Theme Parks & Themed Entertainment

Is Brad Bird’s “Tomorrowland” movie about that “UFOs are real” TV show which Walt Disney Productions almost made back in the 1950s?

Published

12 years ago

February 7, 2013

For three weeks now,
photos of a mysterious bankers box have been making the rounds on the Web. Brad
Bird and Damon Lindelof reportedly deliberately put these images out there to
help whet people’s appetites for “Tomorrowland,” the sci-fi -themed
project that these two wrote which is based on a concept that Lindelof and
“Entertainment Weekly” writer Jeff Jensen originally came up with.

“So what’s this motion picture actually supposed to be
about?,” you ask. Well, as Matthew Jackson recounted in his October 2012 article for
Blastr, “Tomorrowland” ‘s origin can be traced back to …

… a 2011 meeting between Lindelof and Disney exec Sean Bailey.
During that meeting, Bailey apparently brought out a box dating back to the
days of WED Enterprises, Walt Disney’s personal development lab that later gave
birth to Disney’s “Imagineers.” The box was originally labeled
“That Darn Cat
,” but had been relabeled “1952.” Inside were
materials related to some long since abandoned Disney project (maybe a movie,
maybe a ride) about aliens.

Earlier this week over on the D23 website, Walt Disney
Archives director Becky Cline took a closer look at that photograph of the
contents of this box which Brad & Damon had put out there. And she then
identified several specific items which I’ve highlighted below:

On the top there are some old photos. The three that I can
see are of Walt with visitors, probably taken here at the studio. The one on
top is in our photo collection and I was able to identify the man with him as
Major Woodlief of the U.S. Army Reserve General Fund. It was taken in September
1943.

There is a blue paperback book in the box.

The magazine that appears along with this curious collection
of documents and objects provides more clues. It is a copy of the science
fiction magazine Amazing Stories from August 1928.

There are two slide boxes in the box, one features the
Technicolor logo; the writing on the other white slide box is indecipherable.

There is a 45 rpm record that appears to be a master disc.
It is probably from the ’40s or early ’50s (these type of records pre-date
magnetic tape recording). It’s definitely not the kind of record that is
pressed and sold to the public. Unfortunately, its handwritten label is too
blurry to decipher.

So let’s review those clues again. We have a picture of Walt
Disney meeting with a senior U.S. military official. We have a blue book. We have a
science fiction magazine entitled “Amazing Stories.” And we have a
mystery box with a “1952” label stuck on its side that’s filled with
photographs & recordings from the late 1940s / early 1950s.

To borrow a phrase that’s heard most every night on
“Wheel of Fortune,” “I’d like to solve the puzzle, Pat.”
Based on the evidence in this photograph as well as info that has previously
leaked out about this Brad Bird / Damon Lindelof project, I believe that
“Tomorrowland” has something to do with Project Blue Book, the program that the U.S. Air Force launched in late 1952 / early 1953 for the investigation of unidentified flying objects.

And to now get really, really specific here, I believe that
this upcoming Walt Disney Pictures release (which is due to hit theaters on
December 19, 2014) uses a behind-the-scenes story that the late Ward
Kimball loved to tell as its jumping-off point. Where — during the mid-1950s
— the U.S.
government supposedly approached Walt Disney and then asked for his help in
producing a TV show that would eventually be used to break the news to the
American public that UFOS are real.

Which — I know — sounds kind of bizarre. But you have to
remember that — back during World War II — Walt Disney Studios made all sorts
of training films for the U.S.
military. And many of these movies made use of classified
material. And given the care & discretion that Disney staffers had shown
while working on these super-secret training films … Well, it would only
stand to reason that — were military officials looking for someone in
Hollywood to help produce a television program of a highly sensitive nature
which would then have to be shot in utter secrecy … Given that the brass at
the Pentagon already had this history / working relationship with Walt, it would only make
sense that they’d reach out to Walt Disney Productions when it came to a
super-secret project like this.

