Theme Parks & Themed Entertainment
The View from Inside
You never know quite what you’re getting yourself into when you start reading an Andrea “Mickeyfantasmic” Monti column. My advice: Maybe you’d better sit yourself down with a glass of wine. For you’re in for a twisty tale.
Picture a tall, somewhat handsome and imposing man. A guy who automatically catches your eye whenever he enters a room because of his physical stature as well as his impressive charisma. This is the Disney CEO.
Wouldn’t you love to really know what’s going on inside of this guy’s head? Find out what this CEO is really thinking at this incredibly difficult time in Disney Company history? Well, thanks to the nice folks over at Walt Disney Imagineering — who agreed to let me borrow their Mighty Microscope earlier this afternoon — you can.
Now please keep your hands and arms inside the Atomobile while I set the dial to “itsy bitsy” and … we’re inside. Right behind that giant forehead. And — if you listen carefully — you can hear …
Yep, Disney’s CEO is stressing. Big time. He’s worried about what’s happening with the corporation’s stock price. He’s wondering why the movers and shakers down on Wall Street just can’t get behind the Disney company anymore. Why is it that all these guys — and the press — ever seem to talk about anymore is all the mistakes that the Mouse makes?
“I mean, can’t these guys recognize all the great things that I’ve accomplished during my time here in the big chair?” the CEO sputters. “Like … giving the go-ahead for Disney to build the most innovative and expensive theme park in the history of the industry.”
“Or that new futuristic attraction for Epcot. The one that lets guests experience what it’s like to journey into space,” the CEO huffs. “That was a pretty daring choice too.”
Sadly, no one’s awarding Disney’s CEO any points for doing daring stuff these days. Which is why the Mouse House’s Big Cheese is beginning to feel an awful lot like Rodney Dangerfield; he can’t “get no respect” these days. Not from the press. Not from Wall Street. Not even from Disney’s own board of directors.
“I just don’t get the credit that I’m due from those guys,” Disney’s CEO sighs. “I mean, I’m trying to be a visionary. See outside the box. Didn’t I just allow the Imagineers to develop a brand new Magic Kingdom … which we’d build on another continent?”
“Isn’t that at least worth recognizing as some sound business thinking?” Disney’s CEO continues. “I mean, Tokyo Disneyland has been such a huge success. It just makes sense for the corporation to build another theme park somewhere else on the globe. Don’t I get any points for seeing how obvious that is?”
Glancing out the window of his corner office, Disney’s CEO spies the Feature Animation building on the Burbank lot and thinks: “Maybe things would be different now if we just had a new hit feature length cartoon? I mean, audiences really seemed to go for that mermaid movie. But the one where the teenage boy searched for that treasure … Yikes! And that dinosaur movie. I just don’t know what happened with that movie. We tried every trick in the book to put realistic looking dinos up there on the big screen. But nobody seems to be buying it.”
Disney’s CEO look away from the window now, and sinks back into his big chair, deep in thought. “Maybe we really should listen to our critics,” the Big Cheese muses. “Maybe the studio should go back to its roots and produce more fairy tales.”
“But what about those folks who says that the future of movie making is in computer graphics?” Disney’s CEO grumbles to himself. “Which is the right path that I should be putting this company on right now?”
Disney’s CEO runs a hand through his thick head of hair as he ponder the Disney corporation’s future …
“Wait a minute, Andrea!” I hear you JHM readers saying. “How can Disney’s CEO run a hand ‘through his thick head of hair’? Isn’t Michael Eisner rapidly balding?”
Who said I was talking about Michael Eisner?
Yeah. Sorry. I deliberately tried to trick you folks. The CEO that I am actually profiling in today’s column isn’t Eisner, but rather Ron Miller — the guy who ran the Mouse Factory for the 17 months prior to Michael Eisner’s arrival.
