General

Monday Mouse Watch: The coming Disney / Pixar corporate culture clash

As the Walt Disney Company gets ready to complete its acquisition of Pixar Animation Studios, Jim Hill wonders: Will this Emeryville-based operation really be able to remain unique? Or will Pixar’s 850 employees eventually find themselves acting just like the 133,000-plus people who now work for the Mouse House do?

Published

18 years ago

March 19, 2006

Jim Hill

How many of you know the story of the Spartans at the mountain pass in Thermopylae?

This is supposedly a true story, folks. One that happened back in 481 BC, when Spartan King Leonidas and his 300-member bodyguard were allegedly able to hold off (at least for a few days) the massive army of Emperor Xerxes of Persia.

“How massive was Xerxes’ army?,” you ask. Well, some versions of this story suggest that the Persian army was just 7,000 strong. While still other histories state that Xerxes had over 200,000 men with him when he arrived at Thermopylae. Only to have that huge force repeatedly repelled by those 300 Spartans.

Which — you have to admit — sounds like a pretty inspiring tale. Frank Miller certainly thought so. Which is why — back in 1999 — he and Lynn Varley took this piece of Greek history and turned it into a graphic novel that vividly retells this story, “300.”

Of course, what’s great about Miller is that he doesn’t shy away from this story’s rather downbeat ending. Where Xerxes and his troops are eventually able to overwhelm King Leonidas and his bodyguards. And every single one of the Spartans who fought so bravely at that mountain pass in Thermopylae … was killed.

So why do I bring up Greek history so early on a Monday morning. Well, allow me to introduce you to John Lasseter and his staff at Pixar Animation Studios. Which currently stand at 850 strong.

And over here we have Bob Iger and the cast members of the Walt Disney Company. Which — at last count — had some 133,000 employees working at various operations worldwide.

Now — were you to listen to some Disney dweebs talk — you’d think that all Lasseter has to do is turn on his magic Luxo Jr. lamp and … POOF! The Walt Disney Company immediately becomes Pixar Jr.

Well, far be it from me to pee in your cornflakes this morning, folks … But that ain’t gonna happen. If anything, it’s Pixar that’s going to have to fight like those Spartans in order to avoid being absorbed by the Mouse House corporate machinery.

I mean, look at the rude awakenings that the folks at Pixar have already received over the past few weeks. Like how quickly their company’s secrets have been dispersed once that info has been handed off to Disney Company employees.

Now the crew up in Emeryville? Those guys are notoriously tight-lipped. I don’t know whether it’s the Roach Motel aspect of that particular animation studio (As in: When’s the last time you heard of an ex-Pixar employee? Never, right? It’s just like that slogan that Black Flag has for its roach traps: Artists, animators and technicians check in. But they don’t check out) or maybe it’s just that they make all of the new members of the Cal Arts Mafia swear a blood oath as soon as they enter the building … But those folks at Pixar can really keep a secret.

Case in point: No one outside of Emeryville knew that Brad Bird was now “supervising” Jan Pinkava‘s “Ratatouille” before John Lasseter himself revealed that info from the stage of Anaheim’s Arrowhead Pond Friday before last.

Or — better yet — how about Pete Docter‘s next movie? Pete has reportedly been working on this project since he finished “Monsters, Inc.” back in the Fall of 2001. The way I hear it, there’s already a team of artists & designers hard at work on Docter’s next film. Which could be released to theaters as early as 2008.

But does anyone outside of Pixar know what the name of Pete’s next project is? Has there been Whisper One about what the plot of that motion picture might be on the Web?

See what I mean?

Now contrast that with Walt Disney Feature Animation. Where — even if you do some half-hearted poking around the Internet — you’d find plenty of information about WDFA’s next few projects. The films that are already in production (I.E. “Meet the Robinsons,” “American Dog” and “Rapunzel“) as well as those literary properties & scripts that the studio has optioned for future development (“The Three Little Pigs” and “Antonius”).

So here you have a corporation that really has trouble keeping secrets that’s acquiring a company that prides itself on being able to keep its cards close to its vest. Can you say “corporate culture clash”? Sure you can.