I know, I know. This all sounds rather far fetched. But you
have to understand — when it comes to the really-for-real history of The Walt
Disney Company during the mid-1950s — truth is often stranger than fiction.
Take — for example — the stories that Ward Kimball used to tell about his
interaction with senior military officials while he was working on those
“Man in Space” episodes
for the “Disneyland”
TV series.

FYI: If you’d like to read an exact transcript of this
UFO-related, you can find it in Volume 11
of
“Walt’s People.” Which
is Didier Ghez‘s excellent series of books which has made hundreds of rare
interviews with Disney Legends available to the general public to read.

Anyway … The interview that we’re talking about today was
done by noted animation historian John Canemaker. And as Ward was talking with
John, Kimball recalled the time when he was working with German-American rocket
scientist Wernher von Braun on three space travel-themed episodes of the “Disneyland”
television series. Which — just to re-enforce the connective tissue here
between the way-out story that Ward loved to tell and the film that Brad &
Damon are now making — that trio of episodes (i.e. “Man in Space,”
“Man and the Moon” and “Mars and Beyond”) — were initially
presented to the public under that TV show’s “Tomorrowland” banner.

When “Man in Space” — the first of these
Tomorrowland inspired episodes — aired on ABC back in March of 1955, it racked
up enormous ratings. Over 42 million people tuned in to watch this speculative documentary about how man might
eventually travel into space. In fact, to hear some members of the Eisenhower
administration talk, this particular episode of the “Disneyland”
television show actually played a key role in America’s
decision to finally enter the space race.

Anywho … Getting back now to those ridiculously high ratings that the initial airing of
“Man in Space” racked up. As Kimball
recounted to Canemaker, this …

… did not go unnoticed by Al Meyers and (Edward)
Heinemann, two big shots in Douglas Aircraft, plus George Hoover, who was head
of the office of naval research. (They) came to me and wanted Disney to do a UFO
picture.

Ward Kimball introducing the “Man in Space” episode of the
“Disneyland” TV show. Copyright Disney Enterprises, Inc.
All rights reserved

(These three) all knew that UFOs were for real. They had
proof, they had everything. And I said, “Sure.” I’d been collecting
material on UFOs for years anyway, and I had a cupboard full of stuff there.
Every report and all the books, you name it. I was a student of Charles Fort,
and that was my dream to end the (“Disneyland”
television series of outer space documentaries) with (a fourth film about
UFOs).

Walt sort of went along with it. But we never had any payoff
footage. You’ve got to end up that last ten minutes with some real stuff.

Our disappointment came when we talked to Colonel Miranda
from the Wright-Patterson [Air Force Base]. Bill Bosché (i.e. the writer that
Walt had assigned to work with Ward on these outer space documentaries for the
“Disneyland” television series) never believed in UFOs even though
Clyde Tombaugh, the guy that discovered the planet Pluto, had seen four or five
in Arizona …

The commissary at Walt Disney Studios in the late 1940s / early
1950s. Copyright Disney Enterprises, Inc. All rights reserved

So we’re having lunch with this Colonel Miranda over in the
commissary, and he, at Wright-Patterson, had all the footage shot from fighter
pilots, everything, and most of it classified. He told us what we could have
for our picture and what we couldn’t have.

And so Bosché … He gets a smile on his face and he says,
“What about flying saucers? I don’t suppose you have anything on
that?” (And then Miranda replies by
saying) “Oh, hundreds of feet!” (And) Old Bosché looked like he’d
faint.

(The Colonel continues by saying) “We’ve got all sorts
of film that we can’t show you, it’s secret, and it’s going to remain
classified until we can take one apart and analyze it.”