You see, Uncle Mike isn’t the only Disney CEO to ever face trying times. Back in May 1983, when Disney Chairman Card Walker finally handed the reins of power over Ron Miller, Walt Disney Productions was facing one of its worst crises ever. Back then, the stock price was in the toilet. And greedy green-mailers like Saul Steinberg and Ivan Boesky were circling the corporation. Wondering what prices they could get if they succeeded in acquiring the Disney corporation, then broke the company up into smaller, more marketable units.
“Now wait a minute, Andrea,” I can hear you saying. “How was I supposed to know you were actually talking about Ron Miller? I mean, you confused me by mentioning all that contemporary Disney stuff like Tokyo Disney Seas theme park, the ‘Mission: Space’ ride at Epcot, the movies ‘Treasure Planet’ and ‘Dinosaur’ …”
No, actually, I didn’t. If you carefully re-read that part the story and then think back to what the Walt Disney Company had been going through, been building and/or releasing in the early 1980s, you’ll realize that:
That “… most innovative and expensive theme park in the history of the industry” was not Tokyo Disney Seas. But rather, Epcot Center. Opening in October 1982, this WDW expansion project — which had originally been budgeted for $800 million — ended up costing the corporation over a billion dollars to complete.
Or that “… new futuristic pavilion for Epcot. The one that lets guests experience what it’s like to journey into space?” That’s not “Mission: Space.” But rather, “Century 3,” the Future World pavilion that actually opened a year or so after EPCOT Center officially opened. Though this attraction would eventually be renamed “Horizons” prior to its grand opening, it still did take WDW guests on a ride to a simulated space station. Giving them a brief glimpse of what future astronauts might see.
And that reference to “… I allowed the Imagineers to develop a brand new Magic Kingdom … which we’d build on another continent” was NOT talking about Hong Kong Disneyland. But rather, Euro Disneyland. Or — as that resort’s know today — Disneyland Paris.
You see, few people release that — in the early 1980s — Jim Cora and *** Nunis were making regular trips to the Disney executive suite in Burbank, in a desperate to convince the suits there that the time was really ripe for Walt Disney Productions to build a theme park in Europe. Card Walker kept pooh-poohing the idea. Whereas Ron Miller … well, given the aggressive way that Asia had embraced Tokyo Disneyland, Ron reportedly felt that the time was finally right for the Mouse to start drawing up some plans for a European invasion. Which is why Miller finally gave the Imagineers the go ahead to start developing a Disney theme park for Europe in late 1983.
As for that “mermaid movie” that I mention in the article. That wasn’t “The Little Mermaid,” but rather, Touchstone Picture’s 1984 release, “Splash.”
The “… movie where the teenage boy searched for that treasure.” Again, that wasn’t young Jim Hawkins in “Treasure Planet.” But rather, Taran, the pig boy who was searching for that cursed kettle in Walt Disney Pictures’ 1985 release, “The Black Cauldron.”
And “… that dinosaur movie” wasn’t alluding to Walt Disney Pictures’ Summer 2000 release, “Dinosaur.” But the studio’s 1985 fantasy adventure, “Baby: Secret of the Lost Legend.”
As for the reference to “… computer graphics,” few people remember that it was Ron Miller (while he was serving as President of Walt Disney Productions) who actually greenlit production of “Tron,” the first feature length film to ever make significant use of CG. (Interesting bit of trivia here: “Tron” is actually the film that inspired Disney animator John Lasseter to get into the CG business. So, if there hadn’t been a “Tron,” maybe there wouldn’t have been a “Toy Story” or a “Monsters, Inc.” So maybe animation fans owe Ron Miller a much larger debt of gratitude than has been previously recognized.)
You see what I’m saying here, folks? Ron Miller really never gets the credit that he’s due. He’s the guy who greenlit “Tron.” Ron’s the studio executive who finally got Disney out of the family film ghetto by starting up Touchstone Pictures. He also radically increased the company’s reach by starting up the Disney Channel.
