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Why For wouldn’t J.K. Rowling let Universal Studios build a Harry Potter stunt show?

Jim Hill's back with a semi-coherent answer to this week's big question on the Net: Has the Walt Disney Company actually "wrapped up" the theme park rights to the Harry Potter characters?

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No doubt, you've heard this rumor before. It's the story that's been fascinating Disney and Harry Potter fans for the past few weeks. But it was H.C. who did the best job with this question when they wrote in to ask:

Every once in a while, Universal Orlando President Bob Gault holds a "Lunch with Bob" question and answer session. Middle and upper management types sit around and pepper Mr. Gualt with questions regarding various projects and ideas. Mr. Gault responds and then assigns people to follow up on promising suggestions.

On Thursday, July 3rd, Mr. Gault hosted one such question and answer session. The minutes from the meeting were circulated among various personnel at Universal Orlando.

While there were several interesting questions, Gault's answer to one particular inquiry was especially notable.

Question: Has Universal pursued 'Lord of the Rings' or Harry Potter?

Gault's answer: "Disney has Harry Potter wrapped up. We will check into 'Lord of the Rings.'"

Huh?! Disney has Harry Potter "wrapped up"?

Can this be true? Or did Mr. Gault misspeak.

H.C.

Since Mr. Gualt dropped this bombshell 'way back in July, I must have received 50 or more e-mails about Bob's comments. From Harry Potter fans. From Disney theme park fanatics. Even Universal Orlando employees. All of these folks looking for answers to the very same questions:

1) Does the Walt Disney Company actually have the theme park rights to the Harry Potter characters "wrapped up?"

2) And if so, when might we expect Walt Disney Imagineering to roll out its very first Harry Potter themed attraction?

Well, I've been on this case since the middle of July, people. Making dozens of phone calls to Glendale, Burbank and Universal City, Hollywood later as I tried to get to the bottom of this story. This (to date) is what I have to report, H.C.:

This much is clear: A few years back, Universal was positively desperate to acquire the theme park rights to the Harry Potter characters. So much so that Universal Creative (the folks who actually design all of the rides, shows and attractions for the Universal theme parks) put together a proposal for a Harry Potter-themed stunt show. Which they planned to present to Harry Potter author J.K. Rowling. With the hope that she might then be won over by their attraction idea, which would result in J.K. awarding Harry Potter's theme park rights to Universal.

The show proposal that Universal Creative put together was reportedly a special effects filled extravaganza, loosely modeled after that theme park's "Wild Wild West" stunt show. This meant that the arena would have been loaded up with practical effects. Cauldrons that would suddenly bubble and smoke, brooms that could actually fly around, etc.

But the real highlight of this proposed "Harry Potter" themed show would have supposedly been the show's finale. Where Harry, Ron and Hermoine found themselves face to face with Lord Voldemort. (Just in case you're wondering: Universal's stunt spectacular wasn't actually supposed to have been based on any specific "Harry Potter" book or movie. But — rather — it was supposed to have been a stand-alone show. Something that would have caught the style and the flavor of Rowling's books and the films without actually duplicating any of them.)

Sometime during this magical duel, Potter was going to get the upper hand in this effects filled battle. And — with a wave of Harry's wand — Voldemort would burst into flames. Fully engulfed in fire, the dark wizard was to have writhed in agony and screamed curses as Potter and his pals as Voldemort slowly sank from sight.

Note that "sinking slowly from sight" while "fully engulfed in flames" part of the show. That sort of pyrotechnic stunt would be extremely difficult for a live human to pull off. Which is why Universal Creative was planning on using an animatronic figure to fill in for the live performer who would be portraying the dark wizard during this particular gag. A robotic Lord Voldemort whose robes would be stuffed with steel wool. Which (I'm told) burns in a truly spectacular fashion whenever it's lit on fire.

So that sounds like a pretty good new show for the Universal theme parks, doesn't it? Well, it's just too bad that Universal Creative never actually got the opportunity to present their proposal to J.K. Rowling. Why for? Because — when they approached Rowling's reps to set up a meeting — Universal was reportedly told "Thanks but no thanks. We've already awarded the theme park rights to someone else."

Now Universal executives — Bob Gault included — have always assumed that the "someone else" that J.K. Rowling's representatives were talking about must have been the Walt Disney Company. Which — given that Universal and Disney are in almost constant competition these days for supremacy in the theme park arena — that just makes sense.

