Theme Parks & Themed Entertainment
Ruminations – San Pedro, Joshua Tree, Perris & Anaheim?
Four days in sunny Southern California? You bet and Roger has the full tale of an interesting long weekend. It’s another edition!
(Apologies to Mel Blanc and those immortal words from the “Jack Benny” radio show – “Train now leaving on Track Five for Anaheim, Azusa and Cucamonga!”)
Well, if you are one of those who says that when Roger has a railroad story, that you don’t read his column (and I know you do), then you would be doing yourself a disservice by skipping this one.
It is true that there will be railroads involved, but it was a very interesting and amusing long four days. And entertaining, too! So, sit back with that favorite morning beverage, and enjoy the tale as it unfolds.
Now as a precursor to this, I had the pleasure of getting not one, but two lovely injections of Cortisone in my right arm on Thursday the 11 th. Hence the short but sweet column last week, For something that is supposed to relieve pain (and it has, finally) it left me only able to do the one-finger typing bit. But I promise I am making up for it today.
Starting off, Jeff Ferris, Dasha Clancey and myself all made the pilgrimage to the Oakland International Airport early on the morning of Friday the 12 th of November. With Jet Blue’s usual speed and efficiency, we arrived at the classic Long Beach terminal, retrieved our luggage, Alamo rental car (a white Chevy Impala) and headed north on Lakewood Blvd in search of a hearty breakfast. Once that task was completed we headed for our first stop of the trip in San Pedro.
With a little imagination, you can see this as the Disney Magic…
Now this may seem an usual destination, but next year it will be one that many families will make their choice as the Disney Cruise Line docks here. The Disney Magic will call this it’s temporary homeport for a series of seven-night cruises to Mexico from May through August. And it looks like these will be extremely popular. Many sailing dates have been sold out for some time now.
Another ship, I have mentioned in a previous column, the S.S. Lane Victory, is berthed just east of the Cruise Terminal here. I had visited her before in San Pedro and was glad to see her now with a more prominent and better marked location for visitors.
But for us, this time, the attraction here was the chance to ride on the Port of Los Angeles “Red Cars”. At one time, it was the transportation choice of many people to ride from points in the LA Basin to board a ship here. Whether for a long cruise or just the day trip to Catalina, many people rode the “Red Cars” of the Pacific Electric here.
On the original Pacific Electric right of way, passengers travel from the Cruise Terminal to the Ports of Call Village and beyond…
The Port invested $10 million dollars into the project to create the mile and half operation. Currently, there are three “Red Cars” available for service. Most often seen are the two replicas of the 500 series Pacific Electric cars. Where the originals were wooden bodies, the new cars combine modern safety and convenience. Seating 48 people, and including space for handicapped accessibility at each stop, the offer a great way to enjoy the short ride.
The interior of the 500, complete with wooden walk-over seats.
Also aboard are vintage advertisements such as this one for the Folding Brownie camera.
The gem of the line is the one actual Pacific Electric car, #1058. You may recall seeing the car in a number of films, including “Who Framed Roger Rabbit”. Anyone remember the line, “Look out for the Red Car!” as Roger and Eddie escape from the weasels with the help of Benny the Cab? This was that Red Car.
The 1058 sunning herself at the line’s temporary car house.
In their day, the 1000 series class cars were the biggest wooden cars to operate on the P.E. and only two of them survive today – both at the OERM in Perris (where our story will eventually get to). The 1058 is actually a 900 series car that was badly damaged in an accident. Purchased by trolley enthusiast Richard Fellows, it was mounted on rubber tires and was used in many movies, parades and events around the LA basin. When he passed away, a number of car bodies he owned were sold, including the 1058. The Port hired Railway Preservation Resources to oversee the restoration of the 1058 for rail service as well as the construction of the two 500 series replicas.
All in all it made for a great time in San Pedro. A leisurely lunch followed our Red Car visit at Utro’s Café right next to the Ports O’ Call Village stop. We even ended up visiting a local shop that we had seen a car card advertisement for on the 1058 – The Naughti Mermaid. A nice little gift shop and she has a good selection of Reyn Spooner shirts among other things.
