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An “On-the-Fly” Why For.

Jim Hill’s down in Orlando this week, knee-deep in MouseFest 2004. But even so, he still found time to chime in about the “Cars” / “Chicken Little” controversy.

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Hey, folks!

First of all, let me apologize in advance for this week’s “Why for” being so short. But – what with me running all these Magic Kingdom tours for the folks attending MouseFest 2004 – my dance card is kind of full right now. Which precludes me from cranking out any epic length columns this week.

But even so – given the large number of JHM readers who’ve written to me over the past 48 hours asking about “Cars” & “Chicken Little” – I thought that I should at least try & share what little I know about this still-evolving situation.

Typical of these e-mails was the one that I received yesterday morning from Donna E. from Fresno, CA. Who wrote in to ask:

Jim –

Did you see this announcement yesterday?

Walt Disney and Pixar have announced that they are moving the release date of Pixar’s upcoming animated feature film, Cars, from November 2005 to June 9, 2006. *** Cook, chairman of The Walt Disney Studios said, “The move from November 2005 to June 2006 makes perfect sense. Cars is the quintessential summer film for audiences of all ages… In the vein of Finding Nemo, we feel the movie will have legs throughout summer and beyond”. Pixar CEO Steve Jobs said, “Cars longs to be a summer movie. We plan to finish Cars on its original schedule, and look forward to Cars and our future films benefiting by summer theatrical releases and holiday DVD releases”.

What do you make of this? Is Pixar pushing back “Cars” ‘s release date because the film needs to be reworked? Or is what Jobs & Cook saying really true? That Disney’s just shifting this film’s release date because “Cars” will probably perform better during the Summer of 2006?\\Donna E.\\Dear Donna -\\Look, I know that there have been a lot of rumors lately about how “Cars” needs to be seriously retooled based on the public’s somewhat tepid reaction to that movie’s teaser trailer. But what you guys need to understand is that … Well …You saw the trailer. NOT the entire movie.\\And “Cars” … This movie is being directed by Pixar’s big kahuna, John Lasseter. You know, the guy who directed the original “Toy Story.” The man who – when he saw that “Toy Story II” was lacking something – personally waded into that project and helped make that direct-to-video sequel into something truly magical.\\So – given this guy’s track record (More importantly, given that Lasetter’s obsession with toys is matched only by his motor madness) – I seriously doubt that “Cars” is in any real trouble. That trailer … Yeah, maybe it’s not as good as the trailer that Pixar put together for “Monsters, Inc.” But the movie itself? The way I hear it, it’s a great little comedy in the Frank Capra vein. Humor with heart.\\So those of you who are into the doom-and-gloom take on this situation, who have been whispering that Pixar had to push back “Cars” release date by 8 months because this film is the studio’s first flop can just shut up now.\\As for this film probably performing better during the summer months … Sure. That makes sense. Just look at how “Shrek 2” did this summer ($441 million during its initial domestic release) versus the more than $227 million that “The Incredibles” has earned to date. Event movies like this just more money during the summer months. The kids are out of school. There’s not as much outside competition for consumers’ attention. So it just makes perfect sense that Pixar – when given the option by Disney – would have just leaped at shifting “Cars” from November of 2005 to June of 2006. This one move (all by itself) will probably add $100 million to the film’s  box office total.\”,1]);//–>

What do you make of this? Is Pixar pushing back “Cars” ‘s release date because the film needs to be reworked? Or is what Jobs & Cook saying really true? That Disney’s just shifting this film’s release date because “Cars” will probably perform better during the Summer of 2006?

Donna E.

Dear Donna –

Look, I know that there have been a lot of rumors lately about how “Cars” needs to be seriously retooled based on the public’s somewhat tepid reaction to that movie’s teaser trailer. But what you guys need to understand is that … well …you saw the trailer, NOT the entire movie.

And “Cars” … This movie is being directed by Pixar’s big kahuna, John Lasseter. You know, the guy who directed the original “Toy Story.” The man who – when he saw that “Toy Story II” was lacking something – personally waded into that project and helped make the, then direct-to-video, sequel into something truly magical.

So – given this guy’s track record (More importantly, given that Lasetter’s obsession with toys is matched only by his motor madness) – I seriously doubt that “Cars” is in any real trouble. That trailer … Yeah, maybe it’s not as good as the trailer that Pixar put together for “Monsters, Inc.” But the movie itself? The way I hear it, it’s a great little comedy in the Frank Capra vein. Humor with heart.

