Theme Parks & Themed Entertainment
“Back to Space-Con” goes where no one has gone before
Gene Roddenberry's "Star Trek" is often admired for its
appeal to the fans. Who can blame them?
Looking back to the times when the show first aired, there
was a great deal of uncertainty in our lives. The USA was fighting an
increasingly unpopular conflict in Southeast Asia. Racial tensions were
unsettled at the least. The future did not look all that rosy.
The Star Trek cast. Image courtesy of Garfield Lane Productions
Yet, here was a television show that gave hope for future. A
future where the people of Earth lived together in peace and harmony, without
want. And that hope appealed to people of all generations. In those days before
the Internet, sharing this common interest was not as easy as it is in today's
world of social media. Perhaps you had some friends who enjoyed the show? From
time to time, you would share that by watching an episode in reruns on a local
television station. Maybe a local fan club would offer a place to share your
interest, possibly at school. But that was about as far as it went.
Here in the San Francisco Bay Area, that changed in 1975.
One fan group organized themselves and held what their first Star Trek event.
They called it "The Red Hour Festival", taking the name from an event in an
episode of the show. What they started that day is now recognized as the basis
for Star Trek fan events that have followed over the years.
This was an event produced by fans for fans. As Chuck Weiss,
one of the folks behind the event described it; "This was a time when you could
rent a high school for a day without having to worry about liability
insurance." San Francisco's Lincoln High School was the perfect place for such
an event. A large theater and good-sized cafeteria nearby just right for tables
full of Star Trek items to be sold by vendors. And only two blocks away from
public transit.
In the early 1970's, television in the Bay Area was still an
expanding medium. UHF stations took advantage of all of the programming they
could find to attract viewers. Everything from old-time movies to big-time
wrestling and roller derby could be found on the airwaves. One station, KBHK
Channel 44, was showing the original Star Trek episodes in reruns, Monday
through Friday in late afternoons, beating some local news broadcasts in
ratings.
Another unaffiliated television station was KTVU Channel 2
in Oakland. They found success in another timeslot, Saturday nights. By showing
odd science fiction and horror films with an odd host with a fondness for
cigars, "Creature Features" found a following with some of the same audiences
that Star Trek had in afternoon reruns. Today, these might be termed cult
classics.
That cigar-smoking host was Bob Wilkins. If you wanted to
know what was going on in sci-fi or horror, you watched "Creature Features" to
find out. And in the case of The Red Hour Festival, Bob was the first to get
the word out on television. He went a step further and was the emcee for the
event. Smart guy that he was, he also took along a camera man shooting 16
millimeter color sound film. Clips from that film later appeared on the show,
giving folks who missed out a chance to see what a Star Trek fan event was all
about.
(L to R) Actors Bruce Hyde (Lt. Kevin Riley),
George Takei (Lt. Sulu) and James Doohan
(Lt. Commander Montgomery Scott)
onstage answering fans questions at Space-Con
2 in Oakland, CA in August of
1976. Image courtesy of Garfield Lane Productions
A series of Star Trek conventions called "Space-Con"
followed "The Red Hour Festival" thanks to Terry Terman and his company, Space…
The Final Frontier. Bob Wilkins continued his role as emcee at events in
Oakland and San Francisco along with his trusty cameraman.
Fans checking out items for sale in the Dealers Room at
Space-Con 2 in Oakland, CA.
Image courtesy of Garfield Lane Productions
Fast forward. In retirement, Bob lived in Reno. After he
passed away in 2009, that footage and more from other local Star Trek events
came to filmmaker Tom Wyrsch. All together, there was about 40 minutes of
footage with the cast of Star Trek, fans of the show and more from five events
in the Bay Area. Contacting some of the folks who were the force behind these
events provided interviews to tell the story of how these events began and
grew, eventually attracting over 10,000 people for a weekend.
"Back To Space-Con" is the documentary project that resulted
from that film footage and interviews. It tells the story of a time when fans
of science fiction and horror films could gather together and share their
interests with other like-minded people. One has to remember that for the most
part, here in the Bay Area, there were no comic book or specialty stores where
you could go. Maybe a local cut-rate movie theater might show a science fiction
or horror classic now and then. Until these conventions came along, you just
did not have a place to share your interest.
Before Star Wars was a hit, Star Trek was just another
television show, out of production. Even Paramount didn't have much interest in
it, other than rentals from syndication markets. It made a small amount but
nothing to get excited about. So when events like Space-con were held, they
didn't get excited about them. But fans? They had always hoped for a Star Trek
movie. They knew that the Final Frontier, as Roddenberry called it, had
infinite potential waiting to be explored. Once box office returns for the
summer of 1977 came in, studios looked for their own sci-fi bonanzas.
Of course, it didn't hurt that events like Space-Con were
drawing big crowds. Over 10,000 fans attended the Space-Cons 2, 3, 4 and 6 – in
Oakland, San Francisco and Los Angeles. And Paramount? Thanks to budget woes at
Desilu (who first produced Star Trek), the series was not copyrighted in its
first two seasons. It wasn't until the third season when Paramount stepped in
that it took place. The result? Fans could have all of the Star Trek events
they wanted, without worrying about licensing.
