Theme Parks & Themed Entertainment
Ruminations: Are We There Yet?
It’s another trip on the Roger Colton special. Where a variety of topics are covered with lots of style & humor. Read and enjoy.
Oh, where to begin…
How about Disney Home Video? July 6th will bring a quartet of DVD titles that are old favorites for many of you. As these were some of the classic content of Vault Disney and even earlier seen on the Wonderful World of Disney, it’s some what surprising we that they are out at all. Specifically, we can expect:
- “The Three Lives of Thomasina”
- “Greyfriars Bobby”
- “Charlie The Lonesome Cougar”
- “Napoleon and Samantha”
Or — if you’re more a fan of the Ron Miller era (And let’s face it. Who isn’t!) — they are releasing a selection of titles just for you:
- “Hot Lead and Cold Feet”
- “The Cat From Outer Space”
- “The North Avenue Irregulars”
- “No Deposit No Return”
To top it off, we get 1968’s “The One And Only, Genuine, Original Family Band” complete with Kurt Russell, Walter Brennan, Buddy Ebsen, Wally Cox, Richard Deacon, Leslie Ann Warren, John Davidson and Goldie Hawn. Throw in songs by the Sherman Brothers and it’s a favorite of a lot of folks.
For theme park folks, the next time you’re at Disneyland and wandering through the queue at Big Thunder, take a look at the little vertical-boilered steam locomotive. Yup, the same one used in “Hot Lead, Cold Feet”. And you’ll find it’s counterpart also on display along the Big Thunder Trail between Fantasyland and the former Big Thunder ranch.
Now, when do we more of these goodies on DVD like the “Scarecrow of Romney Marsh” or the “Swampfox”?
Well, as promised, I did indeed make an appearance in Anaheim and joined those of the faithful making their pilgrimages with Jim as out native guide. Originally, I hadn’t planned to be in town for this round of tours, but then my mother says “That’s what I would like to do for my birthday.” So, guess what we’re off to do?
She’s a true Disneyland veteran having made her first visit on the Saturday of the Thanksgiving weekend in 1955. She and her sister arrived just after sunset and were waved through the gate to see what the place was all about. So from then to now, she’s almost always ready for another visit. Who am I to disagree?
Typical June weather kept us in search of shade and comfy chairs along the way. Despite a couple of bumps along the way, it was a great weekend. No cheerleaders this time, but there was a baton twirling event taking place out back of Big Thunder in the Festival area. Oh, all of the little egos being bruised…
Jim added a new (at least to me) twist to the tours by bringing along an interesting selection of goodies to illustrate a key point or three from time to time. Funny to recall how all of those promotional pieces printed by the company have now become true historical documents with what might have been as their focus. And as is traditional, he managed to add to his exposure to the elements with a good dose of sun now and then. Michele and I loaned him a hat on several occasions. It’s either that, or he takes up a fashionable bumbershoot. Might come in handy for making that sea of guests part now and then. I’m amusingly reminded of how Elliot Gould wielded a golf umbrella in the original “M*A*S*H”.
On the whole, the crowds in both Disneyland and DCA were fairly healthy. Friday noon we managed to walk right on to the queue for the Tower of Terror. We didn’t ride for a variety of reasons, but enjoyed the décor of the hotel lobby and did pick a few pins from the gift shop. Lots of items for the Hollywood Tower Hotel, and even a selection of art deco pieces all ready to be taken home. I recall the first time I saw the bathrobes and towels in Florida at their version. I couldn’t stop thinking of Arthur Dent and Douglas Adam’s “Hitchhiker’s Guide.” You can only picture how amusing it would be to show up wearing one’s robe and towel to ride the T of T.
Gotta wonder about some of the decisions about T of T out west. One of the key elements I thought worked so well in Florida was that there was a fair distance walk from the gate at Disney MGM and it helped to build tension all the way. Here, you simply turn a corner and there you are. While you can see it from all over the park, there are many obstructed views. Again from what I remember, when you walk down Sunset Blvd at Disney MGM, the Hollywood Tower Hotel pretty much dominates your view. And the décor along the way is entertaining as well. Here we get the back side of the Animation experience building on one side and the Hyperion Theater façade on the short block. True that the Animation building is dressed to look like it’s prototype on the Disney lot in Burbank, but the average guest doesn’t get that connection. Oh well, here’s hoping that word of mouth gets people in line to ride…
I guess that’s one of the things that I find so frustrating about DCA. There are times when the décor is done just so right that it illustrates the genius of folks at Imagineering. It’s a lot like selling the sizzle and not the steak. There’s no more obvious examples of that than Mulholland Madness and the Burger (or as I see it Wallet) Invasion. Both are overdressed versions of something you can find in many other places. Astute readers may recall how I dissed Mulholland Madness before when visiting Paramount’s Great America in Santa Clara, and found the identical ride. The same is horribly true as Burger invasion sells the same menu (again at an inflated price) as the McDonalds across the street on Harbor Blvd.
