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Why For did Epcot’s Future World not turn out as WED had originally planned?

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Epcot Enthusiast wrote in this week to say:

I saw a Tweet today that said that you and Len Testa were
touring Future World and World Showcase recording stories for a new "Unofficial
Guide Disney Dish with Jim Hill" podcast.
Epcot is my very favorite WDW theme
park. Could you please share some stories about rides and attractions that were
planned but not built at that theme park?

Dear Epcot Enthusiast,

To be honest, it's kind of hard to know where to begin with
EPCOT Center. There are so many strange & bizarre stories associated with
the development & construction of this futuristic theme park.

Take – for example – how EPCOT Center was initially supposed
to be built much closer to World Drive. With the idea being that you were
literally supposed to be able to see Spaceship Earth looming up over the trees
as you drove past towards The Magic Kingdom.


Copyright Disney Enterprises, Inc.

"So why did these plans change?," you ask.  During the initial site survey work of this
project, a colony of Red-Cockaded Woodpeckers was found to be nesting right on
the spot where – ironically enough — EPCOT Center's "The Land" pavilion was originally
supposed to be built.

And since continuing with development of this particular piece
of Walt Disney World property would have then disturbed this endangered
species, the Imagineers opted to shift EPCOT Center's construction site over 300
feet to the East. Which was great for the Red-Cockaded Woodpeckers, but kind of
screwed up WED's plans for Spaceship Earth to be dramatically revealed while
driving up World Drive.

"But why didn't Disney just relocated these birds?," you
ask. Well, you have to keep in mind that this was/is a federally-protected
species. So it's not like the Mouse really had any options in this particular
situation. More to the point, The U.S. Fish and Wildlife Service wasn't
entirely sure (at that time, anyway) that Red-Cockaded Woodpeckers could actually
be relocated.


A naturalist at the Disney
Wilderness Preserve places a Red-Cockaded
Woodpecker in its new home

But times changes. And in the Fall of 2008, five pairs of
Red-Cockaded Woodpeckers were successfully moved from Florida's Apalachicola
National Forest to the Disney Wilderness Preserve in Kissimmee. And  these birds seem to have really taken to their
new 12,000-acre home
. At last count (which was done back in October of 2010),
this Red-Cockaded Woodpecker colony had grown from just 10 birds to 30.

So who knows: If this particular relocation technique had
existed back in the late 1970s (More to the point, if the Feds had be willing
to sign off on the idea of Mickey moving an entire colony of endangered birds),
EPCOT Center would have probably had a slightly different layout. At the very
least, "The Land" pavilion in Future World would have been built in a different
spot.

And speaking of "The Land" … Thanks to "Soarin'," this
Future World pavilion is quite popular with modern-day Epcot visitors. But this
wasn't actually the sort of structure that the Imagineers had originally
planned on building in this part of that theme park.


Copyright Disney Enterprises, Inc. All
rights reserved

What WED had originally wanted to fo with "The Land" was
construct this pavilion which was made up of seven massive crystalline
structures. And each of these giant crystal-like chambers was to have housed a
different habitat from the Earth. We're talking snow-covered peaks, the burning
desert, even the lush greenery of the rainforest.

Mind you, only five of these chambers were to have held natural
environments. The other two would have been agricultural and urban
environments. And it was in both of these parts of the show building that the
Imagineers were looking to hammer home the basic premise of this Future World
pavilion:

The Land Pavilion will graphically illustrate man's role as
the "protector" of this finite resource, as well as his alternatives and
choices in maintaining, and even enhancing, the delicate balance within the
natural environment. Through a variety of exciting and informative shows and
experiences, guests will be introduced to the basic concepts essential for
understanding the need for harmony between man and his home on "The Land."


Copyright Disney Enterprises, Inc.
All rights reserved

That's how this Future World pavilion was described in Walt
Disney Productions' 1977 annual report. And as for the rides & the shows
that the Imagineers had in the works for this version of "The Land" back then …
Well, this pavilion's signature attraction was to have been "The Blueprints of
Nature." Where Epcot visitors were to have boarded this balloon and suddenly found
themselves caught up in a fierce snowstorm high up in the mountains.

