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A Stroll Down Disney Memory Lane

As a special holiday treat, Andrea Monti returns to offer up some of his favorite memories of the Walt Disney Company, then asks: Do you JHM readers have any stories that you’d like to add to the pile?

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You know, as a writer, it’s kind of frustrating. You stay away from the Internet for approximately a month (Sorry about that, gang) and all you hear about is this bad, very bad and even worse news about your “laughing place” (AKA the Walt Disney Company).

I mean, think about it. Just over the past month or so, the Walt Disney Company has been hammered by all of these truly awful headlines:

An outbreak of flu aboard the Disney cruise line forced the company to cancel at least one cruise as well as spend days disinfecting the boats.

United Airlines went bankrupt. Which — given that the Walt Disney Company is one of this airline’s larger corporate customers — means that the Mouse may be out upwards of a $100 million now.

“Treasure Planet” inexplicably tanked at the box office. Costing a reported $140 million, it now seems unlikely that Disney’s latest feature length cartoon will recover more than a third of its projected production and promotion costs.

The on-going drama with Disney’s board of directors. With particular emphasis on the unseemly spectacle of Disney CEO Michael Eisner brawling with Roy Disney and Stanley Gold, the two men who were instrumental in bringing Eisner on board at the Mouse House back in 1984.

EuroDisney reporting a bigger than expected (for some, anyway ;-)) loss of 30 million Euros due to “special costs linked to the opening of the second gate.” (Yeah. Right. As if the Mouse wouldn’t take into account the costs involved with opening a brand new theme park. This is just fancy accountant talk for “We were really surprised that the public didn’t respond favourably to Disney Studios Paris.”)

And — perhaps the weirdest Disney-related moment of the past few weeks (don’t ask me why I’m including this in the list) — pop star Michael Jackson telling a court that, just like Walt Disney, he was blessed by God with a talent for creating family entertainment but found himself in business skills.

As you can see, as a long time Disney fan, it’s been kind of difficult for me to watch the Walt Disney Company get tripped up by all these troubles.

If I were a pessimistic person, with no knowledge of the history of the Walt Disney Company and/or what this corporation is capable of, it might be easy to give up hope now. To believe that the company that Uncle Walt (and his brother Roy) had built up has little chance of staying afloat in this sea of troubles. But then, thinking back to years past (As well as reading between the lines when it comes to all the news and rumours that are swirling around the company), I can still find reasons to hope.

You see, you and I both know that the Walt Disney Company is capable of producing great and wondrous things. Movies like “The Lion King.” Attractions like Disneyland’s “Temple of the Forbidden Eye.”

But it’s important to remember that, as wonderful as the finished products may have been, the creative process involved in the actual creation of this particular movie and attraction were (according to those folks who actually survived the production of “The Lion King” and the “Indiana Jones Adventure”) nothing short of hellish. There are animators who still cringe whenever someone brings up the story meltdown “The Lion King” underwent midway through production. And given the almost 10 years of constant struggle that was involved with coming up with a workable design for an “Indiana Jones” attraction … there are Imagineers who still twitch whenever someone even mentions the name “Temple of the Forbidden Eye.”

So — out of great struggle and strife — the Walt Disney Company usually (eventually) delivers something absolutely amazing. So — given all the troubles that this corporation has been going through lately — I just have to assume that something truly wonderful lies just beyond the horizon. Another killer attraction, perhaps (“Mission: Space” and its simulated zero G)? Or a flat out wonderful film (There’s been some awfully good buzz lately about Disney’s “Bears” movie. How this made-mostly-in-Florida animated film could be the next “Lion King”).

Which is why — when thinking about the Mouse — I always try to stay somewhat optimistic. Always holding onto the hope that — no matter how bleak things may seem — “Like a bolt out of the blue,” fate WILL step in and see the Walt Disney Company through.

So — with the hope that better times DO lie ahead for the Mouse House — I ask: What’s your first and/or favorite memory of a Disney theme park or movie?

