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Why For do the WDW monorails not make a stop at Wilderness Lodge?

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First up, Brandon S. writes in to say:

Hi Jim,

I love listening to the Unofficial Guide’s Disney Dish podcasts with you and Len Testa. Even when you guys are touring the resorts and not just the Theme Parks its really cool to here all the stories about how things came to be. One question I always have when looking at a map of WDW or visiting the resort is why Disney’s Wilderness Lodge is NOT on the monorail loop since it is really very close to it? It seems like if it was on the monorail it would be even easier to get people into this ‘Deluxe’ Resort.

Thanks! And do you guys plan to keep doing new podcasts? I would love to hear your thoughts about the new Fantasy Land addition. Thanks!!

Brandon S.
Chicago, IL


Concept art for Disney World’s never-built Cypress Point Resort. Copyright
Disney Enterprises, Inc. All rights reserved

Dear Brandon,

Even back in the 1970s, when the then-named Cypress Point project was one of four hotels that were supposed to be built as part of Walt Disney World’s Phase Two (FYI: The other three were the Asian, the Venetian and the Persian Resorts), the Imagineers never had any plans to have the monorail make a stop at this wilderness-themed hotel.

If anything, the very idea of having an ultra-sleek, modern transportation system making regular stops at Cypress Point’s front door kind of undermined the sort of story that WED was looking to tell with this particular hotel. Which was: You’re out at this remote spot in the woods. The whole point of booking a stay at Cypress Point was that you were looking to disconnect from the hectic, modern world and then reconnect with nature.

That kind of explains one of the initial design conceits of Cypress Point. That — in addition to the 550 rooms which would be available for rent within the central core complex of this wilderness-themed hotel — the Imagineers also planned on building 20 rustic cabins out along the shore of Bay Lake for those WDW visitors who really were looking to ” … get away from it all.”


Disney Legend Dick Nunis

Of course, by the mid-1970s, Walt Disney World officials were refocusing all their efforts on trying to find some way to deliver on the promise of EPCOT. So plans for Cypress Point — along with the Asian, Venetian and Persian Hotels — got tabled for a time. But as work on EPCOT Center was well underway in the Fall of 1981, Dick Nunis — the then-executive vice president of Disneyland and Walt Disney World —  realized that demand for on-property hotel rooms would radically increase once this futuristic theme park officially opened on October 1, 1982. So Dick had the Imagineers dig out some of their original hotel plans for the WDW Resort for review. And the project that Nunis then decided to revive was Cypress Point.

“Why Cypress Point?,” you ask,”And not the Venetian or the Persian? Or especially the Asian, whose prepped-and-ready construction site had been jutting out into Seven Seas Lagoon ever since the Resort had first opened back in October of 1971?” To be blunt, Nunis was looking for a hotel that could be built in the Magic Kingdom area that then would have the least day-to-day operational impact on that theme park during that hotel’s construction phase. And had the Imagineers opted to go ahead with construction of the Asian instead … Well, that would have meant disruptions of the Magic Kingdom’s monorail service as they built that hotel’s covered-and-connected Monorail station. And that really wasn’t what Dick was looking for. He wanted a hotel that could be built which would then have little or no impact of the Guest experience of the tens of thousands of people who were staying out in Kissimmee and driving up 192 to come spend the day at the Magic Kingdom & the soon-to-open EPCOT Center.

That was what was kind of unusual about Dick Nunis. While he was running Walt Disney World, he prided himself on being a good neighbor. Dick didn’t view the people and/or the companies who ran all of those off-property hotels, motels & restaurants as the enemy. Nunis figured that … Well, given that the Mouse made so much money off of the tourists who visited the Company’s Central Florida resort during the day, it really wasn’t necessary to chase after every single nickel which rolled off of Disney’s table. Which is why — when Dick talked about building new on-property hotels — he wasn’t all that enthusiastic about 1920 – 2112 room behemoths like Disney’s All-Star Sports or the Caribbean Beach Resort. Nunis was more of a “share-the-wealth” guy. Which is why he favored smaller, low capacity resorts like the 550 room Cypress Point project that was supposed to be built along the shore of Bay Lake.