I’ve heard that WDFA’s new president Ed Catmull was none too pleased to learn that — within an hour of telling WDFA staffers that Ron Clements and John Musker would soon be coming back to Disney to direct a new animated feature — that this particular piece of news was already being blasted around the Net. Meaning that someone in that meeting deliberately leaked that info.

Or — better yet — how about John Lasseter’s discomfiture that virtually every move he made during his initial walk-thru of Disney Feature Animation and Walt Disney Imagineering back on January 25th (I.E. Who he shook hands with. More importantly, who he didn’t talk to) wound up being reported on the Web?

Lasseter? He’s just not used to this kind of attention, folks. Having the financial press as well as all of Disney dweebdom hang on his every word, follow his every move. Which is why John’s now gone into submarine mode (I.E. Silent Running).

This explains how Lasseter was able to let his first two WDFA creative executives go back on Friday, March 10th without that particular piece of news winding up on the Web and/or in the Los Angeles Times. Or how Pixar had hoped to be able to perform a stealth rescue mission on “Meet the Robinsons” second act … Until, of course, JHM broke that story last Thursday.

Of course, you have to understand that much of Pixar’s love of secrets comes from that company’s chairman, Steve Jobs. Jobs was the guy who — upon his return to Apple in 1997 — quickly changed that corporation from being ” … a ship that leaked from the top down” (Translation: Apple execs were notorious for leaking information about that company’s upcoming products as well as airing that corporation’s dirty laundry) to an extremely tight ship. One that rarely if ever leaks a secret anymore.

“How did Jobs do that?,” you query. Well, in an effort to find out who within the company was leaking info to the outside world, Steve deliberately started feeding bogus information to various members of Apple’s management team. But he’d tell a slightly different version of the story to each executive. With the hope that these slight changes in the tale would then make it that much easier to determine which exec was actually doing the leaking.

This technique (devious as it might have been) clearly must have worked. Given that Apple — like Pixar — is now a company that can keep a secret.

Sooo … Given that Steve Jobs will be joining Disney’s Board of Directors sometime later this summer, one wonders if Jobs is going to insist that Walt Disney Feature Animation eventually adopt Pixar’s policy about not talking about future releases. So that WDFA’s upcoming films will then seem that much more surprising when they finally make it out into the multiplexes.

Of course, given that old 850-versus-133,000 problem, one wonders if it’s Pixar that actually going to be the first one to blink here. As in: Be the first of the two companies to make significant changes so that they can then fit together that much better.

I mean, you have to wonder what those poor folks in Pixar’s consumer products division must be thinking right about now. Given that these people were originally hired because — at one time — Jobs envisioned Pixar as going it alone. Which meant that this animation studio was going to need its very own CP people in order to cut deals with toy makers, clothing manufacturers, etc.

Only now … Well, given Disney already has this huge consumer products division … You have to assume that some of those CP people up in Emeryville will soon be looking for work elsewhere. And while we at this, one wonders what other divisions of Pixar will soon be reducing their head count because … Well, Disney already has a guy or gal that does that job.

Mind you, I’m not saying that Disney acquiring Pixar is going to have an impact on the quality of the films that animation studio produces. At least not initially.

Why do I have such a gloomy outlook on Pixar’s future? Well, I can’t help but think — what with John having to spend three days a week down in Burbank & Glendale in order to get Disney’s house in order — that Pixar’s future pics are going to wind up being somewhat neglected. Sort of like what happened in the late 1950s & early 1960s, when Walt was distracted by Disneyland. Which is how WDFA wound up producing beautiful-but-dull motion pictures like “Sleeping Beauty” and/or half-baked animated features like “The Sword in the Stone.”

Of course, I could be wrong. But given how huge the Walt Disney Company is (More importantly, given how tiny Pixar Animation Studios actually is) … I can’t help but think of those 300 Spartans back in Thermopylae. Who initially mounted such a brilliant defense and fought so bravely … Only to eventually be overwhelmed by the sheer numbers of the Persian army.

Sooo … Does the above story all seem like Greek to you? What are your thoughts about the Disney / Pixar acquisition? How do you see the merging of these two entertainment giants playing out?

Your thoughts?

