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New William Kallay book reveals “How Tron Changed Visual Effects and Disney Forever”



It's the sci-fi cult classic that spawned a pricey sequel
last year. Not to mention being the jumping-off point for a brand-new animated
which will debut on Disney XD later this year.

"Tron: Uprising," which is due to debut on Disney XD later this summer.
Copyright Disney Enterprises, Inc. All rights reserved

But you gotta ask yourself: Would "Tron" have become a really-for-real
blockbuster back in 1982 if Walt Disney Productions opted to go a different way
with this Steven Lisberger film? Like by – say – having Robin Williams play Flynn
in this visual effects extravaganza? Or by maybe seriously upping this project's
star power by hiring Peter O'Toole to portray all three of this movie's villains:
Dillinger, SARK and the MCP?

Or would this ground-breaking motion picture have done far better
at the box office that year if Disney executives had just stuck with their
original plan. Which was to have "Tron" be the Studio's big Christmas release
for 1982, rather than having this ambitious & innovative production go
toe-to-toe with that summer's other big scif-fi themed / visual effects-filled
films (i.e. "E.T.: The Extra-Terrestrial," "Star Trek II: The Wrath of Khan," "Blade Runner," "The Thing" and "Poltergeist").

Those are the questions that you get to ask yourself as you
read through William Kallay's "The Making of Tron: How Tron Changed Visual Effects and Disney Forever" (November 2011). This 272-page paperback is a fascinating,
in-depth look at a seriously under-reported era in The Walt Disney Company's
history: the late 1970s / early 1980s.

By that I mean: This was a time when the Studio was trying
to reinvent itself, shake off the old ways and become competitive in Hollywood
again. So all sorts of seemingly strange ideas were being considered back then.
Like – for example – permanently shuttering Disney's hand-drawn animation unit.

Seriously.  As Jerry
told "The Making of Tron" 's author, one particularly memorable morning in
the late 1970s started off with this then-newly hired animator being called
into a meeting where …

Art Stevens and Ted Berman … said, 'Well, if it were us to
us, we would just keep re-releasing stuff from the library because we got
enough films. But (management wants) us to make another movie.' So that's we
started (work on 'The Fox and the Hound') !"

Copyright Disney Enterprises, Inc. All rights reserved

Of course, what's kind of ironic about this particular
situation is that one of the main reasons that "Tron" development team didn't
initially want to pitch this CG-heavy film to Disney was because – as producer
Donald Kushner explained — …

"… we felt (that) they were the vanguard of traditional
animation, that they would probably not be interested in computer simulation.
Or if they were interested in computer simulation, they would probably want to
develop something in-house."

So here was Disney, toying with the idea of getting out of
the hand-drawn animation business. And here's the "Tron" team, reluctant to
pitch their CG-filled film to the Mouse because all that Disney had ever done up
until this point was produce hand-drawn animated features & shorts.

Concept art from the original "Tron" pitch. Copyright Disney Enterprises, Inc.
All rights reserved

But after "Tron" had unsuccessfully been pitched to Universal
Pictures, Bonnie MacBird (i.e. the original writer of this film) heard that
there was this executive at Disney – Tom Wilhite — who was willing to embrace
new things.

So Steven, Donald and Bonnie took their movie idea to Tom.
And Wilhite thought enough of "Tron" to commission a couple of camera tests.
One of which made use of old sentry uniforms from "The Black Hole" that had
been dug out of the Studio's costume department. While the other featured …

… professional Frisbee champion, Sam Schatz. Dressed in
clothing and gear raided from a sporting goods store, Schatz threw a Frisbee
around as the camera filmed him. The result of both screen tests convinced
Wilhite and (then-Walt Disney Studio head Ron) Miller that Lisberger was
capable of directing a major $12 million motion picture.