Copyright Disney Enterprises, Inc. All rights reserved

Mind you, as the cost of building EPCOT Center ballooned from WED’s initial estimates of $400 million to $800 million (with the final price tag for this futuristic theme park winding up being just shy of $1.2 billion), Dick wound up having to put off the start of construction on Cypress Point. And then when EPCOT Center failed to meet its initial attendance projections during that theme park’s first full year of operations … Well, that then caused the price of shares in Walt Disney Productions stock to tank. Which then left the Company vulnerable to attack by greenmailers like Saul P. Steinberg & Ivan Boesky. And it was the resulting uncertainty about Walt Disney Productions’ financial future that resulted in a management change at the Mouse House in September 1984. With Ron Miller being forced out and Michael Eisner then being appointed as Disney’s new chief executive officer.

And Eisner? Well, he had a very different attitude than Dick Nunis’ when it came to Walt Disney World. Michael wasn’t interested in being a good neighbor to all of the hotel, motel & restaurant operators out along 192. His main goal was to maximize the profit potential of the Florida property. Which is why — during the 20+ years that Eisner was calling the shots at the Mouse House — there was almost continuous construction on those 43 square miles of land that the Company owned in Orange & Osceola County. As Michael turned Walt Disney World into this virtual walled city in his effort to make sure that not a single dollar was left on the table.

This is why the 550 room Cypress Point hotel that Dick Nunis initially wanted to build alongside Bay Lake eventually got turned into the 730 room Wilderness Lodge Resort. More to the point, once this WDW hotel opened in May of 1994 and proved to be a huge success with Disney World visitors, the Company immediately began looking for ways to expand the footprint of this super-popular resort. They were eventually able to add an additional 137 units to this property in November of 2000 by building a brand new DVC — the Villas at Disney’s Wilderness Lodge — right next door to the main lodge building.


Copyright Disney Enterprises, Inc. All rights reserved

Getting back to your transportation-related question now, Brandon … It may interest you to know that — while Cypress Point / Wilderness Lodge was never intended to be connected to the Magic Kingdom Resorts monorail loop — the Imagineers did initially plan on this wilderness-themed resort having its own unique internal transportation system.

Take a look at the 1994 era site plan that the Urban Design Group (i.e. the architectural firm that Michael Eisner tapped in 1989 to create a National Parks-inspired hotel for this 100-acre site) came up with for the overall Wilderness Lodge / Fort Wilderness campground area. Do you see that proposed rail loop in the center of this image?

Well, if Peter H. Dominick — the lead architect on this project — had had his way, the Fort Wilderness Railroad (which provided somewhat reliable transportation for Guests staying at the Fort Wilderness campground between the years of 1973 & 1977) would have been resurrected in a far hardier form. And this time around, that steam train would have taken people who were staying at Wilderness Lodge over to Fort Wilderness Junction. Where they could have caught a performance of the Hoop-Dee-Doo Musical Revue, had a meal or gone shopping in the new western-themed village that Dominick was looking to build next to Clementine Beach (i.e. that strip of sand to the right of River Country where Fort Wilderness visitors used to be able to swim. Until WDW officials began discouraging people from bathing in Bay Lake, that is).

Interesting enough, this adding-a-western-themed-village-at-Fort-Wilderness idea actually dates back to the early, early days of WDW’s campground. According to what Gary Goddard once told me in a 2008 interview, the Imagineers were already talking about seriously expanding this corner of the Resort as far back as 1974. And then …

EDITOR’S NOTE: I had reached this point in writing last week’s Why For column last Friday morning when the news began to break about the shootings at Sandy Hook Elementary School. Which kind of knocked me for a loop for a while there. Given that — over the past three years — I’ve made three separate trips to Newtown, CT. And all of them for Disney-related reasons.

