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“Water to Paper, Paper to Sky – The Art of Tyrus Wong” exhibit opens at the Walt Disney Family Museum

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On the subject of Walt Disney, a somewhat common thread is
how well he placed people where their talents could do the best for a
particular project. Plenty of good tales over the years of how people realized
what they were best at after Walt “set them on the path”. In one case, the
person in question never met Walt Disney. Yet his work at the Studio on a
particular project has influenced generations of artists. And his time inside
the gates was surprisingly short.


Walt Disney Family Museum Director of Collections Michael
Labrie, curator of the
exhibition (left) and Tyrus Wong (right) enjoy an
amusing tale during the
press preview. Photo by Roger Colton

This artist? Tyrus Wong. The project was “Bambi
” and his
mark left upon the film is unquestionably one of the most legendary in the
history of the company. The Walt Disney Family Museum recently opened a new
exhibition, “Water to Paper, Paper to Sky – The Art of Tyrus Wong.” During a
preview event, I could not help but consider the irony of the location of the
exhibit in San Francisco. The story began in 1919, short miles away across the
Bay from the Presidio, as Wong and his father arrived from China at the Angel
Island Immigration Station.


San Francisco’s famed
Golden Gate as seen from China Beach. Photo by Roger Colton

During the introduction of the exhibit, Wong told of his
appreciation to his father. Leaving his mother and sister behind in China, they
came to California. His father had been here before as a merchant and was free
to travel. Tyrus as a new immigrant was not, due to the Chinese Exclusion Act
of 1882. He had to wait. Finally, he was able to leave and joined his father in
Sacramento. They traveled to Los Angeles, where his father operated a rooming
house for Chinese farmers.


A young Tyrus Wong,
before immigration to the United States.
Image courtesy of the
Walt Disney Family
Museum and Tyrus Wong

It was during these years that Tyrus displayed an interest
in drawing and painting. His father had him practice calligraphy by painting
with water on newspapers. Tyrus shared that during this time he also began
painting for money, 50 cents the usual price. The farmers, all men, would often
ask for the same thing, remembrances of home. It got so that he almost was able
to list what they would want; a woman feeding chickens seemed to be a favorite
request of many.

His interest in art led to a full scholarship from the Otis
Institute of Art
, where he was instructed in the western school of art. He
balanced that with his own appreciation of the Sung Dynasty art at the Los
Angeles Central Library. During the Depression, he was part of an Orientalist
group of artists which brought him exhibitions across the country including a
1932 showing at the Chicago Art Institute. Although his work was seen by many,
he struggled to survive.


Tyrus Wong shares
some tales from his days on the Disney “Bambi” production with a
television
crew during the press preview of the exhibition. Photo by Roger
Colton

In 1938, he joined the Disney Studio as an in-betweener,
drawing hundreds of sketches of Mickey Mouse. While a job, he found it boring
and repetitious. When “Bambi” began production, he submitted samples of art,
hoping to move to that team. Although small in scale, his art caught the eye of
Walt and greatly influenced the production. For example, when showing a forest
scene, it would not be necessary to create the image in detail. Rather key
elements would be highlighted, letting the mind’s eye fill in the details. Such
can be seen in this 1942 image below. The Chinese minimalist school of art
provided just the tone to bring this tale to life so vividly for audiences.

From the Disney Legend web page for Tyrus Wong :

When Walt Disney saw Ty’s
inspirational sketches, he was intrigued by their mysterious quality. The artist
later told animation historian John Canemaker for his book Before the Animation Begins
,”Walt
wanted something different for Bambi.” As Thomas and Johnston wrote, “In
contrast to the paintings that showed every detail of tiny flowers, broken
branches, and fallen logs, Ty had a different approach and certainly one that
had never been seen in an animated film before. He [Ty] explained, ‘Too much
detail-I tried to keep the thing very, very simple and create the atmosphere,
the feeling of the forest.'”


A classic image from
“Bambi” as conceptualized by Tyrus Wong. Image
courtesy of the
Walt Disney Family Museum and Tyrus Wong

Sadly, Tyrus
Wong was one of the casualties of the strike at the Disney Studio. With a
family to feed, he went to work at Warner Bros. Studios as a production
illustrator. He worked on a variety of films, including being loaned out to
Republic Pictures. While there, he worked on several John Wayne westerns – a
favorite film genre of his. Among the many films he provided concept art for
were “Rebel Without A Cause
,” “Calamity Jane
,”
Harper
,” “The Ice Palace
,” “The Wild Bunch
,” “Sands of Iwo Jima
,” “Auntie
Mame