Sam Schatz in all of his sporting gear for the "Tron"
pre-production test.
Copyright Disney Enterprises,
Inc. All rights reserved

Which isn't to say that the production of "Tron" went all
that smoothly. As Michael Fremer, the sound supervisor on this film, recalled:

"Because the set was so dark, all black, (Disney had to use
so many lights & so much electricity to properly light this set that) they
were literally blowing out the transformers at the Burbank power station."

And as Cindy Morgan (i.e. the "Caddyshack" star who was
eventually hired to play Lora & Yori) remembers, performing in this
all-black void of a set was often quite challenging for the actors. Morgan
recalled in an April 2007 interview with Kallay how she used to butt heads with
Lisberger over how he was directing particular scenes.

Copyright Disney Enterprises, Inc. All rights reserved

"Okay, Morgan, you're on the Solar Sailer. You're crossing
the Game Sea. Go!"
Morgan fixated blankly on the blackness of the set.
"What the hell are you talking about?," she questioned.
Lisberger took out sketches of the Solar Sailer and showed her where to go.
"And you're flying the ship," directed Lisberger.
"Another question – what the hell are you talking about flying the ship?" asked
"That table there, that's the control panel," said Lisberger.
"You know Steven, there's nothing here," said Morgan.
"Just do anything and the artists will paint it in."

And speaking of nothing there, Bruce Boxleitner had some
very funny stories to share with the author of "The Making of Tron" when it
came to this film's costumes:

Jeff Bridges, Cindy Morgan and Bruce Boxleitner in their "Tron" costumes.
Copyright Disney Enterprises, Inc. All rights reserved

"There were no pants," exclaimed Boxleitner."(The male
costumes for TRON were) about as close to being naked as you could be. It hid
nothing. Thank God we were only thirty or thirtyone years-old and in good
shape. I think there was a situation where we had to wear bathrobes if we went
outside or to the commissary. The old secretaries were having the vapors with
these young butt cheeks standing there."

And as this sci-fi film moved through its post-production
phase, the topic of Bruce's butt would come up yet again because …

"Steve Lisberger was in dailies one day and noted that
because there was so much black circuitry on Bruce Boxleitner's original
costume butt, the final shots as finished (to be cut into the film) made Tron's
butt glow a lot," recalls (Harrison) Ellenshaw (visual effects supervisor on
this movie).

Harrison Ellenshaw directs Walter Cronkite in a "Tron" – inspired
sequence for CBS's "Universe" television program.

Lisberger rightly felt that the glowing behind would be too distractive to the

"All the guys would be running down the hallway and they'd
be looking like blue butt baboons because they have this glowing ass!" exclaims
(Glenn) Campbell (who handled animation camera compositing on this film).

"So we had this thing called the 'butt grad scandal,' " says (Tron animator
John) Van Vliet.

Jeff Bridges on the Game Grid. Copyright Disney Enterprises, Inc.
All rights reserved

"I still have daily reports that say this shot approved, this shot approved,
this shot needs butt grads," says Campbell. "(Which) meant that that a shot had
to go back and someone has to go through every frame, by hand, and airbrush a
darkening density on a guy's ass so it doesn't glow as much."

And speaking of asses … Perhaps the most startling aspect of
"The Making of Tron" is the part of this book which discusses why the film wound
up being released to theaters during the Summer of 1982. Visual effects supervisor
Richard Taylor places the blame for this movie's mischosen release date on Disney's
then-Chairman of the Board Card Walker.

To hear Taylor tell the story, Card was looking to use "Tron"
as a way  for the Company to get back at
Don Bluth. Who – back in September 1979 – had resigned from Walt Disney Studios
and then gravely embarrassed Walker by announcing that he intended to set up
his own animation studio which would then do what Disney couldn't do anymore.
Which was create hand-drawn animated features that had the same sort of lush
design & detail that one used to see in classic Disney films like "Pinocchio"
and "Fantasia." Which is why …

Copyright 1982 MGM/UA. All rights reserved

… Card Walker wanted Tron rushed into release. Tron needed
at least six months more post production time for reshoots and audience test
screenings to finesse the film. According to (Richard),
the film was supposed to be released during the Christmas season of 1982.