Jeff, Dasha and I eventually headed east with no particular plans, other than ending up in Yucca Valley, eventually. That’s where we were spending the night (at the Super 8 Motel). Working our way down the freeways, we ended up eastbound on the 91. As it wasn’t too late in the day, we thought why not visit Downtown Disney? With a showing of “Incredibles” at the AMC Theaters, and dinner at Hook’s Pointe, we managed to do quite well before getting back on the highway after all of the Friday night commute traffic had died down. Just in time to watch fireworks from the happiest parking structure in Orange County, too!
Hey! Radio controlled miniature Jungle Cruise boats at the Disneyland Hotel! Right down to the loading dock and offices!
Saturday morning, we slept in. After getting up so early on the previous day, it was a welcome change of pace. That’s a good description for the rest of the day, too. Joshua Tree is in the high desert of Southern California. It’s home to the National Park of the same name.
The Joshua Tree & Southern Railroad Museum is a combination of small scale railroading and full sized railway equipment. Jeff, Dasha and myself have been helping here for the last few years as volunteers at the Museum’s “Dinner in the Diner” events. It’s a chance to show what it was like aboard a railroad dining car. In this case, it’s from 1927 and was once part of the Denver & Rio Grande operating between Salt Lake City and Denver.
Chef Rita Allan and her helpers did a fine job! Meals for almost thirty people.
“Dinner In The Diner, nothing could be finer…”
The small scale railroading has several sizes to choose from. That includes a “G” scale or garden railway, the 7 1/2 inch gauge and then the 15 inch gauge railroad. The latter is still very much a project in progress with a large bridge being built as the starting point for a very ambitious railway.
There was plenty of action over on the 7 1/2 inch railroad during the week end. These steam locomotives may be small in size, but they are every bit as functional as their full size brothers. Here are views of three locomotives in operation on Saturday.
A fine sunset in the high desert!
One of the most popular children’s television properties around the world in the last few years has (and continues to be) “Thomas The Tank Engine”. Railroad museums and tourist railroads have also discovered that appearances by this little blue locomotive are wildly popular with the public. So much so that “Thomas” is found visiting all across the country throughout the year. This particular visit was to the Orange Empire Railway Museum in Perris, California.
Thomas at the ready for another trip!
Train rides with Thomas are the main attraction and start early in the day. In fact, things at the Museum began at 7:30 a.m. as opposed to a normal day beginning operations at 11:00. Rides continued all day long right up to the last departure at 4:30 p.m. and the train was full almost every trip.
Photographs with Thomas were very popular.
OERM may be known by some of our readers as the new home for some of the equipment of Ward Kimball’s “Grizzly Flats Railroad”. The Grizzly Flats car house does double duty during this event as the home to the Thomas retail store with all kinds of items for sale.
The Grizzly Flat Car House as the Store.
Streetcar rides proved popular with visitors as well.
For this day, we were aboard a 1956 Union Pacific sleeping car, the “National Scene”. This was part of the display at the Museum’s Car House 4, and was reached by riding a train of cabooses pulled by an electric locomotive. Even though cabooses may be gone from freight trains of today’s modern railroads, they still have lots of fans who enjoyed the ride aboard a traditional red caboose!
The Caboose Train ready to depart Car House 4.
Roger in the uniform of a Pullman Porter in front of a Santa Fe passenger diesel locomotive.
The day ended at 5:00 p.m. and things were pretty much done for the night soon after. As most of the Museum folks will be back there again this weekend (and yes, tickets for the Day Out With Thomas are still available!), they beat a hasty retreat. We joined a few of them for a fine dinner at Amigos Tres in downtown Perris.
Now originally, we had planned to meet up with a few folks in downtown Los Angeles on Monday morning. The purpose was to show off a private railroad car to someone who is interested in chartering it for an event. That car, the “Pony Express” is based in LA and will be just right for this group with a trip down to San Diego and then back.
That was just the kind of trip it was supposed to have made on Saturday while we were out a Joshua Tree. But due to a derailment at the Los Angeles Union Station on Friday night, the car had to be placed in the middle of a train set, rather than on the rear, as would be the usual practice. That was fine as the charter would still be able to run. What complicated things a bit was that due to this and the derailment still being cleaned up, the car could not be removed from that train set once it got back to Los Angeles.