So those of you who are into the doom-and-gloom take on this situation, who have been whispering that Pixar had to push back “Cars” release date by 8 months because this film is the studio’s first flop can stop wringing your hands now.

As for this film probably performing better during the summer months … Sure. That makes sense. Just look at how “Shrek 2” did this summer ($441 million during its initial domestic release) versus the more than $227 million that “The Incredibles” has earned to date. Event movies like this just pull in more money during the summer months. The kids are out of school. There’s not as much outside competition for consumers’ attention. So it just makes perfect sense that Pixar – when given the option by Disney – would have just leaped at shifting “Cars” from November of 2005 to June of 2006. This one move (all by itself) will probably add $100 million to the film’s  box office total.

So – to answer your question, Donna E. – there is a lot of truth to what *** Cook & Steve Jobs have been saying. But – that said – I can’t help but notice that people aren’t talking about the THIRD reason that “Cars” release date got pushed back. And that has a lot to do with Pixar’s on-going search for a new distribution partner.\\Look, regular readers of this site already know that representatives from Pixar Animation Studios have been meeting with the heads of all the major motion picture studios out west. Hoping to find some company that would be willing to pay top dollar for the privilege of releasing Pixar’s post-Disney pictures.\\But what many JHM readers may NOT understand is … None of these other companies have what Disney has. A great film distribution company like the Buena Vista Distribution. A marketing department that could probably sell ice to Eskimos. A savvy & well respected studio head like *** Cook. Not to mention all of the great pre-existing outlets for the studio’s characters like Disneyland and/or the Disney Channel.\\Then there’s the Disney geek factor.  Lasseter and “Monsters, Inc.” director Pete Docter are just two of the hundreds of the Disneyana fans who work for the Emerville, CA. -based studio. These Pixar employees don’t really want the studio’s decade-long relationship with the Walt Disney Company to come to a close. They like having Buzz, Woody, Flik, Sully, Marlin & Mr. Incredible live in the Magic Kingdom.\\But then there’s Pixar CEO Steve Jobs. Who really doesn’t get long with Disney’s CEO, Michael Eisner. Steve is supposedly so tired of dealing with Michael’s head games and under-handed tricks that – for matter how profitable Pixar’s association with the Walt Disney Company has been – Jobs still wants out of this relationship.\\So – with much fanfare back in February – Steve Jobs announced that Pixar would be ending its production / distribution deal with Disney with the delivery of “Cars” in 2005. And that the Emerville, Ca.-based animation company would soon begin seeking out a new distribution partner for its first post-Disney film, “Rataouille.”\”,1]);//–>

So – to answer your question, Donna E. – there is a lot of truth to what *** Cook & Steve Jobs have been saying. But – that said – I can’t help but notice that people aren’t talking about the THIRD reason that “Cars” release date got pushed back. And that has a lot to do with Pixar’s on-going search for a new distribution partner.

Look, regular readers of this site already know that representatives from Pixar Animation Studios have been meeting with the heads of all the major motion picture studios out west. Hoping to find some company that would be willing to pay top dollar for the privilege of releasing Pixar’s post-Disney pictures.

But what many JHM readers may NOT understand is … None of these other companies have what Disney has. A great film distribution company like the Buena Vista Distribution. A marketing department that could probably sell ice to Eskimos. A savvy & well respected studio head like *** Cook. Not to mention all of the great pre-existing outlets for the studio’s characters like Disneyland and/or the Disney Channel.

Then there’s the Disney geek factor.  Lasseter and “Monsters, Inc.” director Pete Docter are just two of the hundreds of the Disneyana fans who work for the Emeryville, CA. -based studio. These Pixar employees don’t really want the studio’s decade-long relationship with the Walt Disney Company to come to a close. They like having Buzz, Woody, Flik, Sully, Marlin, & Mr. Incredible living in the Magic Kingdom.

But then there’s Pixar CEO Steve Jobs. Who really doesn’t get long with Disney’s CEO, Michael Eisner. Steve is supposedly so tired of dealing with Michael’s head games and under-handed tricks that – for matter how profitable Pixar’s association with the Walt Disney Company has been – Jobs still wants out of this relationship.

So – with much fanfare back in February – Steve Jobs announced that Pixar would be ending its production / distribution deal with Disney with the delivery of “Cars” in 2005. And that the Emerville, Ca.-based animation company would soon begin seeking out a new distribution partner for its first post-Disney film, “Rataouille.”