"The Secret of NIMH was coming out on that weekend," recalls Taylor. "Card
Walker wanted Tron to come out on the same weekend to take away from their box
office. And that is the reason. No objectivity. Nothing. Pure revenge. No
consideration for Tron being something really special. It was entirely
motivated by revenge. The stupidest thing in the world."

These are the sorts of stories that you'll only find out by
reading "The Making of Tron: How Tron Changed Visual Effects and Disney
Forever." Which is an eye-opening account not only of the making of this
ground-breaking motion picture but also a great look back at what the Walt
Disney Productions was like back in the late 1970s / early 1980s. What was actually
going on at the Studio back then.

David Warner as the Evil Genius in "Time Bandits," the part that supposedly help Warner
win the roles of Dillinger, SARK and the MCP in "Tron." Copyright Disney Enterprises,
Inc. All rights reserved

I mean, did you know that Disney seriously toyed with
releasing Terry Gilliam's "Time Bandits" ? I didn't. Not until I read this
book, anyway. Which is why – if you're a Disney history buff – I think you'll
really enjoy reading  William Kallay's
well-researched, highly-entertaining book.

FYI: (Just because there are JHM readers who actually want
to know these things) I didn't pay for my copy of "The Making of Tron." Mr.
Kallay sent a review copy to me for gratis. But given all of the great
behind-the-scenes stories that I tripped over while paging through this
paperback, I would have gladly paid for a copy of "How Tron Changed Visual
Effects and Disney Forever."

And speaking of paying … Hey, look! JHM has a tip jar now.

Jim Hill is an entertainment writer who has specialized in covering The Walt Disney Company for nearly 40 years now. Over that time, he has interviewed hundreds of animators, actors, and Imagineers -- many of whom have shared behind-the-scenes stories with Mr. Hill about how the Mouse House really works. In addition to the 4000+ articles Jim has written for the Web, he also co-hosts a trio of popular podcasts: “Disney Dish with Len Testa,” “Fine Tooning with Drew Taylor” and “Marvel US Disney with Aaron Adams.” Mr. Hill makes his home in Southern New Hampshire with his lovely wife Nancy and two obnoxious cats, Ginger & Betty.

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Jens Dahlmann of LongHorn Steakhouse has lots of great tips when it comes to grilling



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Sure, for some folks, the Fourth of July is all about fireworks. But for the 75% of all Americans who own a grill or a smoker, the Fourth is our Nation’s No. 1 holiday when it comes to grilling. Which is why 3 out of 4 of those folks will spend some time outside today working over a fire.

But here’s the thing: Though 14 million Americans can cook a steak with confidence because they actually grill something every week, the rest of us – because we use our grill or smoker so infrequently … Well, let’s just say that we have no chops when it comes to dealing with chops (pork, veal or otherwise).

So what’s a backyard chef supposed to in a situation like this when there’s so much at steak … er … stake? Turn to someone who really knows their way around a grill for advice. People like Jens Dahlmann, the Vice President and Corporate Executive Chef for Darden Restaurant’s LongHorn Steakhouse brand.

Given that Jens’ father & grandfather were chefs, this is a guy who literally grew up in a kitchen. In his teens & twenties, Dahlmann worked in hotels & restaurants all over Switzerland & Germany. Once he was classically trained in the culinary arts, Jens then  jumped ship. Well, started working on cruise ships, I mean.

Anyway … While working on Cunard’s Sea Goddess, Dahlmann met Sirio Maccioni, the founder of Le Cirque 2000. Sirio was so impressed with Jens’ skills in the kitchen that he offered him the opportunity to become sous-chef at this New York landmark. After four years of working in Manhattan, Dahlmann then headed south to become executive chef at Palm Beach’s prestigious Café L’Europe.

