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Theme Parks & Themed Entertainment

Maybe they should rename the park “Not-so-Great Adventure”

JHM columnist Seth Kubersky returns from his annual sojourn to New Jersey with an extremely caustic — but still really funny — article about his recent visit to Six Flags Great Adventure.



If you live anywhere in the New York/New Jersey/Philadelphia area, you’ve probably seen the ads.

“New this season at Six Flags Great Adventure: Superman – Ultimate Flight.” Soar through the air like the Man of Steel, suspended lying on your belly with your arms stretched out in front of you. Hurry hurry hurry! Step right up! Fun for the whole family. How can any rollercoaster fan resist the opportunity to fly the way God (or Siegel & Schuster) intended?

Growing up in Jersey, I had a love-hate relationship with Six Flags. Apart from infrequent family vacations to Orlando, Hershey, or Lake George, it was my first exposure to amusement parks. I remember having the spit scared out of me in the Haunted Mansion only weeks before the tragic 1984 fire that killed 8 guests. I struggled in vain to read a G-force meter while plummeting down the Freefall ride during a physics class school trip. And the Great American Scream Machine was my introduction to looping coasters.

But as I got older, and visited more parks around the country, I realized just how awful a park Great Adventure was. The filth and decay of the facility was often shocking. Major rides were frequently torn down after only a couple years of operation, usually for safety or maintenance issues. Years before our current post-9/11 obsession with security, metal detectors were installed to deal with rampant gang violence. Only last month, a train full of rides made headlines when they were trapped for 20 minutes hanging upside down on the Chiller coaster.

At a certain point I vowed never to return. My last visit was shortly after the opening of Viper, a Togo heartline coaster built in the same spot as the long-defunct Ultra Twister heartline. But the lure of Superman was just too great. As a dedicated observer of all things amusement, I considered it my sacred duty to try this latest-and-greatest for myself. So, while spending a couple weeks vacation at the folks’ place in North Jersey, I hopped in the car and made the hour (or hour and a half — thank you very much, NJDOT construction) drive down the Turnpike to Jackson. A quiet Tuesday at the end of the season. Slightly overcast but dry and warm — the perfect day for visit. Or so one would think…

Approaching the Six Flags complex, you are given the choice of entering the Hurricane Harbor water park, the drive-thru Safari (“Warning: Monkeys WILL damage your vehicle. No convertibles allowed.) or the theme park. After paying $10 (seriously!) to enter the theme park parking lot, I got my first clue as to how the day would proceed: no parking attendants. Not a single one, for a lot nearly the size of any at Disney. It was a free-for-all, with cars parking the wrong direction and small children nearly being run down. To top it off, there are no row or space numbers, just a few poles marked A though H scattered around the enormous lot.

I joined the throng streaming towards the main entrance, and received my second clue: massive lines stretching out from the ticket booths. With no queue stanchions or greeters to be seen, the lines more closely resembled an angry mob. My only bit of good luck was to find a line that was half as long as most of the others, and a family with “Buy 1, get 1 free” tickets and an odd number of people. Twenty minutes and a quick frisking from security later, I had my $24 half-price ticket and was in the park.

My first stop was Guest Relations. I could tell immediately by the crowds at the entrance that my plans to visit on a low-attendance day had failed miserably. I had read on their user-unfriendly website about their new Fastlane system. Introduced in 2001, and revamped for this season, it takes Disney’s Fastpass to another level. Unfortunately, the level it takes it to seems to be the bottom level of Dante’s Inferno.

For an initial $20 plus deposit (plus another $10 for each additional member of your party, up to 6 people) you receive a “Q-Bot.” This is a pager-like device with a couple of buttons and a small LCD text display. At 12 of the most popular rides in park, you insert your Q-Bot into a kiosk and receive a time to return for your ride. You can go around the park and load up reservations for each of the 12 rides, unlike the one-at-a-time system at Disney. When the reservation time for your first attraction arrives, you return and place your Q-Bot in another kiosk. After fighting your way up the ride exit (since none of the queues were designed to accommodate this system) you are allowed to ride after a brief wait. Fifteen minutes after you exit the ride, your Q-Bot with give you the time and location of your next ride.

But wait, there’s more! For double the price of a regular Q-Bot, you can get a Gold Q-Bot. This will cut your wait time even shorter than a normal Q-Bot. How much shorter? Who knows. They claim between 50% and 75% less waiting for your return time, but your mileage may vary. Oh, and these prices only apply for regular ticket holders. There’s an entirely different price structure for Season Passholders.

By the time the Guest Service rep explained all this to me, my head was spinning. The multi-level caste system they’ve devised would make a Brahmin blush. Disney’s Fastpass, controversial as it is, is downright egalitarian in comparison. First come, first serve, one pass at a time, and it’s included in the price no matter what kind of ticket you have.

This Q-Bot seems closer to the Destination Disney plans for a complete pre-planned itinerary. I must admit my inner geek was intrigued by the idea of a new toy to play with. And isn’t this what American capitalism is all about? Those with cash and the willingness to spend it should be privileged above those without. Maybe the future is an eBay-sponsored auction at the front of each attraction, with the high bidders escorted to the front and those who don’t make the minimum reserve kicked out of the park.

The other option, buried deep on the website and not advertised publicly in the park, is a VIP pass. For $50 per person (plus refundable deposit) you get a badge allowing you unlimited back-door access to every ride and attraction in the park. You are allowed past everyone waiting, including Q-Bot users, and can even request the front row. The pass is only supposed to be good for 4 hours. However, the times on the pass are printed in military time, which none of the ride attendants seem to understand, so I was able to get nearly six hours of use from it.

With the VIP pass, my total cost just over $75 (not counting food), but I would have to say I wouldn’t visit the park any other way. The standard lines for the coasters ranged from 45 minutes to over 2 hours, and even the most minor rides had 20 minute waits. In the course of my day, I discover just what kind of bullet I dodged by declining the Q-Bot. For starters, the line to get a Q-Bot runs between one and two hours. The queue to get one stretches for hundreds of people, all filling out paperwork and handing over deposits in case they lose the $180 devices, with only 4 attendants to move the line along. Perhaps they need a Fastlane for getting your Fastlane.

Second, I encountered scores of people who had technical difficulties with their Q-Bot. The most common complaint was that the Q-Bot didn’t recognize that they had completed their ride, and failed to give them a new reservation. Other times, the Q-Bot would tell the person to go to a ride they had already been on, or give a time window that had already passed.

Even when the Q-Bots work correctly, the nature of the system makes for long gaps between reservation times. Even if you load up reservations for all 12 rides immediately upon entering the park, you are not added to the virtual queue for a ride until you have completed the previous ride. Therefore, it’s not uncommon to get off a ride and discover that your next ride time isn’t for several hours. Finally, the multi-level system can make for bizarre reservations. I talked to one woman who made her first reservation around noon, and didn’t get her first return time until nearly 7pm.