As these Guests rode along in their balloon, they were to
have followed along as this snow became water and then flowed through the other
six of "The Land" 's natural habitats. As they floated along in their balloon observing
this water from above, these WDW visitors were to be introduced to the four
basic components of Nature's Blueprints (i.e. the snowflakes of Winter, the
germinating seeds of Spring, the flowers of Summer and the leaves of Fall). And
as the water reached the desert habitat and then evaporated, the Guests (aboard
their balloon, of course) were to have followed this water vapor high into the
atmosphere. Where it then was to have reformed as snow.

You get the idea, right? The never-ending cycle of Nature.
How we are all interconnected. More importantly, how fragile our ecosystem
actually is. Which is why man must do everything he can to preserve the balance
of nature. Make sure that this cycle is never interrupted.


Copyright Disney Enterprises, Inc.
All rights reserved

Which was a great message for when "The Land" was supposed
to be sponsored by a lumber company (which wanted Disney to help get across the
message that they were doing everything they could – i.e. replanting forests
after they had harvested all of the trees – to be an environmentally responsible
corporation). But when that would-be Epcot sponsor dropped out and Kraft Foods
then offered to underwrite the construction of this Future World pavilion …
Well, the central story, the underlying message, even the overall look of "The
Land" now had to be radically reworked.

Even so, given all of the architectural work that had
already gone into the creation of this giant crystalline-structure version that
was to have housed this proposed Future World pavilion, the Imagineers didn't
want to totally abandon this design idea. Which is why Epcot's Journey into Imagination
wound up being housed inside of a crystal-shaped show building.

More to the point, given all of the time & effort that
WED had put into designing those seven carefully interconnected natural
habitats that were to have been the heart of the original version of Epcot's "The
Land" pavilion … Well, this wasn't a concept that Dr. Henry Robitaille was
willing to walk away from.


Biosphere 2

For those of you who aren't familiar with Henry's work, Dr.
Robitaille is known worldwide for his contributions to the science of
hydroponics. Dr. Robitaille worked for 20 years on the Epcot project. And if
you're ever floated through "Living with the Land," you've already seen a lot
of Henry's cutting-edge work (EX: soil-less growing technologies) on display in
this Future World pavilion.

Well, Henry genuinely believed that there was something to
WED's original idea for "The Land" (i.e. creating seven interconnected natural
habitats to then demonstrate how the Earth's ecosystem actually worked together).
Which is why – in the late 1980s – Dr. Robitaille agreed to become a consultant
on the Biosphere 2 project.

For those who don't remember this quirky scientific experiment,
Biosphere 2 was this massive glass greenhouse that was built in the Santa
Catalina Mountains north of Tucson, AZ. Built by Space Biosphere Ventures (a
company that received much of its funding from Texas multimillionaire Edward P.
Bass
. Whose family – at one time, anyway – used to own almost a quarter of The
Walt Disney Company), this artificially closed-off complete ecosystem was
initially thought to be a dry run for man building a colony on Mars.

Sadly, personality conflicts and flaws in this enormous enclosed
ecosystem eventually derailed the Biosphere 2 project. Today, this massive
structure is being used by the University of Arizona as an environmental lab.

And speaking of space travel … Perhaps the greatest loss to
the early, early version of Epcot Center was the Space Pavilion. Which – based
on the description of this proposed Future World pavilion which can be found in
Walt Disney Production's 1977 annual report – sounds like it would have been
something truly extraordinary.

Space – a huge, interstellar "Space Vehicle" will transport
passengers to the outer frontiers of the universe, highlighting man's efforts
to reach out for the stars around him … from the early pioneers who looked and
wondered … to modern-day space travelers and their triumphs … to the challenges
and possibilities of future space technologies and exploration.


Copyright Disney Enterprises, Inc.
All rights reserved

"And how exactly would this Future World pavilion have
worked?," you ask. The key to pulling off Space's central illusion – that you and
several hundred other Epcot visitors were actually aboard this massive vehicle
that was hurtling through the cosmos – was the Omnimax Sphere. Which was to have
filled this Future World pavilion's many "windows" (i.e. projection screens)
with this moving-in-perfect-sync starfields.

