Theme Parks & Themed Entertainment
Ruminations: Rex Steele & Harry Potter
Roger is back with a few updates for JHM readers. This time around, Mr. Colton shares his thoughts on D-Day, Rex Steele as well as where one can go in Scotland to see some “Harry Potter” related scenery & rolling stock.
This coming Sunday sees the sixtieth anniversary of the Normandy landings of 6 June, 1944. D-day
While I may not have a personal connection to events that took place, I do consider it as the single most important day in modern history. The actions of the men and women of the Allied nations involved in Operation Overlord undeniably did make the difference, and turned the tide against tyranny.
So, if you find yourself with a moment or two, I would hope that you might offer thanks for all of the sacrifices made (and still being made) that we might live in freedom today.
Well, what do you know? Something actually went off as planned! I got the chance to take in some of the events at the 2004 Danville International Children’s Film Festival on Saturday, May the 22nd of. I hadn’t been here since the old days (maybe twenty-five years ago) when it was the Village Theater showing second run films at a cheap price. Hey, it was a great place for that high school date way back when…
Observant readers of this page may recall that among those events was to be two showings of “Rex Steele: Nazi Smasher” . While I didn’t get the chance to view all of the animated (or live action for that matter) entrants, “Rex” was clearly one of the higher quality two-dimensional projects. Another animated entrant was shown before, “Rex”. The minutes spent watching seemed like an eternity; almost painful in length and story. By the time it was done, I felt like I had been through a long viewing of really bad animatics.
However, the highlight of the trip was meeting “Rex” co-creator, Bill Presing . We watched the showing and then chatted over lunch at fine British pub, “The Crown” , just around the corner from the theater.
It’s been an interesting couple of weeks since I first introduced you all to “Rex”. Bill set up a well attended screening at Pixar where it was well received. And the awards seem to keep on coming for this film, too. On May 18th, the Academy of Motion Picture Arts and Sciences announced the winners of it’s 31st annual Student Academy Awards competition . In the Animation category, “Rex Steele: Nazi Smasher” was one of three winners. The awards presentation on June 13th will reveal the placement of Bronze, Silver or Gold Medals with cash prizes as well. Now from their site:
“The June 13 Student Academy Awards presentation ceremony begins at 6 p.m. It is free and open to the public. Clips from the bronze and silver medals will be shown and the gold medal films and Honorary Foreign Student film will be screened in their entirety. Seating is on a first-come basis only and early arrival is suggested as once capacity is reached, no one will be admitted, even with a ticket. To request a maximum of four tickets, call the Academy at (310) 247-3000, ext. 130. The Academy is located at 8949 Wilshire Boulevard in Beverly Hills.”
If you’re in the neighborhood, that’s something you might want to consider for a Sunday evening. Free is always good! But if you can’t make it for that event, “Rex” has a few more screenings in store. Try one of these:
2004 Asian Film Festival of Dallas
Date: June 4th-10th, 2004
Location: Dallas, Texas
2004 Boston International Film Festival
Date: June 26th, 2004 9 a.m.-11 a.m.
Location: Heinz Center (BWAY 7 Theatre) Boston, Mass
2004 Fantasia Film Festival
Date: July 8th – 31st, 2004
Location: Montreal, Canada
And check the Woohoo Pictures website for more dates to be added (hopefully)!
Chatting with Bill over lunch, he related some of the tales of how “Rex” came to be. As he had always liked the classic serial films, he had thought about making his own on Super 8 but never got around to it. Later on as a class project, he needed to draw three pages of a comic and that’s where “Rex” finally was born. Matt Peters came on board and took on the writing for those pages. Bill and Matt both graduated from the Joe Kubert School of Cartoon and Graphic Art in Dover, New Jersey in 1996 and then found their way into television animation.
Bill worked on a variety of television projects for Disney, Cartoon Network and won a Daytime Emmy for his work on the animated opening of the “Rosie O’Donnell Show”. He found his way west and into Pixar as a story artist. He owes that (somewhat) to a Christmas card with a hula theme that he had sent to a friend working there. Seems that someone else liked the card enough to photocopy it, and when his portfolio was shown around, that drawing was remembered enough to help him on his way. Bill admitted he liked the change in pace of working on a feature rather than television.
He’s busy doing a new “Rex Steele” stand alone book (that may turn into a three or four issue series), which he hopes to have done in time for the San Diego Comicon later this summer. If all goes well, “Rex” will likely be available on DVD at the same time. As we parted, he was headed home to finish up on the artwork for the cover.