At the end of the day, when I returned to Guest Services to get my deposit back, I discovered a long line full of irate people. Half the line was composed of people who didn’t get a Q-Bot and only got to ride 2 or 3 rides all day. They were incensed that just because they didn’t pay extra they didn’t get to experience many rides, and they wanted their money back. The other half of the line was composed of people who DID get a Q-Bot and only got to ride 2 or 3 rides all day. They were incensed that even though they paid extra they didn’t get to experience many rides, and they wanted their money back. One woman became apoplectic, screaming bloody murder at the guest service rep as her husband and small children watched. I got out just as security came to drag her away. It was, perhaps, the best show of the day.

My cynical conclusion is that the Fastlane system is a deliberate red herring. The real problem with Six Flags is the massive inefficiency of the ride employees. For example, Superman is designed to move 1500 guests per hour. The attendants I spoke with said the most they have ever moved through is just over 1300 in an hour, and they usually move less. To have a major ride on a peak day running at barely 80% capacity is a crime. Most of the other coasters are even worse, frequently running 2 trains on rides designed for 3, and leaving many empty seats on each cycle. The Fastlane and VIP guests exacerbate the capacity issue, but they don’t cause it. What the Fastlane system allows park management to do is deflect the anger of irate guests towards a secondary target, while failing to address the fundamental issue. It’s easier to rearrange the deck chairs on the Titanic by fiddling with Q-Bots than to invest in more efficient training and loading procedures.

So, one hour and $75 after arriving, I was finally ready for my first ride of the day. Before I address specific attractions, let me share some general observations about the park.

1) Great Adventure is set on an enormous lakefront property, nestled in a beautiful forest of mature trees. Bush Gardens took a similar setting in Williamsburg, VA and turned it into one of the most beautiful parks in the world. Six Flags managed to turn their slice of nature into a painful eyesore. The park has the aesthetic appeal of a mall parking lot. In theory there a 6 themed areas, but the only thing that distinguishes one section for another is a change in paint color — ugly brown, ugly green, faded white, etc.

Compounding the problem is the terrible condition of the park. There appears to be no maintenance budgeted for the park. Everywhere is chipped paint, broken railings, and burnt light bulbs. Trash overflows without a sweeper in sight. Service vehicles are parked in full view of guests, and employee costumes are often dirty or mismatched. Even attractions that are only a couple of seasons old look rusty and neglected. Those critics who nitpick Disneyland over every fleck of paint would have their heads explode if they ever visited this place.

2) If you don’t like thrill rides, go away. This isn’t a theme park, or a family park. It’s a coaster park. There are 8 major coasters, a couple state-fair quality spin-and-puke rides, and a handful of kiddie rides. With the exception of a couple of log flumes and a Ferris wheel, there’s next to nothing for the whole family to enjoy together.

3) If you are a fan of live entertainment, go to Broadway. In years past, Six Flags staged some enjoyable stunt shows based on popular movies, such as Batman and Robin Hood. Now, the stunt stadium sits vacant. Entertainment today consists of a kid’s character show and parade, a brief acrobat show, a water-ski show, and a dolphin “discovery.” There is also a fireworks display on peak nights that I didn’t get to see.

The ski and dolphin shows both feature enthusiastic but unpolished performers slogging through poorly-scripted routines as obnoxious music is pumped out of blown speakers. The water skiers landed about four tricks out of five, and the cramped pools the dolphins call home were shocking to this SeaWorld veteran. Subtleties of pace, timing, and theme are completely absent. And shows started as much as 10 minutes after the posted time, a particular pet peeve of mine.

4) Someone needs to teach Six Flags how to leverage their characters. Due to their licensing agreement with Warner Bros., they have access to some of the most recognizable properties outside of Disney. Bugs Bunny and the Looney Tunes are better-known to today’s kids than Mickey, according to surveys. Add to that the DC comic book heroes, and you have the makings of a fine stable of walk-around characters. But at Six Flags opportunities for character meet and greets are shockingly sparse. Bugs and a hand full of his friends make 5 daily appearances at a single location, in addition to the brief character show in the kiddie section. The guide maps claims more characters can be found at the Character Café, but I couldn’t find them. There are no walk-around superheroes to be found at all. Wouldn’t it be logical to have a Superman face character posing in front of his hyped new ride? Or Batman in front of his? Warner’s MovieWorld in Australia takes these same characters and treats them right. Check out the special currently running on Discovery HD for stunning views of what Six Flags could be doing.

5) Last, but certainly not least, Six Flags employees are the worst I have encountered anywhere in the country. This park is not a good advertisement for the New Jersey public school system. Part of the problem is the nature of a seasonal park: just as employees figure out what they’re doing, everyone is out of a job for the winter, and a whole new crew is trained the next year. Part of the problem is understaffing: even on a peak day, there were only 2 or at most 3 employees working each ride. Not a single ride had a greeter, and at several coasters one employee was responsible for safety checking the entire train. And part of the problem is a lack of management supervision. In the entire day I saw only 3 people who appeared to be leads.

But the biggest problem is the poor quality of many of the employees themselves. Nearly every employee I personally interacted with was apathetic, impatient, or just plain rude. Some were stunning in their ignorance of park policies, ride procedures, and simple common sense.

For example, at one coaster the attendant kept yelling at guests to exit to the left, and couldn’t figure out why they kept getting out on the wrong side. She never seemed to clue in that her left was the guests’ right. At another ride, when I requested a seat in the front row, I was told I’d have to wait six trains to ride. When I pointed out that they were dispatching trains with empty seats in the front, they simply repeated the six train rule.

After a guest “protein spill,” I watched them close off the affected row and all the rows behind it. They sprayed the one seat with Lysol, but left the rest of the seats untouched. After running the train half-empty for a number of cycles, they reopened all the seats. Perhaps they were attempting to air-dry the train? Bizzaro-world experiences like these were the norm throughout the day. They signaled not just apathy or lack of training, but something more serious like high levels of lead in the drinking water.

All right, enough carping. Let’s get to the rides themselves, starting with the one I made the trip for. Wherever possible, I experienced each coaster at least twice, once from the front row and once from the back.

Superman – Ultimate Flight: Winner of the “We made a great commercial, not a great ride” award. Superman takes a compelling concept and fails to make an interesting ride out of it. The seats resemble a standard inverted coaster, with the addition of full chest and shin restraints. The best moment of the ride comes before you leave the station, as the floor drops and the seats pivot back into a prone position. This never fails to elicit laughter and cheers from the riders. But you soon realize the fatal flaw in the seat design: the restraints and headrest prevent you from looking up or extending your arms. You don’t soar in the classic Superman pose as advertised. Instead, with your knees bent and your chin tucked, you resemble Supes after a Kryponite-laced burrito. If you are seated in the front row (an additional half-hour wait) you can strain your head up for a view of the track. Sit in any other row and you get a view of the ground and the seat in front of you.

