General
Go once around the block at San Diego Comic-Con aboard a “Once Upon a Time” -themed pedicab
Katie Q. dropped me a line earlier today to say:
I've really been enjoying JHM's Comic-Con coverage. All of the pictures that you've posted so far make me want to come out San Diego one summer and experience it all for myself.
The key to enjoying yourself at Comic-Con — especially when you're dealing
with the extremely crowded, stressful conditions that you often find in
San Diego — is to always keep your head. Photo by Jim Hill
My only concern would be the crowds. Are there really 130,000 people in town right now trying to attend San Diego Comic-Con? If so, that sounds kind of nuts. How do you deal with crowds of that size for four days in a row?
Dear Katie Q.
I'm not going to lie to you. It's crowded here at Comic-Con. Here's what the hallway outside of Ballroom 20 looked like on Thursday afternoon …
Photo by Jim Hill
… and here's what the exterior queue for Hall H looked liked at 9 o'clock this morning.
Photo by Jim Hill
Now please keep in mind that the three thousand or so people that you see in the photo above standing under all those white tents (which Comic-Con International had deliberately set up as shade structure to provide some cover from the often-brutal Southern California sun) weren't the only people trying to get into Hall H yesterday. That line actually extended out behind the San Diego Convention Center …
Photo by Jim Hill
… and then ended (I'm thinking) somewhere outside of Anaheim. Just to the south of where the long lines for Disneyland begin.
So why would any sane person put up with conditions like this? Because — in spite of the crowds — San Diego Comic-Con is still a place of wonders. A place where you're going to hear & see things that you'll never see anywhere else on the planet. Case in Point: Yesterday's celebration of the 25th anniversary of "Who Framed Roger Rabbit." Which was held in Room 6BCF from 5:45 – 6:45 p.m.
Now this is a film that I've seen dozens of the times since it initially premiered in theaters back in June of 1988. I've listened to the commentary tracks on both the Blu-ray & the DVD versions of this Robert Zemeckis film. And over the past 20-plus years, I've interviewed / talked with dozens of people who were actually involved with the production of this Touchstone Pictures / Amblin Entertainment co-production. Which is why I thought I already knew everything that there was to know about "Roger Rabbit."
(L to R) "Roger Rabbit" producer Don Hahn, voice of Roger Rabbit
Charles Fleischer, special effects wizards Dave Bossert, master
animators Nick Ranieri, James Baxter, Tom Site and Andreas
Deja. Photo by Jim Hill
I was wrong.
Thanks to the absolutely amazing panel that veteran Disney producer Don Hahn put together for yesterday's "Roger Rabbit" 25th anniversary celebration, I heard some behind-the-scenes stories (which — given that stand-up veteran Charles Fleischer, the official voice of Roger Rabbit, would often disrupt & commandeer the proceedings — sometimes came straight from the rabbit's mouth) that I had never ever heard before. I saw images of things (like Fleischer conferring with Zemeckis onset while wearing his Roger Rabbit costume) …
Copyright Disney Enterprises, Inc. All rights reserved
… that I'd never, ever seen before / that I'd only heard whispers about. For someone like me (who makes his living by collecting info about various Walt Disney Company projects), a presentation like that was manna from heaven. Totally worth what I had to do in order to guarantee that I actually had a seat inside of Room 6BCF when these proceedings actually began. Which was show up two hours ahead of line. Get on line for the panel that was being presented in Room 6BCF BEFORE the "Roger Rabbit" 25th anniversary presentation (which was a panel about that TNT television series, "Falling Skies," hosted by Will Wheaton). Once I actually got inside of that room, I sat through the "Falling Skies" presentation (which — to be fair — was pretty entertaining & informative). And once that presentation was over and most of the "Falling Skies" fans had cleared the room, I then moved to the front of the room and snagged a great seat down front for "Roger Rabbit."
Which — I know — sounds like an awful lot of time & work. But navigating the crowded hallways at the convention center (and the equally crowded streets of downtown) is actually easier than you might think, Katie Q. You just have to have the right vehicle.
Photo by Jim Hill
No, not that one. That's a photo opp that Warner Bros. has set up out in front of the Hilton Bayfront as part of their Lawn Con.
Photo by Jim Hill
And no, not that one either. That's a full-sized, tri-masted schooner that Starz has anchored in the harbor out behind the San Diego Convention Center as a way to help promote their new television series, "Black Sails."