But — in all the conversations that I've had with WDI insiders over the past few weeks — no one (And I mean "NO ONE") was willing to actually go on record and admit that the Walt Disney Company had indeed tied up all of the theme park rights to the Harry Potter characters. The closest I ever got to confirmation was a couple of knowing smiles from veteran Imagineers as well as a "Sorry, but that would be telling" from someone in the Studio's legal department.

Now, just because no one I talked with Disney would confirm or deny that the Mouse had "wrapped up" the theme park rights to the Harry Potter characters doesn't mean that Mickey HASN'T locked up those rights.

To explain: Historically, the Mouse tends to play these sorts of things very close to their vest. Think back to the 1980s, when WDI was in super secret talks with George Lucas about possibly building some new shows and attractions for Disneyland around his "Star Wars" and "Indiana Jones" characters. Those negotiations went on for years, with Lucas regularly making trips down to Glendale to view new concepts … and news about those projects never ever leaked out of 1401 Flower Street. (Okay. Admittedly, that was long before the Internet was as omnipresent as it is today. So — back then — it was a hell of a lot easier for WDI to keep its secrets back. But you get what I'm trying to say here, right? Okay. Moving on …)

What's more intriguing (at least to me) is the number of non-Disney characters that Mickey already has under contract for theme park use that WDI has yet to anything with. Which characters, specifically? How about claymation stars Wallace and Gromit (who were once considered as the possible new hosts of Epcot's "Journey into Imagination" ride) as well as celebrities like sitcom vet Tim Allen and basketball star Michael Jordan (who were also — believe it or not — considered as possible replacements for Figment).

So I guess what I'm trying to say here is that — even though Disney may or may not have the theme park rights to the Harry Potter characters all "wrapped up" — that still doesn't automatically translate into the Imagineers building a Hogwarts for Anaheim or Orlando anytime soon.

Why the hold-up? Well, to be blunt, J.K. Rowling isn't through puttering around with her Harry Potter characters yet. Let's remember that there are still two books in the series that have yet to be written, much less published. And — as those of us who have already read "Harry Potter and the Order of the Phoenix" know — things are very much in flux in the non-Muggle world right now.

WARNING!! OVER THE NEXT TWO PARAGRAPHS, THERE ARE GOING TO BE SOME SLIGHT "ORDER OF THE PHOENIX" RELATED SPOILERS WRITTEN ABOUT. SOOOOOO … IF YOU HAVEN'T READ (OR — RATHER — FINISHED READING) THE FIFTH HARRY POTTER BOOK YET … NOW MIGHT BE A GOOD TIME TO JUMP AHEAD TO THE THIRD PARAGRAPH.

Characters that we once thought to just be comic relief (like Neville Longbottom) can grow and become heroic. Likewise, characters that we loved for their sweet and understanding natures can suddenly become quite prickly. I mean, think back to all of the complaints that you heard earlier this summer from Rowling readers who were upset with J.K. for daring to make young Mr. Potter so PO'd during most of "The Order of the Phoenix."

You see what I'm saying here? The "Harry Potter" saga isn't over yet. Not by a long shot, folks. And there's obviously a lot of danger in trying to design theme park attractions around a tale that's still being told. I mean, think how terrible the Imagineers would be feeling right now if they'd poured years of time & effort into building a show around everyone's favorite big black dog. Doing something like that would have had some pretty Sirius repercussions, don't you think?

Anyway … even if Disney really does have the theme park rights for the Harry Potter characters all "wrapped up," the smart money is on Mickey sitting on these rights for a while. For a couple of years, anyway. At least until J.K. Rowling finally finishes up telling her epic tale (and what a sad day THAT's going to be for those of us who have loved reading and/or listening to the "Harry Potter" books. I'm really not ready to leave Hogwarts just yet. Are you?)

But me? Given how cagey the Imagineers that I know are being about all my questions as to whether the Walt Disney Company actually has "wrapped up" the theme park rights to the Harry Potter characters, I'm not entirely convinced that what Gault told Universal Orlando employees is true. If the Mouse HAD landed the theme park rights to J.K. Rowling's characters, I have to believe that — given all the Harry Potter fans that there are in WDI — there'd be Imagineers lined up along the rooftops of Flower Street screaming "We got Harry! We got Harry!"

