feature a preview of the “Behind The Magic” exhibit with Diane serving as the honorary chairwoman for this fundraising event. Details are still being confirmed and you may want to check the Museum web site for further information. Perhaps you might want to consider one of their membership opportunities as well, to take advantage of during this Disneyland exhibition.

If you haven’t seen this exhibition, mark your calendar and do so while it is in Oakland. After it closes here on August 20th, it travels to Japan. Tickets are available now online from the Museum through this link.

Special thanks for making this tour possible go to Diane Disney Miller, Ron Miller and the staff of the Walt Disney Family Library in San Francisco. As well, thanks to Leo Holzer of the Northern California Chapter of the National Fantasy Fan Club, Matt Walker of Started By A Mouse and Elizabeth Whipple of the Oakland Museum.

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Television & Shows

How the Creators of South Park Tricked A-List Celebrities to Roast Universal – “Your Studio & You”

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Your Studio and You

Universal Studios has a rich and storied history, but few moments are as peculiar—and as hilariously cutting—as the creation of Your Studio & You. This 14-minute parody film, commissioned in 1995 to celebrate Universal’s new ownership under Seagram’s, brings together an all-star cast, biting humor, and the unmistakable comedic fingerprints of Matt Stone and Trey Parker.

Long before South Park debuted on Comedy Central in 1997, Stone and Parker were already carving out a reputation for their irreverent style, and Your Studio & You perfectly encapsulates their knack for turning even the most corporate project into something delightfully subversive.

Matt Stone & Trey Parker Before South Park

Stone & Parker were already known out in Hollywood as funny guys. Thanks largely to “The Spirit of Christmas,” which was this video greeting card that they’d crafted for a Fox executive – who then distributed this infamously funny thing (which had Our Lord Jesus Christ & Santa Claus literally duking it out for the holiday affections of Cartman, Kenny, Stan & Kyle) to friends & family.

This was the early 1990s. No internet. Each copy of “The Spirit of Christmas” was made on VHS tape and then mailed. Went viral the old-fashioned way. It’s rumored that George Clooney made over 300 copies of “The Spirit of Christmas” and passed these VHS taps along to friends and family.

Things didn’t move as fast as they do today. “The Spirit of Christmas” still became a sensation out West.

Zucker Brothers

Matt & Trey also had other supporters in the entertainment industry. Among them David Zucker, who was one of the members of ZAZ (i.e., Zucker Abrahams Zucker), the talented trio that made “Airplane!” in 1980, “Top Secret!” in 1984 and the three “Naked Gun” movies.

  • The original “Naked Gun” in 1988
  • “Naked Gun 2 & 1/2 : The Smell of Fear” in 1991
  • and “Naked Gun 33 & a 1/3: The Final Insult” in 1994

All five of these parody films had been made for Paramount Pictures. But in the Late Winter / Early Spring of 1995, Universal had persuaded the Zucker Brothers to come over and set up shop in a bungalow on their lower lot. With the hope that – at some point further on down the line – David & his brother Jerry would start making funny films for Universal.

Zucker Brothers featured in "Your Studio and You"

And it’s during this same window of time (We’re now talking April of 1995) that news breaks that Seagrams (Yep, the adult beverage company. Who – at the time – was making an absolute fortune on the sales of wine coolers) was about to buy a majority stake in MCAUniversal. We’re talking control of 80% of that company’s stock. Which would effectively make Seagrams the new owners of Universal Studios.

Edgar Bronfman

And Edgar Bronfman – the owner of Seagrams – knew that Universal had had a tough time with its previous owners – which had been the Matsushita Electric Industrial Co. of Japan. Matsushita had bought MCA back in November of 1990 for $7.5 billion but had never really understood the entertainment industry.

This is why – after repeatedly butting heads with Lew Wasserman & Sidney Sheinberg (i.e., the heads of Universal Studios & the Universal theme park respectively) when it came to creative control of this company – Matsushita decided to wash it hands of the entire enterprise.  Agreeing to sell their holdings in MCA to Seagrams for $5.7 billion (effectively taking a nearly $2 billion loss on this investment).

Edgar M. Bronfman
Credit: NYTimes

And Bronfman … He knew that some bad feeling had developed between Hollywood’s creative community and the Japanese owners of Universal. The thinking was that executives at Matsushita Electric had just not gotten what it took to make movies & TV shows.

And Edgar? Right from the get-go, he wanted to show that Seagrams was NOT going to be Matsushita Electric Redux. Bronfman was looking for a way to send a clear message to Hollywood’s creative community that Universal’s new owners got it. That they were willing to work with Hollywood to make the best possible movies & TV shows at Universal.

And how did Edgar decide to get this message across? By making a funny movie.

Zucker Commissions Trey Parker for “Your Studio & You”

Mind you, Bronfman himself didn’t make this film. The owner of Seagrams reached out to David Zucker. Who – after initially agreeing to produce this introduction-to-Universal film – then farmed out the production of the actual project to Trey Parker. Who – just two days before shooting was supposed to star on the Universal Lot – persuaded Matt Stone to come help him on this project.

Which brings us to “Your Studio and You.” Which is a parody of an educational film from the 1950s, right down to being shot in black & white and featuring a very generic soundtrack.

Now what’s amazing about watching “Your Studio and You” today is that this 14-minute-long film features some of the biggest names working in Hollywood back in the mid-1990s. We’re talking about people like recent Golden Globe winner Demi Moore, Sylvester Stallone, Michael J. Fox and Angela Lansbury. Not to mention two of the most powerful men in all of Hollywood, Steven Spielberg & Jeffrey Katzenberg.