Photo by Jim Hill
No, I was referring to the many pedicabs that you'll see whizzing around the city. Many of which have been rethemed especially for Comic-Con. Take — for example — the Archer-themed one pictured above which is promoting FX's raunchy-but-still-wildly funny animated series. Or — better yet (for all you "Once Upon a Time" fans out there) …
Photo by Jim Hill
… this quartet of pedicabs which take their inspiration from that popular ABC series. The folks who put together these rolling promotions for "Once Upon a Time" really went all out. Take — for example — the two Captain Hook-inspired pedicabs …
Photo by Jim Hill
… which feature crocodile-shaped armrests …
Photo by Jim Hill
… as well as a giant decorative hook tacked onto the back of each vehicle.
Photo by Jim Hill
Or — better yet — how about the pedicab that's modeled after the Evil Queen's coach?
Photo by Jim Hill
This one is actually pedaled by a person who's dressed like a member of Regina's royal guard.
Photo by Jim Hill
But if I had to pick a favorite among these ABC-sponsored pedicabs, hands down, I'd have to say that it was the "Alice in Wonderland" -inspired vehicle …
Photo by Jim Hill
Just to be clear here, this particular pedicab is actually promoting that soon-to-be-launching "Once Upon a Time" spin-off, "Once Upon a Time in Wonderland" (which — if all goes according to plan — will begin airing on ABC this on Thursday nights starting at 8 p.m. / 7 p.m. Central). And the detailing on this pedicab is completely over-the-top. From that wild sculpture of the Caterpillar & his hookah seated atop this vehicle's mushroom umbrella …
Photo by Jim Hill
… to the nicely detailed props that have been prominently placed in Alice's bicycle basket. (Pay particularly close attention to that genie's lamp nestled next to the "Drink Me" bottle. This prop is going to prove to be very important once "Once Upon a Time in Wonderland" begins airing this Autumn).
Photo by Jim Hill
Mind you, these pedicabs aren't the only "Once Upon a Time" -inspired promotions that you'll find in and around San Diego's Gaslamp Quarter. Take — for example — those building-sized banners which are currently hanging off of the baseball stadium right across the tracks from the convention center.
Photo by Jim Hill
And if you manage to make it out onto the show floor, you'll then discover that ABC has set-up a recreation of the Jolly Roger. Where fans of "Once Upon a Time" are encouraged to queue up so that they can eventually gain access to this landlocked pirate vessel.
Photo by Jim Hill
"And what do people see once they finally enter the hold of the Jolly Roger?," you ask. A bank of flat screens where various characters from "Once Upon a Time" talk about what their life is like now (SLIGHT SPOILER AHEAD. Please look away now if you haven't yet watched the Season Two finale of this acclaimed ABC series) that they've sailed off to Neverland aboard Hook's pirate ship. Then Regina comes forward and reveals that — in her heart vault — there's a buried treasure. Which will prove to be important in Season Three because …
Copyright American Broadcasting Companies. All rights reserved
And speaking of Season Three of "Once Upon a Time" … Edward Kitsis & Adam Horowitz, the co-creators of both "Once Upon a Time" and "Once Upon a Time in Wonderland" are taking over Ballroom 20 this morning. From 10:15 – 11:00 a.m., they'll be presenting the world premiere of their new "Alice in Wonderland" -inspired series. And then from 11 a.m. to 11:45, it's off to Neverland! As Kitsis & Horowitz are joined onstage by "Once Upon a Time" cast members like Ginnifer Goodwin & Jennifer Morrison to talk about how Season Three is shaping up.
Of course, given that thousands of Comic-Con attendees are obviously going to start lining up early for those two panels in Ballroom 20 hours in advance, I'd suggest getting to the San Diego Convention Center as early as possible. And one of the very best ways to get around this city while Comic-Con is in session is by taking the trolley …
Photo by Jim Hill
… which (surprise, surprise) is currently skinned so that it then promotes yet another soon-to-begin-airing ABC television series, "Marvel's Agents of S.H.I.E.L.D."
Of course, if I had my druthers, I'd arrive at tomorrow's "Once Upon a Time" panel in style by rolling up to the San Diego Convention Center inside of one of these babies.