Okay, pardon the Cranky Pants moment. I’m feeling better now.
Music was another nice ingredient of the weekend. Everything from the Disneyland Band (who Jim seems to have a peculiar talent for attracting) to the jazz musicians out and about in New Orleans Square (especially the new version of the Royal Street Bachelors) and the Bellhop Band out in front of T of T.
The weekend also saw the gathering of most of the JHM staff. Corey Mitchell gets the prize as this was his first visit to Anaheim and he was bound and determined to get the full experience in two days. We saw him a number of times on his way back and forth across both parks.
We managed to gather those of the JHM staff on hand together for a nice dinner. And some great stories were shared during the evening on a variety of Disney and non subjects. Afterwards, the more insane of the bunch went off for a last ride of the long day on Splash Mountain – it was almost midnight! I had to pass as I wasn’t dressed appropriately for such an event, as you can see in this photo.
In the last few years, it’s always been easy to stand and point fingers at peeling paint or something needing attention here and there. You could do that this weekend, too – oh, the poor sailing ship Columbia (Thank goodness it doesn’t sail on open waters! Rotting wood on the hull needs serious attention, please.) – but it was far easier to stand back and take in the finished product. Main Street hasn’t looked so good in a long time. With the upcoming Tiki Room project, some folks (both outside as well as inside of the Disney company) will finally be able to concentrate their energies elsewhere.
While taking in the City Hall improvements – including the enlarged counter to handle guest concerns – we checked on a couple of things. A new tour aimed at families with young children seems promising. Called “Discover The Magic” , it includes interaction with Disney characters and a search for clues to solve a mystery. At 3 hours, it includes lunch and a souvenir gift. It has an interesting price structure with the first two participants priced at $49 each and then $39 for each additional member of a group. We watched one of these tours being started from the old Tour Garden behind the AAA Travel Center. I suspect I’ll get a chance to join the fun sometime…
One JHM tour participant (and a City Hall visitor) of note was Pal Mickey. While he isn’t quite ready for primetime, the word is that we might see him all ready to share tidbits of information for next year’s 50th events. Also an unknown is whether you’ll be able to bring one purchased in Florida to Anaheim and have it ready for use there. The new 2.0 version will roll out in Florida next year with lots of updated content, trivia and even new jokes! Now if someone in Merchandising will wise up and plan a line of accessories for Pal Mickey, so you can tell yours from someone else’s. And yes, I still want my Pal Stitch! There is also no truth to rumors of a Pal Jim. Something about problems with being banned from corporate events, topic drift, never finishing a story series and a bad case of sunburn now and then, we hear.
A fair selection of pins to trade for as well as on the racks about the property. Why, I even enjoyed trading with a couple of other pin enthusiasts. No sharks circling about this trip. Disappointing was the cancellation of the Chip and Dale 4th of July pin, however. It was somewhat amusing to note that the remaining holiday pins wouldn’t go on sale until Sunday night at the pin trading event at the Disneyland Hotel. (Good thing they canceled the one pin, as I would have had one long wait and a later drive home if they hadn’t! Michele collects holiday pins and Chip & Dale pins, so I would have been in double trouble…)
Picked up a copy of the “Date Night At Disneyland” CD. Classic evening at the Park in the late 50’s! A great addition to the “Firehouse Five Plus Two at Disneyland” offering some of the vintage nighttime activities. Rumors have “Meet Me Down On Main Street” coming soon, among other titles due later this summer. Check this link from SaveDisney.com for more information.
