General
Trash Talk OR Why Can’t Disney Keep Its Kingdom Clean?
JHM readers fire back about the state of Disney … and boy, they’ve got a lot to say …
Boy, talk about striking a nerve.
When I threw together that “Message in a Bottle” piece to put up on the site this past Monday, I had NO idea that this article would provoke such a passionate response from JHM readers. E-mails poured in from all over, folks. From concerned Disney theme park guests to frustrated cast members to … Well, here. See for yourself.
First, Antin B. of Seaford, NY wrote in to say:
Jim:
I just wanted to say how much I enjoy your honest and candid observations of the Disney experience.
My wife and myself visit WDW at least four times a year and have especially noticed such “bottles” much more frequently in the past year or so. Garbage notwithstanding, the condition of the park restrooms is even more appalling. Our last few visits have found us avoiding some filthy, fowl smelling and generally disgusting restrooms! Clearly cost-cutting is evident hear too!
Maybe we all have to become more politically involved before things get beyond the point of no return. Hopefully this pressure on Disney can bring about a positive change. Disney can even market this new initiative with a limited edition “Clean Restrooms are Back” pin.
Seriously, all your efforts to return Disney to its former glory have my support. I look forward to enjoying your column for many more years. Keep the honesty and truth coming!
Thank you for your time.
Sincerely
Antin B.
Then, Kenny H. — a former Magic Kingdom cast member — – chimed in to offer one explanation as to why his old theme park was looking so shabby these days:
Hello Jim.
As I read your letter regarding the upkeep issues at Splash Mountain, I couldn’t help but feel a sense of heartbreak. I myself am a former Tomorrowland cast member. For some individuals, including myself, working for Disney is still something to take pride in.
However.
Something I noticed in my time at WDW was how each of the lands was run almost as its own individual park. I’m proud to say that Tomorrowland’s maintenance (at least the visible stuff) was done with a great level of detail. Cast members scoured the attractions and area collecting garbage and lost and found. I can’t count the number of times I was there for an hour tagging items dropped by unwary guests…everything from hairpieces to $700 video cameras.
It appeared to me that some areas of the park, like Frontierland and Fantasyland, just weren’t paid as much care. This may be just chalked up to perception, since the metal and concrete structures in T-L were so stark in contrast to the other realms of Magic Kingdom, but I doubt it. But lately even Tomorrowland is starting to degrade a bit.
And I’ve noticed a HUGE staffing difference. When I worked there, we’d have nights where we’d be OVERSTAFFED, and CMs would have to go out on “buckets”…basically free times where we could go out and mingle with guests, entertain families, and create some “Magical Moments”. From what I’ve seen and heard, that isn’t the case anymore.
Why the difference? Well, one reason is the College Program, which once supplied a LARGE percentage of the workforce at the parks. The CP was dramatically cut this past year, and park operation and maintenance has suffered because of it. Many of these cuts are corporately-mandated, so Al Weiss and the area managers have to wait nervously for Casting to supply them with full and part-timers to fill spots that normally would be covered by the CP’s inexpensive, yet enthusiastic, labor.
What concerns me most, however, is the maintenance department. While experts in many trades and fast, efficient workers, there simply isn’t enough manpower or monetary resources to fix all the problems in the area, like Alien Encounter/Stitch Escape’s flooding issues in the preshow area, and the poor sidewalk drainage between AE, Timekeeper, and the Lunching Pad. Heck, in 2002, Carousel of Progress quietly shuttered because of an air conditioning problem that couldn’t be fixed.
But what can your readers do to help?
Well, for one…GET A JOB AT DISNEY!!! Okay, weird solution, I know…and no, I’m not some mole from Disney Casting But I’m betting one of the reasons no one is being hired is that no one is applying, thanks to a now well-deserved reputation the company has sadly obtained. If you’re a local in Florida, think about working at a Disney park, just one or two days a week. I learned something…the people you meet backstage…the people you eat with in the commissary, ride the bus to your work location with, watch TV with in the Break Room…they feel exactly the same about the company and the parks as you do, more than likely. Some even more so…they’ve dedicated YEARS of their lives to serving this company and trying to keep it at the peak of quality. I love Disney stuff, it’s what I grew up with. Working at those parks and seeing what was going on inside that company only made me want to do my job better.
One person doing their job to the best of their ability…well, let’s face it, won’t make a difference. But FIFTY THOUSAND CAST MEMBERS…well, that would be awesome.
As I leave, I would like to take this opportunity to thank some very special people who made my time at Disney one of the best times of my life…the Tomorrowland Attraction managers. So, to Art, Kelvin, Debbie, Jill, Todd, Jennifer, Hilary, Mike, Steve, Jeff, and anyone I’ve forgotten…YOU GUYS ROCK!!!