For me, my first memories of a Disney theme park — still quite vivid in my mind — dates back to 1984. I’m six years old and I’m coming out from under the train’s station in Town Square. There’s a parade going on — a giant Jiminy Cricket with his badge stands on a float, waving to the crowd. Cinderella’s castle is rising in the distance. The next thing I know, I’m flying over the rooftops of London aboard a tiny pirate ship (Time and geography don’t mean much to the six year old mind).

Which brings me back to my point. Disney was coming out of its worst period ever back in 1984 … yet look at all the great rides and movies that came directly on the heels of that awful time?

Attractions like “Splash Mountain,” “Star Tours” and “Captain EO.” Entire theme parks like Disney-MGM Studios, Euro Disneyland and Tokyo Disney Sea. Wonderful movies like “The Little Mermaid,” “Beauty and the Beast” and “Aladdin.”

This is why I think it’s always important to hold out a little hope when talking about the Walt Disney Company. Sure, they’ve been missing the mark lately. Maybe there’s been too much focus on the bottom line and not enough aiming for the stars. But this corporation has survived bad times before … and this kid from Italy can’t help but think that Disney will do it again.

An emotional piece, such as this, is always difficult to write. It has to be carefully balanced between what you feel, what you know, what you wish and what you have heard from reliable sources … but — if at least half of what I’ve been hearing lately comes to be — I’m certain that the Walt Disney Company will eventually make a comeback.

At a time like this, it’s important to remember that Disney has just successfully completed a very difficult operation. No, I’m not talking about the expansion of its theme park empire. But rather, the restructuring of all of the Mouse’s partnership and sponsorship deals.

Visa, Microsoft, Nestle, HP, Hasbro (among many others) have filled Mickey’s coffers with all sorts of gadgets and gizmos (and more importantly, money). All the tools necessary to re-invent the Disney theme park experience.

Jim — in his recent JHM stories — has laid out in great detail how Disney plans to use all of its sponsorship deals to help raise customer satisfaction levels through with its “Destination Disney” program. Microsoft is reportedly ponying up big bucks for Epcot’s “Time Racers” attraction (a ground-breaking new ride system that’s slated to be loaded into Spaceship Earth sometime in 2005). And Disneyland Resort Paris is close to closing a few “blitz deals” which should provide the financing necessary to add a whole new “land” for the beleaguered Disney Studios Paris theme park as well as a water ride to the Disneyland Paris’ “Frontierland” area (And no, it’s not “Splash Mountain.” Audio animatronic figures will play a relatively minor role in this proposed ride. Expect plenty of special effects, though, in this adventurous attraction … and that’s all I can safely say about this attraction. At least for now.)

And yes, Walt Disney Feature Animation has stumbled badly these last couple of years. With the possible exceptions of “Mulan,” “Tarzan” and “Lilo and Stitch,” all of Disney’s most recent animated films since “The Lion King” have under-performed at the box office. Only the computer animated movies that Pixar Animation Studios has been producing for Disney have proven to be really-for-real hits.

But lately, there’s been some news about some promising new pictures coming from WDFA. Films like “Bears,” “Home on the Range” and “Chicken Little” (a film by the same folks who did “the Emperor’s New Groove” that I’ve been hearing really great things about). Plus a long overdue return to the realm of the fairy tale, with Glen Keane reportedly readying a feature length version of “Rapunzel.”

It’s news like this that gives me hopes that 2003 could be 1984 revisited. The raw ingredients of greatness are there. All the Walt Disney Company has to do is take those ingredients, cook them up right and serve them with some style. (Why am I suddenly so hungry?)

As I wrap up this heart driven (rather than head driven) piece, all I ask is that — in this somewhat bleak time for the Walt Disney Company — that you hang on tight to all the good memories that you may have about the Mouse. Whether it’s the smile you got when you first saw *** Van *** dancing with those penguins in “Mary Poppins,” or the overwhelming feeling you got as you floated into “It’s a Small World’ and encountered all of those singing dolls, or just a warm feeling that you get when you remember sitting in front of your television on Sunday night as Uncle Walt introduced another “Wonderful World of Color.”

