General
Anthony Lyn makes sure that Disney & Cameron Mackintosh’s long-running musical stays Poppin’ Fresh
2012 is already shaping up to be a banner year for the Disney
Theatrical Group. What with the upcoming limited Broadway engagement for “Newsies.”
Copyright Disney
Enterprises, Inc. All rights reserved
On the heels of its highly acclaimed pilot production at the
Paper Mill Playhouse earlier this year, “Newsies” will be presented at the
Nederlander Theatre on West 41st Street March 15th – June
10, 2012. And given that there seem to be thousands of fans of this 1992 Walt Disney Pictures release
who are anxious to see what the Broadway version of
this movie musical will be like … Well, if you’re planning on snagging some
tickets to “Newsies,” you’d better do it as soon as they go on sale. Which is January
30th at 10 a.m.
Mind you, “Newsies” isn’t the only new show that the Mouse had a hand in which will be coming to Broadway in 2012. Following its sold-out off-Broadway
run earlier this year at the New York Theatre Workshop, “Peter and the
Starcatcher” (which Disney Theatrical Productions developed from Dave Barry and
Ridley Pearson‘s popular children’s novel) will be flying back into the Big
Apple next year. Produced by Nancy Nagel Gibbs and Greg Schaffert, this Peter Pan prequel will be presented at some
yet-to-be-determined theater.
The Broadway company of “Disney’s
The Lion King” gathers onstage at the Minskoff
Theatre to celebrate this show’s
14th anniversary. Copyright Disney Enterprises,
Inc. All rights
reserved
But before we say “Goodbye” to 2011 and “Hello” to 2012, it’s
worth noting here that Disney Theatrical Group’s other shows also celebrated
some significant milestones over the past year. What with the Tony
Award-winning musical, “Disney’s The Lion King” celebrating the 14th
anniversary of its opening on Broadway November 13th.
And just down the street from the Minskoff, Disney and
Cameron Mackintosh‘s “Mary Poppins” actually blew past two significant
milestones of its own in the past four months. On September 4th, this show
presented its 2000th performance on Broadway. And on November 16th, “Mary Poppins”
celebrated the fifth anniversary of its opening in NYC.
The cast of “Mary
Poppins” gets ready to cut the cake commemorating this musical’s
2000th
performance on Broadway. Copyright Disney Enterprises, Inc.
All rights reserved
And – of course – Mickey’s merry marketeers took advantage of
these two milestones to then get the Broadway production of “Mary Poppins” some
additional publicity. There were the NYC-specific stunts like turning the
Empire State Building Mary-Poppins-Blue …
… on November 15th to commemorate this Disney and
Cameron Mackintosh show’s 5th anniversary on Broadway. Not to
mention having Mary herself appear on video screens inside of cabs driving all over
the city during Xmas …
Copyright Disney
Enterprises, Inc. All rights reserved
… to wish New Yorkers & tourists alike a Jolly Holiday.
And to make sure that people were aware on a national level
that “Mary Poppins” was observing the 5th anniversary on the opening
of this Broadway musical, the Disney Theatrical Group reached out to its corporate
partners over at ABC. Who then arranged to have “Good Morning America” special
correspondent Cameron Mathison come by the New Amsterdam Theatre. Where – as part
of the debut of his new entertainment news segment, “Cam’s Cam-eo,” –
Mathison was made up to look like a chimney sweep and then sent out onstage to dance
& sing in that performance of “Step In Time.”
(L to R) Case Dillard
[Bert at that evening’s performance], “All My Children” star Susan
Lucci,
Steffanie Leigh [Mary Poppins] and Cameron Mathison. Copyright Disney
Enterprises, Inc. All rights reserved
And Cameron wasn’t the only ABC star to cameo in “Mary
Poppins” over the past two months. Meredith Vieira also did a stint as a sweep
before she then invited Steffanie Leigh & Gavin Lee to come appear on “Who
Wants to Be a Millionaire.” Where these two Broadway stars then won over
$20,000 for the Actor’s Fund.