But then – early this summer – Michael Eisner, bowing to pressure from Wall Street as well as the “Save Disney” effort, announces that he’ll be stepping down from his position as head of the Walt Disney Company. Which – depending on who you talk with – could come as early as June of 2005 or as late as September of 2006.\\The smart money is on Michael officially stepping down as Disney’s CEO sometime in late September of 2005. That way. Eisner gets to go out on top. Spending the summer basking in the spotlight as Disneyland celebrates its 50th anniversary. Then – during the first weeks of fall – he gets to preside over the ribbon cutting at Hong Kong Disneyland. Which – when you think about it – will really be one hell of a victory lap.\\But the best part of this arrangement is … Come the Fall of 2005, Michael Eisner is finally gone. Which leaves Pixar free to re-open negotiations with the Mouse House.\\Which I know that many Disneyana fans (chief among hem Lasseter & Docter) will consider good news. But just remember that this is far from a done deal, folks.\\You see, Jobs doesn’t want anything approaching the old 50/50 deal that Disney & Pixar once had. With the hellp of Simon Bax, Pixar’s current CFO (More importantly, 20th Century Fox’s old CFO), Steve is looking to get from Disney the same sort of deal that George Lucas got from Fox. As in: Lucas gets to keep the lion’s share of the money made by the new “Star Wars” trilogy, while Fox got a smallish fee for agreeing to promote & distribute these films.\\Of course, while Michael Eisner was in charge of the Mouse House, the Walt Disney Company would never agree to that sort of deal with Pixar Animation Studio. But if Robert Iger andor Peter Chernin winds up as Disney’s new Big Cheese … Well, that all could change.\\Which is why Steve Jobs was perfectly happy to shift  “Cars” ‘s release date back from November of 2005 to June of 2006.  With the hope that — once Disney gets a new CEO (Be it Robert Iger or Peter Chernin) – the company’s new Chief Executive Officer might then be willing to give Steve everything he asks for.\”,1]);//–>

But then – early this summer – Michael Eisner, bowing to pressure from Wall Street as well as the “Save Disney” effort, announces that he’ll be stepping down from his position as head of the Walt Disney Company. Which – depending on who you talk with – could come as early as June of 2005 or as late as September of 2006.

The smart money is on Michael officially stepping down as Disney’s CEO sometime in late September of 2005. That way. Eisner gets to go out on top. Spending the summer basking in the spotlight as Disneyland celebrates its 50th anniversary. Then – during the first weeks of fall – he gets to preside over the ribbon cutting at Hong Kong Disneyland. Which – when you think about it – will really be one hell of a victory lap.

But the best part of this arrangement is … Come the Fall of 2005, Michael Eisner is finally gone. Which leaves Pixar free to re-open negotiations with the Mouse House.

Which I know that many Disneyana fans (chief among them Lasseter & Docter) will consider good news. But, just remember that this is far from a done deal, folks.

You see, Jobs doesn’t want anything approaching the old 50/50 deal that Disney & Pixar once had. With the hellp of Simon Bax, Pixar’s current CFO (More importantly, 20th Century Fox’s old CFO), Steve is looking to get from Disney the same sort of deal that George Lucas got from Fox. As in: Lucas gets to keep the lion’s share of the money made by the new “Star Wars” trilogy, while Fox got a smallish fee for agreeing to promote & distribute these films.

Of course, while Michael Eisner was in charge of the Mouse House, the Walt Disney Company would never agree to that sort of deal with Pixar Animation Studio. But if Robert Iger and/or Peter Chernin winds up as Disney’s new Big Cheese … Well, that all could change.

Which is why Steve Jobs was perfectly happy to shift  “Cars” ‘s release date back from November of 2005 to June of 2006.  With the hope that — once Disney gets a new CEO (Be it Robert Iger or Peter Chernin) – the company’s new Chief Executive Officer might then be willing to give Steve everything he asks for.