General

Seward Johnson bronzes add a surreal, artistic touch to NYC’s Garment District

Published

9 years ago

June 23, 2015

Jim Hill

Greetings from NYC. Nancy and I drove down from New
Hampshire yesterday because we'll be checking out
Disney Consumer Products' annual Holiday Showcase later today.

Anyway … After checking into our hotel (i.e., The Paul.
Which is located down in NYC's NoMad district), we decided to grab some dinner.
Which is how we wound up at the Melt Shop.

Photo by Jim Hill

Which is this restaurant that only sells grilled cheese sandwiches.
This comfort food was delicious, but kind of on the heavy side.

Photo by Jim Hill

Which is why — given that it was a beautiful summer night
— we'd then try and walk off our meals. We started our stroll down by the Empire
State Building
…

Photo by Jim Hill

… and eventually wound up just below Times
Square (right behind where the Waterford Crystal Times Square New
Year's Eve Ball is kept).

Photo by Jim Hill

But you know what we discovered en route? Right in the heart
of Manhattan's Garment District
along Broadway between 36th and 41st? This incredibly cool series of life-like
and life-sized sculptures that Seward
Johnson has created.

Photo by Jim Hill

And — yes — that is Abraham Lincoln (who seems to have
slipped out of WDW's Hall of Presidents when no one was looking and is now
leading tourists around Times Square). These 18 painted
bronze pieces (which were just installed late this past Sunday night / early
Monday morning) range from the surreal to the all-too-real.

Photo by Jim Hill

Some of these pieces look like typical New Yorkers. Like the
business woman planning out her day …

Photo by Jim Hill

… the postman delivering the mail …

Photo by Jim Hill

… the hot dog vendor working at his cart …

Photo by Jim Hill

… the street musician playing for tourists …

Photo by Jim Hill

Not to mention the tourists themselves.

Photo by Jim Hill

But right alongside the bronze businessmen …

Photo by Jim Hill

… and the tired grandmother hauling her groceries home …

Photo by Jim Hill

… there were also statues representing people who were
from out-of-town …

Photo by Jim Hill

… or — for that matter — out-of-time.

Photo by Jim Hill

These were the Seward Johnson pieces that genuinely beguiled. Famous impressionist paintings brought to life in three dimensions.

Note the out-of-period water bottle that some tourist left
behind. Photo by Jim Hill

Some of them so lifelike that you actually had to pause for
a moment (especially as day gave way to night in the city) and say to yourself
"Is that one of the bronzes? Or just someone pretending to be one of these
bronzes?"

Mind you, for those of you who aren't big fans of the
impressionists …

Photo by Jim Hill

… there's also an array of American icons. Among them
Marilyn Monroe …

Photo by Jim Hill

… and that farmer couple from Grant Wood's "American
Gothic."

Photo by Jim Hill

But for those of you who know your NYC history, it's hard to
beat that piece which recreates Alfred Eisenstaedt's famous photograph of V-J Day in Times Square.

Photo by Jim Hill

By the way, a 25-foot-tall version of this particular Seward
Johnson piece ( which — FYI — is entitled "Embracing Peace") will actually
be placed in Times Square for a few days on or around August 14th to commemorate the 70th
anniversary of Victory Over Japan Day (V-J Day).

Photo by Jim Hill

By the way, if you'd like to check these Seward Johnson bronzes in
person (which — it should be noted — are part of the part of the Garment
District Alliance's new public art offering) — you'd best schedule a trip to
the City sometime over the next three months. For these pieces will only be on
display now through September 15th.

General

Wondering what you should “Boldly Go” see at the movies next year? The 2015 Licensing Expo offers you some clues

Published

9 years ago

June 10, 2015

Jim Hill

Greeting from the 2015 Licensing Expo, which is being held
at the Mandalay Bay
Convention Center in Las
Vegas.

Photo by Jim Hill

I have to admit that I enjoy covering the Licensing Expo.
Mostly becomes it allows bloggers & entertainment writers like myself to
get a peek over the horizon. Scope out some of the major motion pictures &
TV shows that today's vertically integrated entertainment conglomerates
(Remember when these companies used to be called movie studios?) will be
sending our way over the next two years or so.

