Theme Parks & Themed Entertainment
Toad you so!
As rumors continue to circulate about the pending closure of WDW’s “Carousel of Progress” attraction, Jim Hill asks: Would it kill the Mouse to at least give this tired old Tomorrowland attraction a half decent send-off?
Tired of continually getting hammered by the company’s critics, Disney CEO Michael Eisner went on the offensive earlier this month.
A PR offensive, that is.
With the hope that he might be able to get some positive buzz going about his beleaguered corporation, Uncle Michael has reportedly been speaking with influential business analysts. His message for Disney stockholders? “I understand your concerns. I hear what you’re saying. And I and the rest of the senior staff at the Walt Disney Company are doing everything we can to turn this unfortunate situation around.”
According to several unnamed sources who’ve heard Eisner’s spiel, Michael supposedly starts out by talking up Disney’s recent accomplishments: The 21 million viewers who tuned in to ABC last Tuesday night to catch the “sneak preview” of John Ritter’s new sitcom, “8 Simple Rules for Dating My Teenage Daughter.” The 5 million units of “Monsters, Inc.” that were sold in a single day last week – the new one-day-sales record for the home video & DVD industry.
Uncle Michael then allegedly goes on to identify some of the Mouse House’s trouble spots, but – in each case – immediately identified what Disney is doing to address these problems.
The business world’s concerns about Disney’s far-too-cozy board of directors? Eisner reportedly outlined the tough new governance rules that he and the Board are about to adopt. By cutting back on the number of actual voting members as well as upping their independence, Uncle Michael hopes that Disney will soon have one of the best Board of Directors in Corporate America.
As for ABC’s rating woes, Eisner supposedly insists that a “process is in place” to turn the troubled network around. (To his credit, Uncle Michael has reportedly told business analysts that they shouldn’t expect all of ABC’s programming ills to be cured overnight. That it may take a number of months before the currently fourth-place network to claw its way out of the Nielsen cellar.)
And that alleged 10% fall-off in advance bookings for the Walt Disney World resort (In comparison to September 2001’s advance bookings)? Eisner reportedly admitted that things were softer than he would have liked down at Lake Buena Vista. But Uncle Michael then attributed this fall-off in advance bookings at Disney World to a number of outside factors. I.E. Tourists – in the wake of the September 11th attacks – still being afraid to fly. The world’s continuing economic woes. Not to mention continuing international unease as a result of the U.S. threatening to go to war with Iraq. All of which have a continuing dampening effect on people’s travel plans.
Eisner then reportedly said that recent WDW guest exit polls revealed that most people still believe that visiting Walt Disney World is a great vacation value. And – once this cloud of uncertainty lifts – tourists will undoubtedly come flocking back to Orlando. Particularly once Epcot’s “Mission: Space” attraction gets up and running.
Those who’ve actually heard from Eisner say that Uncle Michael gave a masterful performance. That Eisner eloquently puts across the message that “Things aren’t as bad as our critics would like you to think they are. Disney’s stock price may be depressed right now, but we’re poised for a comeback.” In short, Disney’s CEO supposedly told these business analysts: “I hear what you’re saying. I understand your concerns. Trust me.”
Well, forgive me if I’m a wee bit skeptical here. But – as nice as it is to hear that Eisner is reportedly trying to repair his relationship with Disney’s stockholders – I can’t help but offer up a somewhat awkward question. As in: Is Michael Eisner REALLY listening to what shareholders (who have been among his most vocal critics lately) have to say about what they think has gone wrong with the Walt Disney Company? Or is Uncle Mikey just saying what he hopes we want to hear?
I mean, historically, the higher ups at Walt Disney Company has had a bit of a hearing problem. Particularly when it comes to criticism. Even criticism that comes from INSIDE the organization. You wanna work at a place “Where seldom is heard a discouraging word”? Never mind about a “Home on the Range.” Get yourself a job in the executive suite at the Team Disney building in Burbank.
Take – for example – ABC’s over-exposure of its former ratings powerhouse, “Who Wants to Be a Millionaire.” ABC’s own programming department reportedly warned Eisner & Co. that even the most sedentary of couch potatoes wasn’t going to sit still for four nights of Regis Philbin. Yet Disney’s executives – anxious to cash in on this incredibly-inexpensive-to-produce game show (More importantly, to cut back on the cost of developing new programming for ABC) – ran “Millionaire” right into the ground. A show that could have potentially run for years yet to come got burned out, its audience totally turned off, in just over two seasons.
Never mind that TV critics – in addition to ABC staffers – decried this programming decision as soon as ABC originally announced it back in May 2000. Disney executives downplayed the controversy, insisting that they knew what they were doing.
Those uninformed nay sayers who were criticizing the Mouse’s programming decision? They couldn’t see the bigger picture. The tens of millions of dollars that ABC saved at the start of the 2000 – 2001 season by making more episodes of “Millionaire” rather than ordering up new sitcoms or dramas that could potentially have ridden Regis’ coat tails to ratings success.
But those ABC senior programming execs (And – more importantly – the Disney Company executives who hired them) didn’t (or is it “wouldn’t”?) listen to their critics. Which is why they all seemed so stunned when “Millionaire”‘s ratings suddenly tanked in early 2001 … And why – even to this day – that network is still struggling to fill huge gaps in its schedule. All because Disney execs couldn’t bring themselves to heed their critics. The ones inside the company as well as outside.