And what’s especially interesting about watch “Your Studio and You” is that – as you watch these performers go through their paces in this motion pictures (which – most of the time – involves doing some innocuous task while holding a Seagram’s wine cooler) – you often get the feeling that this star is not in on the gag.

So how did Matt & Trey get away with this? Simple. There was never actually a script for “Your Studio and You.”

Filming “Your Studio & You” at Universal Studios Hollywood

Mind you, David Zucker would always insist that there was. Especially when he’d phone up celebrities on the Universal Lot and say “Hey, I’m sending over a couple of college kids later today. They’re working with me on a new parody film. It’s something that we’re doing for the new owners of Universal. I need just a half hour of your time. We’re shooting something special for the party we’ll be holding when the Seagrams people first arrive at the Studio. Absolutely. You’ll definitely get an invite to that party. So can I count on you to help these kids out? Beautiful. They’ll be over there later this morning.”

And then Matt & Trey would show up and say “… Dang, Miss Lansbury. We’re sorry. We must have left our copy of the ‘Your Studio and You’ script back in our office. Which is clear on the other side of the Lot. So – rather than waste your time – why don’t we do this instead? Follow us over to the Psycho House. Where we’re then going to get footage of you painting the front porch on Mother Bates’ house while you say ‘Gosh, with all of the wonderful improvements going on around here, everyone is going to want to work at Universal.’ Oh, and can we also get you to wear this button on the front of your blazer which reads ‘Universal is A-OK’ ? “

And over & over again, the biggest names who were working for Universal at that time took part in the production of “Your Studio & You” because A) David Zucker vouched for Matt Stone & Trey Parker and B) this was something that was being made for the new owners of Universal. And it’s just natural to want to get in good with the new boss.

Steven Spielberg, Jeffery Katzenberg, and Jaws

But no one at Universal anticipated that “Your Studio & You” would wind up being as sharp edged as the finished product turned out to be. I mean, it’s one thing to bite the hand that feeds you. But “Your Studio & You” ? It doesn’t just bite the hand. It takes the hand off at the wrist.

It’s a brutally funny film. With one of the meanest moments reserved for Steven Spielberg, who plays a driver on the Universal Studio Tour who’s trying to persuade a tram full of bored tourists (one of whom is played by Jeffery Katzenberg) that the “Shark Attack” scene down by Jaws Lagoon is actually exciting.

Spielberg actually says lines like “ … Whoa, whoa. What is going on here? Ladies and gentlemen, this never happens. Look out! It’s a shark! Whoa, that is one big scary shark.”


Mind you, as footage of this mechanical shark repeatedly coming up out of the water is shown, “Your Studio & You” ‘s off-screen narrator (who is voiced by Trey Parker says):

“But what about tomorrow? If we don’t keep in step with the times, things that were once neat and thrilling can become old and stupid.”

“Your Studio & You” Reception

This film was supposed to be shown only once at the welcoming party for Seagrams executive on the Universal Lot. And I’m told that – when Edgar Bronfman saw the finished product at that party – he reportedly turned to David Zucker and said “ … That’s a little more mean-spirited that I think it needed to be.”

And with that, “Your Studio & You” was supposed to go back into the Universal vault, never to be seen again. But when “South Park” debuted on Comedy Central in August of 1997 and then became a sensation for its biting humor, there was suddenly a lot of interest in what else Matt & Trey had done. Which is why copies of “The Spirit of Christmas” began to circulate. And – over time – copies of “Your Studio & You” began to bubble up.

Which – as Stone & Parker have repeatedly pointed out – was just not supposed to happen. Largely because none of the celebrities who appeared in “Your Studio & You” had never signed releases for Universal’s legal department. Because – again – this was for a movie that was only going to be shown once at a private function on the Universal Lot.

Matt mentioned (as part of a career retrospective at the Paley Center in LA back in 2000) that “ … they wouldn’t even let us keep a copy of the finished film.”

It’s a funny but brutal movie. And worth taking a look at today especially if you’re a theme park history buff because it shows Universal Studios Hollywood’s “Jurassic Park: The Ride” still under construction on the Lower Lot. That attraction would finally open to the public in June of 1996.

“Your Studio & You” became a lot easier to see after Seagrams sold off its share of Universal to Vivendi in 2000. Copies began propagating online after that. Though Universal Legal will periodically make an effort to get the latest copy of “Your Studio & You” taken off the Internet because – again – none of the performers who appear on camera ever signed the proper releases and/or were paid for their efforts.

That said, if you’re up for a mean-spirited laugh, “Your Studio & You” is well worth 14 minutes of your time. That said, once you watch this thing, be warned:

  1. You’re immediately going to be thirsty for a Seagram’s wine cooler
  2. And you’re going to have a sudden desire to go out & buy a porcelain deer.
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Theme Parks & Themed Entertainment

Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

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Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.

The Very First Parade and the Early Days of Balloons

The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.

And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade

It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.

Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.

Duck Joins and Towers Over Mickey

A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.

Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.

A Somber Parade in 2001

Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.

That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo

Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.

In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.

These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey

After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.

But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios

In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024

This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.

As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.

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Theme Parks & Themed Entertainment

Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street

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When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.

You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.

This is where Disneyland’s Little Monsters on Main Street came in.

The Origins of Little Monsters on Main Street

Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.

This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.

A Unique Halloween Experience

Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.

The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.

It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!

The Haunted Mansion “Tip-Toe” Tour

Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.

Growing Success and a Bigger Event

Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.

In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.

From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash

Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.

While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.

The Merch: A Piece of Little Monsters History

For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.

While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.

Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!

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