Jens Dahlmann back during his Disney World days

And once Jens began wowing foodies in Florida, it wasn’t all that long ’til the Mouse came a-calling. Mickey wanted Dahlmann to shake things up in the kitchen over at WDW’s Flying Fish Café. And he did such a good job with that Disney’s Boardwalk eatery the next thing Jens knew, he was then being asked to work his magic with the menu at the Contemporary Resort’s California Grill.

From there, Dahlmann had a relatively meteoric rise at the Mouse House. Once he became Epcot’s Food & Beverage general manager, it was only a matter of time before he wound up as the executive chef in charge of this theme park’s annual International Food & Wine Festival. Which – under Jens’ guidance – experienced some truly explosive growth.

“When I took on Food & Wine, that festival was only 35 days long and had gross revenues of just $5.5 million. When I left Disney in 2016, Food & Wine was now over 50 days long and that festival had gross revenues of $22 million,” Dahlmann admitted during a recent sit-down. “I honestly loved those 13 years I spent at Disney. When I was working there, I learned so much because I was really cooking for America.”

And it was exactly that sort of experience & expertise that Darden wanted to tap into when they lured Jens away from Mickey last year to become LongHorn Steakhouse’s new Vice President and Corporate Executive Chef. But today … Well, Dahlmann is offering tips to those of us who are thinking about cooking steak tips for the Fourth.

Photo by Jim Hill

“When you’re planning on grilling this holiday, if you’re looking for a successful result, the obvious place to start is with the quality of the meat you plan on cooking for your friends & family. If you want the best results here, don’t be cheap when you go shopping. Spend the money necessary for a fresh filet or a New York strip. Better yet a Ribeye, a nice thick one with good marbling. Because when you look at the marbling on a steak, that’s where all the flavor happens,” Jens explained. “That said, you always have to remember that — the higher you go with the quality of your meat — the less time you’re going to want that piece of meat to spend on the grill.”

And speaking of cooking … Before you even get started here, Jens suggests that you first take the time to check over all of your grilling equipment. Making sure that the grill itself is first scraped clean & then properly oiled before you then turn up the heat.

“If you’re working with a dirty grill, when you go to turn your meat, it may wind up sticking to the grill. Or maybe those spices that you’ve just so carefully coated your steak with will wind up sticking to the grill, rather than your meat,” Dahlmann continued. “Which is why it’s always worth it to spend a few minutes prior to firing up your grill properly cleaning & oiling it.”

Photo by Jim Hill

And speaking of heat … Again, before you officially get started grilling here, Jens says that it’s crucial to check your temperature gauges. Make sure that your char grill is set at 550 (so that it can then properly handle the thicker cuts of meat) and your flattop is set at 425 (so it can properly sear thinner pieces of meat).

Okay. Once you’ve bought the right cuts of quality meat, properly cleaned & oiled your grill, and then made sure that everything’s set at the right temperature (“If you can only stand to hold your hand directly over the grill for two or three seconds, that’s the right amount of heat,” Dahlmann said), it’s now time to season your steaks.

“Don’t be afraid to be bold here. You can’t be shy when it comes to seasoning your meat. You want to give it a nice coating. Largely because — if you’re using a char grill — a lot of that seasoning is just going to fall off anyway,” Jens stated. “It’s up to you to decide what sort of seasoning you want to use here. Even just some salt & pepper will enhance a steak’s flavor.”

Then – according to Dahlmann – comes the really tough part. Which is placing your meat on the grill and then fighting the urge to flip it too early or too often.

“The biggest mistake that a lot of amateur cooks make is that they flip the steak too many times. The real key to a well-cooked piece of meat is just let it be, “Jens insisted. “Of course, if you’re serving different cuts of meat at your Fourth of July feast, you always want to put your biggest thickest steak on the grill first. If you’re also cooking a New York Strip, you want to put that one on a few minutes later. But after that, just let the grill do its job and flip your meat a total of three or four times, once every three minutes or so.”