This — coupled with the sleek space vehicle that three-time
Academy Award-winning production designer John De Cuir Sr. had drawn up as well
as the inspired script that sci-fi pioneer Ray Bradbury had written for this proposed
theme park attraction – would have made this version of Future World's "Space"
pavilion a must-see for all Epcot visitors.

"So why wasn't this version of the 'Space' pavilion ever
built?," you ask. For the same reason that many of the rides, shows &
attractions that were initially proposed for Future World & World Showcase never
made it off the drawing board. Because Walt Disney Productions executives had a
lot of trouble lining up sponsors for EPCOT Center. Mainly because many
countries & corporations just couldn't see the long-term benefit of being
associated with this forward-looking theme park.


John De Cuir Sr. and Ray Bradbury
examine the model for the show car which was to
have been used in the original
version of Epcot's "Space" pavilion.
Copyright Disney Enterprises, Inc. All
rights reserved

Plus there were mechanical issues with the original version
of Epcot's "Space" pavilion. To be specific, the Imagineers couldn't figure out
an affordable way to make the enormous theater car (which served as the central
ride vehicle for this Future World attraction) feel as though it were actually floating
in space. Which was one of the key emotional beats that Bradbury had included
in his show script. That Epcot visitors – even if it was only for just a moment
– had to experience what it felt like to be in zero gravity.

Mind you, it wasn't 'til some 25 years later — when the
Imagineers came across that centrifuge-based technology which currently powers
Epcot's "Mission: SPACE" attraction — that they actually found a way to give WDW
visitors what Ray had been asking for (i.e. the chance to feel what it's like
to float in space). But WDI did eventually make this happen. Albiet in a very different
form than what De Cuir Sr. and Bradbury had originally proposed.

This has actually happened quite a bit over the course of the
Walt Disney Company's history. The Imagineers come up with a genuinely great
concept from a new ride, show or attractions for the Parks … but then have
absolutely no clue as how they'd pull off a particular effect, build the cost-effective
/ easy-to-operate-and-repair ride system that's necessary to pull off  this show concept.


Copyright Disney Enterprises, Inc.
All rights reserved

Take – for example – the "Incredible Journey Within" ride
that was supposed to be the marquee attraction at Epcot's Life & Health
Pavilion. Guests were to have boarded super-sized blood cells and then traveled
through a realistic representation of the human circulatory system,
witnessing " … the inner workings of the fascinating, complex human machine" as
they rode through this Future World show.

The only problem was … The Imagineers had absolutely no clue
how they were going to create a 35 foot-tall working heart value. One that
would flex & pulse continuously for 12 hours a day, seven days a week as
each blood-cell-full-of-WDW-visitors then moved through that particular show
scene in "The Incredible Journey Within."

Which is why it was almost a kindness that it took the Walt
Disney Company so long to find a sponsor for Epcot's "Wonders of Life"
pavilion. By then, the Imagineers had come up with that simulator-based technology
which is used to power "Star Tours." Which made it that much easier to create a
ride film that took Guests on a trip through the human body, rather than
building the enormous & elaborately themed physical sets that would have
been necessary to properly pull off the "Incredible Journey Within" ride.


An early model for Epcot's Life and Pavilion.
Please note – that as you look to the back of
this photo – you can see some of
the sets which would have been built for Future
World's "The Incredible Journey
Within" ride. Copyright Disney Enterprises,
Inc. All rights reserved

Now I know that it sometimes depresses Disneyana fans to
read these what-might-have-been articles, hearing about all of these great rides,
shows and attractions that didn't quite make it off of WDI's drawing boards.
Well, at least you're not as disappointed as then-President Jimmy Carter must
have been when he finally got to visit EPCOT Center.