To explain: My significant other — Nancy Stadler — is a huge ABC soaps fan. And when Disney’s Hollywood Studios cancelled its annual Super Soap Weekend in 2009, Nancy took that kind of hard. Which is why we then began casting around for some sort of replacement event.

And as it turns out, in 2010, Treehouse Comedy Productions began staging ABC Soap-related events at Edmond Town Hall. Which is this 80 year-old theater located right in the heart of a picturesque small town in southwestern Connecticut. Which is why on two separate occasions (September 10, 2010 and June 24, 2011 to be exact) we made the 3 1/2 hour drive down from New Boston, NH to Newtown, CT. Just so Nancy & friends could then see Port Chuck (which is this band made up of four actors from “General Hospital“) & Maurice Bernard (who plays Sonny Corinthos on that same ABC soap).

And since I’m really not all that much of a soap opera fan, while Nancy & Co. were inside Edmond Town Hall enjoying performances by Port Chuck & Mr. Bernard, I killed time by exploring Newtown. Which is very much like New Boston. Right down to the old-fashioned general store in the center of town which has this really great deli hidden in the back. I got a terrific turkey wrap at the Newtown General Store right before that store closed at 5 p.m. Which — I know — might seen kind of a pretty early time for a general store to close. But that’s the way things are in small New England towns. Once people are settled into their houses, safe & snug for the night, you’re really not going to do all that much more business. So what’s the point of staying open longer than you have to?


Newtown General Store decorated for the holidays

Anyway … I really enjoyed what I saw of Newtown, CT during my two visits there. It seemed like this very tight little community. By that I mean: When I was parked in the lot directly below Edmond Town Hall, I had this clear view of the volunteer fire department. And when a call came in that damp June night, I watched as all sorts of locals came tearing into the parking lot with their cars & SUVs. They quickly pulled on their fire gear and then fearlessly climbed up on that truck, willing to do whatever they had ro in order to help their neighbors.

Of course, it’s one thing to help a single family deal with the aftermath of a house fire. It’s quite another to help 20 different families deal with the sudden, brutal loss of a child.

Anywho … My most recent trip to Newtown wasn’t even a planned thing. Earlier this Spring, Nancy and I were driving through Connecticut on our way back home from Georgia. We had been down in Carnesville, GA dealing with her Dad’s estate and had just a few hours of driving to go before when we’d make it back home to New Boston. And as the two of us were driving up 84, I suddenly realized that I had a phone interview scheduled with Elijah Wood (who voices the character of Beck on Disney XD‘s “TRON Uprising“) which was supposed to begin shortly.

So I took the very next exit off of 84. And where did we wind up totally by chance? Newtown, CT. Again. And I sat in the parking lot of the Blue Colony Diner talking with Mr. Wood (who’s a very nice guy, by the way), I couldn’t help but think how happy I was to be back in this place once more. I mean — while so much of Connecticut now feels like an extended bedroom community for all of the bigger cities in that state like Hartford, Bridgeport and New Haven — Newtown really has an identity that’s all its own. It looks like this really great place to live. A place where you can sit out in front of the General Store and have total strangers say “Hello” to you as they walk by on Main Street.


“Why exactly are you telling me this, Jim?,” you ask. “I don’t want to hear about Main Street in Newtown, CT. I want to hear about Main Street, U.S.A. at one of the Disney theme parks.” The reason that I’m sharing these stories with JHM readers is — just like you — I’ve been watching all of the coverage coming out of Newtown, CT this past weekend. Where people like Geraldo Rivera stand in front of this small town’s high school football field and then attempt to be profound. Talking about what this senseless, brutal tragedy says about America. Who we are as a nation. Who we are as a people.

And I just want to remind you that — if you can just look past all of those satellite trucks and those slickly produced news segments with their solemn musical underscores — Newtown, CT is a real place with real people who are still reeling. All because some animal with an automatic weapon shot his way into an elementary school last Friday morning and then — for whatever reason — decided to turn a group of heroic teachers and their terrified students into targets.