Star Wars? Well, it was copyrighted from the word go. 20th Century Fox and
Lucasfilm had licensing underway from the start. At Space-Con 4 in LA, they
came prepared and told dealers that they could not sell unlicensed Star Wars
merchandise.
That didn't stop fans of the film from making their own.
They just couldn't sell it to each other. You name it, they had it. Homemade
Wookie costumes and more. A Bay Area high school shop class even got into the
act as students made their own Stormtrooper armor out of plastic just as the
film crews had done.
A homemade Tusken Raider costume worn by a Star Wars Fan at
Space-Con 6
in Oakland, CA in 1978. Image courtesy of Garfield Lane Productions
Events like Space-Con were fun for both guests and fans
alike. As Scott Bakula later described his Quantum Leap
fans, "It's nice to
meet the people who paid for your house." I can attest that it was not at all
out of the ordinary to find the cast mingling with crowds. Fans were polite and
respectful, getting their photos and autographs. And the cast was happy to see
them. Many went on to long friendships with fans, always glad to catch up on
the latest news.
Did these conventions help get Paramount to make the first Star Trek film
? Certainly a debatable question. Let us say that it did not
hurt. Big attendance only went to prove that the market for a revived Star Trek
was out there. And after the success of Star Wars
and Close Encounters of the Third Kind, folks such as Michael Eisner at Paramount wanted to get their own
piece of the science-fiction market. Even Disney's Black Hole
was a direct
response to that success, although not as successfully imitated at the box
office.
Star Trek would go from a television project (Star Trek: Phase II) to a major motion picture. That spawned a series of film sequels and
a television network with four long running series. Fandom? Oh, the Trekkers
are still out there. With JJ Abrams re-imagining of the Trek universe
and a
sequel in production to hit the screens in 2012, "the adventure continues."
"Back to Space-Con" is a wonderful look back at those early
days when Star Trek conventions were produced by fans and for fans. And those
events certainly inspired other similar conventions for other genre fandoms
around the world. If you were among people who took in a Star Trek convention,
you will find the documentary a welcome look back.
Image courtesy of Garfield Lane Productions
The film is available on DVD for only $15 from November Fire
plus shipping and sales tax, if you're in California.
And if you're in the San Francisco Bay Area, Thursday, April
14th, you can enjoy a special screening of the film at the Balboa Theatre in
San Francisco, not far from where it all began at Lincoln High School with "The
Red Hour Festival". The program starts at 7 pm and includes the Star Trek blooper reel, Ernie Fosselius classic "Hardware Wars" and a Q&A session
with director Tom Wyrsch – all for only $10.
You can check out this trailer for a glimpse of the film:
[View:http://www.youtube.com/watch?v=RHJ4tGKsKRw]
Be sure to check out Roger Colton's blog, "The Blue Parrot"
for more tales of his own "Space-Con" adventures.
Theme Parks & Themed Entertainment
The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition
The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.
Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.
A Not-So-Scary Beginning
I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.
This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.
A Different Approach
Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.
Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.
Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.
A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.
A Modest Start but a Big Future
That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.
Universal’s Influence
It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.
So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.
For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.
History
The Evolution and History of Mickey’s ToonTown
Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all. Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?
There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.
The Beginning: Mickey’s Birthdayland
The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.
In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.
Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.
From Concept to Reality: The Birth of Toontown
In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.
Building Challenges: Innovative Solutions
The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.
And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.
Key Attractions: Bringing Animation to Life
Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.
Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.
Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.
Executive Decisions: Shaping ToonTown’s Unique Attractions
The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.
In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.
These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.
Global Influence: Toontown’s Worldwide Appeal
The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.
Evolution and Reimagining: Toontown Today
As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.
Dive Deeper into ToonTown’s Story
Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!
History
Unpacking the History of the Pixar Place Hotel
Pixar Place Hotel, the newly unveiled 15-story tower at the Disneyland Resort, has been making waves in the Disney community. With its unique Pixar-themed design, it promises to be a favorite among visitors.
However, before we delve into this exciting addition to the Disneyland Resort, let’s take a look at the fascinating history of this remarkable hotel.
The Emergence of the Disneyland Hotel
To truly appreciate the story of the Pixar Place Hotel, we must turn back the clock to the early days of Disneyland. While Walt Disney had the visionary ideas and funding to create the iconic theme park, he faced a challenge when it came to providing accommodations for the park’s visitors. This is where his friend Jack Wrather enters the picture.
Jack Wrather, a fellow pioneer in the television industry, stepped in to assist Walt Disney in realizing his dream. Thanks to the success of the “Lassie” TV show produced by Wrather’s company, he had the financial means to build a hotel right across from Disneyland.
The result was the Disneyland Hotel, which opened its doors in October 1955. Interestingly, the early incarnation of this hotel had more of a motel feel than a hotel, with two-story buildings reminiscent of the roadside motels popular during the 1950s. The initial Disneyland Hotel consisted of modest structures that catered to visitors looking for affordable lodging close to the park. While the rooms were basic, it marked the beginning of something extraordinary.