You see, back on October 2, 1978, Card Walker – the then-President
and Chief Executive Officer of Walt Disney Productions – announced that the
Company had decided to definitely move forward with its plans to build EPCOT
Center. And at the 26th World Congress of the International Chamber
of Commerce meeting (which was held that year at Walt Disney World), Walker actually
unveiled Disney's plans for Future World and World Showcase.

So as President Carter and his wife Rosalynn wandered
through that gallery of concept art that the Imagineers had set up in the
convention center at Disney's Contemporary Resort Hotel, they got to see
extremely cool things like the magic carpet ride that was proposed for World
Showcase's United Arab Emirates pavilion. Which was to have sent Guests flying
past scenes straight out of "A Thousand and One Arabian Nights," not to mention
soaring over sequences which were to have showcased what the modern Arab world
was actually like.


(L to R) as Donn Tatum and
Rosalynn Carter look on, Card Walker
walks President Jimmy Carter through a
gallery full of EPCOT
Center concept art. Copyright Disney Enterprises, Inc.
All rights reserved

And did I mention this magic carpet ride was supposed to
have made use of that mist curtain / project system that Imagineers eventually
installed in "Pirates of the Caribbean" as a way to bring Davy Jones and
Blackbeard into that popular theme park ride? Or that this attraction at Epcot's
United Arab Emirates pavilion was to have featured a Disney-created genie
character that would have predated the one that Robin Williams voiced in "Aladdin"
by more than 10 years?

But the story of the United Arab Emirates' magic carpet ride
will have to wait for a future Why For column. Sorry to be such a tease here.
But this week's story is already 'way too long.

Anyway … That's it for this week. Here's hoping that you
folks have a great Columbus Day Weekend. And in the meantime, remember that –
if you have a Disney-related question that you'd like to see answered in a
future Why For column – you need to send those queries along to whyfor@jimhillmedia.com.

Your thoughts?

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Television & Shows

How the Creators of South Park Tricked A-List Celebrities to Roast Universal – “Your Studio & You”

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Your Studio and You

Universal Studios has a rich and storied history, but few moments are as peculiar—and as hilariously cutting—as the creation of Your Studio & You. This 14-minute parody film, commissioned in 1995 to celebrate Universal’s new ownership under Seagram’s, brings together an all-star cast, biting humor, and the unmistakable comedic fingerprints of Matt Stone and Trey Parker.

Long before South Park debuted on Comedy Central in 1997, Stone and Parker were already carving out a reputation for their irreverent style, and Your Studio & You perfectly encapsulates their knack for turning even the most corporate project into something delightfully subversive.

Matt Stone & Trey Parker Before South Park

Stone & Parker were already known out in Hollywood as funny guys. Thanks largely to “The Spirit of Christmas,” which was this video greeting card that they’d crafted for a Fox executive – who then distributed this infamously funny thing (which had Our Lord Jesus Christ & Santa Claus literally duking it out for the holiday affections of Cartman, Kenny, Stan & Kyle) to friends & family.

This was the early 1990s. No internet. Each copy of “The Spirit of Christmas” was made on VHS tape and then mailed. Went viral the old-fashioned way. It’s rumored that George Clooney made over 300 copies of “The Spirit of Christmas” and passed these VHS taps along to friends and family.

Things didn’t move as fast as they do today. “The Spirit of Christmas” still became a sensation out West.

Zucker Brothers

Matt & Trey also had other supporters in the entertainment industry. Among them David Zucker, who was one of the members of ZAZ (i.e., Zucker Abrahams Zucker), the talented trio that made “Airplane!” in 1980, “Top Secret!” in 1984 and the three “Naked Gun” movies.

  • The original “Naked Gun” in 1988
  • “Naked Gun 2 & 1/2 : The Smell of Fear” in 1991
  • and “Naked Gun 33 & a 1/3: The Final Insult” in 1994

All five of these parody films had been made for Paramount Pictures. But in the Late Winter / Early Spring of 1995, Universal had persuaded the Zucker Brothers to come over and set up shop in a bungalow on their lower lot. With the hope that – at some point further on down the line – David & his brother Jerry would start making funny films for Universal.