Photo by Jim Hill
Believe it or not, there are two Oscar Mayer Wienermobiles — the Bunderstruck and the Autobuhn — currently driving through this city right now that are in direct competition with one another. And if you'd like to learn more about this competition (and perhaps persuade the nice people at Oscar Mayer to send you your very own wiener whistle …
Photo by Jim Hill
… I'd suggest you visit the WienermobileRun.com website for more information.
Anyway … That's how this weenie has been handling the crowds (so far, anyway) at this year's edition of Comic Con, Katie Q. And speaking of crowds, it's once again time to head back into that very crowded convention center …
Photo by Jim Hill
… to see if it's still possible to snag a seat inside of Ballroom 20 for today's back-to-back "Once Upon a Time" panels.
Your thoughts?
General
Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District
Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.
Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.
Photo by Jim Hill
Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.
Photo by Jim Hill
Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building
…
Photo by Jim Hill
… and eventually wound up just below Times
Square (right behind where the Waterford Crystal Times Square New
Year's Eve Ball is kept).
Photo by Jim Hill
But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created.
Photo by Jim Hill
And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.
Photo by Jim Hill
Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …
Photo by Jim Hill
… the postman delivering the mail …
Photo by Jim Hill
… the hot dog vendor working at his cart …
Photo by Jim Hill
Photo by Jim Hill
… the street musician playing for tourists …
Photo by Jim Hill
Not to mention the tourists themselves.
Photo by Jim Hill
But right alongside the bronze businessmen …
Photo by Jim Hill
… and the tired grandmother hauling her groceries home …
Photo by Jim Hill
… there were also statues representing people who were
from out-of-town …
Photo by Jim Hill
… or — for that matter — out-of-time.
Photo by Jim Hill
These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.
Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill
Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these
bronzes?"
Mind you, for those of you who aren't big fans of the
impressionists …
Photo by Jim Hill
… there's also an array of American icons. Among them
Marilyn Monroe …
Photo by Jim Hill
… and that farmer couple from Grant Wood's "American
Gothic."
Photo by Jim Hill
But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.
Photo by Jim Hill
By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).
Photo by Jim Hill
By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th.
General
Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues
Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las
Vegas.
Photo by Jim Hill
I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.
Photo by Jim Hill
Take — for example — all of "The Secret Life of
Pets" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
Entertainment production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.
Photo by Jim Hill
Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.
Photo by Jim Hill
And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice" to start trending on Twitter today — brought
the Batmobile to Las Vegas.
Photo by Jim Hill
Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.
Photo by Jim Hill
That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.
Photo by Jim Hill
And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.
Photo by Jim Hill
Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.
Photo by Jim Hill
I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.
Photo by Jim Hill
I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.
Photo by Jim Hill
Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.
Photo by Jim Hill
Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
Pictures will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis —
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."
Photo by Jim Hill
Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with production of Genndy Tartakovsky's
"Popeye" movie. But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.
Photo by Jim Hill
And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.
Photo by Jim Hill
"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.
Photo by Jim Hill
I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.
Photo by Jim Hill
And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.
Photo by Jim Hill
And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."
Photo by Jim Hill
And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."
Photo by Jim Hill
One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.
Photo by Jim Hill
Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.
Your thoughts?
General
It takes more than three circles to craft a Classic version of Mickey Mouse
You know what Mickey Mouse looks like, right? Little guy,
big ears?
Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
Park (especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.
Copyright Disney Enterprises,
Inc.
All rights reserved
Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.
Copyright Disney Enterprises, Inc. All rights
reserved
Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.
Copyright Disney Enterprises,
Inc. All rights reserved
That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.
Take — for example — Disney
California Adventure
Park's "World of Color:
Celebrate!" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.
Copyright Disney Enterprises,
Inc.
All rights reserved
Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity
3.0.
"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "
Copyright Disney Enterprises,
Inc. All rights reserved
"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"
Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.
Copyright Disney
Enterprises, Inc. All rights reserved
"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."
But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity
3.0.
Copyright Disney Enterprises,
Inc. All rights reserved
"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."
And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.
Copyright Disney Enterprises,
Inc. All rights reserved
"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.
Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.
Copyright Disney Enterprises,
Inc. All rights reserved
"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."
So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?
Copyright Lucasfilm / Disney
Enterprises, Inc. All rights reserved
"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."
This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015
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