General

Disney’s New York flagship store has run aground

Jim Hill returns from NYC with a somewhat depressing story about the 5th Avenue Disney Store. What was once the crown jewel of the entire Disney retail chain is now a sad shell of itself. Where once there was great art … now there are t-shirts for sale.

Published

21 years ago

November 11, 2003

Jim Hill

So — given that she has two parents that make their living writing about the Walt Disney Company — guess what my darling daughter collects? You are correct, sir! Pokémon figures.

Which is why — late Sunday afternoon — Michelle, Alice and I found ourselves in Manhattan. So that my daughter could visit the stateside version of Pokémon fan nirvana. Which is the Pokémon Center New York, this two-story-tall, 13,000-square-foot shop in Rockefeller Center. Which is packed to the gills with Pokémon crud.

$50 later, my daughter strolled happily out of the Pokémon Center New York. Clutching a miniature play set that one can usually only purchase in Japan. Then my ex-wife — being the hardcore Disney fan that she is -asked: “Can we please go to the flagship Disney Store on 5th Avenue?”

I actually tried to talk Michelle out of. Reminding my ex that — since the Walt Disney Company had quietly put its retail chain up for sale earlier this year — that the Mouse had been putting zero dollars into upkeep at the Disney Stores. Which was really had a horrible impact on the 5th Avenue store.

But — even so — my ex could not be dissuaded. She HAD to make a pilgrimage to Manhattan’s version of Mickey Mecca. Which is why she insisted that the three of us hike the eight city blocks to the corner of 5 and 55th. Where this three-story-tall former showplace still stands.

Even from the outside of the shop, it was clear that there had been significant cutbacks at Disney’s flagship store. Those two bronze statues of Mickey and Minnie that used to grace the enormous brass-and-copper film scroll marquee over the store’s entrance? They’re gone. Likewise those oversized paintbrushes and ink pens. These outside decorations were supposedly pulled down to get the building ready for its next tenant. Which is rumored to be Alfred Dunhill of London, the boutique chain best known for its fragrances and beauty products.

Inside, all of those wonderful hand-painted murals of Disney characters? They’re now all covered up by these giant photo banners of happy holiday shoppers. All that great Disney-Store-5th-Avenue-exclusive merchandise that used to be on sale here? It’s been replaced by all this generic NYC stuff.

Walking through the 5th Avenue store today, it’s really hard to remember what a showplace Disney’s flagship store store once was. Back when this place first opened up in the late winter / early spring of 1997. When the Imagineers were determined to turn this shop into one of the top tourist spots in NYC.

That’s why no expense was spared on Disney’s flagship store. WDI designed every square inch of the place. Which — occurring to the back story that the Imagineers cooked up for this space — was originally supposed to have been the mansion that Walt Disney had purchased for Mickey and his friends back in the 1930s. So that the Disney characters would always have someplace to stay whenever they were visiting Manhattan.

And when I say “characters,” I mean ALL of the Disney characters. Take — for example — the third floor of the 5th Avenue store. Which was themed to look as if it was the attic of the mansion. This was where the Disney villains had supposedly set up shop. Which was why you had all this great hand-painted mural of Lady Tremaine, the Big Bad Wolf and Mad Madam Mim lurking around in a dark, cluttered attic looming over this part of the store.

But that was in the past. Now your view of this rogues’ gallery is obscured by these giant brightly colored photo banners. Which show holiday shoppers happily clutching Disney plush.

To be honest, it was my stroll around the third floor of the 5th Avenue Disney Store that I found to be most depressing part of our trip to the shop. For this used to be the Disney Gallery space within the NYC flagship store. Where you used to be able to see one of the largest displays of Disney animation art in the country.

Nowadays, what used to be the main gallery space at the 5th Avenue Disney Store is now loaded with t-shirts. What little remains of the flagship store’s once formidable selection of lithos and limited edition cels has been shunted over to the stair area. A similar sort of thing has been done with the store’s stock of Walt Disney Classics Collection pieces. They’re now all been crammed into this small series of shelves.

And Otto Matic — that great little minimatronic figure (Which was voiced by Penn Jillette of Penn and Teller fame) — that visitors to the 5th Avenue Disney Store were once invited to try and control by hand. He’s gone too. (Keep an eye on eBay. I was told by store employees that that’s where Otto is heading. Along with the Mickey and Minnie bronze statues that used to stand over the store’s entrance.)

Feeling thoroughly depressed now, I took the elevator down to the basement level of the building. Which — back in the day — was where the Disney Travel Desk used to be located. So — as part of your Manhattan shopping experience — you could also book a trip to Disneyland, Walt Diney World, Tokyo Disneyland and/or Disneyland Paris.

Clearly that idea never panned out. Which is why the Travel Desk was torn out a few years back. And — in its place — row after row of naked mannequins now stand out in the open, for the whole world to see. There used to be a time when the Walt Disney Company would have considered something like this “Bad Show.” Not any longer. These days, it’s just business as usual at the 5th Avenue Disney Store.

Look, I know that things can’t always stay the same. And that change — and progress — are inevitable. But — that said — I can’t help but think that the 5th Avenue Disney Store is this tragically squandered opportunity. That — ‘way back in 1997, when this flagship store was initially opened — that this elegant NYC shop was viewed as Disney’s ultimate marriage between retail and entertainment. And now … Well … its’ clear that that marriage is on now the rocks.

Why for? Because — over the past six years — the entire Disney Store chain (Not just the 5th Avenue store) became less and less about show and more and more about business. About making a buck at all costs. And never mind the fact that consumers tend to get turned off by naked obvious greed.