The ride track itself also fails to deliver. The first drop takes you into a unique “pretzel loop,” which involves a diving loop. The experience of diving headfirst, then lying on your back facing opposite the direction of travel, is unique and thrilling. It almost saves the ride. But the majority of the ride is spent in simple sweeping turns, leading all too quickly to the second and final inversion, a barrel roll. This leads abruptly to a final break run and the return to the station, making for a short and poorly paced ride.

Total ride time, from the top of the lift hill to the brakes, is under a minute. It’s as if the designers knew the novelty of “flying” would attract riders, so they didn’t bother with the rest of the ride. It’s by no means a terrible ride, but certainly not worth the over 2 hour wait that was the norm during my visit. And all you’ll have to entertain you during that wait is some painted flats of Superman characters and the expanse of the parking lot.

Great American Scream Machine: This is the ride that redefined the word “headbanger.” With seven inversions, it was one of the tallest and fastest coasters in the world when built. A rough ride when it opened, time has made it into one of the world’s most painful coasters. Add in the overly-restrictive harnesses and too-low headrests, and you have a ride that has kept New Jersey’s chiropractors in luxury homes. A ride in the front seat is brutal, while a ride in the back would put the Spanish Inquisition to shame. Coaster junkies are advised to ride once, and have a muscle relaxer and neck brace on hand. And remember to remove your glasses and earrings or you may pierce your jugular.

Rolling Thunder: An oldie but a goodie. This classic racer is everything a wooden coaster should be: Bone-jarring, teeth-loosening, and utterly terrifying. In the back seat, the lap bars allow you so much airtime you’ll fear for your life. It recently received a much-needed paint job, but the cars still rattle and squeak like they’re on their last legs. The only negative is that they only seem to run one track, depriving you of the racing element the designers intended. Two white-knuckled thumbs up.

Medusa: Hands-down, the best coaster in the park. Perhaps the best coaster on the East Coast. This is a B&M floorless, meaning you sit in an inverted coaster style chair, but with the track below you. Sitting in the front car is like being tied to the front of a speeding train. This coaster is as powerful as any I’ve been on, and as smooth as glass. The seven inversions are perfectly paced, and the interlocking corkscrews are a thing of beauty. The only coaster I’ve experienced that can give it a run for it’s money is it’s cousin Kraken at SeaWorld Orlando.

Runaway Mine Train: The park’s first steel coaster, it predates Disney’s Big Thunder Mountain. A fun little ride, it features some nice dips over scenic lake setting. A pleasant ride, with a nice little kick if you sit in the back row.

Skull Mountain: Six Flag’s attempt at an indoor themed coaster. An impressive-looking façade leads to a nicely air-conditioned queue. The ride itself is a simple family coaster in pitch darkness. Or, rather, it would be pitch darkness if the maintenance doors didn’t leak light, exposing the beams. Not worth a long wait, it does give some nice airtime in the back row.

Nitro: Second best coaster in the park. This 230-foot mega-coaster feature 7 intense drops. The lift hill just seems to go up and up forever. The design of the lapbars prevent you from getting as much air as I would like, but it is still an intense experience. The front row provides the best view, but not nearly the G-forces or air of the back. On my second ride, a guest in the front lost a pack of cigarettes, which my seatmate snatched out the air — an impressive feat!

Batman The Ride: The classic inverted coaster, cloned at Six Flags across the country, still packs a punch. It features the park’s most successful attempt at queue theming, though most of the garbage and grafitti is now authentic rather than scenic. The Batcave now looks much the worse for wear. Perhaps millionare Bruce Wayne was invested heavily in Enron. But the ride itself is just as thrilling as ever. Though not the tallest or fastest coaster, it is one of the tightest and best-paced. One perfectly engineered element leads right into the next, leaving you breathless by the end. The third-best coaster in the park, not to be missed.

Batman and Robin – The Chiller: A linear induction shuttle coaster, it sends you through a series of inversions forward and then backwards. The launch is the best part, on par with Rock N Roller Coaster, though not as thrilling as Hulk. The two tracks are similar, though not identical, but only one side was running. [Editor’s note: The earlier note about the coaster being closed due to an accident that stranded several guests was incorrect. The “Batman” side has been closed all season. It was the “Robin” side, which is now running, which was involved in the incident. We apologize for the error.] The one-train-at-a-time design usually makes the wait longer than it’s worth, and the restraint design is unnecessarily constricting.

Houdini – The Great Escape: This is an odd one, and seems like it belongs in another park. An elaborately themed preshow sets up the story that you are attempting to contact the spirit of the late Harry Houdini. Since Houdini was a famed skeptic and debunker of spiritualists, this seems like an odd theme.But let’s go with it.

The main show is a Vekoma haunted swing, similar to one at Dutch Wonderland and Alton Towers, combined with lighting and sound effects. The illusion that the room is turning upside down is quite effective. A fun way to get out of the heat for a few minutes.

The Right Stuff Mach 1 Adventure: This was the most entertaining experience of the day. Not because of the queue, a barren hanger that still bears the sign from “Dino Island,” the ride it replaced (which itself was a replacement for the original “Right Stuff” ride). And not because of the pre-show, a brief collection of clips from the old “Right Stuff” movie displayed on a bank of monitors with bad burn-in. And certainly not because of the ride itself, a barely-competent simulator that uses frequent edits and shifts of perspective in the ride film, destroying the necessary suspension of disbelief.

No, the most amusing part of the day was watching the ride’s two attendants have a screaming match in front of the guests over whether or not the seatbelts were all fastened. An entire room of guests, captive in their seats, chuckled nervously as these two future employees-of-the-month went at it. Their argument lasted longer than the ride itself, and when it was over they treated us to incongruous booty-rap music as we exited.

That covers the park’s major attractions. By three hours before closing I was more than ready to head home. I left with a sunburn and a much greater appreciation for the benefits of living in Orlando.

But despite the decaying facilities and moronic employees, we need places like Six Flags. Because they are unconcerned with theming, guest experience, or ride longevity, they can experiment with new ride technologies in a way that Disney and Univesral don’t. Clear some land, throw up some iron, and if it doesn’t work just tear it down next year. This lack of care can lead to bad guest experiences, but it can also spur innovation. If not for Freefall, we wouldn’t have Tower of Terror. If not for Batman, there would be no Dueling Dragons. Technologies like linear induction motors are eventually picked up by the big boys and wedded with story and scenic design, after Six Flags patrons have served as guinea pigs.

Imagine a ride combining the multi-dimensional seating of Superman or X, with a linear induction launch system like The Chiller, and large-format projection. Such a combination would be just what Universal or Disney would need to do justice to a property like “The Matrix.” And you can get a glimpse of the future today, if only you’re willing to suffer through the purgatory that is Great Adventure.