So my apologies, H.C., if this "Why For" response basically amounts to the world's longest "Damned if I know." But I'm just not getting a clear indication out of Imagineering as to whether the Walt Disney Company has actually "wrapped up" the theme park rights to the Harry Potter characters.

Which makes me wonder who this mysterious "someone else" might be. That other theme park-owning corporation which appears to have the rights for J.K. Rowling's characters all "wrapped up."

So again, my apologies if this "Why For" reply raises more questions than it answers. But what did you expect from a Muggle?

(Of course, if some obliging Imagineer wants to come forward with the official word on this subject, I'd be extremely happy to hear from them. Hint, Hint.)

Okay. That's it for this week's "Why For." But please keep in mind that we're still going to have some new stories up on JimHillMedia.com this weekend. Parts III and IV of Jim Korkis' excellent "The History of Comic Books" series. So be sure to drop by JHM on Saturday and Sunday to check those stories out.

Beyond that, have a great weekend, okay?

jrh

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

The Evolution and History of Mickey’s ToonTown

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Disneyland in Anaheim, California, holds a special place in the hearts of Disney fans worldwide, I mean heck, it’s where the magic began after all.  Over the years it’s become a place that people visit in search of memorable experiences. One fan favorite area of the park is Mickey’s Toontown, a unique land that lets guests step right into the colorful, “Toony” world of Disney animation. With the recent reimagining of the land and the introduction of Micky and Minnies Runaway Railway, have you ever wondered how this land came to be?

There is a fascinating backstory of how Mickey’s Toontown came into existence. It’s a tale of strategic vision, the influence of Disney executives, and a commitment to meeting the needs of Disney’s valued guests.

The Beginning: Mickey’s Birthdayland

The story of Mickey’s Toontown starts with Mickey’s Birthdayland at Walt Disney World’s Magic Kingdom. Opened in 1988 to celebrate Mickey Mouse’s 60th birthday, this temporary attraction was met with such overwhelming popularity that it inspired Disney executives to think bigger. The idea was to create a permanent, immersive land where guests could step into the animated world of Mickey Mouse and his friends.

In the early ’90s, Disneyland was in need of a refresh. Michael Eisner, the visionary leader of The Walt Disney Company at the time, had an audacious idea: create a brand-new land in Disneyland that would celebrate Disney characters in a whole new way. This was the birth of Mickey’s Toontown.

Initially, Disney’s creative minds toyed with various concepts, including the idea of crafting a 100-Acre Woods or a land inspired by the Muppets. However, the turning point came when they considered the success of “Who Framed Roger Rabbit.” This film’s popularity and the desire to capitalize on contemporary trends set the stage for Toontown’s creation.

From Concept to Reality: The Birth of Toontown

In 1993, Mickey’s Toontown opened its gates at Disneyland, marking the first time in Disney Park history where guests could experience a fully realized, three-dimensional world of animation. This new land was not just a collection of attractions but a living, breathing community where Disney characters “lived,” worked, and played.

Building Challenges: Innovative Solutions

The design of Mickey’s Toontown broke new ground in theme park aesthetics. Imagineers were tasked with bringing the two-dimensional world of cartoons into a three-dimensional space. This led to the creation of over 2000 custom-built props and structures that embodied the ‘squash and stretch’ principle of animation, giving Toontown its distinctiveness.

And then there was also the challenge of hiding the Team Disney Anaheim building, which bore a striking resemblance to a giant hotdog. The Imagineers had to think creatively, using balloon tests and imaginative landscaping to seamlessly integrate Toontown into the larger park.

Key Attractions: Bringing Animation to Life

Mickey’s Toontown featured several groundbreaking attractions. “Roger Rabbit’s Car Toon Spin,” inspired by the movie “Who Framed Roger Rabbit,” became a staple of Toontown, offering an innovative ride experience. Gadget’s Go-Coaster, though initially conceived as a Rescue Rangers-themed ride, became a hit with younger visitors, proving that innovative design could create memorable experiences for all ages.

Another crown jewel of Toontown is Mickey’s House, a walkthrough attraction that allowed guests to explore the home of Mickey Mouse himself. This attraction was more than just a house; it was a carefully crafted piece of Disney lore. The house was designed in the American Craftsman style, reflecting the era when Mickey would have theoretically purchased his first home in Hollywood. The attention to detail was meticulous, with over 2000 hand-crafted, custom-built props, ensuring that every corner of the house was brimming with character and charm. Interestingly, the design of Mickey’s House was inspired by a real home in Wichita Falls, making it a unique blend of real-world inspiration and Disney magic.