File photograph from one of Project Blue Book’s public meetings

And he [Bosché] says, “Well, how come?” And that’s
when (Miranda) taught us our lesson, he says, “Look! Everyone would ask
the Air Force, ‘What are these things?’ And if we couldn’t answer that
question, we would be in trouble. We could have a war start. They would accuse
the Russians of doing it, they’re ahead of us.” He went through a whole
line of reasons why this couldn’t be divulged.

(Which was endlessly frustrating for Kimball. Especially since
the Colonel then went on to say that)
“We have shots (of UFOS) taken from gun cameras, we have beautiful
footage. We’ve got ’em all shapes and size, port holes, lights … (But) We don’t know what they are yet. Until
we can dissect (one), and give a reasonable explanation without our society
coming unglued, we can’t. It’s going to remain classified.”

Which kind of drove Kimball nuts. Given that Ward had
already done a lot of the research necessary for this proposed fourth outer space
documentary for the “Disneyland” TV
series. As Kimball recalled to
Canemaker:

Do these Egyptian hieroglyphics depict unidentified flying objects?

And I had everything up to the last ten minutes (of that
show) … We had these drawings that people have made (of) the spaceships that had passed for a good
part of a day over the Egyptian army in Egypt in 2000 B.C. They described the
stench and the fumes, the whole thing; it was even done in hieroglyphics. We
wanted to bring that to life (through animation). Great thing, you know.
Pictorially, it (would have been) a wonderful
thing to do.

But without the last 10 minutes of that show, which was to
have featured the Air Force’s footage proving that UFOs were in fact real …
This proposed fourth installment of the outer space documentary series just had
no pay-off.

So what if the contents of this “1952” box that
we’ve all seen around the Web over the past three weeks was all of that
research material which Ward supposedly pulled together for this never-produced
fourth “Man in Space” episode? And what if someone working at Walt
Disney Studios today were to have suddenly come across this stuff? A box full
of slides & recordings which proved that the Company had, back in the 1950s, almost made a television show that would have proven to the American people that
UFOs are real? Wouldn’t that be a great MacGuffin to build a motion picture
around?

“Tomorrowland” writer / producer Damon Lindelof

There’s only one problem with this theory. Given the numerous questions that Damon
Lindelof had been getting about the mysterious contents of this
“1952” box and what they all might possibly mean, he took to Twitter
back on January 28th to say:

[Brad and I] won’t tell you what [our movie is] about (yet),
but we will tell you what it’s NOT about. And that would be ALIENS.
#Tomorrowland

Of course, if “Tomorrowland” does in fact touch on
the history of Project Blue Book (i.e. that investigative group which
the U.S. Air Force set up in early 1953 after UFOs had repeatedly been seen in the night sky over Washington DC during the Summer of 1952), wouldn’t it stand to reason that — were Damon looking
to throw would-be cinema sleuths off the scent here — Lindelof would then channel his inner Air Force
Officer and, in the spirit of Project Blue Book, insist that
“Tomorrowland” had absolutely nothing to do with aliens?

Cover of an actual Project Blue Book report

That said, to give Damon some plausible deniability to this
scenario, please note that — in his posting on Twitter — Lindelof said that
“Tomorrowland” is not about ALIENS. At no time does Damon say that
this December 2014 Walt Disney Pictures release isn’t investigating the
possible existence of unidentified flying objects.

Okay. That’s a fine distinction to make. But it is worth
noting.

It’s also worth noting here that — right after he graduated
from the California Institute of the Arts — Brad Bird’s very first job in
animation was at Walt Disney Studios. Where Brad worked (albeit briefly) on
WDAS’s 1981 release, “The Fox and the Hound
.”

Brad Bird behind the camera onset for “Mission: Impossible — Ghost
Protocol.” Copyright 2011 Paramount Pictures. All rights reserved

And given what Walt Disney Productions was like back during
those pre-Michael Eisner days (i.e. a smallish movie studio whose best years
really seemed to be behind it. A sleepy collection of 1940s-era administrative
buildings & soundstages hidden behind high walls in the quiet corner of
Burbank) … It’s not all hard to imagine that a young Brad Bird might have spent
a lot of his free time wandering the halls of Walt Disney Animation Studios.
Maybe opening a few closets and coming across a couple of bankers boxes just like the one that he & Damon Tweeted pictures
of back in late January.