These terms will (no doubt) include the shuttering the Sequel Lab (AKA Disney’s new computer animation production department. Which is currently slated to crank out home premieres like “Toy Story III” and “Monsters, Inc. II”). Just so Pixar doesn’t have to worry about the value of its library of characters going down thanks to some poorly-conceived sequels.\\But – as I said at the very top of this article – this is a still-evolving situation, folks. And – to be honest – a lot depends on what Michael Eisner does next. According to the terms of his current contract with the Walt Disney Company, Michael can technically remain in power at the Mouse House ’til September of 2006. But – again, as I mentioned earlier – the smart money is on Michael stepping down as head of Disney in September of 2005. AFTER the new CEO has been named and after the ribbon-cutting at Hong King Disneyland.\So – for now – I guess all that us Disney / Pixar fans can do is sit & watch & wait. Hoping that the final outcome of all this corporate maneuvering is that Pixar remains right where it is, with Disney as its distribution & production partner. Only – this time around – Pixar winds up keeping most of the dough that its movies make.\\Now – as for the impact that all of this had on “Chicken Little” – I have heard that this upcoming WDFA film is still having some story problems. In fact, there’s been a lot of talk in-house about how animators who had already begun work on “A Day with Wilbur Robinson” were quietly pulled back to do additional work on “Little.”\\So – when all was said & done – I bet that those Disney Feature Animation execs were glad to have a legitimate excuse to push back “Chicken Little” ‘s release from July to November of 2005. Which will give Mark Dindal & Randy Fullmer  four additional months to polish their picture.\\FYI: Doing additional work on “Chicken Little” DOESN’T mean that this picture is in trouble either. You know what “CL” ‘s real problem is? It’s quirky. And Disney studio execs …  They don’t get quirky.\”,1]);//–>

These terms will (no doubt) include the shuttering the Sequel Lab (AKA Disney’s new computer animation production department. Which is currently slated to crank out home premieres like “Toy Story III” and “Monsters, Inc. II”). Just so Pixar doesn’t have to worry about the value of its library of characters going down thanks to some poorly-conceived sequels.

But – as I said at the very top of this article – this is a still-evolving situation, folks. And – to be honest – a lot depends on what Michael Eisner does next. According to the terms of his current contract with the Walt Disney Company, Michael can technically remain in power at the Mouse House ’til September of 2006. But – again, as I mentioned earlier – the smart money is on Michael stepping down as head of Disney in September of 2005. AFTER the new CEO has been named and after the ribbon-cutting at Hong Kong Disneyland.
So – for now – I guess all that us Disney / Pixar fans can do is sit ,watch, & wait. Hoping that the final outcome of all this corporate maneuvering is that Pixar remains right where it is, with Disney as its distribution & production partner. Only – this time around – Pixar winds up keeping most of the dough that its movies make.

Now – as for the impact that all of this had on “Chicken Little” – I have heard that this upcoming WDFA film is still having some story problems. In fact, there’s been a lot of talk in-house about how animators who had already begun work on “A Day with Wilbur Robinson” were quietly pulled back to do additional work on “Little.”

So – when all was said & done – I bet that those Disney Feature Animation execs were glad to have a legitimate excuse to push back “Chicken Little” ‘s release from July to November of 2005. Which will give Mark Dindal & Randy Fullmer  four additional months to polish their picture.

FYI: Doing additional work on “Chicken Little” DOESN’T mean that this picture is in trouble either. You know what “CL” ‘s real problem is? It’s quirky. And Disney studio execs …  They don’t get quirky.

Mainstream blockbusters, they understand. But heartfelt yet satirical movies that – midway through the film – suddenly start feature science fiction-type scare sequences make the suits nervous. Which is why these execs have been bombarding “Chicken Little” director Dindal and Fullmer (I.E. The film’s producer) with pages & pages of notes from the movie’s test screenings.\\Thankfully, Mark & Randy have been ignoring most of these notes. Which is why – as each week goes by – “Chicken Little” keeps getting quirkier & quirkier, funnier & funnier.\\Trust me, folks. You’re gonna love this movie.\\Oops. Look at the time. I gotta go get ready for today’s Magic Kingdom tours. You folks have a great weekend, okay. In the meantime, I’ll try & check in on Monday & let you know how this weekend’s Mega-Mouse Meet went.\\Til then, you folks take care, okay\\jrh\\”,1]);D([“mb”,””,0]);D([“ce”]);//–>

Mainstream blockbusters, they understand. But heartfelt yet satirical movies that – midway through the film – suddenly start feature science fiction-type scare sequences make the suits nervous. Which is why these execs have been bombarding “Chicken Little” director Dindal and Fullmer (I.E. The film’s producer) with pages & pages of notes from the movie’s test screenings.