Watched the new “Imagine” fireworks show on Friday night. With the fog and low clouds rolling in, things seemed somewhat confused. But the show did go on. Music isn’t anything new and spectacular, but I never really did take to “Believe”. Call me traditional, but I always go back to the “Fantasy In The Sky” show as my favorite. For those keeping score, the new soundtrack sounds like a “Quick! Throw together a show!” piece more than anything else. While it almost matches the pyrotechnics, it relies heavily upon songs like “A Whole New World” from “Aladdin”, going back to visit the theme several times. With Disney having such a diverse catalog of tunes to choose from, this was somewhat disappointing. I think I could do better with selections from my iTunes playlist.
Changing topics, Michele took advantage of the new Special Assistance Pass or SAP. Thanks to problems with a knee years ago, she has trouble with stairs. (As does my mother…) And that was just the thing noted (by a rubber stamping of stairs) on the SAP. While we didn’t use it all that often, it was helpful several times. That said, the guide book that came along with the pass offered great information for anyone with a disability visiting the parks. We also saw one of the interactive captioning devices (for the hearing impaired) in use. It’s still early in testing, and of the attractions it is supposed to be helpful on, the majority are dark rides. Curious then that it doesn’t have a backlighting feature. If it did, that wasn’t obvious when we watched it being used on “Pirates”. (Use of the device was free, but there was a $100 deposit required.)
All in all, we had another fine trip down. Stayed on Harbor Blvd. at the Carousel Inn and Suites , right across from the Park. Hadn’t been there before and we managed to find a nice rate through Travelocity about a month before. The room was good sized, away from the street and very quiet. Parking was easy and convenient. The use of flowers and other plants throughout the area was also very relaxing. I expect we’ll probably stay here again on future visits. It’s not the Grand Californian, but the again, what else is?
In other news, the Colton clan is welcoming a new puppy in the next few weeks. The latest in a long line of German Sheperds dating back some 40 odd years, he’s going to be officially known (and AKC registered) as “Yeager von Valkyrie”. Unofficially, he’s likely to be named in honor of a fine German doppelbock beer. One of the best beers we enjoyed in Munich in 2001 was the Andechser Doppelbock Dunkel, as brewed by the monks of the Andechs Monastery . Usually, doppelbock beers all seem to have names that end with “ator” such as Spaten’s Optimator or Augustiner’s Maximator .
So that’s all for another week. Head out and enjoy the long holiday weekend, safe and sane — and not just the fireworks! As for what’s up next time, oh, that’s a long way yet…
Keep those kind contributions coming to the Amazon Honor System for JHM. It’s always appreciated and manages to make us do more of our part for you, our loyal readers. Get out the hip waders; it’s getting deep in here, and the puppy has nothing to do with it, yet…
Television & Shows
How the Creators of South Park Tricked A-List Celebrities to Roast Universal – “Your Studio & You”
Universal Studios has a rich and storied history, but few moments are as peculiar—and as hilariously cutting—as the creation of Your Studio & You. This 14-minute parody film, commissioned in 1995 to celebrate Universal’s new ownership under Seagram’s, brings together an all-star cast, biting humor, and the unmistakable comedic fingerprints of Matt Stone and Trey Parker.
Long before South Park debuted on Comedy Central in 1997, Stone and Parker were already carving out a reputation for their irreverent style, and Your Studio & You perfectly encapsulates their knack for turning even the most corporate project into something delightfully subversive.
Matt Stone & Trey Parker Before South Park
Stone & Parker were already known out in Hollywood as funny guys. Thanks largely to “The Spirit of Christmas,” which was this video greeting card that they’d crafted for a Fox executive – who then distributed this infamously funny thing (which had Our Lord Jesus Christ & Santa Claus literally duking it out for the holiday affections of Cartman, Kenny, Stan & Kyle) to friends & family.
This was the early 1990s. No internet. Each copy of “The Spirit of Christmas” was made on VHS tape and then mailed. Went viral the old-fashioned way. It’s rumored that George Clooney made over 300 copies of “The Spirit of Christmas” and passed these VHS taps along to friends and family.
Things didn’t move as fast as they do today. “The Spirit of Christmas” still became a sensation out West.
Zucker Brothers
Matt & Trey also had other supporters in the entertainment industry. Among them David Zucker, who was one of the members of ZAZ (i.e., Zucker Abrahams Zucker), the talented trio that made “Airplane!” in 1980, “Top Secret!” in 1984 and the three “Naked Gun” movies.
