Theme Parks & Themed Entertainment

Ruminations

It’s another trip back to the storage locker and another classic animation book review from Roger’s keyboard! Something old and something new…

Published

20 years ago

May 6, 2004

Roger Colton

This is the second of two parts adapted from two articles that appeared in Issues Four and Five of YARF! way back in May and then July of 1990. Originally done with an absolutely ancient version of Aldus Pagemaker on a Macintosh SE, they were an interesting look into the printed page. This time out, Disney characters are the focus.

Last time, we looked at a book about the Warner Brothers Merrie Melodies and Looney Tunes. This time we’ll do the flip side with the “Encyclopedia of Walt Disney’s Animated Characters” by John Grant (Published by Harper and Row, 1987. Suggested retail price $35.00) It would be fair to say that Disney enjoyed a wealth of characters because of both features and shorts, where as Warner was limited to shorts.

The introduction to this book sets the tone to explain why Disney characters were (and are) different from those of other studios:

“Until a character becomes a personality it cannot be believed. Without personality, the character may do funny or interesting things, but unless people are able to identify themselves with the character, it’s actions will seem unreal. And without personality, a story cannot ring true to the audience.”

Those words of Walt Disney describe why his studio became to the most successful animation company of it’s day. We think of these characters as real, and in that, the Disney animators have succeeded. This doesn’t mean that Bugs Bunny or Tom & Jerry aren’t good characters, but the Disney staff seemed to have the ability to bring it’s characters to life in ways that were above the other studios. We see Disney characters as real personalities with real emotions in real life situations. Looking at shorts from other studios, that wasn’t always possible or something necessary. A personal example comes in the Disney feature, “Lady & The Tramp”. The scenes early one with lady as very young puppy derive from reality. Having been through the same situations in my own life (as my mother bred cocker spaniels for the dog show world once upon a time), I laugh every time I see these scenes because I can identify with the real quality of them. That’s the Disney secret!

This book comes as close to being complete (for the publication dates) as any I have found about Disney characters. It is broken down by short subjects and animated features. It is (was) current up to 1985’s “Wuzzles” and “Gummi Bears” for shorts and up to 1986’s “The Great Mouse Detective” for features. The section on shorts id sorted by characters rather than by subject title, and they are in chronological order of appearance. That list begins with the “Newman Laugh-O-Grams” which Walt produced for a local cinema in Kansas City in 1921. The running times were less than a minute. The first character listing is for “Julius the Cat” from the “Alice” series of shorts. They featured a live action young girl (Alice) interacting with the animation. Julius is a Felix look-alike and never appeared in anything other than the “Alice” shorts. The listing also includes a filmography with all possible appearances.

Here is a typical character entry — for the character “Bootle Beetle”:

BOOTLE BEETLE:

If they were small, and especially if they were insects, they inevitably became foes of Donald Duck. Bootle Beetle, who first appeared in the short “Bootle Beetle” (1947), carried on the great tradition. Voiced by Dink Trout, the little coleopteran got his name thank to Jack Hannah, who directed the original short. Hannah’s wife knew of a racehorse in Pomona called “Beetle Bootle”, and he merely switched the two names around.

Of the three shorts he made, the first, “Bootle Beetle” is probably the best known. The elderly Bootle is telling the younger Ezra Beetle of the ills of running away and recalls the story of his own youth, which seems mainly to have occupied chases between himself and Donald. Nowadays, although Bootle is an old man, so is Donald — and elderly Duck is still chasing him. He is still reminiscing in “Sea Salts” (1949), about the time he and Donald were shipwrecked. Of their surviving provision Donald always seems to get the best ration but somehow this does no disrupt the friendship of the two.

His final outing was in the short, “The Greener Yard” (1949). Yet again he is reminiscing to Ezra. Once upon a time, he tells the little beetle as the two of them survey Donald’s yard over the fence, he took the risk of plundering that yard for food. However, all that happened was that he was chased by Donald and nearly lost his life. He tells the story so dramatically (with flashbacks to the real action) that young Ezra is content to stick with the meal he has in front of him rather than trying for the delights on the other side of the fence.

Bootle Beetle’s career never got off the ground. Somehow he was not really enough of a personality to make it to the top — although, in contradiction to that, it should be pointed out that Buzz-Buzz who has no personality except for a venomous desire to use his sting, did much better for himself.

Filmography —
“Bootle Beetle”, August 1947
“Sea Salts”, 1949
“The Greener Yard” 1949

Ezra Beetle appeared only in “Bootle Beetle” and in “The Greener Yard”.

The entry is accompanied by two color views for both Bootle Beetle and Ezra Beetle. A major character such as Goofy has an appropriately larger entry consistent with all of his appearances. Each Entry give all the information about the character, and if known, a credit for the voice(s) which contributed to it.

The section on features is a bit more involved but again well done. Once more, it is arranged in chronological order but this time by title rather than by character. Beginning with “Snow White” (released December 21, 1937), it covers the features in order. Some of the entries may seem out of place here as you don’t think of them as features. But they are listed that way because that’s how Disney released them to the theaters. A good example is the World War II feature, “Victory Through Airpower”, (1943). While it was a promotional film for escalating the war effort through increased reliance on air power, it does contain animation. And it is all detailed in the entry for the title. There are also other entries for live action films that included animation in their productions.