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Theme Parks & Themed Entertainment

From Aladdin to Indy – How Did We Get an Indiana Jones Stage Show at Disneyland?



Listen to the Article

Be sure to check out Part One: How Did We Get “Aladdin’s Oasis” at Disneyland?

The Tahitian Terrace – a Polynesian-themed restaurant which had operated in the Adventureland section of Disneyland Park for 30 years – was shut down in the Spring of 1993 to “ … make way for Prince Ali.”

“Aladdin’s Oasis” (the dinner adventure) only operated for 14 months. This show closed in August of 1994.

“Aladdin’s Oasis – The Restaurant”

Just to clarify here, though. The “Aladdin’s Oasis” show closed after a brief 14 month run. But because the Park had spent so much money building this new Adventureland restaurant (Remember it had been a rush job – going from concept to throwing open its doors in just 5 months – on Michael Eisner’s expressed orders) … That – in an effort to recover some of that money – “Aladdin’s Oasis” (in 1995) re-opened as just a restaurant in Adventureland that didn’t offer a show. People oohed & aahed at all the exquisite detail inside (the in-laid ceramic tiles in the floor. That 15 foot-tall tiger’s head that sat at the center of the stage at the front of this restaurant. FYI: This served as the Cave of Wonders in the “Aladdin’s Oasis” show).

This Adventureland restaurant was admittedly a beautiful venue. But Disneyland visitors in the mid-1990s weren’t all that adventurous. At least when it came to food. And a restaurant that served Americanized Middle Eastern fare had trouble attracting customers back then. Which is why the only-a-restaurant version of “Aladdin’s Oasis” closed in 1995.

The way theme parks operate financially … Well, Disneyland couldn’t just tear “Aladdin’s Oasis” down and start anew. They’d spent far too much money building the thing. Strictly for tax purposes, this big chunk of Adventureland real estate now had to just sit there, empty as it depreciated.

“Storytime with Aladdin & Jasmine”

Disneyland would periodically try & find other uses for this space. For a time, there was a “Storytime with Aladdin & Jasmine” show staged inside of this now vacant restaurant. Two Cast Members dressed as Aladdin & Jasmine would first tell the story of the “Aladdin” movie. Then – as this show’s finale – the Cave of Wonders would suddenly come roaring to life. And – in a puff of smoke – the Genie would magically appear by leaping out of this giant stone tiger’s open mouth. And then … Well, it was time for the Guests to line-up and get their picture taken with these three characters from “Aladdin.” Maybe grab an autograph or two.

But “Storytime with Aladdin & Jasmine” was only presented at the Park on a seasonal basis. Only during those times of year that Disneyland was busiest. For the most part, this Adventureland eatery stood empty for the better part of a decade. Until word came from Lucasfilm in 2007 that they were about to begin production of a new “Indiana Jones” film.

Indiana Jones Back in Theaters and Promotion at Disneyland

Given that the previous “Indiana Jones” film (i.e., the third in the series, “Last Crusade”) had come out back in May of 1989 … To finally be getting a new “Indy” film after 18 years was a very big deal.

FYI: The gap between the release of the fourth film in the series (i.e, 2008’s “Kingdom of the Crystal Skull” and “Indy” film No. 5 (i.e., 2023’s “Dial of Destiny”) is almost as long. 15 years & change.

Given that Disneyland obviously had its “Indiana Jones Adventureland” attraction (which opened in March of 1995) … Well, they saw the upcoming release of “Indiana Jones and the Kingdom of the Crystal Skull” as a synergistic opportunity. So Disney reached out to Lucasfilm and proposed a bit of cross promotion that would involve Disneyland Park.

Just to be clear here: This was back in late 2007 / early 2008. The Walt Disney Company’s acquisition of Lucasfilm wouldn’t happen ‘til October of 2012. That’s more than 4 years off in the future.

Translation: It was Lucasfilm – with the highly anticipated movie that Disney now wanted to capitalize on —  that had all of the power in this situation. NOT the Mouse. Keep that in mind as we move ahead with our story here.

“Indiana Jones and the Secret of the Stone Tiger” – Disneyland Show

Anyway … In March of 2008, Disneyland announces that it will be holding auditions for a new show that will soon be presented in the Adventureland section of that theme park. They’re looking for performers with stage combat experience to fill the following roles:

  • Indiana Jones: Male, 40’s; a rugged adventurer, great physical shape; can play drama, toss off comic lines and throw a punch all with equal ability; must interact well with children.
  • An archaeologist: Female, late 20’searly 40’s; English accent; starts out kind and helpful but eventually reveals a villainous side; will interact with children and lead them through a series of activities.
  • The Bad Guy: Male; imposing stature; physical agility and stamina a must; pursues Indiana Jones through the crowded streets of Adventureland, ending in a series of balcony and rooftop confrontations.

This supposedly kid-friendly attraction – which goes by the name “Indiana Jones and the Secret of the Stone Tiger” – is supposed to be alive-action adventure that will be staged several times a day all over Adventureland. The idea here is that – over the Summer of 2008 (coming right on the heels of the theatrical release of “Indiana Jones and the Kingdom of the Crystal Skull.”  In fact, this new show at Disneyland would begin presenting performances at that Park on the very same day “Indiana Jones 4” was released to theaters. Which – again – was May 22, 2008) – Disneyland Guests could join Doctor Jones and solve mysteries, battle evil villains and uncover ancient mysteries.


On paper, this three month-long cross promotion (which – because it was only going to held at Disneyland over that theme park’s Summer months – went by the title of “Indiana Jones Summer of Hidden Mysteries”) was a great idea. In their heart of hearts, the Entertainment team at Disneyland Park was hoping that the centerpiece of this three month-long seasonal event (That would be the “Indiana Jones and the Secret of the Stone Tiger” show. Which we’ll get to in a moment) would be such an enormous success that they’d then be able to turn this kid-friendly show into a permanent attraction at Disneyland Park.

Indiana Jones Themed “Jedi Training Academy”

Let me explain what was really going on here: Disneyland’s Entertainment team was hoping that they’d be able to turn the “Indiana Jones and the Secret of the Stone Tiger” show (which – given its title – was obviously going to be staged inside of the now-empty “Aladdin’s Oasis” with that 15-foot-tall version of the Cave of Wonders serving as the centerpiece of this show) into another “Jedi Training Academy” -like show.

Just so you know: The “Jedi Training Academy” started out as a kid-friendly offering at the very first “Star Wars Weekend” at Disney-MGM in February of 1997. This show was so hugely popular with the under-10 crowd that it was eventually pulled out of this seasonal event at the Parks and turned into an audience-participation experience that was then offered multiple times at Disney’s Hollywood Studios as well as out in Anaheim at Disneyland Park.