Why not, you may ask? Well dear readers, the train that the car returned on doesn’t end in Los Angeles that night. It continues on to Santa Barbara and little more to a place called Goleta. And that is just what it did — complete with the “Pony Express”! Car owner Stan Garner called me and told me the tale. It didn’t stop there, however. Just like “Charlie on the MTA” (as so notably sung by the Kingston Trio), it seemed that Stan and the “Pony” were stuck on the train. Sunday came and went and there they still were. Monday morning came and Stan was enjoying a fine breakfast of Quiche Lorraine, fresh fruit and a nice cup of coffee rolling along in his private railroad car, heading south along the coastline.
Amtrak finally did take pity on him and the car got switched out of the train set that afternoon in San Diego. He managed to make it back to LAUPT later that evening.
This all was amusing, but it meant that our plans to head downtown were somewhat unnecessary. Hey, it means for the second time in three days, we all got to sleep in late! Wow! Such a bonus!
And as fate would have it, while looking for the most reasonably priced (a.k.a. cheapest) room in the area, it turned out to be directly across the street from…
You guessed it! (Or you read my Ruminations Extra on Wednesday…) Disneyland.
Thanks to very light traffic on the 91 we managed to arrive in Anaheim about 8:30. And as Disneyland was open until 11, I bid Jeff and Dasha farewell, apologized for being anti-social and made my way to the Park, arriving just after the fireworks were done for the night. A good excuse to try out the digital camera and the little tripod!
The Emporium and the Main Street Christmas Tree.
The Matterhorn and construction at the top.
The entrance to DCA from an interesting vantage point.
So, here we are Monday morning…
I’ll recap a bit from the Extra here.
So bright and early we were up Monday. It was one of those rare days with a warm morning and the mythical San Gabriel Mountains were even in view, complete with snow capped peaks. After a brief moment of consideration, my companions decided that we should enjoy a Disneyland visit instead of making the trek to downtown.
After a quick nosh at the La Brea Bakery, we entered the Park and wandered down Main Street. Dasha is a big fan of Ariel from “The Little Mermaid” so we thought we would see what time Ariel would be at her Grotto to greet guests. Turned out that would be 12:30 p.m. so we had a bit of time. We went off to take in the “Indiana Jones Adventure” (The snake still looks fake.) Nice to see most of the effects back up and running. Also noted the new procedure that insures that each guest takes in the pre-ride film showing seat belts instructions, carry-on item storage and assorted safety warnings.
By the time that was finished, it was time to head back across the park to Ariel’s Grotto. Passing in front of Sleeping Beauty’s Castle, we stopped to take in the ongoing restoration. While watching some folks at work on what appear to be the finishing touches, I thought I saw a familiar face walk by. Right I was; as Matt Ouimet and another Cast Member with a name tag of Steve said “Hello” to an Outdoor Vending Cast Member at the same location. Matt and Steve stopped for a moment to look at the Castle and then continued off on their walk. “Neat”, I thought. Nice to see him out and about as I’ve heard he’s someone very interested in seeing what is happening for himself.
So, we continued on and joined the short line of guests waiting for Ariel at her Grotto. It wasn’t long and Dasha soon had her moment for a photo and a chat.
A quiet moment with a favorite friend…
Now while I’m taking this photo, I’ve noticed that Monorail Blue is coming slowly around the Matterhorn headed for the Tomorrowland Monorail station. Just about the time I’m pushing the shutter button, I hear a loud pop, and Monorail Blue comes to a stop. So taking another quick photo of Ariel and Dasha, I walk over to join Jeff in seeing what has happened on the beam. We hear the pilot come on the public address system on the cars and let the passengers know that they are temporarily stopped for an unknown technical difficulty.
Monorail Blue stopped on it’s way to the station.
Less than two minutes later, the pilot announces that they will be pushed into the station in a few moments, as it appears that the electricity has been lost. Right they are, as in a great display of Disney efficiency, the Monorail tow tug comes to a top behind the train so that the tow bar can be attached.
The Monorail Tow-Tug, ready and on the scene…
While I’m busy taking photo’s of the tug and the Monorail as it is readied to be pushed into the station platform, Dasha is greeted with a “Hello” from Matt as he passes by, headed east under the beam. Of course, I never noticed this. She tells me about it after I’m all done and put the camera away…
From here it was off for a ride on the Disneyland Railroad, something Dasha says she has never done before. Well, we set that one right!