Yet Ron’s short reign as the head of the Mouse House is usually dismissed out of hand because he only held power for such a short amount of time. Besides, it’s easier just to give in to the clichés: That Miller only got that job because he was Walt’s daughter’s husband. That Ron was really just a dumb jock. That the guy had played one too many USC football games without wearing a helmet.
The reality is … Ron Miller was actually a lot brighter than that. More importantly, that much of the success that Michael Eisner had immediately after his arrival in Burbank in September 1984 (when Uncle Michael officially succeeded Walt’s son-in-law as CEO of Walt Disney Productions) was built on the foundations that Ron Miller had already put in place.
Given how shabbily Miller was treated when he was heaved out of the Mouse House, I seriously doubt that Ron would have much sympathy for the situation that Uncle Michael currently finds himself in. With the stock once again in the toilet. And — just like in the early 1980s — the wolves of Wall Street are reportedly circling the Disney corporation yet again. Wondering if there’s some significant money to be made off of the Mouse’s misfortune.
But still … one has to wonder what Ron Miller is making of Michael Eisner’s current predicament? Is he gleeful that Eisner’s finally getting his just desserts? Or sympathetic — knowing from experience how difficult it is to be seated in the hot seat whenever around you seems to be gunning for your job?
“What do you, Andrea, think that Ron Miller thinks of Michael Eisner’s current situation?” you ask. Well — since I’m a fan of both Michael Eisner and Ron Miller — I have this fantasy where Eisner flies up to the Napa Valley to meet Miller at the Silverado Vineyard (the award-winning California wine-making concern that Ron has run since he left Disney back in the early 1980s).
Immediately upon arriving at the vineyard, Uncle Mike apologizes to Miller for the awful way that the Walt Disney Company had handled Ron’s exit. Miller would then forgive Eisner. Then the past and present CEO of the Walt Disney Company would sit down over a nice bottle of Sauvignon Blanc and discuss what it’s like to an embattled Chief Executive Officer.
Then Ron can tell Michael about the most important thing that he learned from playing football. Which is: when you take a hit, you don’t just lie down and die. You get back up and get back in the game.
Taking Miller’s advice to heart, Eisner would then fly back down to Burbank, tough it out and eventually get the Walt Disney Company back on track …
I know that’s how this particular story would play out if life were like a Disney movie. But somehow I get the feeling that this isn’t the way things are actually going to work out for Michael Eisner. But wouldn’t it be nice if it did?
‘Til next time,
Ciao
Andrea “Mickeyfantasmic” Monti
Theme Parks & Themed Entertainment
Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut
Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.
The Very First Parade and the Early Days of Balloons
The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.
And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.
1934: Mickey Mouse Floats In, and Disney Joins the Parade
It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.
Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.
Duck Joins and Towers Over Mickey
A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.
Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.
A Somber Parade in 2001
Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.
That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.
Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo
Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.
In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.
These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.
Mickey’s Comeback as a Bandleader and Sailor Mickey
After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.
But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.
Macy’s Disney Celebration at Hollywood Studios
In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.
Minnie Mouse’s Long-Awaited Debut in 2024
This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.
For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.
As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.
Theme Parks & Themed Entertainment
Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street
When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.
You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.
This is where Disneyland’s Little Monsters on Main Street came in.
The Origins of Little Monsters on Main Street
Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.
This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.
A Unique Halloween Experience
Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.
The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.
It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!
The Haunted Mansion “Tip-Toe” Tour
Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.
Growing Success and a Bigger Event
Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.
In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.
From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash
Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.
While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.
The Merch: A Piece of Little Monsters History
For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.
While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.
Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!
Theme Parks & Themed Entertainment
The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition
The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.
Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.
A Not-So-Scary Beginning
I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.
This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.
A Different Approach
Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.
Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.
Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.
A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.
A Modest Start but a Big Future
That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.
Universal’s Influence
It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.
So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.
For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.
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