Thankfully, Mark & Randy have been ignoring most of these notes. Which is why – as each week goes by – “Chicken Little” keeps getting quirkier & quirkier, funnier & funnier.

Trust me, folks. You’re gonna love this movie.

Oops. Look at the time. I gotta go get ready for today’s Magic Kingdom tours. You folks have a great weekend, okay. In the meantime, I’ll try & check in on Monday & let you know how this weekend’s Mega-Mouse Meet went.

Til then, you folks take care, okay

jrh

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Jens Dahlmann of LongHorn Steakhouse has lots of great tips when it comes to grilling

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Sure, for some folks, the Fourth of July is all about fireworks. But for the 75% of all Americans who own a grill or a smoker, the Fourth is our Nation’s No. 1 holiday when it comes to grilling. Which is why 3 out of 4 of those folks will spend some time outside today working over a fire.

But here’s the thing: Though 14 million Americans can cook a steak with confidence because they actually grill something every week, the rest of us – because we use our grill or smoker so infrequently … Well, let’s just say that we have no chops when it comes to dealing with chops (pork, veal or otherwise).

So what’s a backyard chef supposed to in a situation like this when there’s so much at steak … er … stake? Turn to someone who really knows their way around a grill for advice. People like Jens Dahlmann, the Vice President and Corporate Executive Chef for Darden Restaurant’s LongHorn Steakhouse brand.

Given that Jens’ father & grandfather were chefs, this is a guy who literally grew up in a kitchen. In his teens & twenties, Dahlmann worked in hotels & restaurants all over Switzerland & Germany. Once he was classically trained in the culinary arts, Jens then  jumped ship. Well, started working on cruise ships, I mean.

Anyway … While working on Cunard’s Sea Goddess, Dahlmann met Sirio Maccioni, the founder of Le Cirque 2000. Sirio was so impressed with Jens’ skills in the kitchen that he offered him the opportunity to become sous-chef at this New York landmark. After four years of working in Manhattan, Dahlmann then headed south to become executive chef at Palm Beach’s prestigious Café L’Europe.

Jens Dahlmann back during his Disney World days

And once Jens began wowing foodies in Florida, it wasn’t all that long ’til the Mouse came a-calling. Mickey wanted Dahlmann to shake things up in the kitchen over at WDW’s Flying Fish Café. And he did such a good job with that Disney’s Boardwalk eatery the next thing Jens knew, he was then being asked to work his magic with the menu at the Contemporary Resort’s California Grill.

From there, Dahlmann had a relatively meteoric rise at the Mouse House. Once he became Epcot’s Food & Beverage general manager, it was only a matter of time before he wound up as the executive chef in charge of this theme park’s annual International Food & Wine Festival. Which – under Jens’ guidance – experienced some truly explosive growth.

“When I took on Food & Wine, that festival was only 35 days long and had gross revenues of just $5.5 million. When I left Disney in 2016, Food & Wine was now over 50 days long and that festival had gross revenues of $22 million,” Dahlmann admitted during a recent sit-down. “I honestly loved those 13 years I spent at Disney. When I was working there, I learned so much because I was really cooking for America.”

And it was exactly that sort of experience & expertise that Darden wanted to tap into when they lured Jens away from Mickey last year to become LongHorn Steakhouse’s new Vice President and Corporate Executive Chef. But today … Well, Dahlmann is offering tips to those of us who are thinking about cooking steak tips for the Fourth.

Photo by Jim Hill

“When you’re planning on grilling this holiday, if you’re looking for a successful result, the obvious place to start is with the quality of the meat you plan on cooking for your friends & family. If you want the best results here, don’t be cheap when you go shopping. Spend the money necessary for a fresh filet or a New York strip. Better yet a Ribeye, a nice thick one with good marbling. Because when you look at the marbling on a steak, that’s where all the flavor happens,” Jens explained. “That said, you always have to remember that — the higher you go with the quality of your meat — the less time you’re going to want that piece of meat to spend on the grill.”

And speaking of cooking … Before you even get started here, Jens suggests that you first take the time to check over all of your grilling equipment. Making sure that the grill itself is first scraped clean & then properly oiled before you then turn up the heat.

“If you’re working with a dirty grill, when you go to turn your meat, it may wind up sticking to the grill. Or maybe those spices that you’ve just so carefully coated your steak with will wind up sticking to the grill, rather than your meat,” Dahlmann continued. “Which is why it’s always worth it to spend a few minutes prior to firing up your grill properly cleaning & oiling it.”