Yes, it is the Fred Gurley. That’s the DRR #3, the 2-4-4T (not the #4, Ernest Marsh, which is a 2-4-0 with a tender.)
Thanks to everyone who reminded me last time!
That’s what I get for writing on the fly…
We rode from Tomorrowland to New Orleans Square. Disembarking from the train, I spotted Disneyland Tour Guide Edmundo getting a group ready to board while we exited.
Edmundo and his group between near the Haunted Mansion.
A ride on Pirates of the Caribbean is always a favorite, so we made our way along Royal Street. I noted that the shop, “Le Mascarade de Orleans” was open again, as it had been shuttered earlier in the year. A quick visit revealed it has become a pin trading location with the usual variety. Too bad, I always enjoyed it as a hat shoppe, and even purchased some favorites there including a dashing grey top hat! Ce’ la vie…
Le Mascarade de pins?
After Pirates, we stopped for a bite of lunch at the Stage Door Café. Thankfully, they haven’t switched to the McDonalds fries just yet. But a burger is still just a burger here, too. It’s been a while since I had such mundane fare at the Park, so it was actually an amusing change of pace.
Haunted Mansion Holiday, good as ever!
We enjoyed this year’s Haunted Mansion Holiday and headed back to Main Street for some last minute shopping before heading off on that most dangerous of journey’s – the Southern California Freeways!
That was a great moment here as three fantastic Cast Members at Main Street’s Disney Showcase took very extra special care to see that twenty Christmas ornaments are especially wrapped to safely survive the airplane flight home. That was a great bit of Disney “Magic” and it just topped off a wonderfully unexpected day at the Park.
From right to left, these great Cast Members shared a special bit of Disney Magic – Gel, Teddy and especially Jo-Ann!
Thanks again for the wonderful help!
So there you have it. Or do you? I’ve saved a few things to share, so you’ll just have to check back later, won’t you?
It was a great four days in Southern California and just packed with good weather and interesting times. So much so that I’m doing it again next month, just in time for Disneyland’s Candlelight events! Stay tuned…
Thanks again to everyone for your support of the American Red Cross. It’s great to know that your help makes their efforts go that much further when folks in trouble need assistance.
And if you’re in a generous and or appreciative mood, drop me a buck or two using the Paypal Donation Box or the Amazon Honor System links from my bio page here! I’m putting it to good use, honest!
Television & Shows
How the Creators of South Park Tricked A-List Celebrities to Roast Universal – “Your Studio & You”
Universal Studios has a rich and storied history, but few moments are as peculiar—and as hilariously cutting—as the creation of Your Studio & You. This 14-minute parody film, commissioned in 1995 to celebrate Universal’s new ownership under Seagram’s, brings together an all-star cast, biting humor, and the unmistakable comedic fingerprints of Matt Stone and Trey Parker.
Long before South Park debuted on Comedy Central in 1997, Stone and Parker were already carving out a reputation for their irreverent style, and Your Studio & You perfectly encapsulates their knack for turning even the most corporate project into something delightfully subversive.
Matt Stone & Trey Parker Before South Park
Stone & Parker were already known out in Hollywood as funny guys. Thanks largely to “The Spirit of Christmas,” which was this video greeting card that they’d crafted for a Fox executive – who then distributed this infamously funny thing (which had Our Lord Jesus Christ & Santa Claus literally duking it out for the holiday affections of Cartman, Kenny, Stan & Kyle) to friends & family.
This was the early 1990s. No internet. Each copy of “The Spirit of Christmas” was made on VHS tape and then mailed. Went viral the old-fashioned way. It’s rumored that George Clooney made over 300 copies of “The Spirit of Christmas” and passed these VHS taps along to friends and family.
Things didn’t move as fast as they do today. “The Spirit of Christmas” still became a sensation out West.
Zucker Brothers
Matt & Trey also had other supporters in the entertainment industry. Among them David Zucker, who was one of the members of ZAZ (i.e., Zucker Abrahams Zucker), the talented trio that made “Airplane!” in 1980, “Top Secret!” in 1984 and the three “Naked Gun” movies.
- The original “Naked Gun” in 1988
- “Naked Gun 2 & 1/2 : The Smell of Fear” in 1991
- and “Naked Gun 33 & a 1/3: The Final Insult” in 1994
All five of these parody films had been made for Paramount Pictures. But in the Late Winter / Early Spring of 1995, Universal had persuaded the Zucker Brothers to come over and set up shop in a bungalow on their lower lot. With the hope that – at some point further on down the line – David & his brother Jerry would start making funny films for Universal.