You see what I’m saying here? The Walt Disney Company was capable of great things in the past. Which is why I’m certain that Disney will rise above its current problems and bring us lots of magical entertainment for many years yet to come.

Do you have any stories that you’d like to share about your own “magical moments”? Events, things that you’d experienced that made you fall in love with the Mouse? If so, why not share them with other JHM readers by posting them over on the site’s discussion boards?

For me — this picture pretty much says it all.

That’s it for now. Hope to see you all again soon, maybe cuddling a Disney character!

Ciao Andrea “MickeyFantasmic” Monti

Andrea Monti

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Theme Parks & Themed Entertainment

The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition

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The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.

Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.

A Not-So-Scary Beginning

I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.

Mickey’s Halloween Treat 1996 – Photo: Disney
Mickey’s Halloween Treat 1996 – Photo: Disney

This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.

A Different Approach

Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.

Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.

Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.

A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.

A Modest Start but a Big Future

That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.

Universal’s Influence

It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.

So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.


For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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The Evolution and History of Mickey’s ToonTown

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Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all.  Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?

There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.

The Beginning: Mickey’s Birthdayland

The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.

In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.

Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.

From Concept to Reality: The Birth of Toontown

In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.

Building Challenges: Innovative Solutions

The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.

And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.

Key Attractions: Bringing Animation to Life

Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.

Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.

Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.

Executive Decisions: Shaping ToonTown’s Unique Attractions

The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.

In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.

These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.

Global Influence: Toontown’s Worldwide Appeal

The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.

Evolution and Reimagining: Toontown Today

As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.

Dive Deeper into ToonTown’s Story

Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

Unpacking the History of the Pixar Place Hotel

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Pixar Place Hotel, the newly unveiled 15-story tower at the Disneyland Resort, has been making waves in the Disney community. With its unique Pixar-themed design, it promises to be a favorite among visitors.

However, before we delve into this exciting addition to the Disneyland Resort, let’s take a look at the fascinating history of this remarkable hotel.

The Emergence of the Disneyland Hotel

To truly appreciate the story of the Pixar Place Hotel, we must turn back the clock to the early days of Disneyland. While Walt Disney had the visionary ideas and funding to create the iconic theme park, he faced a challenge when it came to providing accommodations for the park’s visitors. This is where his friend Jack Wrather enters the picture.

Jack Wrather, a fellow pioneer in the television industry, stepped in to assist Walt Disney in realizing his dream. Thanks to the success of the “Lassie” TV show produced by Wrather’s company, he had the financial means to build a hotel right across from Disneyland.

The result was the Disneyland Hotel, which opened its doors in October 1955. Interestingly, the early incarnation of this hotel had more of a motel feel than a hotel, with two-story buildings reminiscent of the roadside motels popular during the 1950s. The initial Disneyland Hotel consisted of modest structures that catered to visitors looking for affordable lodging close to the park. While the rooms were basic, it marked the beginning of something extraordinary.

The Evolution: From Emerald of Anaheim to Paradise Pier

As Disneyland’s popularity continued to soar, so did the demand for expansion and improved accommodations. In 1962, the addition of an 11-story tower transformed the Disneyland Hotel, marking a significant transition from a motel to a full-fledged hotel.

The addition of the 11-story tower elevated the Disneyland Hotel into a more prominent presence on the Anaheim skyline. At the time, it was the tallest structure in all of Orange County. The hotel’s prime location across from Disneyland made it an ideal choice for visitors. With the introduction of the monorail linking the park and the hotel, accessibility became even more convenient. Unique features like the Japanese-themed reflecting pools added to the hotel’s charm, reflecting a cultural influence that extended beyond Disney’s borders.

Japanese Tourism and Its Impact

During the 1960s and 1970s, Disneyland was attracting visitors from all corners of the world, including Japan. A significant number of Japanese tourists flocked to Anaheim to experience Walt Disney’s creation. To cater to this growing market, it wasn’t just the Disneyland Hotel that aimed to capture the attention of Japanese tourists. The Japanese Village in Buena Park, inspired by a similar attraction in Nara, Japan, was another significant spot.