Kenny H.
Tomorrowland Attractions CPCM
Alien Encounter, Astro Orbiter, Space Mountain
May — December 2002
Next, BertCP sent in a rather lengthy letter, where he provided precise details on how poorly WDW’s “Splash Mountain” attraction is being maintained these days as well as offering up some insight about why Disney World’s cast members just don’t seem to care anymore.
Dear Jim,
First, let me say that I always enjoy reading your web site. As a cast member, it often helps to expand my knowledge of the Disney company, or have some questions answered that I can’t always ask at work. When I saw your article about the lack of up-keep on Splash Mountain, it was like déjà vu all over again.
I am a seasonal cast member at the WDW Resort because I am still in college, but I go back to work in the Entertainment department as a Disney Character on my school breaks because I love working there, a love that was fostered through my experiences on the Walt Disney World College Program. On one of the days that I was working, I was talking to my fellow entertainment cast members. We got on the topic of “Things that we would do different if we were in charge.” I brought up the topic of upkeep, and the floodgates opened.
My friend had been on Splash Mountain in the beginning of January and was just appalled at the lack of upkeep on the ride. He literally rode it 5 times to count the number of broken show elements and see what things needed to be fixed. According to his estimates, approximately 2/3 of the animatronics or show elements were not functioning, and as this is his favorite ride, he knows it inside-out.
Things like the beginning audio track not working, the shadow video where Brer Rabbit is being chased by Br’er Fox and the girl bunny (I forget her name) says “There goes Brer Rabbit again…yada yada” was not playing, the jumping fish was not working — WHICH by the way, is one of the neatest little things. As a tangent, I was talking to one of the CM’s who operate the ride and they said that they get at least 10 people a day asking them if that is a live fish. People like these small things. Also the laughing place section of the ride was almost all down, the alligator which is snapping at Brer Bear at the end was not working, the FSU gopher was not working, and the room with the Showboat was appalling — the wheel was not working, and there were cobwebs and cracks all over the place. I was skeptical of what he said, but sure enough, when I rode it, I too saw the lack of upkeep.
Now I am NOT a Disney basher. I LOVE that place with all my heart. Don’t think that the only thing I have to say about the company is bad stuff. I could write an encyclopedia on how much fun I have had working at Disney, and all of the magical moments that I have had interacting with guests. When I graduate this semester, I am planning on going back down to WDW to become a manager so I can try and make a difference in the company and help rekindle the magic in my own small way, so that maybe someday I will be in a position to do something (a long-term and lofty goal).
But at the same time, I am almost scared to do so because of the current state of things. Yes, Disney will never go away because of its ubiquity, but what happens in the mean time, well, I can only hope for the best.
But hopefully this story will have a happier ending. While I was in the parks during my days off, I noticed that Corporate was surveying the area around Splash Mountain. How do I know it was corporate? The two of them had the blue manager tags with the gold slash through it (which is the designation for corporate). So maybe they were experiencing for themselves the state of things, and hopefully there will be some action taken on that soon.
As a separate note, I wanted to just let you know about the cast members’ views on Michael Eisner’s visit to the WDW resort. It was January ***, and I had picked up an overtime shift at MK’s **** department. I asked my friends what they thought of the whole Roy vs. Michael ordeal, and (again) a whole can of worms was opened.
No one had anything positive to say about Eisner. In fact, they were laughing at Michael’s recent visit because everyone knew that it was a big internal publicity stunt. We saw through the marketing and PR that was trying to show that our top dog had our backs.
When you watched the video of Michael saying he was having a great time, it seemed so forced. He was not sincere about it at all — not to mention the fact that he looked very tired and worn out from things. Hearing him say that he appreciated our work was almost a slap in the face, considering that this was the man who had previously said that he could hire monkeys to put in the character suits and have them do the job for cheaper but look just as good.
It is a commendable effort if Eisner is going out there and doing the rounds because Michael finally has realized what he needs to do…but I think that’s not the case. Rather, I think someone in PR said “Hey, you need to do this” and he is doing this to try and save face. The funny thing is? I don’t feel he is saving face and that his efforts are not genuine. It’s not improving cast member morale.
Speaking of morale, I think that is directly related to why the upkeep is lacking. The CM’s don’t feel the need to go the extra mile. Why? Because people (specifically management) don’t notice. The company is so concerned with doing things by the rules and is very keen on handing out reprimands for small infractions, that they often don’t seem to appreciate the good that CM’s do.
YES, there is still plenty of recognition, and we still do try and honor those around us (Partners in Excellence is one of the best internal recognition for a company that I have seen), but I think a small example is that in Entertainment and ODF, they used to have these things called 5-star’s. Cast members could recognize each other when they did something that was above and beyond the call. About a year ago, they got rid of them. Every once in a while, it really does feel good to get a “paper pat on the back”, especially if you don’t get them often.