And it’s during this same window of time (We’re now talking April of 1995) that news breaks that Seagrams (Yep, the adult beverage company. Who – at the time – was making an absolute fortune on the sales of wine coolers) was about to buy a majority stake in MCAUniversal. We’re talking control of 80% of that company’s stock. Which would effectively make Seagrams the new owners of Universal Studios.
Edgar Bronfman
And Edgar Bronfman – the owner of Seagrams – knew that Universal had had a tough time with its previous owners – which had been the Matsushita Electric Industrial Co. of Japan. Matsushita had bought MCA back in November of 1990 for $7.5 billion but had never really understood the entertainment industry.
This is why – after repeatedly butting heads with Lew Wasserman & Sidney Sheinberg (i.e., the heads of Universal Studios & the Universal theme park respectively) when it came to creative control of this company – Matsushita decided to wash it hands of the entire enterprise. Agreeing to sell their holdings in MCA to Seagrams for $5.7 billion (effectively taking a nearly $2 billion loss on this investment).
And Bronfman … He knew that some bad feeling had developed between Hollywood’s creative community and the Japanese owners of Universal. The thinking was that executives at Matsushita Electric had just not gotten what it took to make movies & TV shows.
And Edgar? Right from the get-go, he wanted to show that Seagrams was NOT going to be Matsushita Electric Redux. Bronfman was looking for a way to send a clear message to Hollywood’s creative community that Universal’s new owners got it. That they were willing to work with Hollywood to make the best possible movies & TV shows at Universal.
And how did Edgar decide to get this message across? By making a funny movie.
Zucker Commissions Trey Parker for “Your Studio & You”
Mind you, Bronfman himself didn’t make this film. The owner of Seagrams reached out to David Zucker. Who – after initially agreeing to produce this introduction-to-Universal film – then farmed out the production of the actual project to Trey Parker. Who – just two days before shooting was supposed to star on the Universal Lot – persuaded Matt Stone to come help him on this project.
Which brings us to “Your Studio and You.” Which is a parody of an educational film from the 1950s, right down to being shot in black & white and featuring a very generic soundtrack.
Now what’s amazing about watching “Your Studio and You” today is that this 14-minute-long film features some of the biggest names working in Hollywood back in the mid-1990s. We’re talking about people like recent Golden Globe winner Demi Moore, Sylvester Stallone, Michael J. Fox and Angela Lansbury. Not to mention two of the most powerful men in all of Hollywood, Steven Spielberg & Jeffrey Katzenberg.
And what’s especially interesting about watch “Your Studio and You” is that – as you watch these performers go through their paces in this motion pictures (which – most of the time – involves doing some innocuous task while holding a Seagram’s wine cooler) – you often get the feeling that this star is not in on the gag.
So how did Matt & Trey get away with this? Simple. There was never actually a script for “Your Studio and You.”
Filming “Your Studio & You” at Universal Studios Hollywood
Mind you, David Zucker would always insist that there was. Especially when he’d phone up celebrities on the Universal Lot and say “Hey, I’m sending over a couple of college kids later today. They’re working with me on a new parody film. It’s something that we’re doing for the new owners of Universal. I need just a half hour of your time. We’re shooting something special for the party we’ll be holding when the Seagrams people first arrive at the Studio. Absolutely. You’ll definitely get an invite to that party. So can I count on you to help these kids out? Beautiful. They’ll be over there later this morning.”
And then Matt & Trey would show up and say “… Dang, Miss Lansbury. We’re sorry. We must have left our copy of the ‘Your Studio and You’ script back in our office. Which is clear on the other side of the Lot. So – rather than waste your time – why don’t we do this instead? Follow us over to the Psycho House. Where we’re then going to get footage of you painting the front porch on Mother Bates’ house while you say ‘Gosh, with all of the wonderful improvements going on around here, everyone is going to want to work at Universal.’ Oh, and can we also get you to wear this button on the front of your blazer which reads ‘Universal is A-OK’ ? “
And over & over again, the biggest names who were working for Universal at that time took part in the production of “Your Studio & You” because A) David Zucker vouched for Matt Stone & Trey Parker and B) this was something that was being made for the new owners of Universal. And it’s just natural to want to get in good with the new boss.