Anyway … That was the template that Disneyland’s Entertainment team was using. The Jedi Training Academy. So what they were shooting for here was a 15-minute-long audience participation experience themed around the adventures of Indiana Jones that could then be presented inside of the old “Aladdin’s Oasis” restaurant.

Again, a great idea on paper. But harder to pull off in the real world then you might think.

“The Secret of the Stone Tiger” Stage Show Premise

Why? Okay. The villain in the “Indiana Jones and the Kingdom of the Crystal Skull” was Irina Spalko, a Soviet scientist played by Cate Blanchett.

So to keep some sort of continuity between the “Kingdom of the Crystal Skull” movie and “The Secret of the Stone Tiger” stage show, it was decided that the villain of this kid-friendly audience participation show at Disneyland Park would also be a female.

Okay. So this 15-minute-long show would start out with a Doctor Rachel Flannery standing in front of the Cave of Wonders inside of the old “Aladdin’s Oasis” restaurant. Only – according to Rachel – these supposedly long-abandoned ruins were now the Bengalese temple of Sherdil, the tiger-god.

As Dr. Flannery explains, Indiana Jones had recently rediscovered this temple and gone inside. Indy was supposedly searching for the Golden Rod of Sherdil, an ancient object which is rumored to have great mystical power. But it had now been days since anyone had last seen Doctor Jones.

Anyway … Rachel recruits the help of the kids in the audience. And by using various clues scattered around “Aladdin’s Oasis,” they figure out how to re-open the now-sealed temple of Sherdil. Whereupon Indiana Jones comes stumbling out of the Stone Tiger’s mouth clutching the Golden Rod of Sherdil.

As Indy is thanking the kids in the audience for getting him out of that sealed ancient temple, he puts down the Golden Rod of Sherdil. Dr. Flannery now picks it up and seemingly suddenly gets possessed by the demonic spirit of Kartikeya, the Hindu God of War.

Just a quick reminder here: “Indiana Jones and the Secret of the Stone Tiger” is supposed to be a kid-friendly audience participation show for the under 10 set.

Indy now realizes that Doctor Flannery is holding the Golden Rod of Sherdil and is possessed by Kartikeya, the Hindu God of War. He first tries to wrestle this ancient artifacts out of her hands, but Rachel (because she’s possessed by the Hindu God of War) is super-powerful. She punches Indy a few times, so he punches her back.


Stage Show Complaints

It was at this point that the mothers of Orange County got upset. That’s a man beating up a woman in a show at Disneyland. To which the Entertainment team at that theme park said “Actually, no. That’s Indiana Jones battling with an fellow archaeologist who’s just been possessed by Kartikeya, the super-powerful Hindu God of War. Indy’s battling with a female character, just like he does in ‘Kingdom of the Crystal Skull.’ Which just opened at a theater near you.”

That explanation didn’t matter. The mothers of Orange County were outraged. They marched en masse to Disneyland’s Guest Relations Department to lodge their complaints. Which is why – just days after the “Indiana Jones and the Secret of the Stone Tiger” show opened at that theme park, in an interview with the Orange County Register – Disneyland’s PR team announced that “Secret of the Stone Tiger” would now be altered. Indiana Jones would no longer throw direct punches at the woman character (Doctor Flannery) in this supposedly kid-friendly show, he would simply dodge.

And speaking of dodging … What also upset the mothers of Orange County (as well as a significant number of Disneyland Guests) was … Well, in the agreement that Disney had cut with Lucasfilm to have the Indiana Jones character appear at that theme park during “The Summer of Hidden Mysteries,” the Cast Member playing Indy was not allowed to meet with park guests in your typical meet-and-greet format. This meant that no one came away with a photo of or an autograph from their favorite archaeologist.

This meant that a lot of little kids walked away from the “Indiana Jones and the Secret of the Stone Tiger” show in tears. Not because Indy beat up the lady. But because Dr. Jones wouldn’t sign their autograph book.

Irony here: Remember that scene in “The Last Crusade” where Indy accidentally bumps into Adolph Hitler at a book-burning rally. And the Fuhrer then signs Doctor Henry Jones, Str’s grail diary.

So sure. Adolph Hitler gives autographs. But not Indiana Jones.

Fate of “The Secret of the Stone Tiger” and “Aladdin’s Oasis” – Disneyland “Tropical Hideaway”

This is why the “Indiana Jones and the Secret of the Stone Tiger” show didn’t become the next Jedi Training Academy. By the Fall of 2008, the only Indy-related things that was left in Adventureland was the “Temple of the Forbidden Eye.”

More to the point, this is why – some ten years later (after “Aladdin’s Oasis” had experienced enough depreciation that it could now be taken off of Disneyland’s books) – this long-empty Adventureland venue was torn down in early 2018 and then turned into the “Tropical Hideaway.” Which soft-opened in December of that same year.

Kind of appropriate that this new Adventureland eatery soft-opened. Because they serve several different types of Dole Whip here. Along with Bao Buns & Sticky Pork.

Full circle. Kind of back to what the Tahitian Terrace offered.

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Theme Parks & Themed Entertainment

How Did We Get “Aladdin’s Oasis” at Disneyland?



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Disneyland had what it thought was a solid expansion plan for the early 1990s.

  • “Fantasmic!” – this theme park’s new nighttime show – would open in May of 1992.
  • Then – in January of 1993 – Mickey’s Toontown (Disneyland’s first new “land” in over 20 years) would open just seven months later at the very back of the Park.
  • A year after that (January of 1994), Roger Rabbit’s Car Toon Spin would throw open its doors
  • And then – 15 months after that (May of 1995) – the Indiana Jones Adventure come online at this theme park.

This plan meant that – for four years – Disneyland Park would have something new to help drive up attendance levels. Which – given that the Happiest Place on Earth relied heavily on the annual visits of millions of Southern Californian locals in order to meet its annual attendance goals – seemed like a great idea. So budgets were approved, schedules were set. Mouse House managers seemed happy.

But then Disney’s “Aladdin” opened in theaters on November 25, 1992.

Success of Disney’s Animated Film “Aladdin”

This hand-drawn animated feature quickly became the highest grossing film of the year. This Ron Clements / John Musker movie also became the very first full-length animated feature to sell over a half a billion worth of tickets worldwide.

More to the point, “Aladdin” turned out to be an attendance driver at Disney-MGM Studio theme park in Florida. When the “Aladdin’s Royal Caravan” parade debuted at that theme park on December 21, 1992 (some four weeks after this film had first bowed in theaters), people lined up along Hollywood Boulevard hours in advance to claim a great viewing spot for this twice-daily presentation.

Likewise the Soundstage Restaurant at that theme park was doing turn-away business for its “Breakfast with Aladdin.” Which did not go unnoticed by the folks back in Burbank.