Photo by Jim Hill

And speaking of heat … Again, before you officially get started grilling here, Jens says that it’s crucial to check your temperature gauges. Make sure that your char grill is set at 550 (so that it can then properly handle the thicker cuts of meat) and your flattop is set at 425 (so it can properly sear thinner pieces of meat).

Okay. Once you’ve bought the right cuts of quality meat, properly cleaned & oiled your grill, and then made sure that everything’s set at the right temperature (“If you can only stand to hold your hand directly over the grill for two or three seconds, that’s the right amount of heat,” Dahlmann said), it’s now time to season your steaks.

“Don’t be afraid to be bold here. You can’t be shy when it comes to seasoning your meat. You want to give it a nice coating. Largely because — if you’re using a char grill — a lot of that seasoning is just going to fall off anyway,” Jens stated. “It’s up to you to decide what sort of seasoning you want to use here. Even just some salt & pepper will enhance a steak’s flavor.”

Then – according to Dahlmann – comes the really tough part. Which is placing your meat on the grill and then fighting the urge to flip it too early or too often.

“The biggest mistake that a lot of amateur cooks make is that they flip the steak too many times. The real key to a well-cooked piece of meat is just let it be, “Jens insisted. “Of course, if you’re serving different cuts of meat at your Fourth of July feast, you always want to put your biggest thickest steak on the grill first. If you’re also cooking a New York Strip, you want to put that one on a few minutes later. But after that, just let the grill do its job and flip your meat a total of three or four times, once every three minutes or so.”

Of course, the last thing you want to do is overcook a quality piece of meat. Which is why Dahlmann suggests that – when it comes to grilling steaks – if you’re going to err, err on the side of undercooking.

“You can always put a piece of meat back on the grill if it’s slightly undercooked. When you over-cook something, all you can do then is start over with a brand-new piece of meat,” Jens said. “Just be sure that you’re using the correct cut of meat for the cooking result you’re aiming for. If someone wants a rare or medium rare steak, you should go with a thicker cut of steak. If one of your guests wants their steak cooked medium or well, it’s best to start with a thinner cut of meat.”

Photo by Jim Hill

As you can see, the folks at Longhorn take grilling steaks seriously. How seriously? Just last week at Darden Corporate Headquarters in Orlando, seven of these brand’s top grill masters (who – after weeks of regional competitions – had been culled from the 491 restaurants that make up this chain) competed for a $10,000 prize in the Company’s second annual Steak Master Series. And Dahlmann was one of the people who stood in Darden’s test kitchens, watching like a hawk as each of the contestants struggled to prepare six different dishes in just 20 minutes according to Longhorn Steakhouse‘s exacting standards.

“I love that Darden does this. Recognizing the best of the best who work this restaurant,” Jens concluded. “We have a lot of people here who are incredibly knowledgeable & passionate when it comes to grilling.”

Speaking of which … If today’s story doesn’t include the exact piece of info that you need to properly grill that T-bone, just whip out your iPhone & text GRILL to 55702. Or – better yet – visit  ExpertGriller.com prior to firing up your grill or smoker later today. 

This article was originally published by the Huffington Post on Tuesday, July 4, 2017

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Brattleboro’s Strolling of the Heifers is a sincere if somewhat surreal way to spend a summer’s day in Vermont

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Some people travel halfway ‘around the planet so that they can then experience the excitement of the Running of the Bulls in Pamplona. If you’re more of a Slow Living enthusiast (as I am), then perhaps you should amble to Brattleboro, VT. Where – over the first weekend in June – you can then join a herd of cow enthusiasts at the annual Strolling of the Heifers.

Now in its 16th year, this three-day long event typically gets underway on Friday night in June with a combination block party / gallery walk. But then – come Saturday morning – Main Street in Brattleboro is lined with thousands of bovine fans.

Photo by Jim Hill

They’ve staked out primo viewing spots and set up camp chairs hours ahead of time. Just so these folks can then have a front row seat as this year’s crop of calves (which all come from local farms & 4-H clubs) are paraded through the streets.

Photo by Jim Hill

Viewed from curbside, Strolling of the Heifers is kind of this weird melding of a sincere small town celebration and Pasadena’s Doo Dah Parade. Meaning that – for every entry that actually acknowledged this year’s theme (i.e. “Dance to the Moosic”) — …

Photo by Jim Hill

… there was something completely random, like this parade’s synchronized shopping cart unit.