As a parent and coming from a family of educators as I do (My mother was a teacher. My father was a principal. My brother & my sister are principals today. My sister-in-law is also an educator), that something like this could happen to little kids & their teachers in the one place that they were all supposed to be safe just sickens me. Then factor in that this shooting happened in Newtown, CT. Which really is the sort of place that Norman Rockwell used to make his paintings about … just escalates this tragedy to unimaginable heights.

But since this is America that we’re talking about here … By this time next week, once the first wave of the memorial services are over, there’ll be some other tragedy that’ll comes along which will then immediately grab our attention. And Geraldo & all those satellite trucks will pull up stakes and move on to that story. Finally leaving the residents of this small southwestern Connecticut town alone to mourn their own in their own way.


Last night outside of St. Rose of Lima Church in Newtown, CT. Copyright American
Broadcasting Companies, Inc. All rights reserved

But before that happened … I just wanted to talk about the real Newtown, CT. Which is more than just that high school football field or those candlelight vigils in front of St. Rose of Lima Church that you keep seeing over & over & over again on television. I’m just hoping that — after all of the tears & the anger & the mourning — that the good people who actually live in this quiet corner of Fairfield County find a way to heal. That these folks can somehow find their way to being the sort of community where you immediately begin chatting up a complete stranger when they sit themselves down at the counter of the Blue Colony Diner. Or just automatically say “Hello” to someone who’s seated out in front of the Newtown General Store because it’s the polite thing to do.

Here’s hoping that things someday get back to normal in this small New England town. Though — right now — I don’t see how that could ever be possible.

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Television & Shows

How the Creators of South Park Tricked A-List Celebrities to Roast Universal – “Your Studio & You”

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Your Studio and You

Universal Studios has a rich and storied history, but few moments are as peculiar—and as hilariously cutting—as the creation of Your Studio & You. This 14-minute parody film, commissioned in 1995 to celebrate Universal’s new ownership under Seagram’s, brings together an all-star cast, biting humor, and the unmistakable comedic fingerprints of Matt Stone and Trey Parker.

Long before South Park debuted on Comedy Central in 1997, Stone and Parker were already carving out a reputation for their irreverent style, and Your Studio & You perfectly encapsulates their knack for turning even the most corporate project into something delightfully subversive.

Matt Stone & Trey Parker Before South Park

Stone & Parker were already known out in Hollywood as funny guys. Thanks largely to “The Spirit of Christmas,” which was this video greeting card that they’d crafted for a Fox executive – who then distributed this infamously funny thing (which had Our Lord Jesus Christ & Santa Claus literally duking it out for the holiday affections of Cartman, Kenny, Stan & Kyle) to friends & family.

This was the early 1990s. No internet. Each copy of “The Spirit of Christmas” was made on VHS tape and then mailed. Went viral the old-fashioned way. It’s rumored that George Clooney made over 300 copies of “The Spirit of Christmas” and passed these VHS taps along to friends and family.

Things didn’t move as fast as they do today. “The Spirit of Christmas” still became a sensation out West.

Zucker Brothers

Matt & Trey also had other supporters in the entertainment industry. Among them David Zucker, who was one of the members of ZAZ (i.e., Zucker Abrahams Zucker), the talented trio that made “Airplane!” in 1980, “Top Secret!” in 1984 and the three “Naked Gun” movies.

  • The original “Naked Gun” in 1988
  • “Naked Gun 2 & 1/2 : The Smell of Fear” in 1991
  • and “Naked Gun 33 & a 1/3: The Final Insult” in 1994

All five of these parody films had been made for Paramount Pictures. But in the Late Winter / Early Spring of 1995, Universal had persuaded the Zucker Brothers to come over and set up shop in a bungalow on their lower lot. With the hope that – at some point further on down the line – David & his brother Jerry would start making funny films for Universal.

Zucker Brothers featured in "Your Studio and You"

And it’s during this same window of time (We’re now talking April of 1995) that news breaks that Seagrams (Yep, the adult beverage company. Who – at the time – was making an absolute fortune on the sales of wine coolers) was about to buy a majority stake in MCAUniversal. We’re talking control of 80% of that company’s stock. Which would effectively make Seagrams the new owners of Universal Studios.