They turned to the team at Disneyland and said “ … have you seen what’s going on in Orlando with all of the ‘Aladdin’ stuff?” To which Disneyland managers said, “Yes, that’s nice. But have you seen our already scheduled / budgeted expansion plan for the next four years?” To which the folks back in Burbank would say “ … Mr. Eisner really wants to see some stuff in Disneyland that celebrates Aladdin.” To which the people who work in the Team Disney Anaheim building said “Yes, sir. Right away, sir.”

“Aladdin’s Royal Caravan” Parade

The first thing they did was order up a clone of Disney-MGM’s “Aladdin’s Royal Caravan” parade. Even with a rush order, this 5 unit parade (which was supported by a cast of nearly 100 performers) didn’t begin rolling through Disneyland Park ‘til April 2, 1993. Nearly six months after this animated feature first arrived in theaters.

Credit: Flickr

Interesting side note here: Because the parade route at Disneyland is so much longer than the one that runs through Disney-MGM, the Entertainment team in Anaheim decided to expand the cast of their version of the “Aladdin’s Royal Caravan” parade. It featured three new sets of characters:

  • peacock girls
  • silk maidens
  • and harem camels.

Trust me on this, people. You do NOT want to Google “Harem Camels.” This walk-around characters from the “Aladdin’s Royal Caravan” parade will haunt your dreams.

Dining with Aladdin – Transforming Disneyland’s Tahitian Terrace

Which brings us to the food component of today’s story. Because Disneyland really wanted its own “Aladdin” -themed restaurant that would then do the same sort of turn-away business that Disney-MGM’s Soundstage Restaurant was doing with its super-popular “Breakfast with Aladdin” offering.

On a parallel track, the folks who ran the Tahitian Terrace at Disneyland Park (which had first opened back in 1962 and – I’m now quoting from the flyer that they used to hand Guests as they came through the turnstiles at the front of the Park – served “ … unique Polynesian specialties served in an exotic setting bordering the Rivers of the Jungle Cruise”) realized that this Walt-era restaurant really needed some TLC.

By that I mean: The waterfall curtain (This was one of the defining features of this Adventureland eatery. As Guests dined on teriyaki steak and Australian lobster tail, this waterfall curtain would suddenly part. And then performers would come out and spin fire torches or pull people up onstage & teach them to hula) was looking kind of raggedy. And the Park’s Maintenance Team had a sit-down with the Imagineers about how …

“While You’re Fixing the Jungle Cruise, can you….?”

Well, given that the Jungle Cruise was scheduled to undergo a reinvention the following year (The idea was that all of the boats in this Adventureland attaction’s fleet would then lose their signature red & white awnings and then become far grubbier, more beat-up looking. So that Disneyland’s Jungle Cruise and the soon-to-open “Temple of the Forbidden Eye” would then appear to be telling one consistent, cohesive story), the folks in charge of the Tahitian Terrace were like “ … Hey, you’re making all of those changes to the Jungle Cruise next year. While that work is going on, can we please get some guys come by and fix the waterfall curtain at our restaurant? Cause it’s looking kind of raggedy.”

To which the Imagineers replied “We’ve got an even better idea. We’re now going to gut the Tahitian Terrace and turn it into ‘Aladdin’s Oasis.’ Which will feature animatronics & elaborate special effects that happen right at the dining table in front of the Guests and a big cast of performers. And … “

To which the folks in charge of the Tahitian Terrace said “ … We just need the waterfall curtain repaired.”

How Long Did it Take to Build “Aladdin’s Oasis”?

It didn’t matter. After nearly 30 years in operation (and 40,000 performances of the show which was offered with dinner at this Adventureland eatery), Disneyland’s Tahitian Terrace closed on April 17, 1993. Only to then re-opened just three months later as Aladdin’s Oasis.

To say that this was a rush job was putting in mildly. I got to talk with some of the folks who worked construction on this project. They talked about how – on the usual Disneyland restaurant redo – there was typically  a full year between when a concept was first developed and when the finished eatery then opened its doors. In the case of “Aladdin’s Oasis,” from the moment where people in Burbank initially suggested this idea to when this new Adventureland restaurant then opened was five months.

Things were moving so fast on this project … Well, they initially didn’t have any finished blueprints on site. So – to get a sense of what an Aladdin-themed restaurant might look like – one of the construction foreman went down to Main Street and purchased a copy of John Culhane’s “Disney’s Aladdin: The Making of an Animated Film” with his own money. The construction team then regularly consulted Culhane’s book when it was crafting props right there onsite.

Credit: D23

“Aladdin’s Oasis” Shows and Presentation

The plan here was that “Aladdin’s Oasis” would present eight shows a day starting at 11 a.m. (Three lunch-time performances and then five dinner-time presentations). With the final show getting underway at 10 p.m. every night.

As for the old Tahitian Terrace space with its waterfall curtain, it had been reimagined as this grand Persian Palace which has been built right at the edge of the Rivers that Disneyland’s Jungle Cruise plies. “Aladdin’s Oasis” is – for lack of a better term – a sixth century supper club. 250 people at a time would be seated & then greeted by Kazim, the owner of this now-ornate establishment. Which was now festooned with hanging brass lanterns, colorful canopies and Oriental carpets.

As Guests eyeball the menu (trying to decide if – for their entrée – they’re going to have the chicken shish kabob served with a herb yogurt sauce, the beef shish kabob with ride, or the vegetarian offering), Aladdin suddenly runs into this restaurant clutching a loaf of bread. He’s then pursued by Jafar’s henchmen. And – as these performers race up & down the aisles of this café – they then sing the “One Jump” song for the “Aladdin” film.

That moment pretty much established the style & tone of the show presented in “Aladdin’s Oasis.” It’s not a beat-for-beat recreation of the storyline of that animated feature. But – rather – kind of a greatest hits. With the idea that – whenever possible – the storyline of this sixth century supper club show would then circle back to a food-based moment.

Take – for example – when “Friend Like Me” was performed in this Adventureland eatery. Before this song got underway, Guests were encouraged to rub the magic lamp which was right in the center of their table. It would then begin to smoke. And as the song began, servers would then come out and deliver dessert. Which was a chocolate lamp filled with chocolate mousse and a berry topping.

And did I mention the Audio-Animatronic version of Iago (which Gilbert Gottfried recorded all sorts of new dialogue for?) Or how Jafar actually performed magic tricks onstage, with he & an assistant jamming swords into the top & the sides of a box that Princess Jasmine was supposedly hiding in? Or the ”Three Wishes,” which was this scantily clad trio of girls who belly-danced and often sang back-up for Aladdin & Kazim.

There’s a number of videos of the “Aladdin’s Oasis” show up on YouTube right now. So it’s easy for you to go see how elaborate & ambitious this Disneyland supper club experience once was. What’s not easy to understand is why – even though “Aladdin” was a hit movie (and would then go on – in September of 1993 – to sell millions of VHSs) – why this Adventureland eatery then closed its doors in the late Summer of 1994 (Just 14 months after it first opened).