Zucker Brothers featured in "Your Studio and You"

And it’s during this same window of time (We’re now talking April of 1995) that news breaks that Seagrams (Yep, the adult beverage company. Who – at the time – was making an absolute fortune on the sales of wine coolers) was about to buy a majority stake in MCAUniversal. We’re talking control of 80% of that company’s stock. Which would effectively make Seagrams the new owners of Universal Studios.

Edgar Bronfman

And Edgar Bronfman – the owner of Seagrams – knew that Universal had had a tough time with its previous owners – which had been the Matsushita Electric Industrial Co. of Japan. Matsushita had bought MCA back in November of 1990 for $7.5 billion but had never really understood the entertainment industry.

This is why – after repeatedly butting heads with Lew Wasserman & Sidney Sheinberg (i.e., the heads of Universal Studios & the Universal theme park respectively) when it came to creative control of this company – Matsushita decided to wash it hands of the entire enterprise.  Agreeing to sell their holdings in MCA to Seagrams for $5.7 billion (effectively taking a nearly $2 billion loss on this investment).

Edgar M. Bronfman
Credit: NYTimes

And Bronfman … He knew that some bad feeling had developed between Hollywood’s creative community and the Japanese owners of Universal. The thinking was that executives at Matsushita Electric had just not gotten what it took to make movies & TV shows.

And Edgar? Right from the get-go, he wanted to show that Seagrams was NOT going to be Matsushita Electric Redux. Bronfman was looking for a way to send a clear message to Hollywood’s creative community that Universal’s new owners got it. That they were willing to work with Hollywood to make the best possible movies & TV shows at Universal.

And how did Edgar decide to get this message across? By making a funny movie.

Zucker Commissions Trey Parker for “Your Studio & You”

Mind you, Bronfman himself didn’t make this film. The owner of Seagrams reached out to David Zucker. Who – after initially agreeing to produce this introduction-to-Universal film – then farmed out the production of the actual project to Trey Parker. Who – just two days before shooting was supposed to star on the Universal Lot – persuaded Matt Stone to come help him on this project.

Which brings us to “Your Studio and You.” Which is a parody of an educational film from the 1950s, right down to being shot in black & white and featuring a very generic soundtrack.

Now what’s amazing about watching “Your Studio and You” today is that this 14-minute-long film features some of the biggest names working in Hollywood back in the mid-1990s. We’re talking about people like recent Golden Globe winner Demi Moore, Sylvester Stallone, Michael J. Fox and Angela Lansbury. Not to mention two of the most powerful men in all of Hollywood, Steven Spielberg & Jeffrey Katzenberg.

And what’s especially interesting about watch “Your Studio and You” is that – as you watch these performers go through their paces in this motion pictures (which – most of the time – involves doing some innocuous task while holding a Seagram’s wine cooler) – you often get the feeling that this star is not in on the gag.

So how did Matt & Trey get away with this? Simple. There was never actually a script for “Your Studio and You.”

Filming “Your Studio & You” at Universal Studios Hollywood

Mind you, David Zucker would always insist that there was. Especially when he’d phone up celebrities on the Universal Lot and say “Hey, I’m sending over a couple of college kids later today. They’re working with me on a new parody film. It’s something that we’re doing for the new owners of Universal. I need just a half hour of your time. We’re shooting something special for the party we’ll be holding when the Seagrams people first arrive at the Studio. Absolutely. You’ll definitely get an invite to that party. So can I count on you to help these kids out? Beautiful. They’ll be over there later this morning.”

And then Matt & Trey would show up and say “… Dang, Miss Lansbury. We’re sorry. We must have left our copy of the ‘Your Studio and You’ script back in our office. Which is clear on the other side of the Lot. So – rather than waste your time – why don’t we do this instead? Follow us over to the Psycho House. Where we’re then going to get footage of you painting the front porch on Mother Bates’ house while you say ‘Gosh, with all of the wonderful improvements going on around here, everyone is going to want to work at Universal.’ Oh, and can we also get you to wear this button on the front of your blazer which reads ‘Universal is A-OK’ ? “

And over & over again, the biggest names who were working for Universal at that time took part in the production of “Your Studio & You” because A) David Zucker vouched for Matt Stone & Trey Parker and B) this was something that was being made for the new owners of Universal. And it’s just natural to want to get in good with the new boss.