Edgar Bronfman

And Edgar Bronfman – the owner of Seagrams – knew that Universal had had a tough time with its previous owners – which had been the Matsushita Electric Industrial Co. of Japan. Matsushita had bought MCA back in November of 1990 for $7.5 billion but had never really understood the entertainment industry.

This is why – after repeatedly butting heads with Lew Wasserman & Sidney Sheinberg (i.e., the heads of Universal Studios & the Universal theme park respectively) when it came to creative control of this company – Matsushita decided to wash it hands of the entire enterprise.  Agreeing to sell their holdings in MCA to Seagrams for $5.7 billion (effectively taking a nearly $2 billion loss on this investment).

Edgar M. Bronfman
Credit: NYTimes

And Bronfman … He knew that some bad feeling had developed between Hollywood’s creative community and the Japanese owners of Universal. The thinking was that executives at Matsushita Electric had just not gotten what it took to make movies & TV shows.

And Edgar? Right from the get-go, he wanted to show that Seagrams was NOT going to be Matsushita Electric Redux. Bronfman was looking for a way to send a clear message to Hollywood’s creative community that Universal’s new owners got it. That they were willing to work with Hollywood to make the best possible movies & TV shows at Universal.

And how did Edgar decide to get this message across? By making a funny movie.

Zucker Commissions Trey Parker for “Your Studio & You”

Mind you, Bronfman himself didn’t make this film. The owner of Seagrams reached out to David Zucker. Who – after initially agreeing to produce this introduction-to-Universal film – then farmed out the production of the actual project to Trey Parker. Who – just two days before shooting was supposed to star on the Universal Lot – persuaded Matt Stone to come help him on this project.

Which brings us to “Your Studio and You.” Which is a parody of an educational film from the 1950s, right down to being shot in black & white and featuring a very generic soundtrack.

Now what’s amazing about watching “Your Studio and You” today is that this 14-minute-long film features some of the biggest names working in Hollywood back in the mid-1990s. We’re talking about people like recent Golden Globe winner Demi Moore, Sylvester Stallone, Michael J. Fox and Angela Lansbury. Not to mention two of the most powerful men in all of Hollywood, Steven Spielberg & Jeffrey Katzenberg.

And what’s especially interesting about watch “Your Studio and You” is that – as you watch these performers go through their paces in this motion pictures (which – most of the time – involves doing some innocuous task while holding a Seagram’s wine cooler) – you often get the feeling that this star is not in on the gag.

So how did Matt & Trey get away with this? Simple. There was never actually a script for “Your Studio and You.”

Filming “Your Studio & You” at Universal Studios Hollywood

Mind you, David Zucker would always insist that there was. Especially when he’d phone up celebrities on the Universal Lot and say “Hey, I’m sending over a couple of college kids later today. They’re working with me on a new parody film. It’s something that we’re doing for the new owners of Universal. I need just a half hour of your time. We’re shooting something special for the party we’ll be holding when the Seagrams people first arrive at the Studio. Absolutely. You’ll definitely get an invite to that party. So can I count on you to help these kids out? Beautiful. They’ll be over there later this morning.”

And then Matt & Trey would show up and say “… Dang, Miss Lansbury. We’re sorry. We must have left our copy of the ‘Your Studio and You’ script back in our office. Which is clear on the other side of the Lot. So – rather than waste your time – why don’t we do this instead? Follow us over to the Psycho House. Where we’re then going to get footage of you painting the front porch on Mother Bates’ house while you say ‘Gosh, with all of the wonderful improvements going on around here, everyone is going to want to work at Universal.’ Oh, and can we also get you to wear this button on the front of your blazer which reads ‘Universal is A-OK’ ? “

And over & over again, the biggest names who were working for Universal at that time took part in the production of “Your Studio & You” because A) David Zucker vouched for Matt Stone & Trey Parker and B) this was something that was being made for the new owners of Universal. And it’s just natural to want to get in good with the new boss.