Photo by Jim Hill

Take — for example — all of "The Secret Life of
Pets" banners that greeted Expo attendees as they made their way to the
show floor today. I actually got to see some footage from this new Illumination
Entertainment production (which will hit theaters on July 8, 2016) the last time I was in Vegas. Which
was for CinemaCon back in April. And the five or so minutes of film that I viewed
suggested that "The Secret Life of Pets" will be a really funny
animated feature.

Photo by Jim Hill

Mind you, Universal Pictures wanted to make sure that Expo
attendees remembered that there was another Illumination Entertainment production
coming-to-a-theater-near-them before "The Secret Life of Pets" (And
that's "Minions," the "Despicable Me" prequel. Which
premieres at the Annecy International Animated Film Festival next week but
won't be screened stateside 'til July 10th of this year). Which is why they had
three minions who were made entirely out of LEGOS loitering out in the lobby.

Photo by Jim Hill

And Warner Bros. — because they wanted "Batman v
Superman: Dawn of Justice" to start trending on Twitter today — brought
the Batmobile to Las Vegas.

Photo by Jim Hill

Not to mention full-sized macquettes of Batman, Superman and
Wonder Woman. Just so conventioneers could then see what these DC superheroes
would actually look like in this eagerly anticipated, March 25, 2016 release.

Photo by Jim Hill

That's the thing that can sometimes be a wee bit frustrating
about the Licensing Expo. It's all about delayed gratification. You'll come
around a corner and see this 100 foot-long ad for "The Peanuts Movie"
and think "Hey, that looks great. I want to see that Blue Sky Studios production
right now." It's only then that you notice the fine print and realize that
"The Peanuts Movie" doesn't actually open in theaters 'til November
6th of this year.

Photo by Jim Hill

And fan of Blue Sky's "Ice Age" film franchise are in for an even
longer wait. Given that the latest installment in that top grossing series
doesn't arrive in theaters 'til July
15, 2016.

Photo by Jim Hill

Of course, if you're one of those people who needs immediate
gratification when it comes to your entertainment, there was stuff like that to
be found at this year's Licensing Expo. Take — for example — how the WWE
booth was actually shaped like a wrestling ring. Which — I'm guessing — meant
that if the executives of World Wrestling Entertainment, Inc. didn't like
the offer that you were making, they were then allowed to toss you out over the
top rope, Royal Rumble-style.

Photo by Jim Hill

I also have to admit that — as a longtime Star Trek fan —
it was cool to see the enormous Starship Enterprise that hung in place over the
CBS booth. Not to mention getting a glimpse of the official Star Trek 50th
Anniversary logo.

Photo by Jim Hill

I was also pleased to see lots of activity in The Jim Henson
Company booth. Which suggests that JHC has actually finally carved out a
post-Muppets identity for itself.

Photo by Jim Hill

Likewise for all of us who were getting a little concerned
about DreamWorks Animation (what with all the layoffs & write-downs &
projects that were put into turnaround or outright cancelled last year), it was
nice to see that booth bustling.

Photo by Jim Hill

Every so often, you'd come across some people who were
promoting a movie that you weren't entirely sure that you actually wanted to
see (EX: "Angry Birds," which Sony Pictures Entertainment / Columbia
Pictures will be releasing to theaters on May 20, 2016). But then you remembered that Clay Kaytis —
who's this hugely talented former Walt Disney Animation Studios animator — is
riding herd on "Angry Birds" with Fergal Reilly. And you'd think
"Well, if Clay's working on 'Angry Birds,' I'm sure this animated feature
will turn out fine."

Photo by Jim Hill

Mind you, there were reminders at this year's Licensing Expo
of great animated features that we're never going to get to see now. I still
can't believe — especially after that brilliant proof-of-concept footage
popped up online last year — that Sony execs decided not to go forward
with production of Genndy Tartakovsky's
"Popeye" movie. But that's the
cruel thing about the entertainment business, folks. It will sometime break
your heart.

Photo by Jim Hill

And make no mistake about this. The Licensing Expo is all
about business. That point was clearly driven home at this year's show when —
as you walked through the doors of the Mandalay
Bay Convention Center
— the first thing that you saw was the Hasbros Booth. Which was this gleaming,
sleek two story-tall affair full of people who were negotiating deals &
signing contracts for all of the would-be summer blockbusters that have already
announced release dates for 2019 & beyond.