Photo by Jim Hill

And for every piece of authentic Americana (EX: That collection of antique John Deere tractors that came chugging through the city) …

Photo by Jim Hill

… there was something silly. Like – say – a woman dressed as a Holstein pushing a baby stroller through the streets. And riding in that stroller was a pig dressed in a tutu.

Photo by Jim Hill

And given that this event was being staged in the Green Mountain State & all … Well, does it really surprise you to learn that — among the groups that marched in this year’s Strolling of the Heifers – was a group of eco-friendly folks who, with their  chants of “We’re Number One !,” tried to persuade people along the parade route not to flush the toilet after they pee. Because – as it turns out – urine can be turned into fertilizer.

Photo by Jim Hill

And speaking of fertilizer … At the tail end of the parade, there was a group of dedicated volunteers who were dealing with what came out of the tail end of all those cows.

Photo by Jim Hill

This year’s Strolling of the Heifers concluded at the Brattleboro town common. Where event attendees could then get a closer look at some of the featured units in this year’s parade…

Photo by Jim Hill

… or perhaps even pet a few of the participants.

Photo by Jim Hill

But as for the 90+ calves who took part in the 2017 edition of Strolling of the Heifers, once they reached the town common, it was now time for a nosh or a nap.

Photo by Jim Hill

Elsewhere on the common, keeping with this year’s “Dance to the Moosic” theme, various musical groups performed in & around the gazebo throughout the afternoon.

Photo by Jim Hill

While just across the way – keeping with Brattleboro’s tradition of showcasing the various artisans who live & work in the local community – some pretty funky pieces were on display at the Slow Living Exposition.

Photo by Jim Hill

All in all, attending Strolling of the Heifers is a somewhat surreal but still very pleasant way to spend a summer’s day in Vermont. And that’s no bull.

Photo by Jim Hill

Well, that could be a bull. To be honest, what with the wig & all, it’s kind of hard to tell. 

This article was originally published by the Huffington Post on Sunday, June 4, 2017

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Looking to make an authentic Irish meal for Saint Patrick’s Day? If so, then chef Kevin Dundon says not to cook corned beef & cabbage

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Let’s at least start on a positive note: Celebrated chef, author & TV personality Kevin Dundon – the man that Tourism Ireland has repeatedly chosen as the Face of Irish Food – loves a lot of what happens in the United States on March 17th.

“I mean, look at what they do in Chicago on Saint Patrick’s Day. They toss all of this vegetable-based dye into the Chicago River and then paint it green for a day. That’s terrific,” Kevin said.

But then when it comes to what many Americans eat & drink on St. Paddy’s Day (i.e., a big plate of corned beef and cabbage. Which is then washed down with a mug of green beer) … Well, that’s where Dundon has to draw the line.

Irish celebrity chef Kevin Dundon displays a traditional Irish loin of bacon with Colcannon potatoes and a Dunbrody Kiss chocolate dessert. Photo by Tom Burton. Copyright Disney Enterprises, Inc. All rights reserved

“Green beer? No real Irishman would be caught dead drinking that stuff,” Kevin insists. “And as for eating corned beef & cabbage … That’s not actually authentic Irish fare either. Bacon and cabbage? Sure. But corned beef & cabbage was something that the Irish only began eating after they’d come to the States to escape the Famine. And even then these Irish-Americans only began serving corned beef & cabbage to their friends & family because they had to make do with the ingredients that were available to them at that time.”

And thus begins the strange tale of how corned beef & cabbage came to be associated with the North American celebration of Saint Patrick’s Day celebration. Because – according to Dundon – beef just wasn’t all that big a part of the Irish diet back in the 19th century.

To explain: Back in the Old Country, cattle – while they were obviously highly prized for the milk & cheese that they produced – were also beasts of burden. Meaning that they were often used for ploughing the fields or for hauling heavy loads. Which is why – back then — these animals were rarely slaughtered when they were still young & healthy. If anything, land owners liked to put a herd of cattle on display out in one of their pastures because that was then a sign to their neighbors that this farm was prosperous.

“Whereas pork … Well, everybody raised pigs back then. Which is why pork was a staple of the Irish diet rather than beef,” Dundon continued.

So if that’s what people actually ate back in the Old Country, how then did corned beef & cabbage come to be so strongly associated with Saint Patrick’s Day in the States.? That largely had to do with where the Irish wound up living after they arrived in the New World.