Mickey’s House also showcased Disney’s commitment to creating interactive and engaging experiences. Guests could make themselves at home, sitting in Mickey’s chair, listening to the radio, and exploring the many mementos and references to Mickey’s animated adventures throughout the years. This approach to attraction design – where storytelling and interactivity merged seamlessly – was a defining characteristic of ToonTown’s success.

Executive Decisions: Shaping ToonTown’s Unique Attractions

The development of Mickey’s Toontown wasn’t just about creative imagination; it was significantly influenced by strategic decisions from Disney executives. One notable input came from Jeffrey Katzenberg, who suggested incorporating a Rescue Rangers-themed ride. This idea was a reflection of the broader Disney strategy to integrate popular contemporary characters and themes into the park, ensuring that the attractions remained relevant and engaging for visitors.

In addition to Katzenberg’s influence, Frank Wells, the then-President of The Walt Disney Company, played a key role in the strategic launch of Toontown’s attractions. His decision to delay the opening of “Roger Rabbit’s Car Toon Spin” until a year after Toontown’s debut was a calculated move. It was designed to maintain public interest in the park by offering new experiences over time, thereby giving guests more reasons to return to Disneyland.

These executive decisions highlight the careful planning and foresight that went into making Toontown a dynamic and continuously appealing part of Disneyland. By integrating current trends and strategically planning the rollout of attractions, Disney executives ensured that Toontown would not only capture the hearts of visitors upon its opening but would continue to draw them back for new experiences in the years to follow.

Global Influence: Toontown’s Worldwide Appeal

The concept of Mickey’s Toontown resonated so strongly that it was replicated at Tokyo Disneyland and influenced elements in Disneyland Paris and Hong Kong Disneyland. Each park’s version of Toontown maintained the core essence of the original while adapting to its cultural and logistical environment.

Evolution and Reimagining: Toontown Today

As we approach the present day, Mickey’s Toontown has recently undergone a significant reimagining to welcome “Mickey & Minnie’s Runaway Railway” in 2023. This refurbishment aimed to enhance the land’s interactivity and appeal to a new generation of Disney fans, all while retaining the charm that has made ToonTown a beloved destination for nearly three decades.

Dive Deeper into ToonTown’s Story

Want to know more about Mickey’s Toontown and hear some fascinating behind-the-scenes stories, then check out the latest episode of Disney Unpacked on Patreon @JimHillMedia. In this episode, the main Imagineer who worked on the Toontown project shares lots of interesting stories and details that you can’t find anywhere else. It’s full of great information and fun facts, so be sure to give it a listen!

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

Unpacking the History of the Pixar Place Hotel

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Pixar Place Hotel, the newly unveiled 15-story tower at the Disneyland Resort, has been making waves in the Disney community. With its unique Pixar-themed design, it promises to be a favorite among visitors.

However, before we delve into this exciting addition to the Disneyland Resort, let’s take a look at the fascinating history of this remarkable hotel.

The Emergence of the Disneyland Hotel

To truly appreciate the story of the Pixar Place Hotel, we must turn back the clock to the early days of Disneyland. While Walt Disney had the visionary ideas and funding to create the iconic theme park, he faced a challenge when it came to providing accommodations for the park’s visitors. This is where his friend Jack Wrather enters the picture.

Jack Wrather, a fellow pioneer in the television industry, stepped in to assist Walt Disney in realizing his dream. Thanks to the success of the “Lassie” TV show produced by Wrather’s company, he had the financial means to build a hotel right across from Disneyland.

The result was the Disneyland Hotel, which opened its doors in October 1955. Interestingly, the early incarnation of this hotel had more of a motel feel than a hotel, with two-story buildings reminiscent of the roadside motels popular during the 1950s. The initial Disneyland Hotel consisted of modest structures that catered to visitors looking for affordable lodging close to the park. While the rooms were basic, it marked the beginning of something extraordinary.

The Evolution: From Emerald of Anaheim to Paradise Pier

As Disneyland’s popularity continued to soar, so did the demand for expansion and improved accommodations. In 1962, the addition of an 11-story tower transformed the Disneyland Hotel, marking a significant transition from a motel to a full-fledged hotel.