More to the point, Brad did actually know Ward. In the
foreword that Bird wrote for Amid Amidi’s yet-to-be-released biography of
Kimball, “Full Steam Ahead: The Life and Art of Ward Kimball” (Chronicle
Books, Summer 2013), he mentions that …

Over the years I saw Kimball at various events and talked to
him many times …

So who knows? Maybe Ward himself told Brad about Disney’s
never-produced “UFOs are real” television show? And maybe Bird then
shared this story with Lindelof?

Either way, given the specific items that Walt Disney
Archives director Becky Cline spotted in that bankers box as well as that Sean
Bailey / long lost WED box story that Matthew Jackson shared with Blastr readers back in October of last year,
I’m thinking that — at this point — the evidence at hand strongly suggests that this
soon-to-begin-shooting George Clooney movie is going to be using this seemingly
forgotten, fantastic piece of Walt Disney Company history as the jumping-off
point for a brand-new sci-fi adventure.

Of course, your mileage may vary. But what do you folks
think? Have I properly interpreted the clues that Damon & Brad have placed
before us? Or do you have a theory of your own what “1952 /
Tomorrowland” might be about?

Your thoughts?

Theme Parks & Themed Entertainment

Disney and Macy’s 90-Year Thanksgiving Day Parade Partnership: From Mickey’s First Balloon to Minnie’s Big Debut

Published

4 weeks ago

November 15, 2024

Jim Hill

Now, folks, if you’re like me, Thanksgiving just wouldn’t be the same without a coffee, a cozy seat, and Macy’s Thanksgiving Day Parade on the TV. And if you’re really like me, you’re watching for one thing: Disney balloons floating down 34th Street. Ever wondered how Mickey, Donald, and soon Minnie Mouse found their way into this beloved New York tradition? Well, grab your popcorn because we’re diving into nearly 90 years of Disney’s partnership with Macy’s.

The Very First Parade and the Early Days of Balloons

The Macy’s Thanksgiving Day Parade goes way back to 1924, but if you can believe it, balloons weren’t part of the festivities until 1927. That first lineup included Felix the Cat, a dragon, and a toy soldier, all towering above the crowds. Back then, Macy’s had a pretty wild idea to end the parade: they would let the balloons drift off into the sky, free as birds. But this wasn’t just Macy’s feeling generous. Each balloon had a message attached, offering a $100 reward (about $1,800 in today’s dollars) for anyone who returned it to the flagship store on 34th Street.

And here’s where it gets interesting. This tradition carried on for a few years, right up until 1932, when Felix the Cat almost took down a plane flying over New York City! Imagine that—you’re flying into LaGuardia, and suddenly, there’s a 60-foot balloon drifting toward your wing. Needless to say, that was the end of Macy’s “fly away” stunt, and from then on, the balloons have stayed firmly grounded after the parade ends.

1934: Mickey Mouse Floats In, and Disney Joins the Parade

It was 1934 when Mickey Mouse finally made his grand debut in the Macy’s parade. Rumor has it Walt Disney himself collaborated with Macy’s on the design, and by today’s standards, that first Mickey balloon was a bit of a rough cut. This early Mickey had a hotdog-shaped body, and those oversized ears gave him a slightly lopsided look. But no one seemed to mind. Mickey was there, larger than life, floating down the streets of New York, and the crowd loved him.

Mickey wasn’t alone that year. He was joined by Pluto, Horace Horsecollar, and even the Big Bad Wolf and Practical Pig from The Three Little Pigs, making it a full Disney lineup for the first time. Back then, Disney wasn’t yet the entertainment powerhouse we know today, so for Walt, getting these characters in the parade meant making a deal. Macy’s required its star logo to be featured on each Disney balloon—a small concession that set the stage for Disney’s long-standing presence in the parade.