Of course, the last thing you want to do is overcook a quality piece of meat. Which is why Dahlmann suggests that – when it comes to grilling steaks – if you’re going to err, err on the side of undercooking.

“You can always put a piece of meat back on the grill if it’s slightly undercooked. When you over-cook something, all you can do then is start over with a brand-new piece of meat,” Jens said. “Just be sure that you’re using the correct cut of meat for the cooking result you’re aiming for. If someone wants a rare or medium rare steak, you should go with a thicker cut of steak. If one of your guests wants their steak cooked medium or well, it’s best to start with a thinner cut of meat.”

Photo by Jim Hill

As you can see, the folks at Longhorn take grilling steaks seriously. How seriously? Just last week at Darden Corporate Headquarters in Orlando, seven of these brand’s top grill masters (who – after weeks of regional competitions – had been culled from the 491 restaurants that make up this chain) competed for a $10,000 prize in the Company’s second annual Steak Master Series. And Dahlmann was one of the people who stood in Darden’s test kitchens, watching like a hawk as each of the contestants struggled to prepare six different dishes in just 20 minutes according to Longhorn Steakhouse’s exacting standards.

“I love that Darden does this. Recognizing the best of the best who work this restaurant,” Jens concluded. “We have a lot of people here who are incredibly knowledgeable & passionate when it comes to grilling.”

Speaking of which … If today’s story doesn’t include the exact piece of info that you need to properly grill that T-bone, just whip out your iPhone & text GRILL to 55702. Or – better yet – visit prior to firing up your grill or smoker later today. 

This article was originally published by the Huffington Post on Tuesday, July 4, 2017

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Brattleboro’s Strolling of the Heifers is a sincere if somewhat surreal way to spend a summer’s day in Vermont



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Some people travel halfway ‘around the planet so that they can then experience the excitement of the Running of the Bulls in Pamplona. If you’re more of a Slow Living enthusiast (as I am), then perhaps you should amble to Brattleboro, VT. Where – over the first weekend in June – you can then join a herd of cow enthusiasts at the annual Strolling of the Heifers.

Now in its 16th year, this three-day long event typically gets underway on Friday night in June with a combination block party / gallery walk. But then – come Saturday morning – Main Street in Brattleboro is lined with thousands of bovine fans.

Photo by Jim Hill

They’ve staked out primo viewing spots and set up camp chairs hours ahead of time. Just so these folks can then have a front row seat as this year’s crop of calves (which all come from local farms & 4-H clubs) are paraded through the streets.

Photo by Jim Hill

Viewed from curbside, Strolling of the Heifers is kind of this weird melding of a sincere small town celebration and Pasadena’s Doo Dah Parade. Meaning that – for every entry that actually acknowledged this year’s theme (i.e. “Dance to the Moosic”) — …

Photo by Jim Hill

… there was something completely random, like this parade’s synchronized shopping cart unit.

Photo by Jim Hill

And for every piece of authentic Americana (EX: That collection of antique John Deere tractors that came chugging through the city) …

Photo by Jim Hill

… there was something silly. Like – say – a woman dressed as a Holstein pushing a baby stroller through the streets. And riding in that stroller was a pig dressed in a tutu.

Photo by Jim Hill

And given that this event was being staged in the Green Mountain State & all … Well, does it really surprise you to learn that — among the groups that marched in this year’s Strolling of the Heifers – was a group of eco-friendly folks who, with their  chants of “We’re Number One !,” tried to persuade people along the parade route not to flush the toilet after they pee. Because – as it turns out – urine can be turned into fertilizer.

Photo by Jim Hill

And speaking of fertilizer … At the tail end of the parade, there was a group of dedicated volunteers who were dealing with what came out of the tail end of all those cows.

