Site icon Jim Hill Media

While Disney prepares to head “Into the Woods,” earlier attempts at turning this Stephen Sondheim show into a movie musical wound up in the weeds

There's been a lot of news lately about "Into the
Woods," Walt Disney Pictures' big holiday release for 2014. What with Jake
Gyllenhaal & Chris Pine recently signing to play the Princes
in this big
screen adaptation of Steven Sondheim's Tony Award-winning musical. Not to
mention Emily Blunt agreeing to play the Baker's Wife, while Les Misérables star
Daniel Huttlestone & Anna Kendrick have been in talks to play Jack and Cinderella,
respectively.

Given that Meryl Streep has already committed to play the
Witch and Johnny Depp has previously signed to play the Big Bad Wolf … Well,
it's been kind of fun watching how this new Rob Marshall project has been
coming together. Week to week following which new stars have agreed to join the
cast of Disney's "Into the Woods."

That said, it's important to note here that Hollywood
has already taken several stabs at turning this stage musical into a movie. And
while each of these early attempts at turning "Into the Woods" into a
film had plenty of star power (not to mention a surprising number of Disney
ties) involved, they never quite got off the ground.

The initial attempt was made back in 1994, just three years
after the original production of "Into the Woods" had closed on
Broadway. Francis Ford Coppola's American Zoetrope company first optioned the
film rights for this project, then hired Lowell Ganz and Babaloo Mandel (of
"Parenthood
" & "City Slickers
" fame) to write the
screenplay. Sondheim and "Into the Woods" director & librettist
James Lapine were then signed to serve as consultants on this proposed motion
picture.

Now where this gets interesting is that Ganz & Lowell
had so enjoyed working with Penny Marshall on "A League of Their Own
"
that — when they finished a first draft of their "Into the Woods"
screenplay — Lowell & Babaloo immediately slipped Penny a copy and then
asked her if she might consider directing this new movie musical.

And Marshall was
intrigued enough by the material that — in October of 1994 — she arranged an
all-star reading of Ganz & Lowell's script at her home. And virtually
everyone who was anyone back in 1990s Hollywood
was there that day. We're talking Robin Williams reading for the Baker, Goldie
Hawn as the Baker's Wife and Cher as the Witch. Wait. It
gets better. Steve Martin was the Big Bad Wolf, Mayim Bialik was Red Riding
Hood, Elijah Wood was Jack and Roseanne Barr was Jack's Mother.  Plus Danny DeVito as the Giant and Brendan
Fraser and Kyle MacLachlan as the handsome princes.


Copyright 1992 Columbia Pictures. All rights reserved

From what I've heard from a friend who was there that
afternoon, it quickly became apparent that — when you applied this much star
power to all that brilliant material that Sondheim & Lapine had already
created — you had the makings of a massively entertaining motion picture. The
only problem was … How was the studio ever going to structure the budget for
a movie version of "Into the Woods" (which was already going to
involve elaborate sets & costumes plus tons of special effects) in a way
that they could then actually afford all these stars and still eventually
manage to turn a profit on this project?

American Zoetrophe could never quite find a way to make those
numbers work. So in spite of the fact that they really, really, REALLY did want
to turn "Into the Woods" into a movie musical, they eventually let
the film rights slip away to Sony Pictures in 1995. Where it was then announced
Jim Henson Productions would be adapting this stage show to the screen.

And the folks over at Henson, they had some very intriguing
ideas in regards as to how to properly mount a movie version of "Into the
Woods." First was to hire Rob Minkoff (i.e. the co-director of Walt Disney
Pictures' hugely successful 1994 release, "The Lion King
") to helm
this production. Second was to cast Billy Crystal as the Baker and Meg Ryan as
the Baker's Wife. Which would have been the first time that these two had
worked together since their super-popular pairing in 1989's "When Harry
Met Sally

."


Copyright 1989 Columbia Pictures. All rights reserved

Then — when you factor in Jim Henson Productions' decision to
hire Susan Sarandon to play the Witch in the "Into the Woods" movie
— well, you then had a relatively affordable version of this proposed motion
picture that still had plenty of star power. Not to mention a great promotional
hook (i.e. Crystal & Ryan back together again for the first time since
"When Harry Met Sally") for this project. Sondheim & Lapine allegedly
thought highly enough of this proposed production that they then agreed to craft
five or six new songs for the film. So with great fanfare in the Hollywood
trades, it was then announced that shooting of the movie version of "Into
the Woods" would begin in the late summer of 1996. Which then got pushed
back to the Spring of 1997. And after that … nothing.

So what happened? As happens all too often in Tinsel
Town, there was a management change
at Sony Pictures. And the executive who had been really excited about turning
"Into the Woods" into a film was replaced by another executive who
wasn't all that big on movie musicals. And without this exec at Sony signing
off on that proposed project's budget, "Into the Woods" never ever got
greenlit. 

Which may have been — in the end — a good thing. For I
actually own a copy of Lowell & Babaloo's adaptation of "Into the
Woods." And while they obviously had to make some changes to this stage
show's story in order to make that movie into something which Jim Henson
Productions could produce (EX: The Three Little Pigs were inserted into the
storyline so that Jim Henson's Creature Shop could then produce some elaborate
animatronic versions of these characters), some of the story adjustments that
Ganz & Mandel made would have not have gone over with Sondheim fans. Take
— for example — SPOILER AHEAD having the Baker's Wife survive her fateful encounter
with the giant's wife by climbing up into this enormous woman's tangled hair
and then hiding there.

So in the long run, it was probably for the best that it
took this long (almost two decades now) for "Into the Woods" to finally
be adapted to the screen. From what I hear, the screenplay that Rob Marshall will
be using was actually written by James Lapine, the man who both directed &
wrote the libretto for the original Broadway show. And from what I've been
told, this version of the film script is remarkably faithful to the stage show.
Which means that the second half of this Holiday 2014
Walt Disney Pictures release is going to be AGAIN – SPOILER AHEAD pretty
bleak.

But what do you folks think? Are you looking forward to
Disney's "Into the Woods" ? More importantly, do you like that the Mouse & Rob Marshall seem to be circling back on Penny Marshall's original idea? Which was to turn this movie musical into a genuine event by loading the production up with as many stars as possible?

Your thoughts?

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

Exit mobile version