Usually an entry is headlined by the title. Then the characters are listed, followed by the credits (which include the voices). After the credits, the date of the release is given as well as the total running time of the film. Then a section with notes on the film and it’s production is presented. A synopsis of the story is offered, and then the listing for the characters. Views of the character accompany the list. Due to space considerations in YARF!, a full example of a feature reference would be too much. But here is a condensed version to offer you a sample of the information that is found in a typical listing.

“Melody Time”
Characters:

Little Toot section:

Little Toot, Big Toot
Voices/Musicians: The Andrews Sisters
Release Date: May 27, 1948
Running Time: 7.5 minutes

Little Toot Section:

As the Andrews Sisters tunefully tell us,

“Little Toot was just a tugboat,
A happy harbor tug.
He came from a line tugboats fine and brave.
But it seems that Little Toot,
Simply didn’t give a hoot.
Though he tried to be good he never could behave.”

In other words, like many another small Disney hero, “Little Toot”, a New York harbor tug, is the “naughty one”. Indeed, he is an extremely mischievous little boat. We see him indulging in all sorts of minor misdemeanors before one day he goes too far, peppering the portholes of a liner with blasts of dense smoke. After this excursion, he is lucky not to be caught by the prowling police boats, which are grim faced and blue.

“Little Toot” resolves in the future to be good and help his father, “Big Toot”.

His first attempt ends in disaster; a vast liner ends up spinning uncontrollably to land in the streets of New York, surrounded by bent and battered skyscrapers.

“Little Toot” is escorted out to sea — past the 12 mile limit — by the police boats and left there to the mercy for whatever fate might have in store for him.

A storm blows up. As the sky thunders and the waves crash, a chorus of huge, red, sharked-jawed buoys verbally chastise him “Shame! Shame! Too bad! Too Bad!”

“Little Toot” is such a reject that even the circling beam of a nearby lighthouse detours around him. This is bad enough, but then the storm really hits. The poor little tug is having difficulty staying afloat when a rocket flare lights up the sky; a liner is in distress out by the dreaded rocks. “Little Toot” promptly sends back an SOS to the New York tugs and they immediately send out a rescue expedition, but he is by far the nearest to the liner and so it is really up to him.

Hooked up to the liner, he strains to pull it clear but to no avail… until a bolt of lightning hits his stern. The effect is electrifying in both senses of the word and in no time “Little Toot” has saved the liner and the day. He returns to a hero’s welcome, and at last — and for the first time — his father, “Big Toot”, has cause to be proud of him.

Stills of “Little Toot” do not so him justice; he is not the flat neutral character he appears to be in them. The drawing of him is simple, yet somehow it conveys the fact that he is essentially a naughty child — infuriating much of the time but nevertheless very lovable. His father, “Big Toot”, comes across as a gritty workin’ man, gruff and reserved yet with a heart of gold. Just how the Disney animators achieved such is impossible to tell; perhaps they did not know it themselves, but did it all by instinct.

That last paragraph sums up again what makes Disney characters come to life and why we can feel that they are real and relate to them so well. That’s the magic that character animation is best at and Disney does it best of all.”

This book may take up a bit of space on the coffee table or a shelf, but it is worth the effort. Again it is a valuable reference source and a can provide inspiration as well as background. It may be hard to find in the stores, but if you look, it might even be among the bargain tables. Trust me, it’s worth the effort.

Now there have been several editions of the book, and it is about time for another edition to make the rounds, we can hope. Again it would make a great electronic version complete with a database feature. Throw in a few short movie clips for some of the better known characters and or features and they would have no trouble selling, I’m certain.

If you’re serious in looking for a copy of this title, Amazon does have both new and used of the first and third editions for sale. The 1987 1st edition or the 1998 3rd edition can be found at those links.

Next week? That’s something I’m pondering right now. A couple of good things to share with you all…

On the donation front for the Message Boards, kudos to our own Instidude for doing his part by sharing a donation with us. As nice as that is, we have about two-thirds of what we need to make the advertisements go away again. Every bit helps folks, no matter how much. So think about it, will you?

Theme Parks & Themed Entertainment

Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street

Published

4 weeks ago

September 22, 2024

Jim Hill

When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.

You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.

This is where Disneyland’s Little Monsters on Main Street came in.

The Origins of Little Monsters on Main Street

Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.

This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.

A Unique Halloween Experience

Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.

The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.

It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!

The Haunted Mansion “Tip-Toe” Tour

Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.

Growing Success and a Bigger Event

Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.

In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.

From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash

Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.

While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.

**The Merch: A Piece of Little Monsters History**

For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.

While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.

Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!

Theme Parks & Themed Entertainment

The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition

Published

1 month ago

September 7, 2024

Jim Hill

The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.

Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.

A Not-So-Scary Beginning

I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.

Mickey’s Halloween Treat 1996 – Photo: Disney

This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.

A Different Approach

Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.

Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.

Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.

A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.

A Modest Start but a Big Future

That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.

Universal’s Influence

It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.

So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.

For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.

History

The Evolution and History of Mickey’s ToonTown

Published

8 months ago

February 7, 2024

Jim Hill

Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all. Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?

There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.

The Beginning: Mickey’s Birthdayland

The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.

In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.

Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.

From Concept to Reality: The Birth of Toontown

In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.

Building Challenges: Innovative Solutions

The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.

And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.

Key Attractions: Bringing Animation to Life

Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.

Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.

Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.

Executive Decisions: Shaping ToonTown’s Unique Attractions

The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.

In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.

These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.

Global Influence: Toontown’s Worldwide Appeal

The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.

Evolution and Reimagining: Toontown Today

As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.

Dive Deeper into ToonTown’s Story

Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!