Steven Spielberg, Jeffery Katzenberg, and Jaws

But no one at Universal anticipated that “Your Studio & You” would wind up being as sharp edged as the finished product turned out to be. I mean, it’s one thing to bite the hand that feeds you. But “Your Studio & You” ? It doesn’t just bite the hand. It takes the hand off at the wrist.

It’s a brutally funny film. With one of the meanest moments reserved for Steven Spielberg, who plays a driver on the Universal Studio Tour who’s trying to persuade a tram full of bored tourists (one of whom is played by Jeffery Katzenberg) that the “Shark Attack” scene down by Jaws Lagoon is actually exciting.

Spielberg actually says lines like “ … Whoa, whoa. What is going on here? Ladies and gentlemen, this never happens. Look out! It’s a shark! Whoa, that is one big scary shark.”


Mind you, as footage of this mechanical shark repeatedly coming up out of the water is shown, “Your Studio & You” ‘s off-screen narrator (who is voiced by Trey Parker says):

“But what about tomorrow? If we don’t keep in step with the times, things that were once neat and thrilling can become old and stupid.”

“Your Studio & You” Reception

This film was supposed to be shown only once at the welcoming party for Seagrams executive on the Universal Lot. And I’m told that – when Edgar Bronfman saw the finished product at that party – he reportedly turned to David Zucker and said “ … That’s a little more mean-spirited that I think it needed to be.”

And with that, “Your Studio & You” was supposed to go back into the Universal vault, never to be seen again. But when “South Park” debuted on Comedy Central in August of 1997 and then became a sensation for its biting humor, there was suddenly a lot of interest in what else Matt & Trey had done. Which is why copies of “The Spirit of Christmas” began to circulate. And – over time – copies of “Your Studio & You” began to bubble up.

Which – as Stone & Parker have repeatedly pointed out – was just not supposed to happen. Largely because none of the celebrities who appeared in “Your Studio & You” had never signed releases for Universal’s legal department. Because – again – this was for a movie that was only going to be shown once at a private function on the Universal Lot.

Matt mentioned (as part of a career retrospective at the Paley Center in LA back in 2000) that “ … they wouldn’t even let us keep a copy of the finished film.”

It’s a funny but brutal movie. And worth taking a look at today especially if you’re a theme park history buff because it shows Universal Studios Hollywood’s “Jurassic Park: The Ride” still under construction on the Lower Lot. That attraction would finally open to the public in June of 1996.

“Your Studio & You” became a lot easier to see after Seagrams sold off its share of Universal to Vivendi in 2000. Copies began propagating online after that. Though Universal Legal will periodically make an effort to get the latest copy of “Your Studio & You” taken off the Internet because – again – none of the performers who appear on camera ever signed the proper releases and/or were paid for their efforts.

That said, if you’re up for a mean-spirited laugh, “Your Studio & You” is well worth 14 minutes of your time. That said, once you watch this thing, be warned:

  1. You’re immediately going to be thirsty for a Seagram’s wine cooler
  2. And you’re going to have a sudden desire to go out & buy a porcelain deer.
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Theme Parks & Themed Entertainment

Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

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Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.

The Very First Parade and the Early Days of Balloons

The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.

And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade

It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.

Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.

Duck Joins and Towers Over Mickey

A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.

Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.

A Somber Parade in 2001

Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.

That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo

Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.

In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.

These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey

After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.

But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios

In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024

This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.

As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.

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Theme Parks & Themed Entertainment

Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street

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When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.

You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.

This is where Disneyland’s Little Monsters on Main Street came in.

The Origins of Little Monsters on Main Street

Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.

This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.

A Unique Halloween Experience

Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.

The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.

It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!

The Haunted Mansion “Tip-Toe” Tour

Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.

Growing Success and a Bigger Event

Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.

In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.

From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash

Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.

While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.

The Merch: A Piece of Little Monsters History

For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.

While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.

Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!

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