Quick question here: When’s the last time you made a special trip to the Mall just to visit your local Disney Store? For those of us who live thousands of miles away from Anaheim or Orlando, this is how we used to get our Disney fix. We’d drop by our area Disney Store once or twice a month, check out all the merchandise. And — invariably — we’d buy something.

Of course, this was back in the day when TDS cast members were taught to treat each and every person who came through the door like a special guest. When the pressure wasn’t on to sell-SELL-SELL!? But — rather — their goal was to make every shopper think that going (Not just shopping, mind you. But just the simple act of going) to the Disney Store was to be “just as fun as going to Disneyland.”

Nowadays … A trip to the Disney Store is just unpleasant. At least for me. You’re just surrounded by all these high-priced toys that someone in market research decided that kids would go for. Which is why you have the “Disney Adventurer” action figures for boys and the “Disney Princess Ballerinas” for girls. And all around you are these alleged additional inducements to shop and spend. Save $20 on a Disney snow globe. Spend $50 and we’ll give you a $10 gift card and/or a free piece of plush. Pre-order “Pirates of the Caribbean.” On and on and on …

Which was why — after just 20 minutes in the 5th Avenue Disney Store — I was noodging Michelle and Alice along. Trying to get them out of the place. Just standing inside that shop (Particularly in the 1st floor Disney Princess area. Which — floor to ceiling — has been painted Pepto Bismal pink) was giving me a headache.

Eventually, the three of us found ourselves back outside in the cool night air. We had explored the entire 5th Avenue Disney Store from top to bottom in just under 30 minutes … And yet we hadn’t seen a single thing that any of us wanted to buy.

This may explain why the Walt Disney Company is having such a problem finding someone to buy its 300-plus Disney Stores. For — sometime over the past six years — the Mouse has lost its once-legendary hold on consumers. That that warm, fuzzy feeling that we all used to feel about Mickey and the products that the Disney corporation churned out has been replaced by this vague feeling of unease. That sense that — whenever the Mouse is about — you’d best be keeping a hand on your wallet. That Mickey isn’t really all that interested in making us smile anymore. That this soon-to-be-75-years-old rodent is far more interested in finding yet another way to separate us from our hard-earned dollars.

Looking back at the 5th Avenue Disney Store with its sadly stripped-down marquee, I couldn’t help but wonder: Will this place even be here the next time I get down to NYC? How much longer will the Mouse keep its Disney Store chain up and running? Or — if they fail to find a buyer soon — will Disney just do what Warners did back in 2001: Which is just pull the plug on its entire retail operation.

It was just too depressing to think about. Which is why I took Alice by the hand and — with Michelle snapping pictures as we walked along — headed over toward Times Square. With the hope that all the lights down there would help lighten our moods.

And — if that didn’t work … Well, there was always cheesecake.

Your thoughts?

General

Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District

Published

9 years ago

June 23, 2015

Jim Hill

Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.

Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.

Photo by Jim Hill

Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.

Photo by Jim Hill

Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building
…

Photo by Jim Hill

… and eventually wound up just below Times
Square (right behind where the Waterford Crystal Times Square New
Year's Eve Ball is kept).

Photo by Jim Hill

But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created.

Photo by Jim Hill

And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.

Photo by Jim Hill

Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …

Photo by Jim Hill

… the postman delivering the mail …

Photo by Jim Hill

… the hot dog vendor working at his cart …

Photo by Jim Hill

… the street musician playing for tourists …

Photo by Jim Hill

Not to mention the tourists themselves.

Photo by Jim Hill

But right alongside the bronze businessmen …

Photo by Jim Hill

… and the tired grandmother hauling her groceries home …

Photo by Jim Hill

… there were also statues representing people who were
from out-of-town …

Photo by Jim Hill

… or — for that matter — out-of-time.

Photo by Jim Hill

These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.

Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill

Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these
bronzes?"

Mind you, for those of you who aren't big fans of the
impressionists …

Photo by Jim Hill

… there's also an array of American icons. Among them
Marilyn Monroe …

Photo by Jim Hill

… and that farmer couple from Grant Wood's "American
Gothic."

Photo by Jim Hill

But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.

Photo by Jim Hill

By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).

Photo by Jim Hill

By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th.

General

Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues

Published

9 years ago

June 10, 2015

Jim Hill

Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las
Vegas.

Photo by Jim Hill

I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.

Photo by Jim Hill

Take — for example — all of "The Secret Life of
Pets" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
Entertainment production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.

Photo by Jim Hill

Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.

Photo by Jim Hill

And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice" to start trending on Twitter today — brought
the Batmobile to Las Vegas.

Photo by Jim Hill

Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.

Photo by Jim Hill

That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.

Photo by Jim Hill

And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.

Photo by Jim Hill

Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.

Photo by Jim Hill

I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.

Photo by Jim Hill

I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.

Photo by Jim Hill

Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.

Photo by Jim Hill

Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
Pictures will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis —
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."

Photo by Jim Hill

Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with production of Genndy Tartakovsky's
"Popeye" movie. But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.

Photo by Jim Hill

And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.

Photo by Jim Hill

"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.

Photo by Jim Hill

I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.

Photo by Jim Hill

And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.

Photo by Jim Hill

And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."

Photo by Jim Hill

And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."

Photo by Jim Hill

One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.

Photo by Jim Hill

Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.

Your thoughts?

General

It takes more than three circles to craft a Classic version of Mickey Mouse

Published

9 years ago

June 9, 2015

Jim Hill

You know what Mickey Mouse looks like, right? Little guy,
big ears?

Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
Park (especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.

Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.

Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.

That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.

Take — for example — Disney
California Adventure
Park's "World of Color:
Celebrate!" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.

Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity
3.0.

"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "

"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"

Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.

"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."

But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity
3.0.

"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."

And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.

"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.

Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.

"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."

So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?

"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."

This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015