Was “Aladdin’s Oasis” Successful?

To be blunt, everything at a Disney theme park is considered its own profit center. It has to make a certain regular return-on-investment in order to justify the ongoing cost of staffing the place. And that just wasn’t the case with “Aladdin’s Oasis.”

As it was explained to me … This Disneyland project had been so rushed (in order to make Michael Eisner happy. He reportedly insisted that “Aladdin’s Oasis” had to be up & running at Disneyland Park before the VHS version of “Aladdin” became available for purchase in September of 1993) and the Company has spent so much money getting this sixth century supper club up out of the ground … Well, the only way this place could ever recover its construction costs was if every single seat at all eight seatings every day were filled. And especially during Disneyland’s off-season (when fewer people went to the Park each day. Especially mid-week), that just wasn’t possible.

Disneyland did what it could to boost advance reservations at “Aladdin’s Oasis.” For a time, if you booked a dinner package at this Adventureland eatery, you not only got a reserved viewing spot for the “Aladdin’s Royal Caravan” parade, you also got a prime viewing spot for “Fantasmic!” thrown in for free too.

After “Aladdin’s Oasis”

A few months after the very last presentation of the “Aladdin’s Royal Caravan” parade rolled through Disneyland in June of 1994, “Aladdin’s Oasis” shut its doors over in Adventureland. For a time, the Park’s Entertainment team would use this space for a storytime meet-n-greet experience with Aladdin, Jasmine and the Genie.

More recently, this space along the Rivers that make up Disneyland’s Jungle Cruise was gutted so that the Tropical Hideaway could then be built. This quick service restaurant opened in Adventureland back in December of 2018. Its primary appeal is that you can get a variety of flavors of Dole Whip here, plus Polynesian themed nibblies.

More Supper Club Experiences

Just so you know: The failure of “Aladdin’s Oasis” back in 1993 & 1994 exacted a price. The Imagineers had two other supper club experiences in the works back then. One that was supposed to be built at Disney’s Boardwalk and was supposed to have been Little Mermaid-themed, and another that was supposed to have been built inside of Disney-MGM as part of that theme park’s Sunset Boulevard expansion. That one was supposed to have replicated the South Seas Club from Disney’s June 1991 release, “The Rocketeer.”

Did any of you get to experience “Aladdin’s Oasis” in person? What do you remember of this short-lived dining experience at Disneyland?

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Theme Parks & Themed Entertainment

Get Your Hands Dirty with Disney-MGM Studios “Star of the Day” Program



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Not so long ago, we got a query from a “Disney Dish” listener about some of those concrete slabs that Guests can see over at the Theater of the Stars at Disney’s Hollywood Studios. These are the ones that feature the handprints, footprints & signatures of various celebrities. I believe the two slabs that we specifically asked about were the ones for Monty Hall & Bob Denver.

These were done back when Disney-MGM (Now Disney’s Hollywood Studios) used to have a “Star of the Day” program. Which …

Well, to tell this story properly, we really have to go back to when the original Grauman’s Chinese Theater (the building that the Chinese Theater – now home to “Mickey & Minnie’s Runaway Railway” – was modeled after).

Celebrity Handprints in Concrete – Grauman’s Chinese Theater Tradition

This ornate structure was built on the really-for-real Hollywood Boulevard back in the mid-1920s.

Mind you, this massive structure – which originally had seating for 2,200 people inside of one giant theater (but has since been subdivided into six smaller theaters. Which only have seating for 932 people now) – took 18 months to build. And as the story goes, Sid Grauman – the guy who originally funded the construction of Grauman’s Chinese Theater – was taking movie star Norma Talmadge on a tour of this still-under-construction massive movie palace (which cost $2 million to build. A huge sum back in the day).

Anyway … Norma isn’t really watching where she’s walking. And as she’s touring this still-active construction site, Talmadge accidentally steps in some wet cement. Sid – who was already a master showman – looked at Norma’s footprints in that wet cement and immediately saw a promotional opportunity. He leaned over and – right next to Talmadge’s footprints – used his finger to quickly scribble Norma’s name and the date.

And thus a Hollywood tradition was born. Getting your footprints and/or handprints cast in cement so that they could then be displayed in the forecourt of the Chinese Theater. Back in the day, you weren’t really considered a star in Tinsel Town until Sid extended an invitation to you to come on down and do the whole step-in-wet-cement thing with the whole Hollywood press corps looking on. Not to mention all of your adoring fans.

Celebrity Cement Prints at Disney’s Chinese Theater

Okay. So the original Chinese Theater opens in May of 1927. And the clone of this structure that Disney was building in Florida in the late 1980s.

FYI: The Imagineers used the exact same blueprints that Meyer and Holler – an architectural firm that was based in LA – originally drew up for Sid Grauman when they were building a copy of this movie palace to then serve as the central icon [the castle, if you will] of WDW’s third theme park

Well, then-Disney CEO Michael Eisner wanted the forecourt of Florida’s Chinese Theater to be just like the original in Hollywood. Which meant that the Imagineers needed to start collecting celebrities’ signatures in cement ASAP.

The first two modern day stars to be captured in cement for Disney-MGM were TV legend Carol Burnett and Cindy Williams, co-star of 1970s sit-com, “Laverne & Shirley.”

Carol Burnett

Burnett signed her cement block onsite at the still-under-construction Disney-MGM back on June 25, 1988. She was down there then to film “A Conversation with Carol.” Which was one of the very first things to be shot at Disney-MGM. This one-hour-long look back at Burnett’s career was shot inside of the just-completed Soundstage 3. The live audience that attended this taping had to hike across a muddy construction site in order to reach this soundstage. The completed show would then debut on the Disney Channel just two months later and then repeatedly air on that cable channel in the months leading up to the official opening of Disney-MGM.

Cindy Williams

Cindy Williams – on the other hand – did her cement handprint ceremony out in LA on the set of “Save the Dog.” Which was a TV movie that Cindy was shooting for Disney which would eventually air on NBC as part of that network’s “Magical World of Disney” programming block.

Shipping Cement Blocks from California to Walt Disney World

That’s the dirty little secret of the forecourt of the Chinese Theater at Disney-MGM (Now Disney’s Hollywood Studios). Because the Imagineers needed hardened cement blocks with celebrities signatures & handprints & footprints that they could then put into place prior to the official opening of this Studio theme park on May 1, 1989 … A bunch of these were done in advance far away from Florida.

The giveaway is the date. If you see a cement block with a star’s signature that says “1988” (EX: Alan Alda’s block), that was most likely done off-site well ahead of the official opening of this theme park.