Steven Spielberg, Jeffery Katzenberg, and Jaws

But no one at Universal anticipated that “Your Studio & You” would wind up being as sharp edged as the finished product turned out to be. I mean, it’s one thing to bite the hand that feeds you. But “Your Studio & You” ? It doesn’t just bite the hand. It takes the hand off at the wrist.

It’s a brutally funny film. With one of the meanest moments reserved for Steven Spielberg, who plays a driver on the Universal Studio Tour who’s trying to persuade a tram full of bored tourists (one of whom is played by Jeffery Katzenberg) that the “Shark Attack” scene down by Jaws Lagoon is actually exciting.

Spielberg actually says lines like “ … Whoa, whoa. What is going on here? Ladies and gentlemen, this never happens. Look out! It’s a shark! Whoa, that is one big scary shark.”


Mind you, as footage of this mechanical shark repeatedly coming up out of the water is shown, “Your Studio & You” ‘s off-screen narrator (who is voiced by Trey Parker says):

“But what about tomorrow? If we don’t keep in step with the times, things that were once neat and thrilling can become old and stupid.”

“Your Studio & You” Reception

This film was supposed to be shown only once at the welcoming party for Seagrams executive on the Universal Lot. And I’m told that – when Edgar Bronfman saw the finished product at that party – he reportedly turned to David Zucker and said “ … That’s a little more mean-spirited that I think it needed to be.”

And with that, “Your Studio & You” was supposed to go back into the Universal vault, never to be seen again. But when “South Park” debuted on Comedy Central in August of 1997 and then became a sensation for its biting humor, there was suddenly a lot of interest in what else Matt & Trey had done. Which is why copies of “The Spirit of Christmas” began to circulate. And – over time – copies of “Your Studio & You” began to bubble up.

Which – as Stone & Parker have repeatedly pointed out – was just not supposed to happen. Largely because none of the celebrities who appeared in “Your Studio & You” had never signed releases for Universal’s legal department. Because – again – this was for a movie that was only going to be shown once at a private function on the Universal Lot.

Matt mentioned (as part of a career retrospective at the Paley Center in LA back in 2000) that “ … they wouldn’t even let us keep a copy of the finished film.”

It’s a funny but brutal movie. And worth taking a look at today especially if you’re a theme park history buff because it shows Universal Studios Hollywood’s “Jurassic Park: The Ride” still under construction on the Lower Lot. That attraction would finally open to the public in June of 1996.

“Your Studio & You” became a lot easier to see after Seagrams sold off its share of Universal to Vivendi in 2000. Copies began propagating online after that. Though Universal Legal will periodically make an effort to get the latest copy of “Your Studio & You” taken off the Internet because – again – none of the performers who appear on camera ever signed the proper releases and/or were paid for their efforts.

That said, if you’re up for a mean-spirited laugh, “Your Studio & You” is well worth 14 minutes of your time. That said, once you watch this thing, be warned:

  1. You’re immediately going to be thirsty for a Seagram’s wine cooler
  2. And you’re going to have a sudden desire to go out & buy a porcelain deer.
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Theme Parks & Themed Entertainment

Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

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Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.

The Very First Parade and the Early Days of Balloons

The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.

And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade

It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.

Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.

Duck Joins and Towers Over Mickey

A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.

Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.

A Somber Parade in 2001

Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.

That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo

Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.

In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.

These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey

After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.

But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios

In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024

This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.

As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.

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Theme Parks & Themed Entertainment

Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street

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When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.

You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.

This is where Disneyland’s Little Monsters on Main Street came in.

The Origins of Little Monsters on Main Street

Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.

This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.

A Unique Halloween Experience

Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.

The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.

It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!

The Haunted Mansion “Tip-Toe” Tour

Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.

Growing Success and a Bigger Event

Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.

In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.

From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash

Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.

While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.

The Merch: A Piece of Little Monsters History

For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.

While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.

Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!

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