These attractions sought to provide a taste of Japanese culture and hospitality, showcasing elements like tea ceremonies and beautiful ponds with rare carp and black swans. However, the Japanese Village closed its doors in 1975, likely due to the highly competitive nature of the Southern California tourist market.

The Emergence of the Emerald of Anaheim

With the surge in Japanese tourism, an opportunity arose—the construction of the Emerald of Anaheim, later known as the Disneyland Pacific Hotel. In May 1984, this 15-story hotel opened its doors.

What made the Emerald unique was its ownership. It was built not by The Walt Disney Company or the Oriental Land Company (which operated Tokyo Disneyland) but by the Tokyu Group. This group of Japanese businessmen already had a pair of hotels in Hawaii and saw potential in Anaheim’s proximity to Disneyland. Thus, they decided to embark on this new venture, specifically designed to cater to Japanese tourists looking to experience Southern California.

Financial Challenges and a Changing Landscape

The late 1980s brought about two significant financial crises in Japan—the crash of the NIKKEI stock market and the collapse of the Japanese real estate market. These crises had far-reaching effects, causing Japanese tourists to postpone or cancel their trips to the United States. As a result, reservations at the Emerald of Anaheim dwindled.

To adapt to these challenging times, the Tokyu Group merged the Emerald brand with its Pacific hotel chain, attempting to weather the storm. However, the financial turmoil took its toll on the Emerald, and changes were imminent.

The Transition to the Disneyland Pacific Hotel

In 1995, The Walt Disney Company took a significant step by purchasing the hotel formerly known as the Emerald of Anaheim for $35 million. This acquisition marked a change in the hotel’s fortunes. With Disney now in control, the hotel underwent a name change, becoming the Disneyland Pacific Hotel.

Transformation to Paradise Pier

The next phase of transformation occurred when Disney decided to rebrand the hotel as Paradise Pier Hotel. This decision aligned with Disney’s broader vision for the Disneyland Resort.

While the structural changes were limited, the hotel underwent a significant cosmetic makeover. Its exterior was painted to complement the color scheme of Paradise Pier, and wave-shaped crenellations adorned the rooftop, creating an illusion of seaside charm. This transformation was Disney’s attempt to seamlessly integrate the hotel into the Paradise Pier theme of Disney’s California Adventure Park.

Looking Beyond Paradise Pier: The Shift to Pixar Place

In 2018, Disneyland Resort rebranded Paradise Pier as Pixar Pier, a thematic area dedicated to celebrating the beloved characters and stories from Pixar Animation Studios. As a part of this transition, it became evident that the hotel formally known as the Disneyland Pacific Hotel could no longer maintain its Paradise Pier theme.

With Pixar Pier in full swing and two successful Pixar-themed hotels (Toy Story Hotels in Shanghai Disneyland and Tokyo Disneyland), Disney decided to embark on a new venture—a hotel that would celebrate the vast world of Pixar. The result is Pixar Place Hotel, a 15-story tower that embraces the characters and stories from multiple Pixar movies and shorts. This fully Pixar-themed hotel is a first of its kind in the United States.

The Future of Pixar Place and Disneyland Resort

As we look ahead to the future, the Disneyland Resort continues to evolve. The recent news of a proposed $1.9 billion expansion as part of the Disneyland Forward project indicates that the area surrounding Pixar Place is expected to see further changes. Disneyland’s rich history and innovative spirit continue to shape its destiny.

In conclusion, the history of the Pixar Place Hotel is a testament to the ever-changing landscape of Disneyland Resort. From its humble beginnings as the Disneyland Hotel to its transformation into the fully Pixar-themed Pixar Place Hotel, this establishment has undergone several iterations. As Disneyland Resort continues to grow and adapt, we can only imagine what exciting developments lie ahead for this iconic destination.

If you want to hear more stories about the History of the Pixar Place hotel, check our special edition of Disney Unpacked over on YouTube.

Stay tuned for more updates and developments as we continue to explore the fascinating world of Disney, one story at a time.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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