Credit: Eric Hersey

Disney-MGM Grand Opening

Mind you, for the actual grand opening of Disney-MGM (a three day-long affair that stretched from April 29th – May 1st), there were celebrities galore on hand. And the Mouse deliberately staged several events in front of the press where multiple stars pressed their hands in wet cements (at the same time, mind you) in front of the cameras.

Among the stars who did this as part of Disney-MGM official grand opening were Bette Midler & Kevin Costner. There were also representatives from Hollywood’s golden age like Mickey Rooney & Ann Miller. Former glamor girls like Lauren Bacall & Audrey Hepburn. Television pioneers like Buffalo Bob of “Howdy Doody” fame, Imogene Coca and Edie Adams. Sitcom stars from the 1960s like Rose Marie & Morey Amsterdam. Not to mention Werner Kempler (Colonel Klink from “Hogan’s Heroes”).

Entertainment legends like Bob Hope & George Burns. Top music stars like Willy Nelson & the Pointer Sisters. Disney Legends by Annette Funicello & Art Linkletter. Not to mention modern day icons like Walter Cronkite, Leonard Nimoy and Dick Van Dyke.

And Disney did their damnedest to capture all of these celebrities’ signatures & handprints & footprints in cement. Which – after they dried & hardened – were then dropped in the forecourt of the Chinese Theater at Disney-MGM.

“Star of the Day” at Disney-MGM

The week that WDW’s third theme park first opened, Disney-MGM then kicked off its “Star of the Day” program. FYI: Annette Funicello officially kicked this program off.

This is the typical schedule that Disney-MGM’s “Star of the Day” program followed (FYI: There were typically two “Stars of the Day” each week at this theme park. One would appear Monday – Thursday. Then the second star would make appearances at Disney-MGM from Friday – Sunday.

Sweet gig. Disney would fly celebrities who’d agreed to part of MGM’s “Star of the Day” program into Orlando. They put these people & their immediate families up at the Grand Flo. Given them free admission to the Parks / assign them a Plaid to make sure that they never waited in line for anything. Comped all of their meals. Their hotel room as well.

All Disney asked in return was three hours of that celebrity’s time each day that they agreed to be a part of MGM’s “Star of the Day” program. They’d be picked up at the Grand Flo each day at Noon and then travel by town car backstage to the Studio theme park. Once there, they’d have a quick hair & make-up session. Then …

Credit: D23

“Star of the Day” Celebrity Schedule

This celebrity’s day in the Park would typically kick off at 1 p.m. with a “Star Conversation” in the Theater of the Star (This was back when that outdoor performance venue was located just off of Hollywood Boulevard next to the Brown Derby), where this performer would then answer questions that Guests in the audience of this show would ask. At 2 p.m., it was then time for this celebrity to then ride up Hollywood Boulevard while seated in an open convertible. They’d then take part in a public handprint ceremony that was staged in front of the Chinese Theater and then pose for some pictures out in front of that building.

By 2:30 p.m., this “Star of the Day” was now off the clock. The Plaid that was assigned to them would now run this celebrity back to the Grand Flo and/or take them to wherever their family was playing on property. Like I said earlier, sweet, sweet gig. Basically a free WDW vacation for you & your family in exchange for three hours of being adored by the theme park-going public. What celebrity would say “No” when offered this gig.


FYI: A lot of folks said “Yes” when offered an opportunity to take part in the “Star of the Day” program when Disney-MGM was still relatively new because they themselves were curious about the Park / wanted to check out the Company’s new state-of-the-art soundstages, etc.

We were just talking about people taking pictures of those celebrities out in front of the Chinese Theater pressing their hand into the cement … If you didn’t bring your camera to Disney-MGM and then couldn’t capture an image of this performer in action … Well, if you wanted an official 5 by 7 black & white image of that “Star of the Day,” all you had to do – when you were leaving Disney-MGM for the day – was swing into Guest Relations. They always had a stack of free pile of official images of that day’s “Star” to then give away to Guests there.

Are There Multiple Concrete Slabs with Celebrity Prints?

Yes, I’ve been told by folks who worked at Disney-MGM during the height of that theme park’s “Star of the Day” program (which was largely discontinued in the mid-1990s once Sunset Boulevard & Twilight Zone Tower Terror opened) that – yes – they’d wind up with multiple slabs of hardened concrete with that celebrity’s signature in them.

If a decision was eventually made to install that celebrity’s slab in the forecourt of the Chinese Theater at Disney-MGM, they’d actually gather those three or four cement slabs that this celebrity had signed over their stint as “Star of the Day” at that theme park and then decide which was the best looking slab with the easiest-to-read signature. Some celebrities have horrible handwriting.

If a celebrity really messed up when doing their slab as part of their public handprint ceremony, that one would then be trashed backstage. If they were all good, the multiples were then carefully catalogued and warehoused.

Credit: Eric Hersey

Concrete Slabs at the “Theater of the Stars”

This brings us to Bob Denver & Monty Hall’s cement slabs (The ones on display in the Theater of the Stars). When the decision was made to relocate this performance venue from the edge of Hollywood Boulevard over to Sunset Boulevard when WDW’s third theme park was being expanded in 1993 & 1994 … The decision was made to place the cement blocks of television legends in that space. Which is when the Imagineers went back into the warehouse, pulled out a number of the signed cement blocks that celebrities had done as part of the “Star of the Day” program that weren’t already on display in the Park and … Well, picked the performers with the strongest name recognition AND the best / clearest handwriting.

Quick note to Mr. Iger: You’ve got a warehouse full of cement blocks with celebrities’ signatures on them. Many of these folks were screen & television legends that are no longer with us. If I were Bob, I’d reach out to Van Eaton and hire them to auction some of those suckers off.

Experiencing the “Star of the Day” Program

I was there for the press opening of Disney-MGM (34+ years ago). Almost got a broken neck from my head constantly whipping around at all the celebrities who were there in the Park for this event. People like Rick Moranis & Jim Varney. Three of the four “Golden Girls” (Betty White, Rue McClanahan & Estelle Getty). Comedy legends like Steve Allen & Tony Randall. Disney Legends like Jimmy McDonald (Got all sorts of stories from him about working with Walt as part of an interview I did with him at the event. Really need to dig out that tape at some point). Likewise Charles Fleisher, the voice of Roger Rabbit (Very funny guy. Kind of crazy, though).

If you want to get a sense of who actually took part in Disney-MGM’s “Star of the Day” program (because not all of those cement blocks with celebrity signatures wound up being displayed in the forecourt of the Chinese Theater or over in the Theater of the Stars off Sunset), go to Mama Melrose. There – in the waiting area of that Muppets Courtyard restaurant – you’ll see dozens of those black & white 5 & 7 images that I was telling about. Those cards that Guest Relations used to give away of the “Stars of the Day.”

This article is based on research for The Disney Dish Podcast “Episode 426”, published on May 8, 2023. The Disney Dish Podcast is part of the Jim Hill Media Podcast Network.

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