Photo by Jim Hill

This year’s Strolling of the Heifers concluded at the Brattleboro town common. Where event attendees could then get a closer look at some of the featured units in this year’s parade…

Photo by Jim Hill

… or perhaps even pet a few of the participants.

Photo by Jim Hill

But as for the 90+ calves who took part in the 2017 edition of Strolling of the Heifers, once they reached the town common, it was now time for a nosh or a nap.

Photo by Jim Hill

Elsewhere on the common, keeping with this year’s “Dance to the Moosic” theme, various musical groups performed in & around the gazebo throughout the afternoon.

Photo by Jim Hill

While just across the way – keeping with Brattleboro’s tradition of showcasing the various artisans who live & work in the local community – some pretty funky pieces were on display at the Slow Living Exposition.

Photo by Jim Hill

All in all, attending Strolling of the Heifers is a somewhat surreal but still very pleasant way to spend a summer’s day in Vermont. And that’s no bull.

Photo by Jim Hill

Well, that could be a bull. To be honest, what with the wig & all, it’s kind of hard to tell. 

This article was originally published by the Huffington Post on Sunday, June 4, 2017

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Looking to make an authentic Irish meal for Saint Patrick’s Day? If so, then chef Kevin Dundon says not to cook corned beef & cabbage



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Let’s at least start on a positive note: Celebrated chef, author & TV personality Kevin Dundon – the man that Tourism Ireland has repeatedly chosen as the Face of Irish Food – loves a lot of what happens in the United States on March 17th.

“I mean, look at what they do in Chicago on Saint Patrick’s Day. They toss all of this vegetable-based dye into the Chicago River and then paint it green for a day. That’s terrific,” Kevin said.

But then when it comes to what many Americans eat & drink on St. Paddy’s Day (i.e., a big plate of corned beef and cabbage. Which is then washed down with a mug of green beer) … Well, that’s where Dundon has to draw the line.

Irish celebrity chef Kevin Dundon displays a traditional Irish loin of bacon with Colcannon potatoes and a Dunbrody Kiss chocolate dessert. Photo by Tom Burton. Copyright Disney Enterprises, Inc. All rights reserved

“Green beer? No real Irishman would be caught dead drinking that stuff,” Kevin insists. “And as for eating corned beef & cabbage … That’s not actually authentic Irish fare either. Bacon and cabbage? Sure. But corned beef & cabbage was something that the Irish only began eating after they’d come to the States to escape the Famine. And even then these Irish-Americans only began serving corned beef & cabbage to their friends & family because they had to make do with the ingredients that were available to them at that time.”

And thus begins the strange tale of how corned beef & cabbage came to be associated with the North American celebration of Saint Patrick’s Day celebration. Because – according to Dundon – beef just wasn’t all that big a part of the Irish diet back in the 19th century.

To explain: Back in the Old Country, cattle – while they were obviously highly prized for the milk & cheese that they produced – were also beasts of burden. Meaning that they were often used for ploughing the fields or for hauling heavy loads. Which is why – back then — these animals were rarely slaughtered when they were still young & healthy. If anything, land owners liked to put a herd of cattle on display out in one of their pastures because that was then a sign to their neighbors that this farm was prosperous.

“Whereas pork … Well, everybody raised pigs back then. Which is why pork was a staple of the Irish diet rather than beef,” Dundon continued.

So if that’s what people actually ate back in the Old Country, how then did corned beef & cabbage come to be so strongly associated with Saint Patrick’s Day in the States.? That largely had to do with where the Irish wound up living after they arrived in the New World.

“When the Irish first arrived in America following the Great Famine, a lot of them wound up living in the inner city right alongside the Germans & the Jews, who were also recent immigrants to the States. And while that farm-fresh pork that the Irish loved wasn’t readily available, there was brisket. Which the Irish could then cure by first covering this piece of meat with corn kernel-sized pieces of rock salt – that’s how it came to be called corned beef. Because of the sizes of the pieces of rock salt that were used in the curing process – and then placing all that in a pot of water with other spices to soak for a few days.”