Donald Duck in Macy's Thanksgiving Day Parade – Donaldism

Duck Joins and Towers Over Mickey

A year later, in 1935, Macy’s introduced Donald Duck to the lineup, and here’s where things got interesting. Mickey may have been the first Disney character to float through the parade, but Donald made a huge splash—literally. His balloon was an enormous 60 feet tall and 65 feet long, towering over Mickey’s 40-foot frame. Donald quickly became a fan favorite, appearing in the lineup for several years before being retired.

Fast-forward a few decades, and Donald was back for a special appearance in 1984 to celebrate his 50th birthday. Macy’s dug the balloon out of storage, re-inflated it, and sent Donald down 34th Street once again, bringing a bit of nostalgia to the holiday crowd.

A Somber Parade in 2001

Now, one of my most memorable trips to the parade was in 2001, just weeks after the 9/11 attacks. Nancy and I, along with our friends, headed down to New York, and the mood was something I’ll never forget. We watched the start of the parade from Central Park West, but before that, we went to the Museum of Natural History the night before to see the balloons being inflated. They were covered in massive cargo nets, with sandbags holding them down. It’s surreal to see these enormous balloons anchored down before they’re set free.

That year, security was intense, with police lining the streets, and then-Mayor Rudy Giuliani rode on the Big Apple float to roaring applause. People cheered his name, waving and shouting as he passed. It felt like the entire city had turned out to show their resilience. Even amidst all the heightened security and tension, seeing those balloons—brought a bit of joy back to the city.

Balloon Prep: From New Jersey’s MetLife Stadium to California’s D23 Expo

Each year before the parade, Macy’s holds a rehearsal event known as Balloon Fest at MetLife Stadium in New Jersey. This is where handlers get their first crack at guiding the balloons, practicing with their parade masters, and learning the ropes—literally. It’s an entire production unto itself, with dozens of people rehearsing to make sure these enormous inflatables glide smoothly down the streets of New York on parade day.

In 2015, Macy’s took the balloon show on the road, bringing their Buzz Lightyear balloon out to California for the D23 Expo. I was lucky enough to be there, and watching Buzz get inflated piece by piece in the Anaheim Convention Center parking lot was something to behold. Each section was filled with helium in stages, and when they got around to Buzz’s lower half, well, there were more than a few gas-related jokes from the crowd.

These balloons seem to have a personality all their own, and seeing one like Buzz come to life up close—even outside of New York—had all the excitement and anticipation of the real deal.

Mickey’s Comeback as a Bandleader and Sailor Mickey

After a long hiatus, Mickey Mouse made his return to the Macy’s parade in 2000, this time sporting a new bandleader outfit. Nine years later, in 2009, Sailor Mickey joined the lineup, promoting Disney Cruise Line with a nautical twist. Over the past two decades, Disney has continued to enchant parade-goers with characters like Buzz Lightyear in 2008 and Olaf from Frozen in 2017. These balloons keep Disney’s iconic characters front and center, drawing in both longtime fans and new viewers.

But ever wonder what happens to the balloons after they reach the end of 34th Street? They don’t just disappear. Each balloon is carefully deflated, rolled up like a massive piece of laundry, and packed into storage bins. From there, they’re carted back through the Lincoln Tunnel to Macy’s Parade Studio in New Jersey, where they await their next flight.

Macy’s Disney Celebration at Hollywood Studios

In 1992, Macy’s took the spirit of the parade down to Disney-MGM Studios in Orlando. After that year’s parade, several balloons—including Santa Goofy, Kermit the Frog, and Betty Boop—were transported to Hollywood Studios, re-inflated, and anchored along New York Street as part of a holiday display. Visitors could walk through this “Macy’s New York Christmas” setup and see the balloons up close, right in the middle of the park. While this display only ran for one season, it paved the way for the Osborne Family Spectacle of Dancing Lights, which became a holiday staple at the park for years to come.