“When the Irish first arrived in America following the Great Famine, a lot of them wound up living in the inner city right alongside the Germans & the Jews, who were also recent immigrants to the States. And while that farm-fresh pork that the Irish loved wasn’t readily available, there was brisket. Which the Irish could then cure by first covering this piece of meat with corn kernel-sized pieces of rock salt – that’s how it came to be called corned beef. Because of the sizes of the pieces of rock salt that were used in the curing process – and then placing all that in a pot of water with other spices to soak for a few days.”

And as for the cabbage portion of corned beef & cabbage … Well, according to Kevin, in addition to buying their meat from the kosher delis in their neighborhood, the Irish would also frequent the stores that the German community shopped in. Where – thanks to their love of sauerkraut (i.e., pickled cabbage) – there was always a ready supply of cabbage to be had.

“So when you get right down to it, it was the American melting pot that led to corned beef & cabbage being found in the Irish-American cooking pot,” Dundon continued. “Since they couldn’t find or didn’t have easy access to the exact same ingredients that they had back in Ireland, Irish-Americans made do with what they could find in the immediate vicinity. And what they made was admittedly tasty. But it’s not actually authentic Irish fare.”

Mind you, what Kevin serves at Raglan Road Irish Pub and Restaurant at Disney Springs (which – FYI – Orlando Magazine voted as the area’s best restaurant back in 2014) is nothing if not authentic. Dundon and his team at this acclaimed gastropub pride themselves on making traditional Irish fare and then contemporized it.

Copyright Disney Enterprises, Inc. All rights reserved

“Take – for example – what we serve here instead of corned beef & cabbage. Again, because it was pork – rather than beef – that was the true staple of the Irish diet back then, what we offer instead is a loin of bacon that has been glazed with Irish Mist. That then comes with colcannon potatoes. Which is this traditional Irish dish that’s made up of mashed potato that have had some cabbage & bacon mixed through it,” Kevin enthused. “This heavenly ham – that’s what we actually call this traditional Irish dish at Raglan Road, Kevin’s Heavenly Ham – also includes some savory cabbage with a parsley cream sauce as well as a raisin cider jus. It’s simple food. But because of the basic ingredients – and that’s the real secret of Irish cuisine. That our ingredients are so strong – the flavors just pop off the plate.”

Which brings us to the real challenge that Dundon and the Raglan Road team face every day. Making sure that they actually have all of the ingredients necessary to make this traditional-yet-contemporized Irish fare to those folks who frequent this Walt Disney World favorite.

“Take – for example – the fish we serve here. We only used cold water fish. Salmon, mussels and haddock that have been hauled out of the Atlantic, the ocean that America and Ireland share,” Kevin stated. “Not that there’s anything wrong with warm water fish. It’s just that … Well, it doesn’t have the same structure. It’s a softer fish, which doesn’t really fit the parameters of Irish cuisine. And if you’re going to serve authentic food, you have to be this dedicated when it comes to sourcing your ingredients.

Copyright Mitchell Beazley. All rights reserved

And if you’re thinking of perhaps trying to serve an authentic Irish meal this year, rather than once again serving corned beef & cabbage at your Saint Patrick’s Day Feast … Well, back in September of last year, Mitchell Beazley published “The Raglan Road Cookbook: Inside America’s Favorite Irish Pub.” This 296-page hardcover not only includes the recipe for Kevin’s Heavenly Ham but also it tells the tale of how this now-world-renown restaurant wound up being built in Orlando.

On the other hand, if you happen to have to the luck of the Irish and are actually down at The Walt Disney World Resort right now, it’s worth noting that Raglan Road is right in the middle of its Mighty St. Patrick’s Day Festival. This four day-long event – which includes Irish bands and professional dancers – stretches through Sunday night. And in addition to all that authentic Irish fare that Dundon and his team are cooking up, you also sample the fine selection of beers & cocktails that this establishment’s four distinct antique bars (each of which are more than 130 years old and were imported directly from Ireland) will be serving. Just – As ucht Dé (That’s “For God’s Sake” in Gaelic) – don’t make the mistake of asking the bartender there for a mug of green beer.

“Why would anyone willingly drink something like that?,” Dundon laughed. “I mean, just imagine what their washroom will look like the morning after.”

This article was originally published by the Huffington Post on Friday, March 17, 2017

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