The world’s largest operational steam locomotive is out on tour again, back to Texas for the second time this year. Union Pacific’s #3985 (a Challenger steam locomotive) is headed to Houston to pull trains for several charitable events associated with the George Bush Presidential Library, M. D. Anderson Cancer Center and Points of Light Foundation. There is something majestic in watching this locomotive do the job it was designed for. The Union Pacific deserves major points for keeping this heritage program going, year after year.
Currently the only other Class 1 railroad with a steam program is the Canadian Pacific but for the most part that operation has been staying pretty much close to home in Canada. The UP isn’t shy at all about their operation. For a number of years, they have sent their steam locomotives (they have one more — #844 — undergoing repairs in Cheyenne, Wyoming) out touring the nation. Even though the railroad ended passenger operations in favor of Amtrak, the UP owns and operates an impressive fleet of passenger cars and dedicated locomotives . In any given week, it is not uncommon for some of them to be in operation anywhere on the UP system for corporate events. When it is all assembled in one train, it faithfully recreates the railroad’s fabled “Streamliner” trains such as the “City of Los Angeles” .
The 3985 will head home to Wyoming from Houston in mid-June. In July, it will make a pair of round-trips between Cheyenne and Denver to pull the Denver Post’s train to and from Cheyenne’s “Frontier Days”. A tradition for over 60 years, it was revived in 1992 as has been immensely popular with folks in the Mile-High City ever since. The Union Pacific has used both the 3985 and 844 as well as diesel locomotives from it’s historic fleet on these trains every year since.
The paper has tickets available online. A sixteen-car train is planned to leave Denver at 7:00 a.m. on Saturday, July 24 with an approximate 9 p.m. return. The trip is expected to sell out, so if you are interested, make haste! The $225 price is actually quite a bargain for the full day of events and the train ride.
Updating another column from last year, it is again the airshow season. The Collings Foundation continues to tour both it’s Boeing B-17 Flying Fortress “Nine-Oh-Nine” and Consolidated B-24 Liberator “All-American”. This particular weekend finds them (and 300 other vintage aircraft) in Merced, California for the Merced Antique Fly-In (at Merced’s Airport). The Merced Chamber of Commerce offered the following info from their web pages:
“The Merced Antique Fly-In is on of the oldest continually running exhibits of antique airplanes in the Western United States. The 2003 show will be the 4th annual event held at the Merced Airport. The Friday night dinner is the one of the highlights of the show and the many fly-bys have the audience’s admiration. The event is always held the first weekend in June. If you would like more information on this event please contact the chamber at 209-384-7092.”
Sadly, all is not well with another Boeing B-17 that was out on tour. The Experimental Aircraft Association’s “Aluminum Overcast” was damaged following a landing at the airport in Van Nuys, California. According to the information on their web page, the landing gear collapsed after the planed had landed and was taxing from the runway. No passengers were aboard during the incident, and the crew was uninjured. If you are so inclined, you might wish to consider a donation to the EAA or purchasing a souvenir of some kind from their online store to help fund the repairs to get this one back in the air…
In case you’ve been living under the proverbial rock, you might recall that the latest “Harry Potter” adventure comes to the big screen today. A tale from the production worthy of mentioning. Seems how the train used in the role of the “Hogwarts Express”, the “Olton Hall” created a somewhat embarrassing moment during filming. Almost taking the title of the latest novel (“Harry Potter and the Goblet of Fire”) literally, a spark from the locomotive or the train managed to set fire to almost 500 acres of heather and trees on the moors near the famed Glenfinnan viaduct . That was back in February of 2003 during a rather unusual winter drought in the area. Here’s a link from a local newspaper with all the details and a photo.
It’s not unusual for steam locomotives to travel this route as there is regularly scheduled service between Fort William and Mallaig. During the summer months “The Jacobite Steam Train” is a great way to take in this very scenic part of Scotland, even if you’re not a “Harry Potter” fan…
But if you are, well here’s some good news:
Mon 31 May 2004
Hogwarts Express on track to pull in tourists
ALASTAIR DALTON
TRANSPORT CORRESPONDENT
“POTTERMANIA is expected to fuel a record season for the Highland steam train linked to the Hogwarts Express, as services are launched a week early to meet demand from children – and adults – inspired by the release of latest film in the series.This year’s steam-hauled trips on the Fort William to Mallaig railway start next Monday, a week after today’s much anticipated release of Harry Potter and the Prisoner of Azkaban, the third adaptation from JK Rowling’s books.