Steffanie Leigh, Gavin
Lee and Meredith Vieira on “Who Wants to Be a Millionaire.”
Copyright American
Broadcasting Companies, Inc. All rights reserved
But there’s more to keeping a long-running show like “Mary
Poppins” popular with the ticket-buying public than just clever publicity
stunts. Given that the Disney Theatrical Group now has three different
productions (i.e. The Broadway company, the North American tour [which
continues at Toronto’s Princess of Wales Theatre through January 8th
before then moving on to Mexico City] and the Australian production [which
opens at the Lyric Theatre in Brisbane this Friday]) … Well, it’s important
that each of these versions of “Mary Poppins” maintain the same level of high
quality that theatre goers typically associate with Disney and Cameron Mackintosh
productions.
Which is where Anthony Lyn comes in. As the “Mary Poppins”
tour director as well as being the current director of the long-running
Broadway version of this show … Lyn probably wishes that he could borrow Mary’s
umbrella as he regularly travels the world. Making sure that each and every
production of this Disney and Cameron Mackintosh musical stays (forgive the
Pillsbury-related joke here) Poppin’ Fresh.
Copyright Disney
Enterprises, Inc. All rights reserved
“Given that we have multiple sets of child performers in this
show playing the roles of Jane and Michael … Well, it’s understandable that we
regularly have to make changes to the cast of ‘Mary Poppins,’ ” Lyn explained. “But
what’s great about working for Disney and Cameron Mackintosh is that they’re
honestly not interested in maintaining the status quo with a long-running show
like this. These are two companies that actively go out of their ways to find
new ways to make their shows better.”
In the case of “Poppins,” this wasn’t just something that
Disney and Cameron Mackintosh did as “Mary Poppins” was being readied for its transfer
from the West End to Broadway. No, Anthony insists that – with each new
production of this musical – they’ve made tweaks & changes that then tightened
this show, making it an overall better evening of theater.
Copyright Disney
Enterprises, Inc. All rights reserved
“Take – for example – the ‘Jolly Holiday’ number. This was
already a showstopper in the version of “Mary Poppins’ that we mounted back in the UK. But Richard Eyre thought that we could make ‘Jolly Holiday’ even more
of a crowd pleaser for the New York production.” Lyn continued. “And since
Disney and Cameron completely supported Richard with this decision, that’s just
what we did. We totally reconcieved that number with new sets & new
costumes. And based on the way that the Broadway audiences reacted, that change
was totally worth the extra effort and expense.”
Which would have been enough for a normal set of theatrical
producers. But Disney and Cameron Mackintosh aren’t normal theatrical
producers. So when the North American tour of “Mary Poppins” was being put
together, with Anthony’s help, they made even more tweaks to this show. Continuing
to plus “Jolly Holiday” as well as giving Mary a brand-new number, “Playing the
Game,” to perform in the first act in place of the somewhat
problematic “Temper Temper.”
Copyright Disney Enterprises, Inc. All
rights reserved
“And given how well these changes went over with the audiences
who caught the North American tour … Well, we knew that we then had to incorporate
these changes into the Broadway version of ‘Mary Poppins.’ So that the people
who were seeing this musical in NYC were then getting the very best version of this
show,” Lyn said. “And we’re still continuing this tradition of plussing ‘Poppins.’
There are changes that we made for the Australian production
that we’ve since
folded into the Broadway version. It just goes on & on & on.”
So if you thought that the Broadway production of “Mary Poppins” was
practically perfect the last time that you saw it, now might be an excellent
time to circle back on the New Amsterdam Theatre and see the many ways – both big
& small – that Lyn & his team have plussed this musical over the past
five years, as they make sure that the “Mary” which NYC audiences get to see is
always as Poppin’ Fresh as she can possibly be.
Copyright Disney
Enterprises, Inc. All rights reserved
So how many of you out there saw the original Broadway
version of “Mary Poppins” (or – better yet – the West End production) & has
since seen the North American touring company and/or the Australian version of
this show? If so, what do you think of the changes that have been made to this
Disney and Cameron Mackintosh production? Is there something that you now miss
that was taken out of this musical? Or is there a change that has been made to
this show which you now think significantly improves “Poppins” ?