The addition of the 11-story tower elevated the Disneyland Hotel into a more prominent presence on the Anaheim skyline. At the time, it was the tallest structure in all of Orange County. The hotel’s prime location across from Disneyland made it an ideal choice for visitors. With the introduction of the monorail linking the park and the hotel, accessibility became even more convenient. Unique features like the Japanese-themed reflecting pools added to the hotel’s charm, reflecting a cultural influence that extended beyond Disney’s borders.

Japanese Tourism and Its Impact

During the 1960s and 1970s, Disneyland was attracting visitors from all corners of the world, including Japan. A significant number of Japanese tourists flocked to Anaheim to experience Walt Disney’s creation. To cater to this growing market, it wasn’t just the Disneyland Hotel that aimed to capture the attention of Japanese tourists. The Japanese Village in Buena Park, inspired by a similar attraction in Nara, Japan, was another significant spot.

These attractions sought to provide a taste of Japanese culture and hospitality, showcasing elements like tea ceremonies and beautiful ponds with rare carp and black swans. However, the Japanese Village closed its doors in 1975, likely due to the highly competitive nature of the Southern California tourist market.

The Emergence of the Emerald of Anaheim

With the surge in Japanese tourism, an opportunity arose—the construction of the Emerald of Anaheim, later known as the Disneyland Pacific Hotel. In May 1984, this 15-story hotel opened its doors.

What made the Emerald unique was its ownership. It was built not by The Walt Disney Company or the Oriental Land Company (which operated Tokyo Disneyland) but by the Tokyu Group. This group of Japanese businessmen already had a pair of hotels in Hawaii and saw potential in Anaheim’s proximity to Disneyland. Thus, they decided to embark on this new venture, specifically designed to cater to Japanese tourists looking to experience Southern California.

Financial Challenges and a Changing Landscape

The late 1980s brought about two significant financial crises in Japan—the crash of the NIKKEI stock market and the collapse of the Japanese real estate market. These crises had far-reaching effects, causing Japanese tourists to postpone or cancel their trips to the United States. As a result, reservations at the Emerald of Anaheim dwindled.

To adapt to these challenging times, the Tokyu Group merged the Emerald brand with its Pacific hotel chain, attempting to weather the storm. However, the financial turmoil took its toll on the Emerald, and changes were imminent.

The Transition to the Disneyland Pacific Hotel

In 1995, The Walt Disney Company took a significant step by purchasing the hotel formerly known as the Emerald of Anaheim for $35 million. This acquisition marked a change in the hotel’s fortunes. With Disney now in control, the hotel underwent a name change, becoming the Disneyland Pacific Hotel.

Transformation to Paradise Pier

The next phase of transformation occurred when Disney decided to rebrand the hotel as Paradise Pier Hotel. This decision aligned with Disney’s broader vision for the Disneyland Resort.

While the structural changes were limited, the hotel underwent a significant cosmetic makeover. Its exterior was painted to complement the color scheme of Paradise Pier, and wave-shaped crenellations adorned the rooftop, creating an illusion of seaside charm. This transformation was Disney’s attempt to seamlessly integrate the hotel into the Paradise Pier theme of Disney’s California Adventure Park.

Looking Beyond Paradise Pier: The Shift to Pixar Place

In 2018, Disneyland Resort rebranded Paradise Pier as Pixar Pier, a thematic area dedicated to celebrating the beloved characters and stories from Pixar Animation Studios. As a part of this transition, it became evident that the hotel formally known as the Disneyland Pacific Hotel could no longer maintain its Paradise Pier theme.

With Pixar Pier in full swing and two successful Pixar-themed hotels (Toy Story Hotels in Shanghai Disneyland and Tokyo Disneyland), Disney decided to embark on a new venture—a hotel that would celebrate the vast world of Pixar. The result is Pixar Place Hotel, a 15-story tower that embraces the characters and stories from multiple Pixar movies and shorts. This fully Pixar-themed hotel is a first of its kind in the United States.

The Future of Pixar Place and Disneyland Resort

As we look ahead to the future, the Disneyland Resort continues to evolve. The recent news of a proposed $1.9 billion expansion as part of the Disneyland Forward project indicates that the area surrounding Pixar Place is expected to see further changes. Disneyland’s rich history and innovative spirit continue to shape its destiny.