Another thing that just disheartened me was a phrase that I had never heard before, but had started popping up recently. Before we were going on set, I mentioned that something didn’t look right with (Unnamed character). The response? “We’re paid to wear, not to care”.
I had never heard that before, but that wasn’t the only time I heard it while I was visiting over the holiday break. It’s just another sign that things aren’t they way they used to be, or should be for that matter.
Oh well. I can only hope that Roy’s efforts are fruitful and that positive changes will be brought about soon.
I want to thank you for your time Jim — I know that you are a busy man. I hope you don’t think that I am a bitter CM who is jaded from working there. I love working at Disney, and I hope that through the combined efforts of all the people who cherish what Disney is and should be, that we can help to bring about positive changes for the company — both Cast Members and Disneyana fans.
I am reminded of the phrase “It’s always darkest before the dawn,” and I hope that this certainly holds
true for things here at Disney.Sincerely,
BertCP
“We’re paid to wear, not to care” ?! Is that not the most depressing thing you’ve ever heard come out of a Disney cast member’s mouth.
Well, I thought so … Until I got this e-mail from Big Mike. Who suggests that the real source of all the misery and mess at Walt Disney World is that resort’s new cast deployment system:
Dear Jim,
I had to laugh when I read your article about the Splash Mountain trash. I know the precise reason why this problem seems to happen more frequently than ever. Why? I used to work in Frontierland at pretty much all of the attractions and I recently got terminated for improper use of cast deployment…let me explain why this little machine destroys cast morale and ultimately causes the now infamous “lack of cleanliness and care” at WDW.
Every day of every week of every year cast members wake up each day dreading the fact they will have to sign in to a computer which will ultimately decide what there day is going to be like. When you get to work at the Magic Kingdom, you park in a satellite parking lot…wait for a bus that now takes forever since they have less buses running than ever…wait for costuming which has less people than ever…and then you run to your attraction to sign in so the computer doesn’t think you’re late.
If you are, your manager has to stop whatever they are doing and get you back in the computer system which boots you out if you are late…and that is a good case scenario if you are not docked for being late despite the fact there are a lot of variables (I.E. the buses, costuming, etc.) that you cannot control. This happens every day.
Now we get to sign into the computer…hooray. The computer runs a system called cast deployment. Basically, it takes the union contract and from that contract inputs the bare minimum amount of breaks a cast member is entitled to as specified in the contract. The lovely part is that you don’t always receive all of your breaks or management will “tweak” the computer to fit the labor supply for that day. EX: the cast member receives their last break right before the end of their shift…I had many a days where I was off at 5 and received my last break at 4:30….makes a lot of sense considering I walk before the end of my break at 4:40 since we have a 20 minute walk time at MK.
During the course of the day, the computer decides where you go. How does this decide whether or not the care and cleanliness of the parks? In the past, cast members went through all of the positions at an attraction based on a rotational system where the people on break would come back, send a bump through the rotation, and the cast members would be bumped to the next position in rotation. Cast members also had the freedom to freeze in place at a position they preferred as long as everyone in rotation was ok with it.
Also, the old system helped in terms of cleanliness and care because people had the freedom to drop unnecessary positions(non-safety positions) to help guests with special situations or to clean up an unsightly mess that had occurred suddenly and couldn’t wait for custodial to show up. Also, because of the freedom, and because we typically got plenty of breaks, cast members felt they were being treated fairly and most always did their jobs with an honest effort and sincerity that has always been a hallmark of Disney cast members.
With cast deployment, it is completely different. No one gives a damn now because they feel they are being treated unfairly. This is an important point because we all know that cast members get paid very poorly so there needs to be other reasons for the cast to have some kind of personal fulfillment at work, I.E. make each day for our guests the best day of their lives if at all possible.
I used to know the people who work at Splash…Big Al and Wayne McSwain, good ol Shelly—miss ya girl—and the old days with Cory and Elton. These were good people who took their jobs seriously and always took care of “Splash” and complained when things weren’t right and needed “fixing”. Ever since deployment, the crew that works at this WDW attraction has begun slowly but surely to adopt an “I don’t give a damn attitude” which led to more lackadaisical work habits.
When a guest had a problem in the past, we always took care of it because no one worried about screwing up rotation or screwing up the computer. Nowadays, we pass the buck to someone else because we don’t want to leave rotation in case we get our break soon, because deployment is frugal when it comes to handing out breaks. If there is a mess, we don’t usually do anything about it because of our anti deployment attitudes. The hell with it…We are not getting a fair shake. So why should we return one in kind?