Your thoughts?
Copyright Disney
Enterprises, Inc. All rights reserved
And as Mary points out in the above photo, the holiday
season is drawing to a close, folks. And if you’d like to demonstrate how much
you’ve enjoyed the past year’s worth of stories, feel free to toss a few
tuppences into JHM’s new tip jar.
General
Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District
Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.
Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.
Photo by Jim Hill
Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.
Photo by Jim Hill
Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building
…
Photo by Jim Hill
… and eventually wound up just below Times
Square (right behind where the Waterford Crystal Times Square New
Year's Eve Ball is kept).
Photo by Jim Hill
But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created.
Photo by Jim Hill
And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.
Photo by Jim Hill
Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …
Photo by Jim Hill
… the postman delivering the mail …
Photo by Jim Hill
… the hot dog vendor working at his cart …
Photo by Jim Hill
Photo by Jim Hill
… the street musician playing for tourists …
Photo by Jim Hill
Not to mention the tourists themselves.
Photo by Jim Hill
But right alongside the bronze businessmen …
Photo by Jim Hill
… and the tired grandmother hauling her groceries home …
Photo by Jim Hill
… there were also statues representing people who were
from out-of-town …
Photo by Jim Hill
… or — for that matter — out-of-time.
Photo by Jim Hill
These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.
Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill
Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these
bronzes?"
Mind you, for those of you who aren't big fans of the
impressionists …
Photo by Jim Hill
… there's also an array of American icons. Among them
Marilyn Monroe …
Photo by Jim Hill
… and that farmer couple from Grant Wood's "American
Gothic."
Photo by Jim Hill
But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.
Photo by Jim Hill
By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).
Photo by Jim Hill
By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th.
General
Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues
Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las
Vegas.
Photo by Jim Hill
I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.
Photo by Jim Hill
Take — for example — all of "The Secret Life of
Pets" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
Entertainment production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.
Photo by Jim Hill
Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.
Photo by Jim Hill
And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice" to start trending on Twitter today — brought
the Batmobile to Las Vegas.
Photo by Jim Hill
Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.
Photo by Jim Hill
That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.
Photo by Jim Hill
And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.
Photo by Jim Hill
Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.
Photo by Jim Hill
I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.
Photo by Jim Hill
I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.
Photo by Jim Hill
Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.
Photo by Jim Hill
Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
Pictures will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis —
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."
Photo by Jim Hill
Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with production of Genndy Tartakovsky's
"Popeye" movie. But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.
Photo by Jim Hill
And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.
Photo by Jim Hill
"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.
Photo by Jim Hill
I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.
Photo by Jim Hill
And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.
Photo by Jim Hill
And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."
Photo by Jim Hill
And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."
Photo by Jim Hill
One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.
Photo by Jim Hill
Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.
Your thoughts?
General
It takes more than three circles to craft a Classic version of Mickey Mouse
You know what Mickey Mouse looks like, right? Little guy,
big ears?
Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
Park (especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.
Copyright Disney Enterprises,
Inc.
All rights reserved
Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.
Copyright Disney Enterprises, Inc. All rights
reserved
Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.
Copyright Disney Enterprises,
Inc. All rights reserved
That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.
Take — for example — Disney
California Adventure
Park's "World of Color:
Celebrate!" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.
Copyright Disney Enterprises,
Inc.
All rights reserved
Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity
3.0.
"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "
Copyright Disney Enterprises,
Inc. All rights reserved
"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"
Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.
Copyright Disney
Enterprises, Inc. All rights reserved
"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."
But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity
3.0.
Copyright Disney Enterprises,
Inc. All rights reserved
"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."
And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.
Copyright Disney Enterprises,
Inc. All rights reserved
"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.
Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.
Copyright Disney Enterprises,
Inc. All rights reserved
"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."
So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?
Copyright Lucasfilm / Disney
Enterprises, Inc. All rights reserved
"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."
This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015
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