Minnie Mouse’s Long-Awaited Debut in 2024

This year, Minnie Mouse will finally join the parade, making her long-overdue debut. Macy’s is rolling out the red carpet for Minnie’s arrival with special pop-up shops across the country, where fans can find exclusive Minnie ears, blown-glass ornaments, T-shirts, and more to celebrate her first appearance in the Thanksgiving Day Parade.

For those lucky enough to catch the parade this year, you’ll see Minnie take her first float down 34th Street, decked out in her iconic red bow and polka-dot dress. Macy’s and Disney are also unveiling a new Disney Cruise Line float honoring all eight ships, including the latest, the Disney Treasure.

As always, I’ll be watching from my favorite chair, coffee in hand, as Minnie makes her grand entrance. The 98th annual Macy’s Thanksgiving Day Parade airs live on NBC, and it’s a tradition you won’t want to miss—whether you’re on 34th Street or tuning in from home.

Theme Parks & Themed Entertainment

Disney’s Forgotten Halloween Event: The Original Little Monsters on Main Street

Published

3 months ago

September 22, 2024

Jim Hill

When most Disney fans think of Halloween in the parks, they immediately picture Mickey’s Not-So-Scary Halloween Party at Walt Disney World or the Oogie Boogie Bash at Disneyland Resort. But before those events took over as the must-attend spooky celebrations, there was a little-known event at Disneyland called Little Monsters on Main Street. And its origins? Well, they go all the way back to the 1980s, during a time when America was gripped by fear—the Satanic Panic.

You see, back in the mid-1980s, parents were terrified that Halloween had become dangerous. Urban legends about drug-laced candy or razor blades hidden in apples were widespread, and many parents felt they couldn’t let their kids out of sight for even a moment. Halloween, which was once a carefree evening of trick-or-treating in the neighborhood, had suddenly become a night filled with anxiety.

This is where Disneyland’s Little Monsters on Main Street came in.

The Origins of Little Monsters on Main Street

Back in 1989, the Disneyland Community Action Team—later known as the VoluntEARS—decided to create a safe, nostalgic Halloween experience for Cast Members and their families. Many schools in the Anaheim area were struggling to provide basic school supplies to students, and the VoluntEARS saw an opportunity to combine a safe Halloween with a charitable cause. Thus, Little Monsters on Main Street was born.

This event was not open to the general public. Only Disneyland Cast Members could purchase tickets, which were initially priced at just $5 each. Cast Members could bring their kids—but only as many as were listed as dependents with HR. And even then, the park put a cap on attendance: the first event was limited to just 1,000 children.

A Unique Halloween Experience

Little Monsters on Main Street wasn’t just another Halloween party. It was designed to give kids a safe, fun environment to enjoy trick-or-treating, much like the good old days. On Halloween night in 1989, kids in costume wandered through Disneyland with their pillowcases, visiting 20 different trick-or-treat stations. They also had the chance to ride a few of their favorite Fantasyland attractions, all after the park had closed to the general public.

The event was run entirely by the VoluntEARS—about 200 of them—who built and set up all the trick-or-treat stations themselves. They arrived at Disneyland before the park closed and, as soon as the last guest exited, they began setting up stations across Main Street, Adventureland, Frontierland, Fantasyland, and Tomorrowland. The event ran from 7:30 to 9:30 p.m., and by the time the last pillowcase-wielding kid left, the VoluntEARS cleaned everything up, making sure the park was ready for the next day’s operations.

It wasn’t just candy and rides, though. The event featured unique entertainment, like a Masquerade Parade down Main Street, U.S.A., where kids could show off their costumes. And get this—Disneyland even rigged up a Cast Member dressed as a witch to fly from the top of the Matterhorn to Frontierland on the same wire that Tinker Bell uses during the fireworks. Talk about a magical Halloween experience!