This is the kind of culture that is developing. No one likes being controlled by a computer. People like knowing they have some control over their jobs, especially when they are supposed to be incredibly helpful and smiling each and every day as they help people rid their memories of 9/11 and bills and everyday problems and help fill their hearts with childhood memories and facilitate their escape into days gone by and days that will never be.
Now it isn’t about that, Jim. For the cast member, it is all about “When am I getting my break?” and “Why haven’t I had my lunch?” These were never concerns of our old computer-free rotational system, but they are now.
Whether management wants to admit it or not, cast deployment, by far and away is the #1 reason why no one cares anymore. Every time we complained, the labor people always said that deployment has saved so much money and that this will help improve the guest experience in the future. I say that that’s Bull sh*t.
Sincerely yours,
Big Mike
And this is just the tip of the iceberg, folks. I got dozens of e-mails like this over the last 36 hours. From dispirited Disney World cast members to disappointed vacationers. Who all basically said the same thing: “The magic has gone out of the Walt Disney Company. It’s all about money these days.” And — most importantly — “Can’t something be done to turn this awful situation around.”
Funny you should ask. Come by JimHillMedia.com on Monday, February 2nd … when an entertainment industry insider will offer up his ideas about how Disney can start putting some magic back into its Magic Kingdom.
Your thoughts?
General
Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District
Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.
Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.
Photo by Jim Hill
Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.
Photo by Jim Hill
Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building
…
Photo by Jim Hill
… and eventually wound up just below Times
Square (right behind where the Waterford Crystal Times Square New
Year's Eve Ball is kept).
Photo by Jim Hill
But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created.
Photo by Jim Hill
And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.
Photo by Jim Hill
Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …
Photo by Jim Hill
… the postman delivering the mail …
Photo by Jim Hill
… the hot dog vendor working at his cart …
Photo by Jim Hill
Photo by Jim Hill
… the street musician playing for tourists …
Photo by Jim Hill
Not to mention the tourists themselves.
Photo by Jim Hill
But right alongside the bronze businessmen …
Photo by Jim Hill
… and the tired grandmother hauling her groceries home …
Photo by Jim Hill
… there were also statues representing people who were
from out-of-town …
Photo by Jim Hill
… or — for that matter — out-of-time.
Photo by Jim Hill
These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.
Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill
Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these
bronzes?"
Mind you, for those of you who aren't big fans of the
impressionists …
Photo by Jim Hill
… there's also an array of American icons. Among them
Marilyn Monroe …
Photo by Jim Hill
… and that farmer couple from Grant Wood's "American
Gothic."
Photo by Jim Hill
But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.
Photo by Jim Hill
By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).
Photo by Jim Hill
By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th.
General
Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues
Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las
Vegas.
Photo by Jim Hill
I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.
Photo by Jim Hill
Take — for example — all of "The Secret Life of
Pets" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
Entertainment production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.
Photo by Jim Hill
Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.
Photo by Jim Hill
And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice" to start trending on Twitter today — brought
the Batmobile to Las Vegas.
Photo by Jim Hill
Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.
Photo by Jim Hill
That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.
Photo by Jim Hill
And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.
Photo by Jim Hill
Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.
Photo by Jim Hill
I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.
Photo by Jim Hill
I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.
Photo by Jim Hill
Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.
Photo by Jim Hill
Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
Pictures will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis —
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."
Photo by Jim Hill
Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with production of Genndy Tartakovsky's
"Popeye" movie. But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.
Photo by Jim Hill
And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.
Photo by Jim Hill
"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.
Photo by Jim Hill
I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.
Photo by Jim Hill
And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.
Photo by Jim Hill
And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."
Photo by Jim Hill
And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."
Photo by Jim Hill
One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.
Photo by Jim Hill
Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.
Your thoughts?
General
It takes more than three circles to craft a Classic version of Mickey Mouse
You know what Mickey Mouse looks like, right? Little guy,
big ears?
Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
Park (especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.
Copyright Disney Enterprises,
Inc.
All rights reserved
Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.
Copyright Disney Enterprises, Inc. All rights
reserved
Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.
Copyright Disney Enterprises,
Inc. All rights reserved
That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.
Take — for example — Disney
California Adventure
Park's "World of Color:
Celebrate!" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.
Copyright Disney Enterprises,
Inc.
All rights reserved
Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity
3.0.
"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "
Copyright Disney Enterprises,
Inc. All rights reserved
"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"
Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.
Copyright Disney
Enterprises, Inc. All rights reserved
"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."
But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity
3.0.
Copyright Disney Enterprises,
Inc. All rights reserved
"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."
And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.
Copyright Disney Enterprises,
Inc. All rights reserved
"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.
Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.
Copyright Disney Enterprises,
Inc. All rights reserved
"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."
So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?
Copyright Lucasfilm / Disney
Enterprises, Inc. All rights reserved
"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."
This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015
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