,” “April in Paris
,” “Around the World in 80 Days
” and “PT 109
“. He worked
there for 26 years, “retiring” in 1968. (An interesting side note with another
Disney twist. Another artist at Warner Bros., Harper Goff designed the interior
saloon set used for “Calamity Jane”. That same set was recreated at Disneyland
as the interior of Golden Horseshoe Saloon in Frontierland. Small world,
indeed…)


One of the conceptual drawings from “The Wild Bunch.” Image courtesy of the

Walt Disney Family Museum and Tyrus Wong

Tyrus Wong
also created art for the consumer. Everything from ceramics to textiles to
greeting cards over the years.  Art was
available at various high-end stores in the Los Angeles area.  His Christmas cards were a favorite of many.
Every year he would design 20 to 25 different images, spending his summers
listening to Christmas carols in sunny Southern California. Some of these
images are available on post cards, along with some from “Bambi” are available
in the gift shop at the Walt Disney Family Museum. Plans are to reissue some of
the Christmas cards later this year. Also available are scarves and a fine
exhibit catalog.


A fondly remembered Christmas card. Image courtesy of the
Walt Disney
Family Museum and Tyrus Wong

In “retirement”, Tyrus took to the skies with the creation
of many kites. Many of his designs are on display above the exhibition. Even at
the age of 102, Tryus still flies them every month on the beach at Santa
Monica. The Museum will be having several events featuring kites including the
opportunity to build and fly on the Main Post Parade Ground at the Presidio.


Tyrus and one of his kites on the beach. Image courtesy of
the
Walt Disney Family Museum and Tyrus Wong

This exhibition contains over 150 pieces of the artwork of
Tyrus Wong including paintings,
sculptures, works on paper, painted scarves, ceramics, kites, and more.
Organized by the Museum’s Director of Collections, Michael Labrie, it offers
visitors a fantastic glimpse into the work of this artist as well as telling of
how his work has inspired so many.


Tyrus with some of his many kites on display, a pair
of
seagulls in flight. Photo by Roger Colton

“Water to Paper, Paint to Sky – The Art of Tyrus Wong” will
be on display at the Walt Disney Family Museum until February 3rd, 2014. The
exhibition can be viewed in the special exhibition gallery located behind the
Museum. Separate admission fees are charged for both the standard Museum
gallery tour and the Tyrus Wong exhibition.


Banners for the exhibition along the walkway to the special
gallery.
Photo by Roger Colton


Image courtesy of the Walt Disney Family Museum and Tyrus Wong

The Walt Disney Family Museum is located in a historic
brick building. The 40,000 square foot Museum was imaginatively re-conceived to
house ten interactive galleries, featuring a glass-walled back exterior that
frames a spectacular view of the Golden Gate Bridge. The Museum tells the story
of the man behind the myth in Disney’s own voice and in contemporary exhibits
that feature state-of-the-art technologies, listening stations, more
than 200 video screens and a 14 foot model of Disneyland. Visitors can also
enjoy the Museum store, and the 114 seat, Fantasia-themed theater, which shows
Disney classics daily.

The museum is
open 10 a.m. to 6 p.m., Wednesdays through Mondays. Closed on Tuesdays, and
January 1, Thanksgiving Day, and December 25.

Admission for
both the Museum and the Tyrus Wong exhibition can be purchased at the door, or
online.

The Walt Disney
Family Museum is located at 104 Montgomery Street on the Main Post of the
historic Presidio in San Francisco. For more information, visit www.waltdisney.org.

EDITOR’S NOTE: And if you’d like to read some more Roger Colton goodness, be sure and head over to The Blue Parrot, Mr. Colton’s personal blog.

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Theme Parks & Themed Entertainment

Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

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Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.

The Very First Parade and the Early Days of Balloons

The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.

And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade

It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.

Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.

Donald Duck in Macy's Thanksgiving Day Parade – Donaldism

Duck Joins and Towers Over Mickey

A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.

Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.

A Somber Parade in 2001

Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.

That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo

Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.

In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.

These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey

After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.

But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios

In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024

This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.

As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.

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Theme Parks & Themed Entertainment

Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street

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When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.

You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.

This is where Disneyland’s Little Monsters on Main Street came in.

The Origins of Little Monsters on Main Street

Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.

This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.

A Unique Halloween Experience

Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.

The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.

It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!

The Haunted Mansion “Tip-Toe” Tour

Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.

Growing Success and a Bigger Event

Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.

In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.

From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash

Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.

While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.

The Merch: A Piece of Little Monsters History

For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.

While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.

Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!

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Theme Parks & Themed Entertainment

The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition

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The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.

Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.

A Not-So-Scary Beginning

I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.

Mickey’s Halloween Treat 1996 – Photo: Disney
Mickey’s Halloween Treat 1996 – Photo: Disney

This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.

A Different Approach

Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.

Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.

Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.

A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.

A Modest Start but a Big Future

That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.

Universal’s Influence

It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.

So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.


For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.

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