The Haunted Mansion “Tip-Toe” Tour

Perhaps one of the most memorable parts of Little Monsters on Main Street was the special “tip-toe tour” of the Haunted Mansion. Now, Disneyland’s Haunted Mansion can be a pretty scary attraction for younger kids, so during this event, Disney left the doors to the Stretching Room and Portrait Gallery wide open. This allowed kids to walk through and peek at the Haunted Mansion’s spooky interiors without actually having to board the Doom Buggies. For those brave enough to ride, they could, of course, take the full trip through the Haunted Mansion—or they could take the “chicken exit” and leave, no harm done.

Growing Success and a Bigger Event

Thanks to the event’s early success, Little Monsters on Main Street grew in size. By 1991, the attendance cap had been raised to 2,000 kids, and Disneyland added more activities like magic shows and hayrides. They also extended the event’s hours, allowing kids to enjoy the festivities until 10:30 p.m.

In 2002, the event moved over to Disney California Adventure, where it could accommodate even more kids—up to 5,000 in its later years. The name was also shortened to just Little Monsters, since it was no longer held on Main Street. This safe, family-friendly Halloween event continued for several more years, with the last mention of Little Monsters appearing in the Disneyland employee newsletter in 2008. Though some Cast Members recall the event continuing until 2012, it eventually made way for Disney’s more public-facing Halloween events.

From Little Monsters to Mickey’s Not-So-Scary and Oogie Boogie Bash

Starting in the early 2000s, Disney began realizing the potential of Halloween-themed after-hours events for the general public. These early versions of Mickey’s Halloween Party and Mickey’s Halloween Treat eventually evolved into today’s Mickey’s Not-So-Scary Halloween Party and Oogie Boogie Bash. Unfortunately, this also marked the end of the intimate, Cast Member-exclusive Little Monsters event, but it paved the way for the large-scale Halloween celebrations we know and love today.

While it’s bittersweet to see Little Monsters on Main Street fade into Disney history, its legacy lives on through these modern Halloween parties. And even though Cast Members now receive discounted tickets to Mickey’s Not-So-Scary and Oogie Boogie Bash, the special charm of an event created specifically for Disney’s employees and their families remains something worth remembering.

**The Merch: A Piece of Little Monsters History**

For Disney collectors, the exclusive merchandise created for Little Monsters on Main Street is still out there. You can find pins, name tags, and themed pillowcases on sites like eBay. One of the coolest collectibles is a 1997 cloisonné pin set featuring Huey, Dewey, and Louie dressed as characters from Hercules. Other sets paid tribute to the Main Street Electrical Parade and Pocahontas, while the pillowcases were uniquely designed for each year of the event.

While Little Monsters on Main Street may be gone, it’s a fascinating piece of Disneyland history that played a huge role in shaping the Halloween celebrations we enjoy at Disney parks today.

Want to hear more behind-the-scenes stories like this? Be sure to check out I Want That Too, where Lauren and I dive deep into the history behind Disney’s most beloved attractions, events, and of course, merchandise!

Theme Parks & Themed Entertainment

The Story of Mickey’s Not-So-Scary Halloween Party: From One Night to a Halloween Family Tradition

Published

3 months ago

September 7, 2024

Jim Hill

The spooky season is already in full swing at Disney parks on both coasts. On August 9th, the first of 38 Mickey’s Not-So-Scary Halloween Party (MNSSHP) nights for 2024 kicked off at Florida’s Magic Kingdom. Meanwhile, over at Disney California Adventure, the Oogie Boogie Bash began on August 23rd and is completely sold out across its 27 dates this year.