The Jacobite, which operates Britain’s only scheduled main- line steam service, carried some 25,000 passengers last year – the highest yet. However, its owners expect the new film will help increase numbers even further during the service’s tenth season, which continues until October.
The National Trust for Scotland said visitors to the Glenfinnan monument, close to the 84-mile line, had also increased. The trust is waiting to see whether more tourists will flock to Glen Coe, where part of Harry Potter and the Prisoner of Azkaban was filmed last year.
In the films of JK Rowling’s best-selling books, the Hogwarts Express conveys Harry Potter and fellow pupils to wizard school.
A sister train to the Jacobite was used in the films, but the two have become intertwined after the Hogwarts Express was seen crossing the Glenfinnan viaduct in the last film, Harry Potter and the Chamber of Secrets.
During the making of the latest film last year, a spark from the train is thought to have caused a blaze which devastated about 500 acres of moorland. The Glenfinnan Estate was reported to have lodged a claim for £100,000 because of the loss of thousands of young trees.
The West Coast Railway Company, which operates the Jacobite, said it expected the ‘Harry Potter effect’ to cast its spell on the train’s fortunes again.
Company spokesman James Shuttleworth said: “The films have definitely had a knock-on effect on patronage. We had a very good season last year and had to turn people away for the first time. The Jacobite was originally regarded by tourists as something to do when they were in the area. Now it is proving to be a reason for them to visit in the first place.”
The train will travel from its base at Carnforth in Lancashire – of Brief Encounter fame – later this week. Weekday services will be supplemented by Sunday trips in July and August.
Francoise van Buuren, a spokeswoman for the NTS, said the last Harry Potter film had boosted visitor numbers to the Glenfinnan monument by 25 per cent to about 200,000 a year.
She said: “We expect that after the new film is released even more people will come.”
However, she said that NTS staff were unsure about its likely impact on Glen Coe.
The Scottish Highlands and Islands Film Commission has calculated that the filming of Harry Potter and the Prisoner of Azkaban enhanced the region’s economy by £3 million, with more than 400 cast and crew involved in the location work.
Visit Scotland said it would be working with Scottish Screen to assess the impact of the film following its release.
Sharon Makepeace, a spokeswoman for VisitScotland, said: “This next film is meant to be Scotland’s big thing, with the country featuring more visually in it, so we expect it to benefit tourism.”
The Highlands of Scotland Tourist Board said the Jacobite and its Harry Potter connection had been included in its accommodation guides.
Dot Ferguson, an economic development official with Highland Council, said the previous Harry Potter films had provided a “very positive spin-off” for the region.
This increased every time they were released in a new format, such as DVD and video. The first two films broke worldwide records, with a combined box-office gross of nearly £1.2 billion.
The Harry Potter books themselves have sold more than 42 million copies in more than 40 countries since the first book, Harry Potter and the Philosopher’s Stone, was published back in 1997. “
Looking further into the crystal ball, if the fates are kind, I’ll be joining Jim and the rest of the team during the upcoming series of Disneyland tours later this month. And next week, it’s back again with another look at a Bay Area amusement.
If you’re enjoying these tales from out and about, you can show your support by clicking on the Amazon Honor System for the Jim Hill Media web pages, and making a contribution. Every little bit helps keep the wheels of electronic communication spinning!
Theme Parks & Themed Entertainment
Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street
When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.
You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.
This is where Disneyland’s Little Monsters on Main Street came in.
The Origins of Little Monsters on Main Street
Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.
This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.
A Unique Halloween Experience
Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.
The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.
It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!
The Haunted Mansion “Tip-Toe” Tour
Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.
Growing Success and a Bigger Event
Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.
In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.
From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash
Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.
While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.
The Merch: A Piece of Little Monsters History
For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.
While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.
Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!
Theme Parks & Themed Entertainment
The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition
The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.
Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.
A Not-So-Scary Beginning
I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.
This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.
A Different Approach
Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.
Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.
Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.
A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.
A Modest Start but a Big Future
That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.
Universal’s Influence
It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.
So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.
For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.
History
The Evolution and History of Mickey’s ToonTown
Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all. Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?
There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.
The Beginning: Mickey’s Birthdayland
The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.
In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.
Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.
From Concept to Reality: The Birth of Toontown
In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.
Building Challenges: Innovative Solutions
The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.
And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.
Key Attractions: Bringing Animation to Life
Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.
Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.
Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.
Executive Decisions: Shaping ToonTown’s Unique Attractions
The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.
In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.
These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.
Global Influence: Toontown’s Worldwide Appeal
The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.
Evolution and Reimagining: Toontown Today
As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.
Dive Deeper into ToonTown’s Story
Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!
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