But – hey – it’s not like the Walt Disney Company’s hearing problem is a recent occurrence. Senior Imagineers will tell you (off the record, of course) that they repeatedly tried to make the folks in the Team Disney building (Both the Anaheim as well as the Burbank branch) aware of their concerns about “Disney’s California Adventure.” But Mouse House execs just refused to listen to them.
“I mean, think about it, Jim,” said one unnamed WDI guy to me just the other day. “Eisner & Co. wanted to change Anaheim into Orlando. A destination resort where people could come and stay & spend money for three or four days at a time.”
“Which is all well & good. Except that Anaheim isn’t Orlando. The out-of-state versus locals mix down there is roughly 85% out-of-state visitors, 15 % Florida residents. Out here, the locals to out-of-state visitors ratio is more along the lines of 65% Southern California residents, 34% out-of-state tourists.”
“You see what I’m saying here, Jim? The Walt Disney Company relies on regular visits from Southern California residents in order to keep attendance levels high at the Disneyland Resort. So what does Disney do when it tries to turn Anaheim into a destination resort? It builds a California-themed theme park – a place with limited appeal to SoCal residents. DCA – at least in its original incarnation – was doomed, Jim. Virtually from the moment that Disneyland opened its preview center.”
“And we tried to warn them, Jim. We argued ’til we were blue in the face. But the suits wouldn’t listen to us. They just seemed to think that giving Southern Californians the opportunity to eat Wolfgang Puck’s pizza while looking out at the lights of Paradise Pier was going to be enough to put that place over the top. That the locals would have no choice but to love DCA.”
Well, we all know how THAT decision turned out, don’t we? (To be fair, it should be noted here that the Walt Disney Company does appear to have learned from the mistakes it initially made with DCA. That the corporation did move fairly quickly to try and turn this troubled theme park around. And that – with next month’s official opening of “Flik’s Fun Fair” – “Disney’s California Adventure” is taking a big step toward ridding itself of its kid unfriendly reputation.)
It should also be noted here that – according to some of the Walt Disney Company old timers that I’ve spoken with – that the Eisner regime has historically had a bit of a hearing problem. That almost from the moment that “Team Disney” came to power back in September 1984, that these “Hollywood hotshots” didn’t want to listen to what their more experienced, Mouse House elders had to say.
To my knowledge, the most extreme example of younger Disney executives ignoring the advice of the company’s senior staffers is associated with the Disneyland Paris Resort. Back in the early 1990s, a friend of mine – the editor of an unnamed Disney history magazine – was interviewing Admiral Joe Fowler, the guy who actually oversaw construction of the Walt Disney World resort back in the 1960s. The interview seemed to be going great until my pal brought up the subject of the then-floundering Euro Disney resort.
Admiral Joe turned crimson, then told what’s-his-name to turn off his tape recorder. Fowler then leaded forward and said “I could have told those dumb bastards that building a Disney theme park just outside of Paris was a bad idea. Do they think that we pulled the location for Walt Disney World out of our ass? No, sir. We traversed the globe looking for the exact perfect spot to build another Disneyland. Including Marne la Vallee.”
“I could have told those idiots that it gets too cold there, that the wind’s just too fierce there for an outdoor entertainment venue. But those arrogant SOBs … They probably didn’t even looked at all the research that we did back in the early 1960s. I’m sure that all that stuff is still in a filing cabinet somewhere in Glendale. But those new guys … They just think that they know it all.”
“Building all those hotels, right outside of Paris. What a bunch of idiots!”
Think of the millions that the Walt Disney Company would have saved (not to mention all the aggravation that they could have avoided) if they had just bothered to listen to Admiral Joe Fowler. If someone had just gone down into the basement at WDI and pulled out the appropriate file.
You see I’m saying here, Mr. Eisner? A TV show could have been saved. A theme park as well as an entire resort could have avoided massive problems. All if Disney’s executives had been willing to listen – REALLY listen – to its critics. And not just the very vocal people that you’ll find outside of your corporation. But the critics that you have INSIDE the Walt Disney Company.
So Mr. Eisner … If you really ARE trying to turn over a new leaf here, trying to prove to the world that you’ve become that rarest-of-rare things – a CEO who actually listens … NOW might be a good time to strap on an extra big pair of mouse ears. So that you can really hear what people outside of the corridors of power at the Team Disney Burbank building are actually saying.
Theme Parks & Themed Entertainment
Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut
Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.
The Very First Parade and the Early Days of Balloons
The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.
And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.
1934: Mickey Mouse Floats In, and Disney Joins the Parade
It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.
Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.
Duck Joins and Towers Over Mickey
A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.
Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.
A Somber Parade in 2001
Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.
That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.
Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo
Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.
In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.
These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.
Mickey’s Comeback as a Bandleader and Sailor Mickey
After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.
But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.
Macy’s Disney Celebration at Hollywood Studios
In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.
Minnie Mouse’s Long-Awaited Debut in 2024
This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.
For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.
As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.
Theme Parks & Themed Entertainment
Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street
When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.
You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.
This is where Disneyland’s Little Monsters on Main Street came in.
The Origins of Little Monsters on Main Street
Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.
This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.
A Unique Halloween Experience
Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.
The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.
It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!
The Haunted Mansion “Tip-Toe” Tour
Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.
Growing Success and a Bigger Event
Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.
In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.
From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash
Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.
While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.
The Merch: A Piece of Little Monsters History
For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.
While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.
Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!
Theme Parks & Themed Entertainment
The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition
The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.
Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.
A Not-So-Scary Beginning
I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.
This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.
A Different Approach
Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.
Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.
Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.
A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.
A Modest Start but a Big Future
That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.
Universal’s Influence
It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.
So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.
For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.
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