Steven Spielberg, Jeffery Katzenberg, and Jaws
But no one at Universal anticipated that “Your Studio & You” would wind up being as sharp edged as the finished product turned out to be. I mean, it’s one thing to bite the hand that feeds you. But “Your Studio & You” ? It doesn’t just bite the hand. It takes the hand off at the wrist.
It’s a brutally funny film. With one of the meanest moments reserved for Steven Spielberg, who plays a driver on the Universal Studio Tour who’s trying to persuade a tram full of bored tourists (one of whom is played by Jeffery Katzenberg) that the “Shark Attack” scene down by Jaws Lagoon is actually exciting.
Spielberg actually says lines like “ … Whoa, whoa. What is going on here? Ladies and gentlemen, this never happens. Look out! It’s a shark! Whoa, that is one big scary shark.”
Mind you, as footage of this mechanical shark repeatedly coming up out of the water is shown, “Your Studio & You” ‘s off-screen narrator (who is voiced by Trey Parker says):
“But what about tomorrow? If we don’t keep in step with the times, things that were once neat and thrilling can become old and stupid.”
“Your Studio & You” Reception
This film was supposed to be shown only once at the welcoming party for Seagrams executive on the Universal Lot. And I’m told that – when Edgar Bronfman saw the finished product at that party – he reportedly turned to David Zucker and said “ … That’s a little more mean-spirited that I think it needed to be.”
And with that, “Your Studio & You” was supposed to go back into the Universal vault, never to be seen again. But when “South Park” debuted on Comedy Central in August of 1997 and then became a sensation for its biting humor, there was suddenly a lot of interest in what else Matt & Trey had done. Which is why copies of “The Spirit of Christmas” began to circulate. And – over time – copies of “Your Studio & You” began to bubble up.
Which – as Stone & Parker have repeatedly pointed out – was just not supposed to happen. Largely because none of the celebrities who appeared in “Your Studio & You” had never signed releases for Universal’s legal department. Because – again – this was for a movie that was only going to be shown once at a private function on the Universal Lot.
Matt mentioned (as part of a career retrospective at the Paley Center in LA back in 2000) that “ … they wouldn’t even let us keep a copy of the finished film.”
It’s a funny but brutal movie. And worth taking a look at today especially if you’re a theme park history buff because it shows Universal Studios Hollywood’s “Jurassic Park: The Ride” still under construction on the Lower Lot. That attraction would finally open to the public in June of 1996.
“Your Studio & You” became a lot easier to see after Seagrams sold off its share of Universal to Vivendi in 2000. Copies began propagating online after that. Though Universal Legal will periodically make an effort to get the latest copy of “Your Studio & You” taken off the Internet because – again – none of the performers who appear on camera ever signed the proper releases and/or were paid for their efforts.
That said, if you’re up for a mean-spirited laugh, “Your Studio & You” is well worth 14 minutes of your time. That said, once you watch this thing, be warned:
- You’re immediately going to be thirsty for a Seagram’s wine cooler
- And you’re going to have a sudden desire to go out & buy a porcelain deer.
Theme Parks & Themed Entertainment
Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut
Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.
The Very First Parade and the Early Days of Balloons
The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.
And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.
1934: Mickey Mouse Floats In, and Disney Joins the Parade
It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.
Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.
Duck Joins and Towers Over Mickey
A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.
Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.
A Somber Parade in 2001
Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.
That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.
Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo
Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.
In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.
These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.
Mickey’s Comeback as a Bandleader and Sailor Mickey
After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.
But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.
Macy’s Disney Celebration at Hollywood Studios
In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.
Minnie Mouse’s Long-Awaited Debut in 2024
This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.
For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.
As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.
Theme Parks & Themed Entertainment
Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street
When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.
You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.
This is where Disneyland’s Little Monsters on Main Street came in.
The Origins of Little Monsters on Main Street
Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.
This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.
A Unique Halloween Experience
Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.
The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.
It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!
The Haunted Mansion “Tip-Toe” Tour
Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.
Growing Success and a Bigger Event
Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.
In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.
From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash
Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.
While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.
The Merch: A Piece of Little Monsters History
For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.
While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.
Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!
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