In conclusion, the history of the Pixar Place Hotel is a testament to the ever-changing landscape of Disneyland Resort. From its humble beginnings as the Disneyland Hotel to its transformation into the fully Pixar-themed Pixar Place Hotel, this establishment has undergone several iterations. As Disneyland Resort continues to grow and adapt, we can only imagine what exciting developments lie ahead for this iconic destination.

If you want to hear more stories about the History of the Pixar Place hotel, check our special edition of Disney Unpacked over on YouTube.

Stay tuned for more updates and developments as we continue to explore the fascinating world of Disney, one story at a time.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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History

From Birthday Wishes to Toontown Dreams: How Toontown Came to Be

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Mickey's Birthday Land

In the latest release of Episode 4 of Disney Unpacked, Len and I return, joined as always by Disney Imagineering legend, Jim Shull. This two-part episode covers all things Mickey’s Birthday Land and how it ultimately led to the inspiration behind Disneyland’s fan-favorite land, “Toontown”. But let’s not get ahead of ourselves here. It all starts in the early days at Disneyland.

Early Challenges in Meeting Mickey

Picture this: it’s the late 1970s and early 1980s, and you’re at Disneyland. You want to meet the one and only Mickey Mouse, but there’s no clear way to make it happen. You rely on Character Guides, those daily printed sheets that point you in Mickey’s general direction. But let’s be honest, it was like finding a needle in a haystack. Sometimes, you got lucky; other times, not so much.

Mickey’s Birthdayland: A Birthday Wish that Came True

Fast forward to the late 1980s. Disney World faced a big challenge. The Disney-MGM Studios Theme Park was under construction, with the company’s marketing machine in full swing, hyping up the opening of Walt Disney World’s third theme park, MGM Studios, in the Spring of 1989. This extensive marketing meant that many people were opting to postpone their family’s next trip to Walt Disney World until the following year. Walt Disney World needed something compelling to motivate guests to visit Florida in 1988, the year before Disney MGM Studios opened.

Enter stage left, Mickey’s Birthdayland. For the first time ever, an entire land was dedicated to a single character – and not just any character, but the mouse who started it all. Meeting Mickey was no longer a game of chance; it was practically guaranteed.

The Birth of Birthdayland: Creative Brilliance Meets Practicality

In this episode, we dissect the birth of Mickey’s Birthdayland, an initiative that went beyond celebrating a birthday. It was a calculated move, driven by guest feedback and a need to address issues dating back to 1971. Imagineers faced the monumental task of designing an experience that honored Mickey while efficiently managing the crowds. This required the perfect blend of creative flair and logistical prowess – a hallmark of Disney’s approach to theme park design.

Evolution: From Birthdayland to Toontown

The success of Mickey’s Birthdayland was a real game-changer, setting the stage for the birth of Toontown – an entire land that elevated character-centric areas to monumental new heights. Toontown wasn’t merely a spot to meet characters; it was an immersive experience that brought Disney animation to life. In the episode, we explore its innovative designs, playful architecture, and how every nook and cranny tells a story.

Impact on Disney Parks and Guests

Mickey’s Birthdayland and Toontown didn’t just reshape the physical landscape of Disney parks; they transformed the very essence of the guest experience. These lands introduced groundbreaking ways for visitors to connect with their beloved characters, making their Disney vacations even more unforgettable.

Beyond Attractions: A Cultural Influence

But the influence of these lands goes beyond mere attractions. Our episode delves into how Mickey’s Birthdayland and Toontown left an indelible mark on Disney’s culture, reflecting the company’s relentless dedication to innovation and guest satisfaction. It’s a journey into how a single idea can grow into a cherished cornerstone of the Disney Park experience.

Interested in learning about Jim Shull’s original idea for a Winnie the Pooh ride? Here’s concept art of the attraction proposed for the original Toontown in Disneyland. More on [Disney Unpacked].

Unwrapping the Full Story of Mickey’s Birthdayland

Our two-part episode of Disney Unpacked is available for your viewing pleasure on our Patreon page. And for those seeking a quicker Disney fix, we’ve got a condensed version waiting for you on our YouTube channel. Thank you for being a part of our Disney Unpacked community. Stay tuned for more episodes as we continue to “Unpack” the fascinating world of Disney, one story at a time.

Jim Hill

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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