Photo by Jim Hill

"But what about The Walt Disney Company?," you
ask. "Weren't they represented on the show floor at this year's Licensing
Expo?" Not really, not. I mean, sure. There were a few companies there hyping
Disney-related products. Take — for example — the Disney Wikkeez people.

Photo by Jim Hill

I'm assuming that some Disney Consumer Products exec is
hoping that Wikkeez will eventually become the new Tsum Tsum. But to be blunt,
these little hard plastic figures don't seem to have the same huggable charm
that those stackable plush do. But I've been wrong before. So let's see what
happens with Disney Wikkeez once they start showing up on the shelves of the
Company's North American retail partners.

Photo by Jim Hill

And speaking of Disney's retail partners … They were
meeting with Mouse House executives behind closed doors one floor down from the
official show floor for this year's Licensing Expo.

Photo by Jim Hill

And the theme for this year's invitation-only Disney shindig? "Timeless
Stories" involving the Disney, Pixar, Marvel & Lucasfilm brands that
would then appeal to "tomorrow's consumer."

Photo by Jim Hill

And just to sort of hammer home the idea that Disney is no
longer the Company which cornered the market when it comes to little girls
(i.e., its Disney Princess and Disney Fairies franchises), check out this
wall-sized Star Wars-related image that DCP put up just outside of one of its
many private meeting rooms. "See?," this carefully crafted photo
screams. "It isn't just little boys who want to wield the Force. Little
girls also want to grow up and be Lords of the Sith."

Photo by Jim Hill

One final, kind-of-ironic note: According to this banner,
Paramount Pictures will be releasing a movie called "Amusement Park"
to theaters sometime in 2017.

Photo by Jim Hill

Well, given all the "Blackfish" -related issues
that have been dogged SeaWorld Parks & Entertainment over the past two years, I'm
just hoping that they'll still be in the amusement park business come 2017.

Your thoughts?

General

It takes more than three circles to craft a Classic version of Mickey Mouse

Published

9 years ago

June 9, 2015

Jim Hill

You know what Mickey Mouse looks like, right? Little guy,
big ears?

Truth be told, Disney's corporate symbol has a lot of
different looks. If Mickey's interacting with Guests at Disneyland
Park (especially this summer, when
the Happiest Place on Earth
is celebrating its 60th anniversary), he looks & dresses like this.

Or when he's appearing in one of those Emmy Award-winning shorts that Disney
Television Animation has produced (EX: "Bronco Busted," which debuts
on the Disney Channel tonight at 8 p.m. ET / PT), Mickey is drawn in a such a
way that he looks hip, cool, edgy & retro all at the same time.

Looking ahead to 2017 now, when Disney Junior rolls out "Mickey and the
Roadster Racers," this brand-new animated series will feature a sportier version
of Disney's corporate symbol. One that Mouse House managers hope will persuade
preschool boys to more fully embrace this now 86 year-old character.

That's what most people don't realize about the Mouse. The
Walt Disney Company deliberately tailors Mickey's look, even his style of
movement, depending on what sort of project / production he's appearing in.

Take — for example — Disney
California Adventure
Park's "World of Color:
Celebrate!" Because Disney's main mouse would be co-hosting this new
nighttime lagoon show with ace emcee Neil Patrick Harris, Eric Goldberg really had
to step up Mickey's game. Which is why this master Disney animator created
several minutes of all-new Mouse animation which then showed that Mickey was
just as skilled a showman as Neil was.

Better yet, let's take a look at what the folks at Avalanche Studios just went
through as they attempted to create a Classic version of Mickey & Minnie.
One that would then allow this popular pair to become part of Disney Infinity
3.0.

"I won't lie to you. We were under a lot of pressure to
get the look of this particular version of Mickey — he's called Red Pants
Mickey around here — just right," said Jeff Bunker, the VP of Art
Development at Avalanche Studios, during a recent phone interview. "When
we brought Sorcerer Mickey into Disney Infinity 1.0 back in January of 2014,
that one was relatively easy because … Well, everyone knows what Mickey Mouse
looked like when he appeared in 'Fantasia.' "

"But this time around, we were being asked to design
THE Mickey & Minnie," Bunker continued. "And given that these Classic
Disney characters have been around in various different forms for the better
part of the last century … Well, which look was the right look?"