And as for the cabbage portion of corned beef & cabbage … Well, according to Kevin, in addition to buying their meat from the kosher delis in their neighborhood, the Irish would also frequent the stores that the German community shopped in. Where – thanks to their love of sauerkraut (i.e., pickled cabbage) – there was always a ready supply of cabbage to be had.

“So when you get right down to it, it was the American melting pot that led to corned beef & cabbage being found in the Irish-American cooking pot,” Dundon continued. “Since they couldn’t find or didn’t have easy access to the exact same ingredients that they had back in Ireland, Irish-Americans made do with what they could find in the immediate vicinity. And what they made was admittedly tasty. But it’s not actually authentic Irish fare.”

Mind you, what Kevin serves at Raglan Road Irish Pub and Restaurant at Disney Springs (which – FYI – Orlando Magazine voted as the area’s best restaurant back in 2014) is nothing if not authentic. Dundon and his team at this acclaimed gastropub pride themselves on making traditional Irish fare and then contemporized it.

Copyright Disney Enterprises, Inc. All rights reserved

“Take – for example – what we serve here instead of corned beef & cabbage. Again, because it was pork – rather than beef – that was the true staple of the Irish diet back then, what we offer instead is a loin of bacon that has been glazed with Irish Mist. That then comes with colcannon potatoes. Which is this traditional Irish dish that’s made up of mashed potato that have had some cabbage & bacon mixed through it,” Kevin enthused. “This heavenly ham – that’s what we actually call this traditional Irish dish at Raglan Road, Kevin’s Heavenly Ham – also includes some savory cabbage with a parsley cream sauce as well as a raisin cider jus. It’s simple food. But because of the basic ingredients – and that’s the real secret of Irish cuisine. That our ingredients are so strong – the flavors just pop off the plate.”

Which brings us to the real challenge that Dundon and the Raglan Road team face every day. Making sure that they actually have all of the ingredients necessary to make this traditional-yet-contemporized Irish fare to those folks who frequent this Walt Disney World favorite.

“Take – for example – the fish we serve here. We only used cold water fish. Salmon, mussels and haddock that have been hauled out of the Atlantic, the ocean that America and Ireland share,” Kevin stated. “Not that there’s anything wrong with warm water fish. It’s just that … Well, it doesn’t have the same structure. It’s a softer fish, which doesn’t really fit the parameters of Irish cuisine. And if you’re going to serve authentic food, you have to be this dedicated when it comes to sourcing your ingredients.

Copyright Mitchell Beazley. All rights reserved

And if you’re thinking of perhaps trying to serve an authentic Irish meal this year, rather than once again serving corned beef & cabbage at your Saint Patrick’s Day Feast … Well, back in September of last year, Mitchell Beazley published “The Raglan Road Cookbook: Inside America’s Favorite Irish Pub.” This 296-page hardcover not only includes the recipe for Kevin’s Heavenly Ham but also it tells the tale of how this now-world-renown restaurant wound up being built in Orlando.

On the other hand, if you happen to have to the luck of the Irish and are actually down at The Walt Disney World Resort right now, it’s worth noting that Raglan Road is right in the middle of its Mighty St. Patrick’s Day Festival. This four day-long event – which includes Irish bands and professional dancers – stretches through Sunday night. And in addition to all that authentic Irish fare that Dundon and his team are cooking up, you also sample the fine selection of beers & cocktails that this establishment’s four distinct antique bars (each of which are more than 130 years old and were imported directly from Ireland) will be serving. Just – As ucht Dé (That’s “For God’s Sake” in Gaelic) – don’t make the mistake of asking the bartender there for a mug of green beer.

“Why would anyone willingly drink something like that?,” Dundon laughed. “I mean, just imagine what their washroom will look like the morning after.”

This article was originally published by the Huffington Post on Friday, March 17, 2017

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