Looking back, it’s incredible to think about how these Halloween-themed events have grown. But for Disney, the idea of charging guests for Halloween fun wasn’t always a given. In fact, when the very first Mickey’s Not-So-Scary Halloween Party debuted on October 31, 1995, it was a modest one-night-only affair. Compare that to the near month-long festivities we see today, and it’s clear that Disney’s approach to Halloween has evolved considerably.

A Not-So-Scary Beginning

I was fortunate enough to attend that very first MNSSHP back in 1995, along with my then 18-month-old daughter Alice and her mom, Michelle. Tickets were a mere $16.95 (I know, can you imagine?), and we pushed Alice around in her sturdy Emmaljunga stroller—Swedish-built and about the size of a small car. Cast Members, charmed by her cuteness, absolutely loaded us up with candy. By the end of the night, we had about 30 pounds of fun-sized candy bars, making that push up to the monorail a bit more challenging.

Mickey’s Halloween Treat 1996 – Photo: Disney

This Halloween event was Disney’s response to the growing popularity of Universal Studios Florida’s own Halloween hard ticket event, which started in 1991 as “Fright Nights” before being rebranded as “Halloween Horror Nights” the following year. Universal’s gamble on a horror-themed experience helped salvage what had been a shaky opening for their park, and by 1993, Halloween Horror Nights was a seven-night event, with ticket prices climbing as high as $35. Universal had stumbled upon a goldmine, and Disney took notice.

A Different Approach

Now, here’s where Disney’s unique strategy comes into play. While Universal embraced the gory, scare-filled world of horror, Disney knew that wasn’t their brand. Instead of competing directly with blood and jump-scares, Disney leaned into what they did best: creating magical, family-friendly experiences.

Thus, Mickey’s Not-So-Scary Halloween Party was born. The focus was on fun and whimsy, not fear. Families could bring their small children without worrying about them being terrified by a chainsaw-wielding maniac around the next corner. This event wasn’t just a Halloween party—it was an extension of the Disney magic that guests had come to expect from the parks.

Disney had some experience with seasonal after-hours events, most notably Mickey’s Very Merry Christmas Party, which had started in 1983. But the Halloween party was different, as the Magic Kingdom wasn’t yet decked out in Halloween decor the way it is today. Disney had to create a spooky (but not too spooky) atmosphere using temporary props, fog machines, and, of course, lots of candy.

A key addition to that first event? The debut of the Headless Horseman, who made his eerie appearance in Liberty Square, riding a massive black Percheron. It wasn’t as elaborate as the Boo-to-You Parade we see today, but it marked the beginning of a beloved Disney Halloween tradition.

A Modest Start but a Big Future

That first MNSSHP in 1995 was seen as a trial run. As Disney World spokesman Greg Albrecht told the Orlando Sentinel, “If it’s successful, we’ll do it again.” And while attendance was sparse that night, there was clearly potential. By 1997, the event expanded to two nights, and by 1999, Mickey’s Not-So-Scary Halloween Party had grown into a multi-night celebration with a full-fledged parade. Today, in 2024, it’s a staple of the fall season at Walt Disney World, offering 38 nights of trick-or-treating, character meet-and-greets, and special entertainment.

Universal’s Influence

It’s interesting to reflect on how Disney’s Halloween event might never have existed without the competition from Universal. Just as “The Wizarding World of Harry Potter” forced Disney to step up their game with “Star Wars: Galaxy’s Edge,” Universal’s success with Halloween Horror Nights likely spurred Disney into action with MNSSHP. The friendly rivalry between the two parks has continually pushed both to offer more to their guests, and we’re all better off because of it.

So the next time you find yourself trick-or-treating through the Magic Kingdom, watching the Headless Horseman gallop by, or marveling at the seasonal fireworks, take a moment to appreciate how this delightful tradition came to be—all thanks to a little competition and Disney’s commitment to creating not-so-scary magic.

For more Disney history and behind-the-scenes stories, check out the latest episodes of the I Want That Too podcast on the Jim Hill Media network.