The Evolution: From Emerald of Anaheim to Paradise Pier
As Disneyland’s popularity continued to soar, so did the demand for expansion and improved accommodations. In 1962, the addition of an 11-story tower transformed the Disneyland Hotel, marking a significant transition from a motel to a full-fledged hotel.
The addition of the 11-story tower elevated the Disneyland Hotel into a more prominent presence on the Anaheim skyline. At the time, it was the tallest structure in all of Orange County. The hotel’s prime location across from Disneyland made it an ideal choice for visitors. With the introduction of the monorail linking the park and the hotel, accessibility became even more convenient. Unique features like the Japanese-themed reflecting pools added to the hotel’s charm, reflecting a cultural influence that extended beyond Disney’s borders.
Japanese Tourism and Its Impact
During the 1960s and 1970s, Disneyland was attracting visitors from all corners of the world, including Japan. A significant number of Japanese tourists flocked to Anaheim to experience Walt Disney’s creation. To cater to this growing market, it wasn’t just the Disneyland Hotel that aimed to capture the attention of Japanese tourists. The Japanese Village in Buena Park, inspired by a similar attraction in Nara, Japan, was another significant spot.
These attractions sought to provide a taste of Japanese culture and hospitality, showcasing elements like tea ceremonies and beautiful ponds with rare carp and black swans. However, the Japanese Village closed its doors in 1975, likely due to the highly competitive nature of the Southern California tourist market.
The Emergence of the Emerald of Anaheim
With the surge in Japanese tourism, an opportunity arose—the construction of the Emerald of Anaheim, later known as the Disneyland Pacific Hotel. In May 1984, this 15-story hotel opened its doors.
What made the Emerald unique was its ownership. It was built not by The Walt Disney Company or the Oriental Land Company (which operated Tokyo Disneyland) but by the Tokyu Group. This group of Japanese businessmen already had a pair of hotels in Hawaii and saw potential in Anaheim’s proximity to Disneyland. Thus, they decided to embark on this new venture, specifically designed to cater to Japanese tourists looking to experience Southern California.
Financial Challenges and a Changing Landscape
The late 1980s brought about two significant financial crises in Japan—the crash of the NIKKEI stock market and the collapse of the Japanese real estate market. These crises had far-reaching effects, causing Japanese tourists to postpone or cancel their trips to the United States. As a result, reservations at the Emerald of Anaheim dwindled.
To adapt to these challenging times, the Tokyu Group merged the Emerald brand with its Pacific hotel chain, attempting to weather the storm. However, the financial turmoil took its toll on the Emerald, and changes were imminent.
The Transition to the Disneyland Pacific Hotel
In 1995, The Walt Disney Company took a significant step by purchasing the hotel formerly known as the Emerald of Anaheim for $35 million. This acquisition marked a change in the hotel’s fortunes. With Disney now in control, the hotel underwent a name change, becoming the Disneyland Pacific Hotel.
Transformation to Paradise Pier
The next phase of transformation occurred when Disney decided to rebrand the hotel as Paradise Pier Hotel. This decision aligned with Disney’s broader vision for the Disneyland Resort.
While the structural changes were limited, the hotel underwent a significant cosmetic makeover. Its exterior was painted to complement the color scheme of Paradise Pier, and wave-shaped crenellations adorned the rooftop, creating an illusion of seaside charm. This transformation was Disney’s attempt to seamlessly integrate the hotel into the Paradise Pier theme of Disney’s California Adventure Park.
Looking Beyond Paradise Pier: The Shift to Pixar Place
In 2018, Disneyland Resort rebranded Paradise Pier as Pixar Pier, a thematic area dedicated to celebrating the beloved characters and stories from Pixar Animation Studios. As a part of this transition, it became evident that the hotel formally known as the Disneyland Pacific Hotel could no longer maintain its Paradise Pier theme.
With Pixar Pier in full swing and two successful Pixar-themed hotels (Toy Story Hotels in Shanghai Disneyland and Tokyo Disneyland), Disney decided to embark on a new venture—a hotel that would celebrate the vast world of Pixar. The result is Pixar Place Hotel, a 15-story tower that embraces the characters and stories from multiple Pixar movies and shorts. This fully Pixar-themed hotel is a first of its kind in the United States.
The Future of Pixar Place and Disneyland Resort
As we look ahead to the future, the Disneyland Resort continues to evolve. The recent news of a proposed $1.9 billion expansion as part of the Disneyland Forward project indicates that the area surrounding Pixar Place is expected to see further changes. Disneyland’s rich history and innovative spirit continue to shape its destiny.
In conclusion, the history of the Pixar Place Hotel is a testament to the ever-changing landscape of Disneyland Resort. From its humble beginnings as the Disneyland Hotel to its transformation into the fully Pixar-themed Pixar Place Hotel, this establishment has undergone several iterations. As Disneyland Resort continues to grow and adapt, we can only imagine what exciting developments lie ahead for this iconic destination.
If you want to hear more stories about the History of the Pixar Place hotel, check our special edition of Disney Unpacked over on YouTube.
Stay tuned for more updates and developments as we continue to explore the fascinating world of Disney, one story at a time.
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