- The original “Naked Gun” in 1988
- “Naked Gun 2 & 1/2 : The Smell of Fear” in 1991
- and “Naked Gun 33 & a 1/3: The Final Insult” in 1994
All five of these parody films had been made for Paramount Pictures. But in the Late Winter / Early Spring of 1995, Universal had persuaded the Zucker Brothers to come over and set up shop in a bungalow on their lower lot. With the hope that – at some point further on down the line – David & his brother Jerry would start making funny films for Universal.
And it’s during this same window of time (We’re now talking April of 1995) that news breaks that Seagrams (Yep, the adult beverage company. Who – at the time – was making an absolute fortune on the sales of wine coolers) was about to buy a majority stake in MCAUniversal. We’re talking control of 80% of that company’s stock. Which would effectively make Seagrams the new owners of Universal Studios.
Edgar Bronfman
And Edgar Bronfman – the owner of Seagrams – knew that Universal had had a tough time with its previous owners – which had been the Matsushita Electric Industrial Co. of Japan. Matsushita had bought MCA back in November of 1990 for $7.5 billion but had never really understood the entertainment industry.
This is why – after repeatedly butting heads with Lew Wasserman & Sidney Sheinberg (i.e., the heads of Universal Studios & the Universal theme park respectively) when it came to creative control of this company – Matsushita decided to wash it hands of the entire enterprise. Agreeing to sell their holdings in MCA to Seagrams for $5.7 billion (effectively taking a nearly $2 billion loss on this investment).
And Bronfman … He knew that some bad feeling had developed between Hollywood’s creative community and the Japanese owners of Universal. The thinking was that executives at Matsushita Electric had just not gotten what it took to make movies & TV shows.
And Edgar? Right from the get-go, he wanted to show that Seagrams was NOT going to be Matsushita Electric Redux. Bronfman was looking for a way to send a clear message to Hollywood’s creative community that Universal’s new owners got it. That they were willing to work with Hollywood to make the best possible movies & TV shows at Universal.
And how did Edgar decide to get this message across? By making a funny movie.
Zucker Commissions Trey Parker for “Your Studio & You”
Mind you, Bronfman himself didn’t make this film. The owner of Seagrams reached out to David Zucker. Who – after initially agreeing to produce this introduction-to-Universal film – then farmed out the production of the actual project to Trey Parker. Who – just two days before shooting was supposed to star on the Universal Lot – persuaded Matt Stone to come help him on this project.
Which brings us to “Your Studio and You.” Which is a parody of an educational film from the 1950s, right down to being shot in black & white and featuring a very generic soundtrack.
Now what’s amazing about watching “Your Studio and You” today is that this 14-minute-long film features some of the biggest names working in Hollywood back in the mid-1990s. We’re talking about people like recent Golden Globe winner Demi Moore, Sylvester Stallone, Michael J. Fox and Angela Lansbury. Not to mention two of the most powerful men in all of Hollywood, Steven Spielberg & Jeffrey Katzenberg.
And what’s especially interesting about watch “Your Studio and You” is that – as you watch these performers go through their paces in this motion pictures (which – most of the time – involves doing some innocuous task while holding a Seagram’s wine cooler) – you often get the feeling that this star is not in on the gag.
So how did Matt & Trey get away with this? Simple. There was never actually a script for “Your Studio and You.”
Filming “Your Studio & You” at Universal Studios Hollywood
Mind you, David Zucker would always insist that there was. Especially when he’d phone up celebrities on the Universal Lot and say “Hey, I’m sending over a couple of college kids later today. They’re working with me on a new parody film. It’s something that we’re doing for the new owners of Universal. I need just a half hour of your time. We’re shooting something special for the party we’ll be holding when the Seagrams people first arrive at the Studio. Absolutely. You’ll definitely get an invite to that party. So can I count on you to help these kids out? Beautiful. They’ll be over there later this morning.”
And then Matt & Trey would show up and say “… Dang, Miss Lansbury. We’re sorry. We must have left our copy of the ‘Your Studio and You’ script back in our office. Which is clear on the other side of the Lot. So – rather than waste your time – why don’t we do this instead? Follow us over to the Psycho House. Where we’re then going to get footage of you painting the front porch on Mother Bates’ house while you say ‘Gosh, with all of the wonderful improvements going on around here, everyone is going to want to work at Universal.’ Oh, and can we also get you to wear this button on the front of your blazer which reads ‘Universal is A-OK’ ? “
And over & over again, the biggest names who were working for Universal at that time took part in the production of “Your Studio & You” because A) David Zucker vouched for Matt Stone & Trey Parker and B) this was something that was being made for the new owners of Universal. And it’s just natural to want to get in good with the new boss.