Which is why Jeff and his team at Avalanche Studios began watching hours &
hours of Mickey Mouse shorts. As they tried to get a handle on which look would
work best for these characters in Disney Infinity 3.0.

"And we went all the way back to the very start of Mickey's career. We began
with 'Steamboat Willie' and then watched all of those black & white Mickey shorts
that Walt made back in the late 1920s & early 1930s. From there, we
transitioned to his Technicolor shorts. Which is when Mickey went from being
this pie-eyed, really feisty character to more of a well-behaved leading
man," Bunker recalled. "We then finished out our Mouse marathon by
watching all of those new Mickey shorts that Paul Rudish & his team have
been creating for Disney Television Animation. Those cartoons really recapture
a lot of the spirit and wild slapstick fun that Mickey's early, black &
white shorts had."

But given that the specific assignment that Avalanche Studios had been handed
was to create the most appealing looking, likeable version of Mickey Mouse
possible … In the end, Jeff and his team wound up borrowing bits & pieces
from a lot of different versions of the world's most famous mouse. So that
Classic Mickey would then look & move in a way that best fit the sort of
gameplay which people would soon be able to experience with Disney Infinity
3.0.

"That — in a lot of ways — was actually the toughest
part of the Classic Mickey design project. You have to remember that one of the
key creative conceits of Disney Infinity
is that all the characters which appear in this game are toys," Bunker
stated. "Okay. So they're beautifully detailed, highly stylized toy
versions of beloved Disney, Pixar, Marvel & Lucasfilm characters. But
they're still supposed to be toys. So our Classic versions of Mickey &
Minnie have the same sort of thickness & sturdiness to them that toys have.
So that they'll then be able to fit right in with all of the rest of the
characters that Avalanche Studios had previously designed for Disney Infinity."

And then there was the matter of coming up with just the
right pose for Classic Mickey & Minnie. Which — to hear Jeff tell the
story — involved input from a lot of Disney upper management.

"Everyone within the Company seemed to have an opinion
about how Mickey & Minnie should be posed. More to the point, if you Google
Mickey, you then discover that there are literally thousands of poses out there
for these two. Though — truth be told — a lot of those kind of play off the
way Mickey poses when he's being Disney's corporate symbol," Bunker said.
"But what I was most concerned about was that Mickey's pose had to work
with Minnie's pose. Because we were bringing the Classic versions of these
characters up into Disney Infinity 3.0 at the exact same time. And we wanted to
make sure — especially for those fans who like to put their Disney Infinity
figures on display — that Mickey's pose would then complement Minnie.

Which is why Jeff & the crew at Avalanche Studios
decided — when it came to Classic Mickey & Minnie's pose — that they
should go all the way back to the beginning. Which is why these two Disney icons
are sculpted in such a way that it almost seems as though you're witnessing the
very first time Mickey set eyes on Minnie.

"And what was really great about that was — as soon as
we began showing people within the Company this pose — everyone at Disney
quickly got on board with the idea. I mean, the Classic Mickey that we sculpted
for Disney Infinity 3.0 is clearly a very playful, spunky character. But at the
same time, he's obviously got eyes for Minnie," Bunker concluded. "So
in the end, we were able to come up with Classic versions of these characters
that will work well within the creative confines of Disney Infinity 3.0 but at
the same time please those Disney fans who just collect these figures because
they like the way the Disney Infinity characters look."

So now that this particular design project is over, does
Jeff regret that Mouse House upper management was so hands-on when it came to
making sure that the Classic versions of Mickey & Minnie were specifically
tailored to fit the look & style of gameplay found in Disney Infinity 3.0?

"To be blunt, we go through this every time we add a new character to the
game. The folks at Lucasfilm were just as hands-on when we were designing the
versions of Darth Vader and Yoda that will also soon be appearing in Disney
Infinity 3.0," Bunker laughed. "So in the end, if the character's
creators AND the fans are happy, then I'm happy."

This article was originally posted on the Huffington Post's Entertainment page on Tuesday, June 9, 2015