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Tune Thursday: Timon tells tails … er … tales about his time on Broadway

“Hakuna Matata ! What a wonderful phrase.
Hakuna Matata ! Ain’t no passin’ craze …”


If ever there’s anyone on this planet who understands that Disney’s “The Lion King” ain’t no passin’ craze, it’s Danny Rutigliano. For almost a decade now, he’s been appearing in the Tony Award-winning stage version of this acclaimed animated feature. Which — next month — will be celebrating its 10th anniversary on Broadway.


And for most of those years, Rutigliano has been playing Timon the Meerkat. First as Max Casella’s understudy. Then after that “Sopranos” star left TLK in June of 1998, Danny became the show’s Top Cat … er … Meerkat. First performing this part at the New Amsterdam Theatre, then heading out to Hollywood to help open the Los Angeles company of the show before returning to Broadway.


And in spite of spending all that time performing the very same part, Rutigliano insists that he’s still having a ball playing Timon.


“How can you not enjoy playing a part like this?,” Danny explained in a recent interview. “I get to be part of an elaborate spectacle that wows audiences nightly. Plus my character has all these great laugh lines. Who wouldn’t want a role like that?”


That said, Rutigliano still remembers when he initially auditioned for this Julie Taymor show. How he and the other would-be Timons found themselves working with the three prototype meerkat costumes that “The Lion King” ‘s design team had worked up. And even though two of those puppets would have been much easier to work with, Danny immediately realized which Timon Julie was going to go with.



Blake Hammond (Pumbaa) and Danny Rutigliano (Timon) in Disney’s “The Lion
King” as it celebrates its 10th anniversary on Broadway at the Minskoff Theatre.
Copyright 2007 Disney. Photo by Joan Marcus


“The Timon outfit she chose was admittedly the toughest one to work with. But it was also the exact right one for this show,” Rutigliano said. “That costume allowed the audience to see the puppet & puppeteer as a single performance. That the two then came together to form a single character.”


But that’s the brilliance of Julie Taymor. As both a designer and a director, she saw the whole show in her head. And to give the Walt Disney Company credit, they backed Julie all the way. Spending a reported $15 million in order to make Taymor’s vision a reality.


“The show that tried out in Minneapolis in July of 1997 is pretty much the same one that opened in New York five months later,” Danny continued. “Oh, sure. We changed a line or a lyric here and there. But beyond that, what Julie originally envisioned, that’s the show that audiences saw and loved. And 10 years later, they’re still loving this show.”


Thanks to all those performances, Disney’s “The Lion King” is now the ninth longest running musical in Broadway history. Though if you were to ask Rutigliano which performance, out of all of those, was the most memorable … I’m betting that he would probably talk about one that he and the rest of the company presented back in September of 1998. Back when President Clinton came to the New Amsterdam to see the show.


“That was wild,” Danny recalled. “They actually blocked the streets in all directions surrounding the theater. We were frisked and wanded as we came through the stage door. I remember the Secret Service men hanging out on the fire escape right outside of our dressing room. Doing everything they could to make sure that the President and his family were kept safe while they were watching the show.”



Tshidi Manye (Rafiki) in Disney’s “The Lion King” as it celebrates its 10th anniversary
on Broadway at the Minskoff Theatre.
Copyright 2007 Disney. Photo by Joan Marcus 


Mind you, as scary as that may sound, Rutigliano still remembers these same Secret Service agents standing in the wings as the “Lion King” cast performed. And these guys were clearly enjoying the show. Especially one ad-lib that Danny managed to slip into that night’s performance.


“Do you know that part in ‘Hakuna Matata’ where Timon interrupts Pumbaa as he sings ‘And I got downhearted every time that I farted’ ?,” he explained. “And my character says ‘Not in front of the kids.’ Well, that night, I said ‘Not in front of the President.’ And that line just brought the house down.”


And Rutigliano continues to entertain audiences nightly at the “Lion King” ‘s new home, the Minskoff Theatre (This long-running Disney Theatrical production vacated the New Amsterdam back in June of 2006 to make way for “Mary Poppins“). Where — on Sunday, November 11th — this show will celebrate its 10th anniversary on Broadway with a gala performance.


If (to borrow a phrase from this Tony Award-winner’s new promotional campaign) you just can’t wait to see ‘King,’ you can learn more about ticket availability for the Broadway version of “The Lion King” by clicking on this link.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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