Steven Spielberg, Jeffery Katzenberg, and Jaws
But no one at Universal anticipated that “Your Studio & You” would wind up being as sharp edged as the finished product turned out to be. I mean, it’s one thing to bite the hand that feeds you. But “Your Studio & You” ? It doesn’t just bite the hand. It takes the hand off at the wrist.
It’s a brutally funny film. With one of the meanest moments reserved for Steven Spielberg, who plays a driver on the Universal Studio Tour who’s trying to persuade a tram full of bored tourists (one of whom is played by Jeffery Katzenberg) that the “Shark Attack” scene down by Jaws Lagoon is actually exciting.
Spielberg actually says lines like “ … Whoa, whoa. What is going on here? Ladies and gentlemen, this never happens. Look out! It’s a shark! Whoa, that is one big scary shark.”
Mind you, as footage of this mechanical shark repeatedly coming up out of the water is shown, “Your Studio & You” ‘s off-screen narrator (who is voiced by Trey Parker says):
“But what about tomorrow? If we don’t keep in step with the times, things that were once neat and thrilling can become old and stupid.”
“Your Studio & You” Reception
This film was supposed to be shown only once at the welcoming party for Seagrams executive on the Universal Lot. And I’m told that – when Edgar Bronfman saw the finished product at that party – he reportedly turned to David Zucker and said “ … That’s a little more mean-spirited that I think it needed to be.”
And with that, “Your Studio & You” was supposed to go back into the Universal vault, never to be seen again. But when “South Park” debuted on Comedy Central in August of 1997 and then became a sensation for its biting humor, there was suddenly a lot of interest in what else Matt & Trey had done. Which is why copies of “The Spirit of Christmas” began to circulate. And – over time – copies of “Your Studio & You” began to bubble up.
Which – as Stone & Parker have repeatedly pointed out – was just not supposed to happen. Largely because none of the celebrities who appeared in “Your Studio & You” had never signed releases for Universal’s legal department. Because – again – this was for a movie that was only going to be shown once at a private function on the Universal Lot.
Matt mentioned (as part of a career retrospective at the Paley Center in LA back in 2000) that “ … they wouldn’t even let us keep a copy of the finished film.”
It’s a funny but brutal movie. And worth taking a look at today especially if you’re a theme park history buff because it shows Universal Studios Hollywood’s “Jurassic Park: The Ride” still under construction on the Lower Lot. That attraction would finally open to the public in June of 1996.
“Your Studio & You” became a lot easier to see after Seagrams sold off its share of Universal to Vivendi in 2000. Copies began propagating online after that. Though Universal Legal will periodically make an effort to get the latest copy of “Your Studio & You” taken off the Internet because – again – none of the performers who appear on camera ever signed the proper releases and/or were paid for their efforts.
That said, if you’re up for a mean-spirited laugh, “Your Studio & You” is well worth 14 minutes of your time. That said, once you watch this thing, be warned:
- You’re immediately going to be thirsty for a Seagram’s wine cooler
- And you’re going to have a sudden desire to go out & buy a porcelain deer.
Theme Parks & Themed Entertainment
Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut
Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.
The Very First Parade and the Early Days of Balloons
The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.
And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.
1934: Mickey Mouse Floats In, and Disney Joins the Parade
It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.
Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.
Duck Joins and Towers Over Mickey
A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.
Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.
A Somber Parade in 2001
Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.
That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.
Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo
Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.
In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.
These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.
Mickey’s Comeback as a Bandleader and Sailor Mickey
After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.
But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.
Macy’s Disney Celebration at Hollywood Studios
In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.
Minnie Mouse’s Long-Awaited Debut in 2024
This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.
For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.
As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.
Theme Parks & Themed Entertainment
Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street
When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.
You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.
This is where Disneyland’s Little Monsters on Main Street came in.
The Origins of Little Monsters on Main Street
Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.
This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.
A Unique Halloween Experience
Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.
The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.
It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!
The Haunted Mansion “Tip-Toe” Tour
Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.
Growing Success and a Bigger Event
Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.
In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.
From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash
Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.
While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.
The Merch: A Piece of Little Monsters History
For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.
While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.
Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!
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